When Bill Plaskett and his son Joel Plaskett get together to write songs the result, as Bill describes it, is “a touch of the traditional mixed in with the new, and a lot of the unexpected, arrived at through experimentation.” The result is Solidarity, an album that welds Bill’s traditional folk leanings with Joel’s long and acclaimed history in the Canadian rock landscape.

While Joel is a nationally adored, JUNO Award winning songwriter, the foundations of his talent began at home with his father Bill, who is an accomplished musician himself and co-founder of the Lunenburg Folk Harbour Festival. "My father has certainly been one of my biggest musical influences,” says Joel. “I grew up around him playing guitars and his love of folk music, particularly music from the British Isles and Ireland is something I've inherited from him – artists like Bert Jansch, Richard Thompson, and Paul Brady. Conversely, I have introduced him to some of my favourite records by artists like Those Bastard Souls, Led Zeppelin, and Gillian Welch.”

Bill and Joel’s converging approaches to songwriting left lots of room for both to help shape each other’s songs. Bill says the pair spent a lot of time “figuring out what to play, and what not to play, listening critically to each other, and talking about the results. And then figuring out themes, motifs, and connections.” The result of which is “a complementary but different melodic sense that creates a guitar weave that is unique to us,” says Joel. “Between the 6 string, tenor and tiple guitars, the bouzoukis and mandolas, there are a lot of ringing strings on this album. Wouldn't have it any other way."

Set for release on February 17 via Pheromone Recordings, the title track, “Solidarity” is a great summation of their collaboration, both lyrically and sonically. “I wanted a song Dad and I could sing together that connected our individual journeys and our personal politics,” says Joel. “The word ‘solidarity’ came to mind and didn't leave.”


Both Bill and Joel’s tracks on Solidarity arrived here from many different eras, sources, and stages of life. Bill wrote “No Sight Compares” in the early 1970s about a troubled relationship and signs from nature that everything would work out fine, while Joel’s “The New California” was written this past summer at a hotel in Yellowknife where “the Alpine trees and perpetual sunlight on the Great Slave Lake made me think of some magical part of California I dreamt up,” claims Joel.

While “We Have Fed You All For A Thousand Years,” “Jim Jones,” and “On Down the River” are older songs, each heard many times on the Plaskett family tape player and now revisited by father and son together, other tracks on Solidarity pay homage in a less direct manner. Both “Dragonfly” and “Up In The Air” give a nod to some of Bill’s guitar heroes, Bert Jansch and Richard Thompson, and one of Joel’s favourite songwriters, Al Tuck.

Not all the cuts on Solidarity required as much forethought though. “Help Me Somebody Depression Blues” was recorded spur of the moment with Bill on acoustic guitar in one of the studios and Joel on drums in the other. Divided by a window but connected through headphones, the two hammered out the track, VU meters in the red throughout “in one take, or was it two?” wonders Bill.

01 Dragonfly
02 The Next Blue Sky
03 We Have Fed You All For 1000 Years
04 Blank Cheque
05 Help Me Somebody Depression Blues
06 Up In The Air
07 Jim Jones
08 The New California
09 No Sight Compares
10 Solidarity
11 On Down The River