COLIN LINDEN AND LUTHER DICKINSON JOIN FORCES ON AMOUR

GUITARISTS COLIN LINDEN AND LUTHER DICKINSON JOIN FORCES ON AMOUR, A NEW ROOTS RECORD FEATURING SONGS OF SENTIMENTAL, ROMANTIC LOVE, DUE OUT FEBRUARY 8 VIA STONY PLAIN RECORDS

LISTEN AND SHARE “DON’T LET GO” HERE

CLD_web1.jpg

DOWNLOAD HIGH-RES

Colin Linden and Luther Dickinson pair their roots guitar talents for Amour, due out February 8 via Stony Plain Records. The album was produced by Linden, recorded at Blackbird Studios in Nashville, and features a backing band dubbed The Tennessee Valentines of Dominic Davis ( bass), Bryan Owings (drum), Fats Kaplin (violin and accordion), and Kevin McKendree (keyboards).

Linden and Dickinson recruited a host of Nashville talent as guest vocalists on the new disc, including the legendary Billy Swan, who sings lead on “Lover Please”, a song he wrote, which   was recorded and became a classic hit for Clyde McPhatter, as well as songbirds Rachael Davis and Ruby Amanfu, plus two of Linden’s Nashville TV series buddies - Sam Palladio (“Crazy Arms”) and Jonathan Jackson (“I Forgot to Remember to Forget”).  

“These are songs of sentimental, romantic love,” says Colin Linden. “They come from country (“Crazy Arms”), blues (“Honest I Do”), rock ‘n’ roll (“Lover Please”), rhythm and blues (“What Am I Living For”), and folk music (“Careless Love”). I think that is a pretty good read on what Americana really is. ‘Careless Love’ is the ‘ID’ of the record—a traditional song of love, longing and regret. I view the entire album as a soundtrack for romance and romantics everywhere, bound together by melody and atmosphere.”

LISTEN AND SHARE “DON’T LET GO” HERE

Amour is the first collaboration between Colin Linden (Blackie and the Rodeo Kings, TV show Nashville) and Luther Dickinson (North Mississippi Allstars, Black Crowes) and consists of classic love songs from the Americana world. Both Linden and Dickinson are true veterans of roots music, having played with and produced some of the biggest names in the business, while displaying the mantle of countless awards and accolades to reflect that.

“Most of these songs I have known my whole life, and they reached me in the same way,” says Linden. “I mentioned the idea of recording them as a collection to my friend Luther Dickinson, who said it was a good idea—and that it would be cool to work on it together. Luther is not only a master musician, but also an artist with a great vision and a soulful, wonderful human being.”

“Colin and I are fellow guitar-slinging, peace-loving, freedom-fighting romantics who jump at any and every opportunity to play guitars together,” adds Luther Dickinson. “Our only problem is not erupting into joyous laughter as the music unfolds. In the spirit of brotherly love and old-school ancient sonic explorations, Colin and I both plugged into a shared guitar amp that you can hear in the middle. Our individual amps are spread out, and though you can hear the different guitars popping thru here and there, it's hard to tell who is playing what, and that only adds to Colin and my Amour fest.” 

“As time and fate would have it, all of the mighty folks who joined us were also moved by these songs,” explains Linden. “Blessed by one of our heroes—and the composer of one of these songs—Billy Swan, we felt like we were on the right road in doing this album. It was a band of angels we were joined by; Luther suggested we call it The Tennessee Valentines, based on the beautiful song and these glorious spirits. But the real story is the love story in the songs.” 

Amour is Linden’s second album for the label since Stony Plain re-signed the nine-time JUNO Award-winning singer/guitarist in 2015 and released his acclaimed Rich in Love that same year. Stony Plain was also the home of Colin’s first studio album, The Immortals, in 1986.

Colin Linden continues to be a very much in-demand musician, having played on Gregg Allman’s 2011 Grammy-nominated Low Country Blues, as well as Grammy-winner Rhiannon Giddens’ album, Tomorrow Is My Turn, and Diana Krall’s Glad Rag Doll. He’s also produced 125 albums, was the musical director on the hit TV show, Nashville and toured as guitarist for Bob Dylan, Bruce Cockburn, Emmylou Harris, Robert Plant and, among many others.

In addition, he was the featured guitar player on the PBS-TV special saluting gospel music, In Performance at the White House, backing such stars as Emmylou Harris, Rodney Crowell, Lyle Lovett, and Shirley Caesar. In recent years, he’s also played on the soundtracks for a number of feature films, including Inside Llewyn Davis, The Hunger Games, R.I.P.D. and the acclaimed documentary, A Place at the Table. In 2015 he was the music director for the special tribute to legendary Sun Records founder Sam Phillips at the Country Music Hall of Fame.

A genuine renaissance man of roots music, Colin is also a member of the highly successful trio, Blackie and the Rodeo Kings, who released the highly acclaimed album, Kings & Queens, in 2011, which teamed the band up with such guests as Emmylou Harris, Rosanne Cash, Lucinda Williams, Cassandra Wilson, Patti Scialfa and Holly Cole. That disc was followed by the Kings & Kings album in 2016.

CLD_LP_cover_A.jpg


DOWNLOAD HIGH-RES

AMOUR TRACKLIST
01 Careless Love (Instrumental)
02 Don’t Let Go
03 Honest I Do
04 Careless Love
05 Crazy Arms
06 For The Good Times
07 Lover Please
08 What Am I Living For
09 Dearest Darling
10 Forget To Remember To Forget

COLIN LINDEN ONLINE
WEBSITE
TWITTER
FACEBOOK

LUTHER DICKINSON ONLINE
WEBSITE
TWITTER
FACEBOOK

ABIGAIL LAPELL SHARES “DEVIL IN THE DEEP” FROM UPCOMING LP

LISTEN AND SHARE “DEVIL IN THE DEEP” HERE

GETAWAY DUE OUT FEBRUARY 1, 2019 VIA COAX RECORDS / OUTSIDE

PRE-ORDER GETAWAY HERE

2019 TOUR DATES BEGIN JANUARY 24

AL_web4_GaelleLegrand.jpg

Photo Credit : Gaelle Legrand  // DOWNLOAD HIGH-RES

Today, Abigail Lapell is sharing another new track from her upcoming third LP Getaway, due out February 1 via Coax Records / Outside,. “Devil In The Deep” is “kind of a rock anthem that's equal parts religious symbolism and nursery rhyme,” says Lapell. “I'm fascinated by these very stylized, mythical kinds of language – the devil in music is such a timeless cliche, and water slash redemption imagery crops up a lot in my songs on this album. To me the devil figure in this song is something dark and enthralling but also a bit playful, like a trickster – maybe a good metaphor for the process of creating art.”

LISTEN AND SHARE “DEVIL IN THE DEEP” HERE

Call it prairie noir, or Canadiana desert rock, Abigail Lapell sings haunting, gorgeous modern folk songs, mapping epic natural landscapes and deeply intimate, personal territory. The Toronto vocalist, guitarist, and multi-instrumentalist has released two acclaimed solo albums. Hide Nor Hair, her Chris Stringer-produced sophomore LP, won a Canadian Folk Music Award for Contemporary Album of the Year in 2017.

For Getaway, Lapell spent time in the mountains, digging through her vault of unreleased material, and ended up with dozens of road songs to choose from. Working again with Stringer at Toronto’s Union Sound studio, she expanded her pool of collaborators, recruiting Christine Bougie (Bahamas) on lap steel, Dan Fortin (Bernice) on bass, and Jake Oelrichs (Run With The Kittens) on drums. Trumpeter and composer Rebecca Hennessy plays on “Sparrow for a Heart”—her trumpet swirling in a sublime duet with Lapell’s synth flute and electric guitar—and also arranged horn parts for band workout “Little Noise”, with Tom Richards on trombone. The latter, a subtle nod to the ‘Me Too’ movement, may even inspire listeners to get up and dance. The album also features longtime collaborators Lisa Bozikovic on piano and vocals, Dana Sipos on vocals, Rachael Cardiello on viola, and Joe Ernewein on pedal steel.

Getaway sounds fuller than Lapell’s previous records, her signature howl and warm, melodic guitar chops matched by a bluesy rhythm section. Building gang vocals on “Devil in the Deep” culminate in the entire band crying ‘Hallelujah, Amen’. Lapell and Stringer also incorporate otherworldly sounds, including an X-Files-like keyboard part on “UFO Song”, which tells the tale of a close encounter in rural Saskatchewan.

Yet there are also spacious piano interludes (“Leningrad”), and even an accordion tune (“Runaway”), that nod to how Lapell sounds playing solo. One of the record’s most striking moments is just acoustic guitar and two voices: Lapell and Sipos, captured live in a room together, harmonizing overtop plucked strings on the transfixing “Down by the Water”.

LISTEN AND SHARE “GONNA BE LEAVING” HERE

Closing the album, the other song about leaving, “Shape of a Mountain”, written in the Alberta Rockies during a Banff Centre artist residency, sets majestic scenes of wanderlust over cinematic strings (played by Vancouver cellist Peggy Lee, a Banff collaborator, and Toronto violinist Aline Homzy). The result is Lapell’s most eclectic and confident album to date.

Since the release of 2017’s Hide Nor Hair, Lapell has been on the road, touring across Canada, the U.S. and Europe, and playing at festivals like Pop Montreal, Mariposa, In The Dead Of Winter, Tiny Lights, and Folk On The Rocks. Watch for more tour dates from Lapell in the near future.

AL_LP_scover_G.jpg

DOWNLOAD HIGH-RES

GETAWAY TRACKLIST
01 Gonna Be Leaving
02 Ask Me No Questions
03 Devil In The Deep
04 Leningrad
05 Sparrow For A Hearth
06 Halfway To Mexico
07 UFO Song
08 Runaway
09 Down By The Water
10 Little Noise
11 Shape Of A Mountain

ABIGAIL LAPELL TOUR DATES
Jan 24- Halifax NS - The Carleton | In the Dead Of Winter Festival
Feb 8 - Burlington, VT - Radio Bean
Feb 9 - Hanover, NH - Skinny Pancake
Feb 11 - Cambridge, MA - Club Passim
Feb 13-17 - Montreal, QC - Folk Alliance
Feb 18 - Montreal, QC - Casa del Popolo
Feb 20 - Ottawa, ON - Irene's
Feb 25 - Hamilton, ON - Casbah
Feb 27 - Toronto, ON - The Burdock
Mar 2 - Winnipeg, MB - Home Routes House Concert Tour
Mar 3 - St. Clements, MB - Home Routes House Concert Tour
Mar 5 - Winnipeg, MB - Home Routes House Concert Tour
Mar 6 - Niverville, MB - Home Routes House Concert Tour
Mar 7 - Altona, MB - Home Routes House Concert Tour
Mar 8 - Cartwright, MB - Home Routes House Concert Tour
Mar 9 - Wawanesa, MB - Home Routes House Concert Tour
Mar 10 - Birtle, MB - Home Routes House Concert Tour
Mar 12 - Kelwood, MB - Home Routes House Concert Tour
Mar 13 - Baldur, MB - Home Routes House Concert Tour
Mar 14 - Winnipeg, MB - Home Routes House Concert Tour
Mar 15 - Winnipeg, MB - Prairie Ink
Mar 17 - Regina, SK - Cloud 9
Mar 19 - Saskatoon, SK - 134 Homemade Jam
Mar 20 - Red Deer, AB - House Concert
Mar 22 - Edmonton, AB- TBA
Mar 23 - Calgary, AB - Cornerstone Music Cafe
Mar 28 - Vancouver, BC- The WISE Hall
Mar 30- Vernon, BC- TBA

ABIGAIL LAPELL ONLINE
WEBSITE
FACEBOOK
TWITTER
INSTAGRAM
BANDCAMP

COAX RECORDS

TOM WILSON’S LEE HARVEY OSMOND SHARES NEW TRACK FROM UPCOMING LP

LISTEN AND SHARE “FORTY LIGHT YEARS”

STREAM / BUY “FORTY LIGHT YEARS” HERE

TOM WILSON DISCOVERS HIS TRUE IDENTITY ON LEE HARVEY OSMOND’S MOHAWK, OUT JANUARY 25 VIA LATENT RECORDINGS

PRE-ORDER MOHAWK HERE

TOUR DATES BEGIN JANUARY 25

“Over the course of discovering my true identity, the intention of my writing, my music and my art is to reduce the gap between my indigenous culture and colonialists to make a more patient, loving community.” – Tom Wilson aka LeE HARVeY OsMOND

LHO_web2.jpg

PHOTO CREDIT : Marta Hewson  // DOWNLOAD HIGH-RES


“Forty Light Years” is a “cannonball prayer straight to my mother’s longing heart,” says Tom Wilson. The new single from his upcoming Lee Harvey Osmond LP, Mohawk, is “a timeless quest for bonding and the nagging desire for freedom all disguised in a groovy 3:24 burning saunter,” he says. “I write these songs because I have to. I’ve finally earned that right. They often get dismissed as an offering from some ‘veteran rocker’. Allow me to fuck that shit for you right now…”

LISTEN AND SHARE “FORTY LIGHT YEARS”

STREAM / BUY “FORTY LIGHT YEARS” HERE

Due out January 25 via Latent Recordings, Mowhawk, the fourth Lee Harvey Osmond album, centres around the discovery of Wilson’s true heritage and the culture that it carries which now informs all of his art.

When Wilson created the moniker Lee Harvey Osmond he wasn’t entirely certain if this was a new stage name or merely a provocative handle for the musician/artist collective assembled by producer Michael Timmins to record a collection of Tom Wilson songs that would become A Quiet Evil. This was the first of four albums bearing the featured artist Lee Harvey Osmond. The Folk Sinner was next, followed by the break through Beautiful Scars. It was during this time between releasing Beautiful Scars and recording Kings and Kings with Blackie and The Rodeo Kings that Wilson went public with his recent discovery. He was not exactly the person he thought he was.

In his 50s, Wilson learned that the parents who raised him were not his birth parents; that, in fact, he was adopted and that his biological mother and father were Mohawk from the Kahnawake reserve, just outside of Montreal. Grappling with this newfound sense of himself plunged Wilson into a quest for his heritage and his truth, and led to the writing of his bestselling autobiography, Beautiful Scars (Doubleday Canada). The book is a colourful and truthful tale of this quest, and his life’s tribulations and successes along the path.

“It is a story of finding your way home,” he says. “It’s a story of adoption, of growing up thinking you’re a big, sweaty, Irish guy, and finding out at the age of 53 that you’re a Mohawk.”

WATCH AND SHARE “MOHAWK” LYRIC VIDEO HERE

STREAM / BUY “MOHAWK“ HERE

Under the steady hand of producer Michael Timmins, the musician collective Lee Harvey Osmond revives the origins of ‘Acid Folk’ with appearances from old friends Ray Farrugia (percussion), Aaron Goldstein (steel guitar), Jesse O’Brien (keyboards) and introduces Anna Reddick (bass). The expanded use of Darcy Hepner’s brass and baritone sax and brilliant harmonica flashes from blues veteran Paul Reddick and Wilson’s son, Thompson Wilson, sound as guideposts behind the moody grooves of Wilson’s literary recital. Suzie Ungerleider (Oh Susanna) provides the perfect backing vocal ingredient for Wilson’s baritone.

Wilson’s life has been an ongoing quest so it is perhaps inevitable that after decades immersed in poetry, literature and music he would turn attention to visual art, a language that transcends the verbal and the written. The packaging and visual elements of Mohawk incorporate Tom Wilson creations. In particular a painting of the same name from his collection Beautiful Scars: Mohawk Warriors, Hunter and Chiefs

He is still driven to ask questions, to seek meaning from the elusive mysteries hidden beneath the surface of everyday existence, to come to terms with his history, his identity; to aspire to higher truths and to understand his place in the world. “If I have 20 more years on this planet, I hope to keep becoming a Mohawk, because I can’t become a Mohawk the way my brothers and sisters and ancestors did.”

PRE-ORDER MOHAWK HERE

LEE HARVEY OSMOND TOUR DATES

Jan 25 – Toronto, ON – The Horseshoe | Tickets
Feb 8 – Peterborough, ON – Market Hall | Tickets
Feb 9 – Hamilton, ON – Mule Spinner | Tickets
Feb 13/14 – Montreal, QC – Folk Alliance
Feb 15 – Wakefield, QC – The Black Sheep Inn | Tickets
Feb 16 – Wakefield, QC – The Black Sheep Inn | Tickets

LHO_LP_cover_M.jpg

DOWNLOAD HIGH-RES

MOHAWK TRACKLIST
01 Colours
02 Forty Light Years
03 BAM
04 Kingdom Come
05 Whole Damn World
06 Magic
07 Mohawk
08 Burn Of Love
09 A Common Disaster
10 What I Loved About You


LEE HARVEY OSMOND ONLINE
WEBSITE
TWITTER