SATELLITE AND THE HARPOONIST (SHAWN HALL) SHARE VIDEO FOR FIRST SINGLE FROM NEW SUPERGROUP

WATCH AND SHARE “BALLET IN A PHONE BOOTH” HERE

SATELLITE AND THE HARPOONIST - THE NEW SUPERGROUP FROM HARPOONIST AND THE AXE MURDERER’S SHAWN HALL, FEATURING MEMBERS OF THE DEEP DARK WOODS, THE BOOM BOOMS, AND KING MISSILE III

NEW EP COMING THIS SUMMER

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“Ballet In A Phone Booth” Single Artwork // DOWNLOAD HIGH-RES

As the great poet Henry Wadsworth Longfellow once stated, “The best thing one can do when it’s raining is to let it rain.” And so, in January 2020, as the city’s longest spell of precipitation in over five decades threatened to wash Vancouver into the Pacific, four musicians from disparate sonic territories did just that. Not that they had a say in the matter, they let it rain while gathering at Afterlife Studios to conduct an experiment as radical and historic as the weather outside. 

Shawn Hall of the acclaimed maverick blues duo The Harpoonist and The Axe Murderer was the progenitor, his notion being to assemble three talented friends with whom he had previously worked, yet that had never met each other. Then, during an intense three-day exploration of alchemic creative collaboration within a self-imposed pressure cooker environment, they would record a 6-song EP – all under the gaze of a film crew. So, as the rain smashed down on the City of Glass, Satellite and The Harpoonist was birthed, with every labour pain and its exhausting entry into the world captured on celluloid.

Joining singer/harmonicist Hall in this extraordinary project – his “people that want to play in the sandbox” – are Geoff Hillhorst (Hammond organ/piano/synthesizers) of award-winning alt-country-folk dreamers, The Deep Dark Woods; Theo Vincent (percussion/congas/vocals) from Vancouver’s funk-soul powerhouse The Boom Booms, and on drums and Pencilina, Brooklyn’s Bradford Reed, of out-there art-rockers, King Missile III. The Pencilina, an incredible double-necked zither-like contraption, is Reed’s own one-off invention, making Satellite and The Harpoonist the world’s only band to feature it.

WATCH AND SHARE “BALLET IN A PHONE BOOTH” HERE

Today, the band shares the first glimpse into those sights and sounds with the video for the new single “Ballet In A Phone Booth”, the trippy, groove-heavy, rock ‘n’ soul lead single featuring a guest appearance from Royal Canoe’s Matt Peters.

“Ballet In A Phone Booth” is a direct reference to Terry O’Reilly’s ‘Age of Persuasion’ referring to the art of making commercials in 30 seconds and the absurdity of our short attention spans in these times. “I wrote it at the Banff Centre on one of their 106 pianos,” says Shawn Hall. “To me it reflects the spiralling of our current predicament and how easy it is to be lost in our collective mad descent, while still being lovingly engaged and aware of our situation.”

Director Peter Ricq said of the video, “I had this idea for a video using vintage animated landscapes as a theme. When I started editing all these images together, what kept popping up was ‘Man vs. Nature’. We are really losing the beauty that our world has and even had to offer. You'd think that after all these decades, we wouldn't need to be reminded by now, but it's obviously never-ending. Also as a bonus, I'm trying to hypnotize the audience to get on the dance floor and shake their booty.”

Be on the lookout for more new music from Satellite and The Harpoonist coming in the near future. 

In the meantime, tune in on April 27 to watch Shawn Hall perform Satellite And The Harpoonist songs for National Arts Centre Canada Performs Live Stream Series.

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Photo Credit: Kelsey Vansickle // DOWNLOAD HIGH-RES

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PHARIS & JASON ROMERO RELEASE TWO MORE TRACKS FROM UPCOMING 5TH LP

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Photo Credit : Laureen Carruthers // DOWNLOAD HIGH-RES

The songs on Pharis and Jason Romero’s new LP, Bet On Love, are all related and intertwined, which is why they are releasing them in pairs. Having already shared “New Day” and “We All Fall”, the JUNO Award winning duo are today releasing two more songs from the album, the LPs title track and “Hometown Blues”.

“Bet On Love” is “the most personal and intimate song I’ve ever written,” says Pharis. “Most of our songs are about other people; it’s exhilarating to sing such a personal song. It’s a release, a permission to be frank about the outward charade I can create, and what it is I desire - ease, smiles, love. Knowing that love - especially for myself - is the channel that guides me best. The yodel at the end is so me at my core, when I’m feeling great and relieved.”

The other track out today, “Hometown Blues”, sees the sound, feel, and low banjo tuning inspired by one of the Romero’s musical heroes, John Hartford. “‘Hometown blues’ is that confusing state of mind where you love and crave the grounding of your home town, but know that you need to leave to really appreciate it,” says Pharis. “And you resist the old patterns that may follow you if you return. My dad was born and raised in Horsefly, BC (Pharis & Jason’s hometown). He returned back to the area after trying out fixing typewriters and playing in bands in Vancouver, and a short attempt at Montreal. ‘Swinging round the rainbow arc’ is a lovely old term for cutting trees down with an axe. ‘We all know who goes home and who won't show for hours’ was from my childhood memories of men who went straight to the bar after working in the bush all day; some of them stayed for one drink and some stayed for more, while their families were waiting at home for them.”

WATCH AND SHARE “BET ON LOVE” HERE

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Double A-Side Artwork // DOWNLOAD HIGH-RES

Bet On Love, the fifth record from Pharis and Jason Romero, is a modern folk ode to the reciprocal relationships between place, people and time. Recorded in their banjo shop outside the small Northern town of Horsefly, British Columbia, with the help of producer Marc Jenkins (who produced their JUNO-winning 2018 record Sweet Old Religion), the album is quite literally home grown. The songs on Bet On Love, coming May 15, 2020, are inspired by the land the Romeros live on and the lifestyle they have chosen to lead, focused on balance, simplicity and intention. Add in a bustling boutique banjo business and the raising of two young children with the busy life of active musicians, and the balancing act itself becomes an art form. 

From the outside, this existence drips with romanticism. Two people in love, building banjos and rearing children by day while writing and performing intimate music by night. Yet on the inside this deceptively simple, elegant life is only made possible by applying an acute dedication to life and art, form and function, music and family. The same focus that has made Pharis & Jason Romero two of the best instrument builders in the world is brought to bear on mastering the acoustic tones of their recorded music. Their new album shines with life, reflecting a deep sense of love and community. Their unique world gently offers up tone and song, bound together in music of transcendent beauty. 

“New Day” and “Right in the Garden” sound like songs she might sing to her children–soft, warm and full of light–while “We All Fall” carries a gentle lesson. With exceptional control, range, and vocal clarity, Pharis’ voice soars above these tracks, joined in exquisite, lush harmony with Jason Romero. His calm and slightly weathered voice drifts over songs of journey and heartbreak, their vocals weaving and intertwining like branches on the willows that hang over the creek outside their door. Pharis’ songwriting draws from folk wellsprings as well as deep American and Canadian roots. A lifelong student and teacher of these roots, Pharis writes songs that seem old but echo with an ease and simplicity that belies their construction. Jason contributes the sublime instrumental composition “New Caledonia”, played (along with “Roll On My Friend”) on his handmade gourd banjo, and redolent of the Baroque complexity of early Norman Blake. In a salute to the sound of old-time country music they revere so much, many of the microphones used are as vintage as they are beautiful, with “A Bit Old School” being sung and played face-to-face through a ribbon RCA microphone from the 1940s. Also in line with this stripped-down, traditional approach, the songs, including those featuring guest musicians Patrick Metzger (bass) and John Reischman (mandolin), were all recorded live on acoustic instruments. The end result is a rich vocal and instrumental soundscape of an album as deceptively simple and clear as the life that inspired it.

WATCH AND SHARE “NEW DAY” HERE
WATCH AND SHARE “WE ALL FALL” HERE

LISTEN AND SHARE “NEW DAY” & “WE ALL FALL” HERE

In the end, Pharis and Jason Romero choose the unconventional — touring selectively with two small kids, making banjos in the woods, recording at home in the winter — and they live and sing about those choices with vibrancy and an elite skill set honed through decades of dedication. Their songs are an expression of a hope found in the resilience of community, and of a love born from family, united in the melodies of life. 

PRE-ORDER BET ON LOVE HERE

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BET ON LOVE TRACKLIST
01 Hometown Blues
02 New Day
03 Roll On My Friend
04 Right In The Garden
05 Bet On Love
06 New Caledonia
07 We All Fall
08 Old Chatelaine
09 A Bit Old School
10 Kind Girl
11 World Stops Turning

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JAUNT RELEASE VISUAL ALBUM FOR NEW LP, ALL IN ONE

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Photo Credit: Sylvain Chaussée // DOWNLOAD HIGH-RES

Tomorrow, Toronto-based six-piece Jaunt will release their sprawling debut album, All In One, and today they are sharing a series of strangely prophetic visuals for the LP made in partnership with tranquilo (MorMor, Charlotte Day Wilson). The collection of six videos depicts each member of Jaunt in solitude at home within a moment of time. Jaunt’s drummer Duncan Hood notes, “These videos shot in January were originally intended to highlight the serenity found in everyday acts of escape in self-care — painting, cooking, listening, reading, cleaning, watching. Now in this new era we are all experiencing together, they seem less about escape and more about our collective confinement. In lockdown the intended meaning of the videos, let alone the album as a whole, has completely changed. Finding a sense of peace in the otherwise lonely aspects of routine felt, in January, aspirational. Now, it feels necessary, almost mandatory."

WATCH AND SHARE ALL IN ONE VISUAL ALBUM HERE

Recorded over three years and engineered in collaboration with Alex Sowinski (BADBADNOTGOOD), this collection serves as a travelogue for the band’s growth. All In One celebrates connection, creativity, and adaptation all passed through the lens of desktop pop sensibilities and an endearingly adventurous spirit. Equal parts experimental and infectiously raw, faintly electric and distinctly exposed, the cornucopia of styles and sounds presented in All In One finds itself glued together by a palpable and unique sense of understanding and friendship. 

A trip down memory lane might credit Jaunt’s beginnings to an elixir of coincidence and surrendering to try something new. Pat O’Brien, now the band’s guitarist, met future lead singer and songwriter Tom Helliwell at a Halloween party, striking a friendship that manifested across a few years of jams and shared musical creations. Somewhere along the way, Pat booked a show out of the blue, the band released their first EP, Chat, and Jaunt had graduated from a digital manifest of closeted collaborations to something tangible. Keyboardist Daniel Reardon entered the fold for the band’s first performance, followed closely by the addition of drummer Duncan Hood and bassist Nick Nausbaum.

Jaunt’s artistic palette, social circle, and resume developed quickly and organically, alongside their time active in the Toronto music scene. Duncan’s friendship and collaborations with Alex Sowinski intersected with Nick’s ties to the Montreal ecosystem that produced breakouts like Homeshake and Yves Jarvis; this further fostered creative community and opportunities to tour and record on top of groundwork already established by Pat and Tom. Duncan and Nick began performing with Charlotte Day Wilson as her backing band and would cross paths with vocalist and video artist Caitlin Woelfe-O’Brien playing similar venues. A friendship was sparked, Caitlin contributed her voice to coloring the band’s second EP, Cue, and now is a full-time member of the group. By this time, Jaunt had become a well-oiled machine: a synergetic sextet fueled by earnest ambition and artistic momentum. 

The band’s origin story is the genesis for what would become their full-length debut. In name, All In One, evokes wholeness while feeling vast, a testament to the record’s breadth of musical directions and underlying cohesiveness. Thematically, it’s an homage to changes and evolution experienced by Jaunt on both an individual and collective scale throughout the album’s creation.  The unpredictable variables in the bandmate’s lives – new jobs, partners, successes, failures, Tom moving to Hawaii for love – all provided a backdrop and clear pathos as they developed a consistent collection of works. Some songs on the album are more recently recorded; others were pocketed for future use. The goal and meaning of All In One was always on the horizon as Jaunt navigated unwaveringly toward it. 

PRE-ORDER ALL IN ONE HERE

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ALL IN ONE TRACKLIST
01 All In One
02 Nostalgia For The Present Moment
03 Crushed Velvet
04 Pt 2
05 True Affection
06 Bakers Moves
07 Obvious Answer
08 Callous Standard
09 Suggestions
10 Delighted To Be Spoken To 

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