KYLA CHARTER’S DEBUT LP, OUT TODAY, SHARES NEW VIDEO

WATCH / SHARE “BACH TO THE FUTURE” HERE

KYLA CHARTER’S DEBUT ALBUM, EDIBLE FLOWERS, OUT TODAY

BUY / STREAM EDIBLE FLOWERS HERE

Photo Credit : Noelia Ruiz // DOWNLOAD HIGH-RES

Today, Kyla Charter releases her debut album, Edible Flowers. Having lent her voice to the backgrounds of tracks and performances from July Talk, Alessia Cara, and Zaki Ibrahim, to Rich Aucoin and Patrick Watson, the LP marks her first official step to the forefront.

For the album, Charter teamed up production team Safe Spaceship (Chino De Villa (Jessie Reyez, Justin Nozuka, Charlotte Day Wilson), Scott McCannell (Claire Davis, Aphrose) and Ben MacDonald), to bring her unique brand of soulful vocals to her astonishing debut album.

In celebration of release day, Charter is sharing the new video for album track “Bach To The Future” from animator Alkarim Jadavji. The song was a “turning point for me and the first song I finished with my producers in Safe SpaceShip for this project,” says Charter. “We had been working on a few songs prior to this one that had more traditional song structures, but I’d brought this little guitar idea to the guys (you can hear me playing it mid-song during the breakdown) and they ran with it into the night!”

“The vocals on this song were really special for me because it wasn’t about capturing the greatest vocal performance, it was about capturing where I was in that moment, I didn’t do a second take or try and make it prettier or more consumable, and that set the president for the rest of the record. Edible Flowers became a voyeuristic look into my internal world, which honestly was a bit scary. I’ve spent a lot of my life trying to take up as little space as possible, in many ways it’s expected of me as a black woman in society; but through the pandemic I’ve had the space to get to know myself and the multitudes that I contain and I’m so grateful to have been able to capture some of that with Bach and the record as a whole. 

“Bach to the Future” is a tilt of the hat to Yohann Sebastain who's cello suites/arpeggiated lines were inspiration for the bass lines that run throughout the song (played by Scott McCannell). Chino Devilla put so much work into the aesthetics of the sound and is playing drums and percussion, and Ben MacDonald played those incredible trippy Synth lines.”

WATCH / SHARE “BACH TO THE FUTURE” HERE


MORE ABOUT EDIBLE FLOWERS
Following album opener “Doubts”, “Bach To The Future” is a further amalgamation of Jazz, Soul, and Hip-Hop all melting together into a truly original blend that is idiosyncratic and a direct sonic manifestation of Kyla’s creativity.

The tempo steps down and hits a mellow stride on “Hey Mama” a slow jam laced with sharp snares, crunchy drums, distant keys and an angelic falsetto. Each track on Edible Flowers is emotive and infused with individuality that gives it a life of its own. Rarely do the tracks stay still, expanding and contorting with bridges, extensions, distortions, sonic glitches and effects to further bring you into the experience. “Breaking Dishes” boasts some of the LP's most experimental choices with beautifully ominous vocals and an altered drum break that pops in and out of time. 

LISTEN / SHARE “DOUBTS” HERE


Written in the heat of summer 2020, Charter along with her team of producers Safe SpaceShip sought to capture a series of vignettes that served as a way of processing the times. 

“I truly could not focus on anything” the songwriter recounts, “I couldn’t watch movies, follow storylines, listen to new music, nothing. I was so overwhelmed by the world that I could only focus on one thought at a time. My songwriting process is usually having the seed of an idea and building it outwards. For this record, and in working with Safe Spaceship, I was able to do away with traditional song structures… to get really avante with it, haha!” 

WATCH / SHARE “QWYN” HERE


Kyla’s talents are evident in every aspect of her album, with production exclusively handled by Safe Spaceship and Charter herself, each track displaying its own dynamic sound. “Qwyn”'s soft somber tone is juxtaposed against the more Neo-Soul influenced “The After Party” further detailing the extent of the songwriter’s musical range. The human voice is used most as an instrument on the album closer “Another Name”, with just hand claps and humming as the bed for lyrics of grief and mourning. Edible Flowers is truly a breath of fresh air, aglow with creativity, originality and vision.

BUY / STREAM EDIBLE FLOWERS HERE

MORE ABOUT KYLA CHARTER
A graduate of Humber College Jazz and Contemporary Music Program for Vocal Performance, Kyla was invited to sing with July Talk at Field Trip Festival by her good friend James Baley. The performance was the beginning of a beautiful working relationship and the start of her professional career. Over the years Kyla has lent her vocals to artists that include Alessia Cara, Zaki Ibrahim, Rich Aucoin, and most recently Patrick Watson. After singing together for a CBC First Play Live session in the fall of 2019, Patrick invited Kyla to accompany him on a last minute trip to Paris to play France Inter, and subsequently to open for him on the European leg of his tour for 2019’s Wave

The tour began in February of 2020 and was cut short by COVID-19 but the singer was excited to come home and continue working on her first album. As restrictions eased in the summer of 2020 Kyla began working full force on her first body of work.

EDIBLE FLOWERS TRACKLIST
01 Doubts
02 Hey Mama
03 Bach To The Future
04 Breaking Dishes
05 Qwyn
06 After Party
07 Another Name 

KYLA CHARTER ONLINE
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JORDAN KLASSEN’S NEW LP, OUT TODAY, SHARES NEW VIDEO

WATCH / SHARE “LOTUSLAND” HERE

GLOSSOLALIA OUT TODAY

BUY / STREAM GLOSSOLALIA HERE

“quietly contemplative meditations on finding your place in the world” - Exclaim!

“Insightful and vulnerable in equal measure” - The Line Of Best Fit

Photo Credit : Rachel Pick // DOWNLOAD HIGH-RES

Today, Jordan Klassen’s new LP Glossolalia finds its way to streaming platforms everywhere. The LP sees the internationally renowned songwriter reimagining himself as a lyrical poet, as much as a musician. Throughout the record’s ten tracks, Klassen evokes early modern American poets such as T.S. Eliot and Robert Frost. The songs’ lyrics are thoughtful and intelligent, beautifully set against rich harmonies and melodic ballads. 

To celebrate the release, he’s releasing the new video for “Lotusland", directed by Brendan Taylor and filmed in Vancouver. “I’ve always loved songs like ‘One Great City’ by The Weakerthans. Honest odes to a hometown. ‘Lotusland’ is my ode to Vancouver and the spirit of the city among myself and my peers - captivated by the beauty of the place but so disheartened by how desperately it seems to try to push you away."

WATCH / SHARE “LOTUSLAND” HERE

BUY / STREAM GLOSSOLALIA HERE

MORE ABOUT GLOSSOLALIA

Glossolalia is classic and essential Jordan Klassen: ethereal, dreamy, mystical, and reminiscent of times gone by and the folk singers of yore. This album is a lyrical essay, with each song like a chapter in a personal journal. ‘Glossolalia’ itself is the phenomenon of (apparently) speaking in an unknown language, more commonly called ‘speaking in tongues’. 

The album is almost elegiac, with its pervasive sense of something that has been lost to the past. Perhaps it was inevitable that Klassen would produce this record now, reflecting on the promise we have all felt of something better just on the horizon, that has since been erased by life in a pandemic that has entered its third year. In Klassen’s own words on this record, “Everything is about longing - longing for change but trying to be realistic about change as well.” 

The album’s lead single, “Milk And Honey”, hones in on this pining for nostalgia. It is a modern folk composition that explores the gap between the shadow and the light side of waiting. About this song, Klassen notes, “It is a strange thing to live in a time when everyone is looking ahead for things to return to normal, and wondering if you are failing or succeeding in that process. We want Utopia but forget that it is in the cracks and gaps that we often are transformed.” 

WATCH / SHARE “MILK AND HONEY” HERE

Rather than becoming paralyzed by our desire for perfection, “Carried Away” is an exploration of what it’s like to jump into something with abandon, whether that takes one down dark pathways of the mind into mental illness and addiction, or being swept up by something that is good and right, like a greater cause, or falling in love. Either way, in retrospect we say that we “lost ourselves for a moment”, as we surrendered to forces too powerful to be contained. 

WATCH / SHARE “CARRIED AWAY” LYRIC VIDEO

Record opener “Lotusland” is an ode to Klassen’s hometown of Vancouver, but specifically, the Vancouver of yesteryears, before the city grew to become an overinflated and vastly different landscape of what it used to be; a former shell of itself, where the weight of the cost of living seemingly crushes its oldest inhabitants. As friends move away, the singer asks the city to convince him to stay, and laments what ‘West Coast living’ could have meant. Similarly, Klassen stays in that uncomfortable place of yearning in “Hard On Myself”. The song deals with the choice to take the road through life that represents the “third way”, in a world that is polarized and binary. This is a conscious movement away from religious rigidity, absolute certainty, and toxic black and white thinking. But the other road, “the road less traveled”, to quote Robert Frost, is one of strangeness and deconstruction, and there is a sadness in this choice as well. In a contemporary take on a poetic classic, Klassen sings: “There are two roads where I’m standing, and each one has called itself good. But there’s light in the sky and I’ve got some supplies; I just might make my way through the woods.” Frost ruminated, “Two roads diverged in a wood, and I - I took the one less traveled by, And that has made all the difference.” 

WATCH / SHARE “ASH WEDNESDAY” HERE

The back half of Glossolalia flips from an observational standpoint, to a more personal, introspective one. “Brothers In Arms” is a personal reflection on the need for reconciliation, with painful rifts in society and within families and friends’ groups, heightened by vaccine anxiety, isolation, restrictions, quarantine, and lockdowns. We are reminded that we are still “Living our days as brothers in arms”, regardless of what goes on around us in a pandemic world. It is a mature, reserved commentary from Klassen that none of us has the residue of innocence anymore: “Oh you aren’t some little boy who needs the world explained”. “Pangea” draws parallels between Klassen’s personal love of history and a past when the world was truly one in a great continental mass. The artist, who can be seen as a kind of Renaissance man himself, takes up the defense of great movements and thoughts of the past, and declares, “I’m caught up in stories from before”.

LISTEN / SHARE “NIKO” HERE

In another spin on heartfelt beliefs, Glossolalia takes a satirical look at the conspiracy thinkers, who have certainly experienced a resurgence in numbers since the pandemic began, with the track “Niko”. What do we do when someone we know has bought into the hype that “the taller tales are proof”? He begs the imaginary ‘Niko’ not to “go down this dark road”, perhaps knowing that individual’s tendency to get “carried away” by such things. 

The celebrated American poet Robert Frost said that retreating into the realm of a poem, whether as a writer or as a reader, begins with a kind of “homesickness”. It is longing for the place where you know who you are at your core. Glossolalia explores what is found at the core of each of us when we find ourselves estranged and disoriented in society.

BUY / STREAM GLOSSOLALIA HERE

DOWNLOAD HIGH-RES

GLOSSOLALIA TRACKLIST
1. Lotusland
2. Milk and Honey
3. Hard On Myself
4. Carried Away
5. Good Intentions
6. Brothers In Arms
7. Pangea
8. Ash Wednesday
9. Niko
10. Sleeper In The Cabin

 JORDAN KLASSEN ONLINE
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OMBIIGIZI ANNOUNCES CANADIAN TOUR DATES, SHARES NEW LIVE VIDEO

COLLABORATION BY ZOON AND STATUS/NON-STATUS OUT NOW ON ARTS & CRAFTS

LIVE PERFORMANCES BEGIN APRIL 20 THROUGHOUT ONTARIO AND ALBERTA

WATCH / SHARE “OGIIN” LIVE PERFORMANCE VIDEO

BUY / STREAM SEWN BACK TOGETHER HERE

"With all these styles woven together as part of an essential and ongoing social conversation, Sewn Back Together is ultimately a work of healing. With introspective, emotional resonance and formidable guitar tones, OMBIIGIZI's noise cuts through the static, loud and proud” -  Exclaim! 

“Indigenous futurism through a heavy psychedelic folk lens” NOW

"Together, Monkman and Sturgeon show new plaintive depths to their writing, crafting a tribute to the joys and innocence of childhood." - Under The Radar

"Ombiigizi’s debut, Sewn Back Together, flows like a river, finding a path forward against all obstacles" - Dominionated

“Anishinaabe songwriters Adam Sturgeon and Daniel Monkman measure the weight of the world on Sewn Back Together.” RANGE

“subtly psychedelic and strikingly pretty …noise as catharsis, care, the sound of people coming together” Maisonneuve

Hazy electronic soundscapes, gentle guitar strumming and stirring vocal harmonies.” NEXT 

OMBIIGIZI, (pronounced om-BEE-ga-ZAY, meaning s/he is noisy) continues to celebrate the release of their debut album, Sewn Back Together, with the announcement of their first ever tour dates. The first live performance will take place at Massey Hall on April 20 with label mates Broken Social Scene while the tour commences on June 2 in Ottawa and includes stops in Toronto, Hamilton, London, Edmonton, Calgary’s Sled Island Festival and Toronto’s Field Trip Festival. All dates and ticket links can be found HERE and are listed below. 

OMBIIGIZI is also sharing the new live video for album track “Ogiin.” For so many Indigenous cultures the Mother is who holds the fort, provides love and ultimate care. For both OMBIIGIZI’s Daniel Monkman and his father, they were at times removed from their Mother’s arms. This story is a reconciliation of their collective experiences of being denied that nurturance due to the residential school system.

A collaboration between Zoon (Daniel Monkman) and Status/Non-Status (Adam Sturgeon), OMBIIGIZI are Anishnaabe artists who explore their cultural histories through sound. An amalgam of their unique Indigenous heritages and personal musical architectures, Daniel and Adam imbue their lyrics with their families' storytelling, revealing truths and finding common ground amidst their differences. The debut album Sewn Back Together is a fusion of individuality – a reflection on Adam and Daniel's commitment to each other as collaborators and distinct members of their community.

WATCH / SHARE “SPIRIT IN ME” HERE

Putting aside the tonal nuances of their previous work as Zoon and Status/Non-Status (formerly known as WHOOP-Szo), OMBIIGIZI strips back the waves of distortion to reveal themselves, their voices, writing and improvising for the sake of the song. The family on Sewn Back Together includes the production duo of Kevin Drew of Broken Social Scene and Nyles Spencer of The Bathouse Studio. Recorded there in fast and intentional sessions during the summer of 2021, Drew and Spencer – along with musicians Eric Lourenço and Drew McLeod from Status/Non-Status and Zoon, respectively – helped steer this collision of divergent artists into some glorious sonic territory steeped in shoegaze, dream pop, anthemic rock, Chicago post-rock, and 2nd wave emo. While not always getting to play and perform alongside other members of their community, OMBIIGIZI is a coming together – with Sewn Back Together, a resounding statement shaped by healing and the guidance of culture.

WATCH / SHARE "CHERRY COKE" HERE

WATCH / SHARE "RESIDENTIAL MILITARY” HERE

ESSAY BY WAUBGESHIG RICE:

The Anishinaabe revival is accelerating. Our artists are becoming more resurgent in all realms: telling the stories, singing the songs, and creating the imagery to further solidify our everlasting presence on this land. The soundtrack to this movement is diverse profound, and beautiful. The Anishinaabe sonic revolution is richly layered and wide-reaching, inspiring and influencing all generations to gather, sing, and speak, as we’ve always done. And at the core of this renewal are artists like OMBIIGIZI.

Adam Sturgeon and Daniel Monkman have come together in the spirit of making noise in a good way for our people. They have documented this moment in time while paying homage to the ancestors who kept our language and stories alive. There is a deep respect and love embedded in these songs for Anishinaabe sounds and voices. These songs proudly tell family and community stories, and they exquisitely conjure a hopeful future that will result from our current collective efforts to share our realities with each other and the world.

 Sewn Back Together is a passionate journey. It meanders like a nurturing stream, weaving in and out of the tangible and spiritual worlds, as all time-honoured Anishinaabe stories and songs have done. It harkens back to ancient melodies and rhythms while using modern tools and instruments to centre us in our identities as the original storytellers of this land. It is essential listening as we forge our future and reclaim and revive who we are.

OMBIIGIZI LIVE DATES
April 20 - Massey Hall, Toronto ON, supporting Broken Social Scene | TICKETS
June 02 - Club Saw, Ottawa ON | TICKETS
June 03 - The Garrison, Toronto, ON | TICKETS
June 05 - Bridgeworks, Hamilton, ON | TICKETS
June 17 - Social Bowl, London, ON | TICKETS
June 22 - Aviary, Edmonton, AB | TICKETS
June 23-26 - Sled Island, Calgary AB | TICKETS
July 09 - Field Trip, Toronto, ON | TICKETS

 Photo Credit : Rima Sater // DOWNLOAD HIGH-RES

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