THE DEEP DARK WOODS SHARE VIDEO FOR NEW SINGLE TODAY, BROADSIDE BALLADS VOL. III, OUT TOMORROW

THE DEEP DARK WOODS ARE SET TO RELEASE A COLLECTION OF REIMAGINED FOLK STANDARDS, BROADSIDE BALLADS VOL. III, VIA VICTORY POOL RECORDS TOMORROW, MAY 1

BUY / STREAM BROADSIDE BALLADS VOL. III HERE

WATCH / SHARE “BRIDGET O’MALLEY” HERE

Photo Credit : Rima Sater // DOWNLOAD HIGH-RES

Tomorrow, the long celebrated, and JUNO Award nominated group, The Deep Dark Woods,  release their new LP, Broadside Ballads Vol. III, an 8-song record lends a familiar melancholic warmth to a collection of traditional folk songs spanning centuries and continents.

Today they are sharing the new video for the album track “Bridget O’Malley”. Of the track, songwriter Ryan Boldt says, "Bridget O'Malley is another Irish tune that I first heard from the Scottish Group Silly Wizard off of their record So Many Partings produced by the great Scottish traditional singer and songwriter Archie Fisher. The song was collected by the fiddle player and song collector Peter Kennedy in 1953 from the Irish singer Hudai ó Duibheanaigh. I believe the song was translated from Irish to English by Phil and John Cunningham of Silly Wizard. But it’s hard to find out who actually translated it. The Irish name is ‘Brid Óg Ni Mhaille’. I heard a beautiful version done by the English singer June Tabor with two fiddle players, playing almost a Renaissance or baroque-type version, I wanted to do that, so I got my string arranger Marie Grigoryeva to come up with a wonderful arrangement for the violin, viola and cello." 

WATCH / SHARE “BRIDGET O’MALLEY” HERE

BUY / STREAM BROADSIDE BALLADS VOL. III HERE

MORE ABOUT THE DEEP DARK WOODS
Intertwined amongst their albums of original material, Deep Dark Woods has been steadily building up a series of releases called Broadside Ballads, focusing on traditional Irish, English, and Scottish folk songs. It's a fitting tribute to the music that influenced Ryan Boldt’s writing and singing since first forming the band, and like their forebears, Deep Dark Woods aims to take their own experiences of traditional music and create something new and vital. The songs in this collection mine some of the more brutal depths of human experience, touching on broken hearts, love, murder, and the act of leaving. Boldt notes that “there are not too many jolly songs in there”, but the album is not a dour affair, instead benefiting from tasteful, unstated arrangements and an organic, no-frills recording sound. The songs on Vol. III generously display Deep Dark Woods' deep-seated links to the past while still sounding just like themselves.

One might be tempted to think of the Deep Dark Woods as a band steeped in ‘capital-T’ tradition, and that may be true, but now nearly two decades into their life as one of Canada's finest folk-roots ensembles, that tradition is one of their own invention. The voice of founding member Ryan Boldt sits at the forefront of the band, and it doesn't take long to reveal that he is a master of subtlety and shading, working in the lineage of iconic singers like Bob Dylan, Bert Jansch, Rick Danko, and Jason Molina. Boldt, a relentless lifelong listener of music, says “It's all I do. When I'm not playing music, I'm listening to it, trying to find songs that make me feel an aching pain in my chest.” Accordingly, his singing is full of highly emotive nuance and an elegant, relaxed precision that makes it seem downright effortless, a perfect vehicle for the band's particular brand of updated folk music. 

WATCH / SHARE “SPANISH IS THE LOVING TONGUE” HERE

WATCH / SHARE “THE BANKS OF THE LOUGH ERNE FEAT. ERIN RAE” HERE

Fellow travellers like keyboard whiz Geoff Hilhorst, veteran drummer Mike Silverman, and Evan Cheadle round out the Deep Dark Woods unit, and they are often assisted by like-minded collaborators such as singer-songwriter Ellen Froese, Erik Nielsen, Leon Power, and the acclaimed duo Kacy & Clayton. This crew creates a powerful combination, and has amassed a pile of celebrated albums, EPs, and host of nominations from music awards outfits from across the country. Together they recall classic units like The Band, mid-period Wilco, and American Beauty-era Grateful Dead, but also legendary late '60s UK groups like Fairport Convention, Pentangle, and Steeleye Span. 

BUY / STREAM BROADSIDE BALLADS VOL. III HERE

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BROADSIDE BALLADS VOL III
1 The Banks of the Lough Erne (feat. Erin Rae) 
2 Brigg Fair 
3 My Lagan Love 
4 Spanish is The Loving Tongue 
5 The Cocky at Bungaree 
6 The Boatman 
7 Peggy Gordon 
8 Bridget O'Malley 

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HOVVDY’S SELF-TITLED LP, OUT TODAY, SHARE “BAD NEWS”

HOVVDY’S SELF-TITLED, DOUBLE ALBUM OUT TODAY VIA ARTS & CRAFTS

LISTEN / SHARE “BAD NEWS” HERE

BUY / STREAM HOVVDY HERE

Photo Credit: Taylor Clark // DOWNLOAD HIGH-RES

Today, Texas duo Hovvdy release their anticipated self-titled double album, Hovvdy, via Arts & Crafts. Hovvdy’s fifth album is a statement piece that finds the band at the height of their powers, broadening the scope of their songwriting and adding new wrinkles to their sound, creating something wholly unique and exhilarating, as evidenced by the album’s diverse singles, “Forever,” “Jean,” “Bubba,” “Portrait,” “Meant,” and “Make Ya Proud,” which collectively garnered praise from Pitchfork, Billboard, The FADER, PAPER, Paste, Consequence, Stereogum, Nylon, UPROXX, Under The Radar, and more.

Hovvdy’s exploratory catalog has earned them status as a quiet favorite of rising stars – seen last year as Zach Bryan expressed admiration for Hovvdy’s album True Love, indie supergroup boygenius listed it as an inspiration for their record, and beabadoobee named Hovvdy as one of her favorite artists. 

To mark Hovvdy’s release, the band shares highlight “Bad News,” the first song since their debut, 2016’s Taster, to feature verses from both Charlie Martin and Will Taylor. “‘Bad News’ is a whirlwind song about reckless behavior and the unlikely characters that weave in and out of your life,” says Martin of the song.

LISTEN / SHARE “BAD NEWS” HERE

MORE ABOUT HOVVDY
Hovvdy fits with the comfortable confidence of faded blue jeans. The collection taps familial bonds, tested relationships, and what Will calls “lifelong imprints,” viewed at hindsight’s distance. 

“It’s a full circle, because lots of my songs, in adulthood, deal with looking back and seeing your parents as just individuals struggling through life – and trying to have more empathy or understanding. And now Will is diving in from the opposite side as a new parent, grappling with all that,” says Charlie. 

“On this album, we tried to really step back and look at: How can we convey our songwriting in a new way?” says Will. “It challenged the songs we brought, and it challenged me to be more vulnerable.”

“We’re trying to stretch out and create a tapestry of everything we can do,” says Charlie. 

LISTEN / SHARE “MEANT” HERE

For the expansive double album, the duo went all in with frequent collaborators Andrew Sarlo and Bennett Littlejohn. All four were present for each session in hideaways across the U.S. An unprecedented focus on live takes further peeled the band’s early slowcore layers to show dazzling dynamic range, from the country feel of “Portrait” to the bombastic drums of “Meant.” “We really wanted to encapsulate what it felt like to be in the room when we're playing,” says Will. 

An initial meetup at a log cabin in Black Mountain, North Carolina, revamped Hovvdy’s past lo-fi techniques to playfully catch up with their current craft. Will was surrounded with iPhones and field recorders to capture the southern spin of “Portrait.” Another AirDrop experiment, the vocals of “Angel” find Charlie walking along a babbling creek. A car alarm goes off, just in key, balancing atmospheric clatter and ASMR-level closeness. These intimate moments shift seamlessly into the huge, celebratory statements of character-driven singles like “Jean” and “Forever,” just buzzing in the storytellers’ energy. 

WATCH / SHARE “JEAN” HERE

Deepening the album’s zoom-in on the years since leaving their home state, further sessions landed at family homes near Dallas. With Will now based in Nashville, and Charlie in St. Louis, Texas remains a meeting point. The felted keys of an upright piano borrowed from Charlie’s mom, a piano teacher herself, anchor throughout. Bennett’s Wurlitzer 200A joins the Auto-Tune and electronic flourishes stamped on past Hovvdy co-productions with Sarlo, including True Love (2021) and billboard for my feelings (2022). Skittering programmed drums keep pace on bright spots like “Bubba” and “Every Exchange,” stringing the album’s hell-bent dash towards deeper interpersonal understanding, a timeless pursuit. 

Tempos wander as the duo explores time – earned, lost, and given to others. While the band’s prior LP, True Love, splashed in new marriages and parenthood, the self-titled album looks at long-term ties twisted and strengthened, sometimes amidst grief and addiction. Charlie narrates sibling support in “Bubba,” where a brother promises, “I’ll get a goddamn grip, hold onto it for a while.” The record also recounts a visit to Mississippi, where Charlie stayed with family during the loss of his grandfather. “‘Make Ya Proud,’ I wrote while he was in the hospital, and ‘Song for Pete,’ I wrote that the day he passed,” says Charlie. 

WATCH / SHARE “FOREVER” HERE

A breath, three evenings, or six days’ unemployment – so many spans softly cut the album like pencil marks. Father to a three-year-old, Will holds a special interest in bottling time. He strives to savor moments over the giddy breakbeat of “Every Exchange,” while twangy closer “A Little” measures out regrets over love gone ignored. “That's what makes being a parent so difficult – it immediately exposes all the things you haven't dialed in about yourself,” says Will. “Looking at the record, it’s interesting that we both have these unique perspectives on the challenges that come with family.”

Never staying still too long, Hovvdy’s milestone self-titled album easily folds introspection into their big, fearless choruses so cherished by live audiences. Always guided with a gentle hand, the listener lands right there in the room, to witness the spontaneous synchronicity of Charlie and Will’s shared songcraft. Seeing the duo trade off on vocals for the first time since their 2017 debut Taster, single “Bad News” revels in the years of growth. In the Texas-accented thrum, harnessing Hovvdy’s quintessential chug, Will sings: “You know time is all I have to give up.”

LISTEN / SHARE “MAKE YA PROUD” HERE

TOUR DATES
4/26/2024 - Austin, TX @ Hole in the Wall
4/27/2024 - Austin, TX @ End of an Ear
4/28/2024 - Austin, TX @ Cactus Records
4/30/2024 - Dallas, TX @ Josey Records
5/21/2024 - Glasgow, UK @ King Tut's
5/22/2024 - Leeds, UK @ Brudenell Social Club
5/23/2024 - Manchester, UK @ Deaf Institute
5/24/2024 - London, UK @ Lafayette
5/25/2024 - Bristol, UK @ Dot to Dot Festival
5/26/2024 - Nottingham, UK @ Dot to Dot Festival
5/28/2024 - Brighton, UK @ Green Door Store
5/29/2024 - Paris, France @ Pop Up du Label
5/30/2024 - Utrecht, Netherlands @ Ekko
5/31/2024 - Hamburg, Germany @ Nochtwache
6/01/2024 - Berlin, Germany @ Prachtwerk

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HOVVDY TRACKLIST
1. Intro
2. Bubba
3. Jean
4. Big Blue
5. Shell
6. Forever Piano
7. Forever
8. Heartstring
9. Clean
10. Make Ya Proud
11. Til I Let You Know
12. Meant
13. Song For Pete
14. Every Exchange
15. Give It Up
16. Portrait
17. Angel
18. Bad News
19. A Little

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THUNDER QUEENS DEBUT LP OUT TODAY, SHARE NEW VIDEO

THUNDER QUEENS’ DEBUT LP, STRIKE ONE, TODAY VIA VICTORY POOL RECORDS

BUY / STREAM STRIKE ONE HERE

WATCH / SHARE “ROADTRIP” HERE

PERFORMANCE DATES CONTINUE NEXT WEEK

“Thunder Queens — the shit-kicking trio of Violet Bruneel, Lola Hayman and Clara Magnan — make music for staying alive. Their garage-adjacent tunes fold in elements of deep purple doom, scrappy punk and classic pop melodies, making debut album Strike One a thrillingly confident introductory statement. Equal parts reverent and forward-thinking, their larger-than-life energy is on full display with latest single "All These Problems." - EXCLAIM!

Photo Credit : Marc Mongrain // DOWNLOAD HIGH-RES

Embark on a sonic journey of revelation in motion with Thunder Queens, the London, Ontario-based trio of Violet Bruneel, Lola Hayman, and Clara Magnan. Out today, their debut full-length album, Strike One, Thunder Queens delivers a blend of doom-tinged grunge, onyx-toned punk melodies, and searing multi-part harmonies - all while creating a mesmerizing sound that is uniquely their own. 

Today, Thunder Queens also hit the road in the new video for “Roadtrip”. Bursting with the nostalgia of summer drives, “Roadtrip” is a wholesome ode to cruising around with friends, gas station snacks, chasing the horizon, and endless laughter. 

In their vibrant music video, Thunder Queens transport us back to the thrills of being a teen without a driver’s license, eating candy under the blazing sun, wind in your hair, pink sunsets, and fun roadside pit-stops. "Roadtrip" is a celebration of friendship, fun, freedom, and the unforgettable memories we share on the road. So grab your crew, turn up the volume, and let Thunder Queens be your soundtrack to adventure!

BUY / STREAM STRIKE ONE HERE

WATCH / SHARE “ROADTRIP” HERE

MORE ABOUT STRIKE ONE
The band are unafraid to be experimental and shapeshift, conjuring the playful vitality of Sheer Mag, ground shaking range of Black Sabbath, and the urgency of The Runaways. Their raw energy and poignant lyricism show a band that’s played together for over half a decade while still being on the cusp of earning a driver’s license. Over 11 tracks, each riff and lyric paint a vivid picture of a world they’re still discovering, from the gauzy bliss of a sun-drenched road trip to the urgency of our fractured political landscape. Thunder Queens fearlessly explore a spectrum of emotions and themes with the unmatched curiosity of youth and solidarity that comes from nurturing a foundation of sisterhood. 

Lola Hayman (drums, vocals), Violet Bruneel (guitar, vocals), and Clara Magnan (bass, vocals) became friends while searching for loonies under the pinball machines at Call The Office. In between eating ice cream cones and wreaking havoc on their skateboards, they formed Thunder Queens. 

WATCH / SHARE “FIGHTER” HERE

LISTEN / SHARE “ALL THESE PROBLEMS” HERE

The band have nailed their songwriting formula down to a science. They build the bones of shapeshifting riffs, dream up tones and harmonies, and weave stories into their songs. Similar to scoring a film, they visualize a cinematic treatment aligned around places they can see and words they can’t shake. (Like, “All These Problems” which they wrote during a summer of political unrest). Their writing, performances, and tenacity have earned them coveted spots alongside acclaimed Canadian acts like The Beaches, Metz, The Dirty Nil, Ombiigizi, and Daniel Romano, and to perform at Pop Montreal, Up Here Festival, and Bitchfest. 

Strike One is the natural follow-up to their 2020 self-titled EP (Yeah Right! Records), expressing the hopes, fears, and joys, while also making razor-sharp observations on our culture. As they gaze at their surroundings, Thunder Queens remain clear-headed about the future, while continuing to push boundaries and stake their claim in the Industry.

BUY / STREAM STRIKE ONE HERE

PERFORMANCE DATES
April 27 - Guelph, ON - GainFest - Anti-Queens, Shiv and the Carvers
May 1 - Hamilton, ON - Casbah - Miesha and the Spanks, Mad Ones
May 2 - Windsor, ON - Dominion Tavern - Miesha and the Spanks
May 3 - Toronto, ON - Collective Arts Taproom - Miesha and the Spanks, Roach
May 4 - London, ON - Palasad Socialbowl - FREE w/ Miesha and the Spanks, SUSANS
May 31 - Chatham, ON - Skinny’s Bar - New Age Doom
Aug 16 - Elora, ON - Riverfest Elora

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STRIKE ONE TRACKLIST
01 Breakout
02 All These Problems
03 Roadtrip
04 Bulldozer
05 Lo-Vi
06 Walking Away
07 Dead-End Friend
08 Fighter
09 Cymbals
10 Jumpin’ Around
11 Blood Moon


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