ADA LEA ANNOUNCES DEBUT ALBUM VIA NEXT DOOR RECORDS

WHAT WE SAY IN PRIVATE, OUT JULY 19, 2019, VIA NEXT DOOR RECORDS

WATCH AND SHARE “THE PARTY” HERE

PRE-ORDER WHAT WE SAY IN PRIVATE HERE

TOUR DATES BEGIN MAY 5

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PHOTO CREDIT : Bao Ngo // DOWNLOAD HIGH-RES

Next Door Records newest signing Ada Lea today announced her debut album what we say in private will be released on July 19, 2019. The Montreal-based artist has also shared the video for lead single “the party”, directed by Monse Muro, which debuted via Gorilla vs. Bear this morning. “‘the party’ came about after spending a magical night on the town with close friends. The song kind of just wrote itself. I always kept trying to make it a longer song, but nothing seemed to fit -- or it felt like it was divulging too much,” Ada Lea says of the gently building, intimately hushed track. “I wanted to capture that delightfully unsatisfying quality of the night; being together but wanting something more to happen, yet reveling in the power that had brought us all together at that special moment. That's life, though...isn't it? When you're truly living the moment, you get home and wish you could live it again and again.”

WATCH AND SHARE “THE PARTY” HERE

Ada Lea - the party from the album what we say in private - Out 7/19/19! Order: http://adalea.lnk.to/wwsip Director: Monserrat Muro DOP: Peter Hostak Stylist: Amanda Van der Siebes MUA: Elizabeth Hanorah Hanley

To Ada Lea -- who is also a painter -- music and visual art are different vessels for communicating similar ideas. “It's a world that I can build around me and sit inside,” she says. Through all her art, Ada Lea explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years.

what we say in private began with a need to document the ending of an important romantic relationship. Following a tormented period of staying up all night (sometimes days at a time), frantically painting or writing songs as a means of coping, she journalled for 180 days in the hope of finding herself again. She conducted this period of analysis and introspection in private, like most of her creative pursuits, and the process eventually resulted in a rebirth: a rediscovery of self and a new sense of freedom and self-acceptance. These chaotic feelings and the resulting catharsis are deeply felt in the final recording of what we say in private. Ada Lea wanted the album to feel like a journal entry from those 180 days as she cycled through emotions. Throughout, she expresses feelings and thoughts that all humans experience behind closed doors and alone, but are conditioned to keep to themselves.

what we say in private truly comes alive thanks to the way these recordings utilize the very real world around them, rather than shutting it all out. Expanding the boundaries of the studio, Ada Lea, alongside the record’s producer Tim Gowdy, found new and nuanced ways of allowing the songs to flourish. “It was all part of a bigger idea,” she says. “We stuck microphones out of windows in mid-January to capture the chilly nighttime sounds. We recorded snow removal trucks backing into the lot and airplanes flying overhead. We used voice memos, a piece from here and another from there. I had built a room with the demos of my songs and Tim helped to add a second level.” As such, the album reverberates with human warmth, defined by the signature characteristics that can be found throughout -- as on “the party,” which fittingly comes wrapped up in static white noise, a soft atmosphere lingering in the distance and gently surrounding the stark instrumentation that is gradually introduced.

Ada Lea will head out on tour in support of Angelo De Augustine throughout the U.S. in May, beginning this Friday. A current itinerary is below and more dates will be announced soon.

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WHAT WE SAY IN PRIVATE TRACKLIST
mercury
wild heart
the party
for real now (not pretend)
just one, please
what makes me sad
the dancer
yanking the pearls off around my neck…
180 days
easy

TOUR DATES W/ ANGELO DE AUGUSTINE
5/10/19 - San Francisco, CA @ Cafe Du Nord
5/11/19 - Los Angeles, CA @ Lodge Room
5/15/19 - Vienna, VA @ Jammin Java
5/16/19 - Philadelphia, PA @ The Locks
5/17/19 - Brooklyn, NY @ The Park Church Co-Op
5/20/19 - Allston, MA @ Great Scott

ADA LEA ONLINE
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NEXT DOOR RECORDS
Next Door Records is the newest label from Outside Music Inc. The new imprint will join Outside Music's artist management, publishing, and long-standing distribution divisions alongside their eponymous label.

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SESSA ANNOUNCES GRANDEZA, A STUNNING DEBUT ALBUM OF PSYCHEDELIC BRAZILIAN POP

GRANDEZA OUT JUNE 4TH ON BOILED RECORDS

WATCH AND SHARE “FLOR DO REAL”

NORTH AMERICAN TOUR DATES BEGIN JULY 5

PRE-ORDER GRANDEZA HERE

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Photo Credit : Helena Wolfenson // DOWNLOAD HIGH RES

Boiled Records announces Grandeza, the stunning debut solo album from São Paulo musician Sessa, a long-time fixture of the American and Brazilian music scenes known for his collaborations with Yonatan Gat and co-founding acclaimed psych-rock group Garotas Suecas. Grandeza points to new, more subtle directions for Brazilian pop—a deep, minimalist, almost insinuated use of the rich textures and rhythms that define the songwriting history of Brazil, which Sessa now joins as one of its most promising new voices. Today, Sessa has shared the music video for “Flor do Real,” the album’s first single. Grandeza will be released in digital and vinyl formats on June 4, 2019 via Boiled Records and RISCO.

Grandeza is an album about the natural gesture of love and the softness of the human body,” says Sessa. “It’s also about my love for Brazilian music and its many shapes and colors. I like to think that it exists somewhere among the rituals that celebrate life. It’s a reminder that amongst all the pain, music comes to reaffirm the beauty in living.”

Sessa’s songs are sung in Portuguese, with visceral, sensual lyrics in the vain of Caetano Veloso, and the melodic flourishes of Tom Jobim and Arthur Verocai. However, the music gets a deliberate minimalist treatment rarely found in contemporary Brazilian music, more reminiscent of the bareness of Leonard Cohen, with touches of tropicália, and a collaboration with the group Música de Selvagem that permeates the album with elements of spiritual and free jazz.

Written and recorded in multiple locations between São Paulo and New York during a nomadic period in Sessa’s life, the eleven songs of Grandeza portray different worlds of sound and poetry.

“I’d finish a tour and usually rent a room to write, I’d gather 2 or 3 songs, put a band together and get in whatever studio or large room I could get, set up my tape machine for a day or two and work arrangements live, improvising and recording as much as I could. So the record has these different sound colors because of all these different spaces.”

Sessa—who was raised in a Sephardic Jewish family in São Paulo —notes that although his feelings about traditional religion have oscillated, spirituality is deeply embedded in his worldview, and in this album he connects sexuality, tactility, and music-making as their similar forms of spiritual transcendence. He intones on “Flor de Real”, “foda é o prazer do som… viver pela pele é a minha crença” (“fucking is the pleasure of sound…to know through the skin is my creed”). Sessa describes “Flor do Real” as “paint[ing] something of a microcosmos” to the album as a whole. He elaborates, “All the elements that make the record are there. The free psychedelic horns, the deep and heavy low drums, my vocals trading verses with the singers… ‘Flor do Real’ is about overflowing, shapeless love that can't be contained to a single body, finding its reason to be as one's lover.”

WATCH AND SHARE “FLOR DO REAL”

Released May 7th 2019. "Flor do Real" is the first single out of Sessa's upcoming record, "Grandeza" out on Boiled Records and selo RISCO "Flor do Real" é o primeiro single do disco de estréia de Sessa, "Grandeza". Um lançamento selo RISCO e Boiled Records.

Embarking on a solo career offered the Brazil-born musician an opportunity to continue and deepen his work as “an apprentice of Brazilian music,” immersing himself and developing his notion of traditions in Brazilian poetry and lyricism, tapping into memories of the music he was surrounded by growing up and the music he has passionately listened to and played throughout his life. With Grandeza, Sessa creates a soft focus portrait of Brazilian music, all without abandoning his love for psychedelic, folk, and soul music — a sensibility that propels the devotional sounds of Grandeza towards decisively modern territory.

Sessa will perform the songs of Grandeza to North American audiences on tour in July. Full dates below.

PRE-ORDER GRANDEZA HERE

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GRANDEZA TRACK LISTING
Grandeza
Tesão Central
Gata Mágica
Flor do Real
Sangue Bom
Dez Total
Infinitamente Nu
Orgia
Tanto
Língua Geral
Toda Instância do Prazer

GRANDEZA ALBUM RELEASE TOUR DATES
July 5 - New Haven, CT - State House
July 6 - Northampton, MA - Historic Northampton
July 7 - Montreal, QC - Marché des possibles
July 7 - Quebec City, QC - OFF Festival
July 8 - Toronto, ON - Baby G w/ Tal National
July 9 - Detroit, MI - Trinosophes w/ Tal National
July 10 - Chicago, IL - TBA
July 11 - South Bend, IN - Langlab
July 12 - Milwaukee, WI - Ursa
July 13 - Rock Island, IL - Rozz Tox
July 14 - Indianapolis, IN - SSP
July 15 - Nashville, TN - Little Harpeth
July 16 - Asheville, NC - The Mothlight
July 17 - Knoxville, TN - Pilot Light
July 18 - Washington, DC - Eaton Hotel
July 24 - New York, NY - Brasil Summerfest @ National Sawdust

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OLD MAN LUEDECKE ANNOUNCES NEW LP, SHARES TITLE TRACK “EASY MONEY”

WATCH AND SHARE “EASY MONEY” HERE

BUY/STREAM “EASY MONEY HERE

EASY MONEY OUT JUNE 14 VIA TRUE NORTH RECORDS

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Photo Credit : Mat Dunlap // DOWNLOAD HIGH-RES

Today, Old Man Luedecke shares the title track from his upcoming LP, Easy Money, out on June 14 via True North Records. Easy Money picks up where Old Man Luedecke's award winning, and most successful release to date, Domestic Eccentric (2015), leaves off; four years farther down the road, dreaming about his ship coming in, still a parent but now grappling with the newness of middle age, dad jokes, love for an abiding partner, the death of a parent, along with some calypso-feeling local Nova Scotia history thrown in for good measure.

The title track, “Easy Money”, was written and recorded in the recording studio at a songwriter's retreat at the Banff Centre. With largely improvised lyrics and based on a traditional Harry Belafonte Christmas calypso, the recording preserves the original moment of composition. “It is, on record, the very moment the idea of the new album came to be, the first song in a batch of new tunes captured at its very birth,” says Luedecke. “The song sings about the pleasures of family, complains about travel and extols the virtues of good neighbourliness and guaranteed basic income all in less than three minutes of truthful glee.”

The accompanying video for “Easy Money” was filmed around LA. Though the album is filled with local Nova Scotia content — palms seemed fitting for a guy dreaming about ‘Easy Money’ and you see our glamorous banjo bard in Beverly Hills, Malibu, and other identifiable locations lip synching his way to the top.

WATCH AND SHARE “EASY MONEY” HERE

BUY/STREAM “EASY MONEY” HERE

Title track from the forthcoming album from Old Man Luedecke!

Composition and recording were both begun at the Banff Centre's songwriter-in-residence program. It was there that Luedecke met the album's producer Howard Bilerman of Montreal's famed Hotel2Tango studio where the album was eventually recorded. The ten new original compositions and two covers run a modern storytelling line from the fifties folk and calypso boom into the everyday of tangible middle life. Guest appearances by long-time collaborator and Grammy award-winning Tim O'Brien, Afie Jurvanen of Bahamas, and Fats Kaplin (Jack White, John Prine) add piquant accents to the impeccable playing of Luedecke and a crack Montreal studio band of Mike O'Brien, Joshua Toal, and Jamie Thompson.

Easy Money begins with three upbeat incantations of what is surely the beginnings of a mid-life crisis (“Dad Jokes”? “Wakeup Call”, come on!) then moves to 2 songs musing about death; both inspired in part and in different ways, by the passing of Luedecke's father, the passing of Leonard Cohen, and current politics and the death of truth. There are two island-themed numbers that imagine a laid-back life in the local un-tropical paradise of the Canadian Maritimes. Then comes a country song with killer fiddling and harmony singing by Tim O'Brien, a dance number of frightful worry, and then a cover of Nana Mouskouri's French language cover of Bob Dylan's topical apocalyptic plaint, "Hard Rain's Gonna Fall". This is followed by a traditional sea shanty about a mermaid and a shipwreck. The album closer, "'I Skipped a Stone", is the most beautiful song about hoping your wife will pick up the phone. The song is made all the sweeter by the special appearance of Bahamas' playing and singing, to close out Luedecke's sixth full length studio album.

Old Man Luedecke is the recording and performing name of Christopher Luedecke, 2 time JUNO and multi East Coast Music award-winner, and Polaris Music Prize nominee from Chester, Nova Scotia. Since 2004 he has travelled the world playing festivals, theatres and clubs. He delights his audiences with his heart-felt command of the stage. Plus, his inspired banjo playing and wry storytelling cut to the heart of normal/extraordinary experience itself.

Born and raised in Toronto, Luedecke followed Thoreauvian and romantic notions to Canada's Yukon where he fell in love and started composing folk songs with a banjo. Since 2005, he has lived rurally on the south shore of Nova Scotia in Canada's music-rich Maritime provinces. He has had major appearances at Canadian, Australian and UK festivals and has performed with the likes of Feist, Bahamas, Tim O'Brien, and Rose Cousins. He has built a name and a following that has been uncompromisingly unique and is now firmly established in the top echelon of Canadian folk artists. As the Vancouver Folk Festival says, "He is a musical singularity to be savoured and shared."

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EASY MONEY TRACKLIST
01 Easy Money
02 Dad Jokes
03 Wake Up Call
04 I Wanna Go
05 Sardine Song
06 Death Of Truth
07 Money Pit
08 Lonely Country
09 How Do I Deserve Your Love
10 Le Ciel est Noir
11 The Mermaid
12 I Skipped A Stone

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