GEOFF BERNER ANNOUNCES NEW LP, GRAND HOTEL COSMOPOLIS

GRAND HOTEL COSMOPOLIS DUE OUT NOVEMBER 1 VIA COAX RECORDS (CANADA) / COAX EUROPA (WORLDWIDE)

WATCH AND SHARE “WHAT KIND OF BEAR AM I?” HERE

CANADIAN TOUR DATES BEGIN OCTOBER 12

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On November 1, Vancouver singer/songwriter/accordionist/novelist/political activist Geoff Berner returns with new left-wing Jewish music for our perilous times. Grand Hotel Cosmopolis is the first new klezmer-punk album from Berner since 2015’s We Are Going To Bremen To Be Musicians. Released on Coax Records in Canada and worldwide via Coax Europa (an imprint for Coax on artist run record label GiveUsYourGOLD in Berlin), a new label set up as a european bridgehead for Coax artists. 

The album’s first single, “What Kind Of Bear Am I?”, was originally written for Gravediggers of Uzda, an experimental musical theatre production from director Jenny Romaine at the KlezKanada Laurentian Retreat. “Jenny told me we needed a bear song, for the bears working in the tavern scene, and handed me an academic paper by Robert Adler Peckerar,” says Berner.

“I am told that when the Polish Empire ran Belarus a long time ago, there were many restrictions for Jews and Roma people, but there was a special license granted to them alone. They were the only ones allowed to train and keep dancing bears. In the town of Smorgon, Belarus, there was a Bear Academy. They say that the whole town was devoted to the cruel work of the training of dancing bears. They say that when you arrived at Smorgon Station, a bear porter would take your luggage for you. That bears cleaned the streets with brooms. That bears served also in the hotel. All through the town.

Rob‘s piece talks about how dancing bears are symbols of the way Christians thought about Jews and Roma in a way similar to the way they thought about dancing bears—as creatures somewhere between animal and human..”

The video, by Jordan Lloyd Watkins, is the film noiresque journey of a bear through the less-polished spaces of Vancouver. “And as the lyrics go,” says Berner, “‘I pour the drinks, I hear the music, and I try not to dance, but sometimes I just can’t help myself no matter how I try, and you ask me, what kind of bear am I?’.”

WATCH AND SHARE “WHAT KIND OF BEAR AM I?” HERE

Since Whiskey Rabbi was released in 2005, Berner has been making klezmer music fused with the energy and rudeness of punk. The Globe and Mail called him “the avenging angel of klezmer,” and with songs like “Dalloy Polizei (Fuck the Police)”, Berner’s work is overtly political and controversial. 

The new album and its title song are inspired by the Grandhotel Cosmopolis, located in Augsburg, Germany. The ‘Hotel’ was started ten years ago, when a group of activists took over an abandoned high school. Their vision was to turn it into an artsy, inexpensive hostel for travellers of all kinds, as well as safe and free housing for refugees and asylum seekers.

Half of the space in the Hotel is taken up by families of displaced people from Syria, Somalia, Myanmar, and many other places. These people stay for free or on a pay-what-you-can basis. They earn money and their first German work experience by helping run the hotel.

The word “cosmopolitan” is a slur that anti-Semites have historically thrown at Jews. Stalin and his henchmen preferred the term “rootless cosmopolitan” for Jews during the Soviet pogroms. The basic idea was that Jews, being town people – as Jews were historically forbidden to own land – were disconnected from the soil, and therefore decadent and corrupt.

For Berner, the idea of a party at the Grand Hotel Cosmopolis, an oasis of welcome and relative safety for people on the run – in Germany of all places – is a perfect way to talk about Jewish solidarity with oppressed migrants, and about how good things are still possible. 

That’s the goal of Grand Hotel Cosmopolis – to use the Jewish leftist cultural tradition to inspire people to defend the human values of decency and the right of every human being to a life of safety and freedom, while having a fun time doing it. You’re welcome to come stay awhile.

To support the actual Grandhotel Cosmopolis, go to https://grandhotel-cosmopolis.org/de/

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GRAND HOTEL COSMOPOLIS TRACKLIST
01 Not The Jew I Had In Mind
02 What Kind Of Bear Am I
03 Ven Kimsti
04 Would You Hide Me
05 Vilne
06 Grand Hotel Cosmopolis
07 The Drummer Requests
08 Oh You Survivalists
09 What Don’t We Just Take The Billionaire’s Money Away
10 Zog Nit Keyn Mol (Partisan Song)

TOUR DATES
Oct 12 - Prince George, BC - Theatre Northwest
Oct 19 - Chilliwack, BC - Tractorgrease Cafe
Nov 1 - Vancouver, BC - Chutzpah! Festival - Wise Hall
Nov 2-3 - Cumberland, BC - Woodstove Festival
Nov 19 - Vienna, AT - Klezmore Festival - Sargfabrik
Nov 20 - Viechtach, DE - Altes Spital
Nov 21-22 - Augsburg, DE - Grandhotel Cosmopolis
Nov 24 - Mainz, DE - Hafeneck
Nov 25 - Aachen, DE - Domkeller
Nov 26 - Köln, DE - Hängende Gärten von Ehrenfeld
Nov 27 - Speyer, DE - Eckpunkt
Nov 28 - Stuttgart, DE - Laboratorium
Dec 5 - Hannover, DE - Feinkost Lampe
Dec 10 - Dresden, DE - Societatstheater
Dec 11 - Bremerhaven, DE - Pferdestall
Dec 12 - Hamburg, DE - TBA
Dec 13 - Bremen, DE - TBA
Dec 14 - Berlin, DE - Supamolly
Feb 14 - Toronto, ON - TRANZAC
Feb 15 - Wakefield, QC - The Black Sheep
Feb 16 - Montreal, QC - Casa Del Popolo
Feb 21 - Peterborough, ON - The Garnet
Feb 22 - Guelph, ON - The ANAF

GEOFF BERNER ONLINE
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LITTLE SCREAM FINDS KISMET AND HOPE IN NEW SINGLE “DISCO BALL”

LISTEN AND SHARE “DISCO BALL” HERE

SPEED QUEEN OUT OCTOBER 25 VIA DINE ALONE RECORDS

PRE-ORDER SPEED QUEEN HERE

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Photo Credit : Zach Hertzman // DOWNLOAD HIGH-RES

With Speed Queen being released a little over a month from today, Montreal’s Little Scream is sharing another slice from the forthcoming album. “Disco Ball” follows earlier singles “Dear Leader” and “Still Life” and arrives alongside a short story of kismet that resulted in the song and album’s creation—one involving a Flying V guitar, an antique store in the American heartland, and creating hope out of feelings of hopelessness. 

“In late summer of 2017, I was driving to the Chicago Midway airport after a visit to my family in Galena, Illinois,” says Laurel Sprenglemeyer (Little Scream). “The sky was ripe with colored clouds. Everything began to vibrate, and I felt a steady flow of ideas working their way into melodies. I made a U-turn on the single-lane highway; I had just passed an antique mall in Elizabeth, Illinois. I vowed to myself that if they had a guitar, I would buy it. There on the second floor next to Oktoberfest beer steins and a Victorian needlepoint cushion sat a white Flying V guitar. It was covered in grey logos for UV Vodka and looked like it had languished in someone’s basement bedroom after a few failed attempts at ‘Smoke on the Water’. I talked them down to $150. I canceled my flight in the parking lot then drove to the nearest quiet road I could find. I sat in a small clearing near the Apple River and began to write this album.

‘Disco Ball’ is one of the songs that was born musically on the country road after I bought the Flying V guitar. It incorporates many of the observations from being on the road with the last album, feeling a sense of recognition in the down-and-outness of the places we visited. Identifying with that sense of having been duped for following your dreams in every closed shop window we passed. Thinking about how that book The Secret must be responsible for a countable percentage of the subprime mortgage crisis. Thinking about struggling as a musician, but having that be the thing that allows me to make a disco ball out of all the smashed mirrors of my past. Taking all of this and thinking about how to make an anthem of hope for times when you feel you have nothing.”


LISTEN AND SHARE “DISCO BALL” HERE


MORE ABOUT SPEED QUEEN

On her third album, Little Scream offers us a reflection on class and poverty in America. Speed Queen began as bits of prose written while touring her last album across North America. The title, which alludes to the opiate crisis, actually refers to a washing machine. Little Scream says, “When you’re struggling, nothing says you’ve made it more than getting your own washing machine. Speed Queen is about the dream of making it, and feeling desperately close but missing it.”

The album is gently accusatory. She doesn’t let herself or any of her listeners off the hook. In “Privileged Child”, she reminds wealthy people who like to adopt the style of the poor and working class that “poverty’s a feeling money just can’t buy.” On “Dear Leader,” she reminds those opposing migration that “when the waters rise, it’s gonna be you, Miami,” warning them that when they’re needing help, “…you will ask your God, but he’ll be busy getting risen, and the rich will be too busy buying stock in private prisons—that’s where they’ll send you for talking about socialism.” The biting commentary served with a sense of humor softens its presentation but doesn’t detract from its power. This is a theme throughout Speed Queen, where humor and warm heartedness prevail despite some of the darker subjects touched upon. 

LISTEN AND SHARE “STILL LIFE” HERE

 Montreal-based songwriter and guitarist Laurel Sprengelmeyer has been playing music under the moniker Little Scream since 2008. In 2011, she released The Golden Record, which Pitchfork dubbed “a stellar debut” and NPR called “an absolutely captivating record.” It was included in NPR’s Best Albums of 2011 list, and the New York Times evoked its “hints of the divine,” including Little Scream as one of the best new acts to follow at SXSW. Her second album Cult Following, which features guests including Sufjan Stevens, Mary Margaret O’Hara, and Sharon Van Etten, earned Little Scream new band of the week status from The Guardian and received five stars from Bust Magazine. Cult Following included the catchy Prince-inspired single “Love As A Weapon” which, according to the liner notes, she and her sister hoped would buy their mom, a cleaning woman in Illinois, “unlimited gift certificates to the Red Lobster.”

Since the release of Cult Following, Little Scream has stayed busy as a member of Richard Reed Parry’s Quiet River of Dust, touring with and co-writing songs from the albums Vol. 1: This Side of the River and Vol. 2: That Side of the River. A natural collaborator, she has appeared as a vocalist and/or guitarist on recordings for The National, The Barr Brothers, Will Butler, and Saltland, among others. She has appeared on two Red Hot compilations as well as charity singles to benefit the ACLU, Planned Parenthood, and Standing Rock. 

WATCH AND SHARE “DEAR LEADER” HERE

“DISCO BALL” LYRICS

Well it hurt too much to pray for it
So I sold my shit to pay for it
Now I’m ragged and I’m lean
Bearing the dead weight of a dream

But I remember it well and I remember it clear
That moment I said I’ve gotta get outta here
Singing that Holiday tune
Drinking whisky alone in my room

A drunken train wreck with a sense of direction
Gonna make it outta here despite your affection

Said if I don’t break free, then it’ll break me

But the sun doesn’t shine in the back of that hall
And everybody scatters when you start to fall
Well if you crack that mirror when you hit the wall
Baby, go and make yourself a disco ball
Let your light scatter and fall
Through it all

When I first started out, people said I was bold
They didn’t realize I was running from the fear of getting old
And visions of my future self
With a cigarette hanging out of my mouth
And a hairnet on in some kitchen down south
My potential soaked in gin
Talking about what I could’ve been

So I sold myself to the American dream
I got a predatory loan with my spirit on lien
They say “you can make it if you try”
Then they’ll stand around watching you dying

And I see the luck drying up wherever I go
Vacant windows, foreclosed homes
I may be lost but I am not alone

So if the sun doesn’t shine in the back of your hall
And if everybody scatters when you start to fall
Well if you crack that mirror when you hit the wall
Baby, go and make yourself a disco ball

And let your light scatter and fall
Let your light scatter and fall
Through it all

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SPEED QUEEN TRACKLIST
01 Dear Leader
02 One Lost Time
03 Switchblade
04 Disco Ball
05 Still Life
06 Forces Of Spring
07 No More Saturday Night
08 Speed Queen
09 Don’t Wait For It
10 Privileged Child

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BROKEN SOCIAL SCENE RELEASE PSYCHEDELIC AI-GENERATED VIDEO FOR “CAN’T FIND MY HEART”

IN COLLABORATION WITH ALEX MORDVINTSEV, AI PIONEER & CREATOR OF GOOGLE’S DEEPDREAM

WATCH AND SHARE “CAN’T FIND MY HEART” HERE

PERFORMING AT TRANS-PECOS FESTIVAL IN MARFA AND CORONA CAPITAL IN MEXICO CITY

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Today, Broken Social Scene have shared the psychedelic official video for their anthemic single “Can’t Find My Heart.” Directed by Josh Usheroff, the visually-captivating video features an endless vortex of performance footage run through a series of style transfers and surreal artificial intelligence-created textures. This cutting-edge approach was developed in collaboration with Alex Mordvintsev, a pioneer in neural network generated visuals and creator of Google’s DeepDream.

WATCH AND SHARE “CAN’T FIND MY HEART” HERE

“I am fascinated by the changes that AI and machine learning are bringing to all aspects of our culture. I wanted to see how this technology was being used in more creative disciplines,” explains Usheroff. “I started researching generative art and came across a video by Alex Mordvintsev. The video featured a series of still images zooming and transforming into one another. The results were mesmerizing.”

Usheroff approached Mordvintsev about creating a similar effect with video instead of stills and the concept was set. Broken Social Scene connected with Usheroff and his creative  treatment through Genero, a creative platform that connects artists with a network of directors and filmmakers.

“We captured the performance visuals in Montreal just a few hours before the band’s concert. My creative partner, Ben Goloff, sequenced the performances and applied style transfers to give the images a surreal and almost painterly aesthetic. We then sent the files to Alex to work his DeepDream magic.”

Alex describes the technical process as follows: “The video effect is based on combining neural artistic style transfer with a zooming feedback loop. I gradually inject each new video clip into the mix, while simultaneously steering the global image style. Each video segment is a continuation of the previous, so I couldn't generate them all in parallel. Thus, I decided to use "fast" feed-forward version of style transfer to be able to iterate quickly on the sequence, incorporating the feedback I was provided from Josh and Ben.”

LISTEN TO LET’S TRY THE AFTER VOL 1 & 2

In 2017, after a 7 year hiatus, Broken Social Scene released Hug Of Thunder bringing together all 17 original members including Feist and Metric’s Emily Haines and Jimmy Shaw. The critically-acclaimed album saw the collective exploring new ground while maintaining the dynamics that have made Broken Social Scene one of the most beloved indie bands of the 21st century. 

Pledging to taking less time off between albums, the band followed Hug Of Thunder with two 5-song EPs in 2019 titled Let’s Try The After Vol 1 & 2. The EPs were praised by Rolling Stone as being “full of emotional crescendos and soothing washes of melody that remind you to be grateful that Broken Social Scene are once again a going concern,” while Pitchfork reflected that such “forceful beauty—a sense of indefinable, life-affirming ecstasy—is practically woven into Broken Social Scene’s DNA.”

“The theme is to continue,” says BSS co-founder Kevin Drew. “Sickness, suicide, uprise, love, death, betrayal, hurt, joy, sex, communication, battles and  divisions … Let's just get to their after and start building again.”

TOUR DATES
September 28th - Marfa, TX - Trans-Pecos Festival of Love and Music [Tickets]
November 17th - Mexico City, Mexico - Corona Capital [Tickets


ABOUT GENERO
Arts & Crafts partnered with Genero to find a novel idea to interpret this classically anthemic Broken Social Scene single. The response from filmmakers around the world was astounding and teeming with brilliant ideas. We ended up collaborating with a Canadian team which included the ground-breaking Google engineer who developed the psychedelic technology you see in the video. Having access to this massive network of filmmakers meant we were able to create something really unique with a team we would never have been able to find otherwise. - Cameron Reed, Marketing Director, Arts & Crafts

Broken Social Scene personifies the ever-evolving, experimental and pioneering spirit of independent music. As a cutting-edge tech and creative company, we take inspiration from the band's indie swagger. And as fans of their music, we were thrilled to work with Broken Social Scene to facilitate their collaboration with a creative team that they'd have otherwise never found. We love creating music videos that push the limits of creativity and expression and giving our global creative network these great opportunities.

Mark Roemer, Client Director, North America - Genero 

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Photo Credit : Richmond Lam // DOWNLOAD HIGH-RES

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