SAMEER CASH SHARES VIDEO FOR NEW SINGLE “DRIVEWAY MOMENT”

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Photo Credit : Vanessa Heins // DOWNLOAD HIGH-RES

Written in between bar shifts and soundchecks and recorded in a garage behind a Chinese restaurant in downtown Toronto, Sameer Cash’s new single “Driveway Moment” is the result of the kind of heartbreaking, and redemptive work that compels us to be better. Produced by Matthew Bailey, engineered by Chris Stringer (Timber Timbre), mixed by D James Goodwin (Kevin Morby, Craig Finn), and mastered by Philip Bova Shaw (Feist, Andy Shauf), “Driveway Moment” is Cash’s first single since his rebirth as a solo artist. 

"Driveway moments are the small glimpses between the big adventures,” says Cash. “They are the moments that I have lived in most of my life. Those are the times where you really grow and learn. When you’re not thinking so much, but merely existing, and feeling the weight of everything in front of you, and all the things you’ve left behind."

WATCH AND SHARE “DRIVEWAY MOMENT” HERE

BUY / STREAM “DRIVEWAY MOMENT” HERE

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“Driveway Moment” Single Art // DOWNLOAD HIGH-RES

Sameer Cash was raised on a diet of Rock & Roll records and Hindu fairy tales. His father, born to a large family in the deep suburbs of Scarborough Ontario, spent years shedding his catholic upbringing for the ungovernable religion of 1980’s post-punk. Cash’s mother, born among the mango trees of Kenya, by way of India, clung to her own upbringing through childhood memories and her mother’s cooking, seeking comfort and closure through many Canadian Prairie winters.  

Watch for more new music and performance from Sameer Cash in the near future.

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TOPS SHARES NEW SONG AND VIDEO "COLDER & CLOSER"

WATCH AND SHARE “COLDER & CLOSER” HERE

NORTH AMERICAN TOUR DATES BEGIN APRIL 3

NEW ALBUM I FEEL ALIVE DUE APRIL 3 VIA MUSIQUE TOPS

PRE-ORDER I FEEL ALIVE HERE

"Indie pop bliss." - Pitchfork

"One of the most riveting and peerless acts in indie rock" - Stereogum

"One of Canada's most consistent musical exports" - NYLON

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Photo Credit : Justin Aranha // DOWNLOAD HI-RES

On the heels of their latest single "Witching Hour", Montreal four-piece TOPS are sharing a new song and video. "Colder & Closer" is a shimmering yet lean pop production with lyrical meditations on the social isolation that often plagues casual intimacy. The Mashie Alam directed visual artfully represents this by following singer Jane Penny through an alternating lens of thermal and normal vision.

Speaking on the video, Alam says: "Jane had this really amazing vision where she hoped to convey the feeling of being immensely close to someone. The choice of using thermal footage was made because we wanted to see, feel, and immerse ourselves into the varying temperatures of the body as it heats up, cools down, responds to touch, and feels alone. We created a movement composition that travels between a live action world and a thermal world! The idea was to visually explore the dynamic of being far (in the live action world) and being close (in the thermal world)! Eventually the juxtaposing jumps between the two worlds merge into an immersive thermal universe to evoke a climactic sense of closeness from where there is no return."

WATCH AND SHARE “COLDER & CLOSER” HERE

"Colder & Closer" is the latest offering from TOPS' new album, I Feel Alive, out April 3 via their own label Musique TOPS, following the aforementioned "Witching Hour" and the album's title-track. The song also arrives ahead of TOPS' tour this Spring. Beginning April 3 in Las Vegas, they'll make stops in Vancouver, Toronto, Montreal, and more. They'll be joined by Honey Harper, Sorry Girls, and Better Person on select dates. Tickets are available on their website.

MORE ABOUT I FEEL ALIVE

The artwork for TOPS' fourth LP sets the tone for the music enclosed. Inspired by the work of photographer Thomas Ruff, TOPS' vocalist Jane Penny stares bare-faced down the lens-simple and un-posed, yet striking with starkness and vulnerability.

The image captures the fraught nature of being alive, which the 11 tracks on the album explore. Penny's remarkably expressive voice is front and center. On this record more than any other,she sings with passion and energy, without sacrificing the honesty and introspection that gives her voice its depth. The songs cover a range of experiences but at it's heart I Feel Alive is a record about resilience, the ways we can grow from for our pain and the strength that comes from learning to stand on your own as an individual.

LISTEN AND SHARE “WITCHING HOUR” HERE

I Feel Alive is TOPS' fourth full-length, following 2017's Sugar At The Gate and follows singles "Echo of Dawn" and "Seven Minutes" from last year. Their trademark sound of beguiling melodies over soft-rock grooves, with touches of '80s sophisti-pop and a contemporary experimental palette is intact, but bolder and more expansive. The songs manage to be both immediately catchy and deceptively deep, with Penny's literary lyrics adding an extra dimension to the pure pop hooks. Satisfying yet far from predictable, this is a record to be savored, revealing itself slowly, gaining power and poignancy with each listen.

For I Feel Alive, the band members convened in a basement studio in Montreal, recording for the first time with keyboardist Marta Cikojevic who joined the band as a live member in 2017. "From the first time we practiced with her it was clear that we were in sync musically, and we found ourselves improvising together at the first rehearsal" says Penny. "Having Marta manning the keys allowed me to reach for my flute, and gave me the chance to integrate my flute playing with the writing process, using it as an expressive instrument rather than more production element which it has been in the past." 

She continues: "We'd spent a lot of time apart, not working on new stuff or touring, just living life, all in different cities," says Penny. When we went to make I Feel Alive we all had a good sense of what we were trying to do and a renewed energy towards playing together. The goal was to get in a room together and play, not holding anything back."

"It was a quick process," says guitarist and fellow song-writer David Carriere. "We would work all day writing a song and then demo them the same evening, relying on our natural chemistry as a band to let the songs come into their own." The band's line-up is completed by Riley Fleckon drums.

WATCH AND SHARE "I FEEL ALIVE" HERE

Title track "I Feel Alive" is a bracing pop gem with darker undertones. An ode to new love, Penny sings "I feel alive looking in your eyes" with the exuberance that comes with the early stages of romance, the discovery of a deep love. But love is complicated, and within the joy and happiness is the pain of leaving someone else behind. "When I saw you wanted to spend the night with someone else at home," she sings, "I knew it wasn't right." This honest admission that happiness can come at the expense of others adds another dimension to the song's ecstatic energy. True love defies us to overcome others expectations, and that's a good thing. People may be watching, but why should you care.

Opposing and it, "Colder and Closer" is a sonic departure, with programmed synths and metallic drumming, the song shimmers. A tribute to seeking meaning in an increasingly confusing world Penny sings "Searching constellations/seeing if the stars align." But she doesn't take comfort in the stars, rejecting fate as something arbitrary, though not quite meaningless. "Signs are myths like nations/shapes drawn over crooked lines."The song is swift and lean, a pop confection, but it's also ripe with meditations on the social isolation that plagues casual intimacy. It's a prime example of the way TOPS layer meaning within pop songwriting. Beneath the soaring melodies and crisp production, I Feel Alive balances the giddiness of a new relationship with the agony of leaving old things behind. It's an introspective record that you can dance to, music that hits in an immediate rush but sticks around, lingering like the memory of a perfect doomed love affair-both the joy and the pain, until it becomes a part of your life forever.

PRE-ORDER I FEEL ALIVE HERE

TOUR DATES
4/3 - Las Vegas, NV @ Bunkhouse Saloon*
4/4 - Tucson, AZ @ 191 Toole*
4/5 - Phoenix, AZ @ Valley Bar*
4/6 - El Paso, TX @ Lowbrow Palace*
4/7 - Marfa, TX @ Lost Horse Saloon*
4/9 - Austin, TX @ Mohawk*
4/10 - San Antonio, TX @ Paper Tiger*
4/11 - Dallas, TX @ Club Dada*
4/13 - Memphis, TN @ The Hi Tone Cafe*
4/14 - Atlanta, GA @ Terminal West*
4/15 - Asheville, NC @ The Mothlight*
4/16 - Washington D.C. @ Union Stage*^
4/17 - Philadelphia, PA @ Johnny Brenda's^
4/18 - New York, NY @ Bowery Ballroom*^
4/20 - Boston, MA @ Brighton Music Hall*^
4/21 - Montreal, QC @ Theatre Rialto#^
4/22 - Toronto, ON @ Adelaide Hall#^
4/23 - Detroit, MI @ Deluxx Fluxx#^
4/24 - Chicago, IL @ Empty Bottle#^
4/25 - Minneapolis, MN @ Turf Club#^
4/28 - Vancouver, BC @ Imperial Theatre#
4/29 - Seattle, WA @ The Crocodile#
4/30 - Portland, OR @ Doug Fir Lounge#
5/1 - San Francisco, CA @ The Independent#
5/2 - Los Angeles, CA @ El Rey Theatre#
5/4 - San Diego, CA @ Music Box#
5/11 - Berlin, Germany @ Berghain Kantine 
5/12 - Hamburg, Germany @ Molotow
5/13 - Köln, Germany @ Bumann & Sohn
5/14 - Münster, Germany @ Gleis 22 
5/15 - Amsterdam, Netherlands @ Paradiso
5/16 - Paris, France @ Le Beau festival @ La Station
5/18 - Brighton, UK @ The Hope & Ruin
5/19 - Nottingham, UK @ Bodega
5/20 - Dublin, Ireland @ Whelan's
5/21 - Glasgow, UK @ Stereo
5/22 - Manchester, UK @ YES 
5/23 - London, UK @ All Points East Festival
5/24 - Bristol, UK @ The Louisiana
5/25 - Birmingham, UK @ Hare and Hounds
5/27 - Lille, France @ La Bulle Café
5/28 - Brussels, Belgium @ Botanique
5/29 - Groningen, Netherlands @ Vera 
5/30 - Utrecht, Netherlands @ Ekko 
6/1 - Barcelona, Spain @ Primavera Sound @ Sala Apolo
6/3 - Lyon, France @ Sonic
6/4 - Zurich, Switzerland @ Zukunft
6/5 - Milano, Italy @ Ohibo

* = w/ Honey Harper
# = w/ Sorry Girls
^ = w/ Better Person

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DOWNLOAD HI-RES

1. Direct Sunlight
2. I Feel Alive
3. Pirouette
4. Ballads & Sad Movies
5. Colder & Closer
6. Witching Hour
7. Take Down
8. Drowning In Paradise
9. OK Fine Whatever
10. Looking To Remember
11. Too Much

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R GRUNWALD SHARES NEW VIDEO, DEBUT SOLO PIANO LP OUT THIS FRIDAY

WATCH AND SHARE “SAID HE TO THEE” HERE

NEW SOLO PIANO LP, OMA, OUT MARCH 6, 2020 VIA COMMON NOISE/OUTSIDE MUSIC

PRE-ORDER OMA HERE

TOUR DATES BEGINS MARCH 11, 2020

"Fans of Chilly Gonzales, Alexandra Stréliski and Jean-Michel Blais should watch for Oma...A prolific session pianist for over a decade, Grunwald is finally ready to unveil his own solo piano compositions..."Wood Meets Water", "Age" and now "Determination of the Crossing" stand apart from the musical wallpaper of so much contemporary piano pop, and display compositional rigour, respect for the listener's intellect, and a rare melodic gift." - CBC Music

"From the album comes “Determination of the Crossing”, a beautiful and driven piece inspired by the likes of Phillip Glass, and Steve Reich. Grunwald’s ability to craft songs that evoke melancholy and excitement simultaneously comes through on the new single. Building off a repetitive, scattered motif, “Determination” eventually slips into a gentle verse similar to the delicate sound of Debussy, before returning to the song’s staccato’d foundation." - Dusty Organ on "Determination Of The Crossing"

"The composition begins with briskly repetitive motifs, then, two minutes in, slows down to a gently meditative state, then speeds up again to a conclusion. The influence of minimalist masters Philip Glass and Steve Reich is audible here." - FYI Music News on "Determination Of The Crossing"

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Photo Credit : Jen Squires // DOWNLOAD HIGH-RES

Later this week, R Grunwald will release his debut solo piano LP, Oma, via Common Noise / Outside Music, and next week he’ll head out on tour throughout Canada supporting the record. Full dates can be found below. Today, the Toronto keyboardist for Jill Barber and Donovan Woods shares the new video for LP track “Said He To Thee”.

“This song is a composition that came out while searching for strategies to cope with writer’s block,” says Grunwald. “During my Banff residency I found myself struggling to come up with new ideas and so I took some of my favourite piano music and analyzed it harmonically. The piece that struck me the most was the “3rd Gymnopedie” by Erik Satie. I loved the darkness of the main harmonic movement in the piece. I also love how the middle section or bridge that lifts the mood and makes the listener feel hopeful for a moment. ‘Said He To Thee’ is my take on this piece. The video was created by Kyle Laurin and it combines a filming technique involving coloured inks and dyes with raw footage that I shot of my Oma and her home back in January of 2019.”

WATCH AND SHARE “SAID HE TO THEE” HERE

A session player for hundreds of musicians, the Toronto keyboardist has been faithful to two different singer-songwriters, jazz/pop chanteuse Jill Barber and songwriter Donovan Woods, for the better part of a decade. He’s played with New York City’s Three Famed Cantors, and scored film and TV shows including the award-winning Yid Life Crisis (“It’s basically Curb Your Enthusiasm, but set in Montreal and in Yiddish,” he says.)

Now he’s ready to step onto the public stage with his own music—alone. But there’s one person who will be with him every night he performs, though she won’t be there physically. His 96-year-old grandmother, who has lived in Chile after fleeing her native Poland in 1946, is the primary inspiration for Grunwald’s first solo album. It’s called Oma — which is the German word for ‘grandmother’.

Grunwald started piano lessons in Canada when he was 6. His teacher was a strict Russian woman whose edicts frustrated the boy enough that one day he leaned back on his piano stool, anchored his feet on the keyboard and announced, “I quit!” His mother started gathering their things. The teacher admonished her for caving in to the petulant child. That Christmas season, when Grunwald’s family went to Chile to visit his paternal grandparents, his Oma was concerned that the youngster was giving up so easily. So she gathered family and friends for a day of piano music, including a four-hand duet with Grunwald’s uncle. The boy was smitten. On the plane ride home, he told his mother he wanted to play again. 

WATCH AND SHARE “DETERMINATION OF THE CROSSING” HERE

Decades later, Grunwald found himself at the Banff Centre for Creative Arts, nestled in the Rocky Mountains of Alberta. He was there in January 2017 to compose music for solo piano, inspired by ambient music he’d been making with friends. He’d already recorded one piece, “Fountain”, for a 2016 compilation called Slow Music Vol. 1 (featuring Christine Bougie, Sarah Slean, Felicity Williams and others). Whenever he would get stuck, he would think about his grandmother and the music she loved: Chopin, Lizst, Satie, “a lot of late classical and early Romantic composers,” he says. “That music is really deep inside of me because of her.”

WATCH AND SHARE “WOOD MEETS WATER” HERE

Grunwald was also inspired by a wave of solo piano music in recent years, including favourites of his like Nils Frahm, Chilly Gonzales, and Max Richter. “I would never have considered doing this project five years ago,” he says. “Who’s going to listen to solo piano? Especially the kind of music I write, which is very slow and cerebral and takes a lot of attention.” He admits, though, that there is now a glut in the genre, and he hopes to stand apart. “When I look under the category ‘solo piano’ on streaming services, I go through the list, and 90% of it sounds exactly the same: arpeggios, not very melodic. What’s different about my music is that it’s intensely focused on melody. It’s not pop music, but it has something to latch on to. I’m a session guy, so the one thing I know more than anything is that melody is king, and you shouldn’t get in the way of that.”

His family’s history was on his mind while he was composing, but there’s a whole other history he was in touch with while recording. The grand piano on which the album was recorded now sits at Toronto studio Union Sound Company, but for years was located at the city’s legendary Montreal Bistro, where many live recordings were made; everyone from Oscar Peterson to Diana Krall played at some point. “People know this piano; it’s famous,” says Grunwald. “There was actually an album made where they got all the top Canadian jazz pianists of the ’90s to perform on it as a tribute to the instrument itself.”

PRE-ORDER OMA HERE

This isn’t jazz, though. Grunwald refers to the compositions on Oma as “extended minimalism.” He explains, “It’s taking from the tradition of Philip Glass and Steve Reich, but in all that music the motifs are short and develop through repetition. I wanted to expand that, using motifs that form complete melodies, and have those evolve through different textures or harmony.” The album’s creation was also extended: two years between composition and mastering of the final recording, and almost another year before the album was ready to release. No need to rush slow music. 

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DOWNLOAD HIGH-RES

OMA TRACKLIST
01 Wood Meets Water
02 Determination Of The Crossing
03 The Gate
04 Age
05 Fountain
06 Fountain Var 1
07 Said He To Thee
08 Emily

TOUR DATES
March 11 - The Bassment, Saskatoon, SK
March 13 - King Eddy, Calgary, AB
March 17 - Central Library, Halifax, NS
March 28 - NAC 4th stage, Ottawa, ON (International Piano Day)
March 31 - Café Resonance, Montreal, QC
April 2 - Heliconian Hall, Toronto, ON

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