CHARLES SPEARIN & JOSEFIN RUNSTEEN RELEASE THANK GOD, THE PLAGUE IS OVER LP 

THANK GOD, THE PLAGUE IS OVER OUT TODAY VIA ARTS & CRAFTS

BUY / STREAM THANK GOD, THE PLAGUE IS OVER HERE

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Today, Broken Social Scene / Do Make Say Think’s instrumental mastermind Charles Spearin and Swedish violinist Josefin Runsteen (Ane Brun, Mariam the Believer) have released an avant classical album made together in a tiny chapel in northern Italy in summer 2019 entitled Thank God, The Plague Is Over via Arts & Crafts. The songs on the record were inspired by the elimination of the bubonic plague and the relief that came from its end (more on that below...).


Spearin and Runsteen, two complete strangers from different spheres of music, met at a 12th-century castle in northern Italy in July 2019. They were invited by Feist and Damien Rice, among a handful other fantastic musicians and artists from various countries, to a week-lone residency to collaborate on music, poetry and ideas.

BUY / STREAM THANK GOD, THE PLAGUE IS OVER HERE

Castel Campo, once owned by the Von Trapp family (yes, from The Sound of Music), is nowadays owned by the Rasini family, who warmly opened up their hearts and home to this small group of artists. Near the castle on the grounds is a little chapel; anyone who enters this chapel, religious or not, cannot help but sense a humble sacredness emanating from every corner. The Renaissance frescoes that adorn the plaster ceilings are beautiful, but what connects one to the heart of the place is the ancient graffiti covering the walls. Hundreds of years ago, scrawled in Latin, are the words “Please, God, save us from the Plague” and then, over top, are various symbols of gratitude painted once the Black Death had finally moved on.

On the first day of the residency, when Charles and Josefin had barely exchanged a word to each other, they went up to test the acoustics in the Chapel, and began improvising on their instruments. Charles, the Canadian, brought his nyckelharpa, a Swedish folk instrument, while Josefin, the Swede, brought her violin. Immediately, they were astonished by colourful explosions of sound, and they felt an instantaneous, profound musical connection.

They decided to meet there every day and record their improvisations. These explorations are collected here as their debut album, Thank God, The Plague Is Over, a title that proved even more prescient and relevant than they could have ever imagined for the year 2020. It is an album of not just hope and beauty, but – like the topic that inspired it – one of survival and fierce gratitude for making it through to the other side, for making it back to life.

They walked back and forth to their chapel every day in complete silence except for the crunch of the gravel under their feet. The walk, the nearby collection of new friends, the kind Rasini family, the mountains, the chirping sparrows in the rafters — and, most important, the sacred tiny sanctuary of the Chapel — were all direct contributors to the creation of this album. They still don’t actually know each other.

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ALBUM CREDITS
Produced, in a sense, by Damien Rice.
Josefin Runsteen- violin
Charles Spearin- nyckelharpa
Gyða Valtýsdóttir - cello


THANK GOD, THE PLAGUE IS OVER TRACKLIST
1. The Hills Are Alive
2. Chiesa di San Vigilio 
3. Trust All 
4. Breathing with you, with me 
5. Istäcke
6. Hoppla
7. Blæðandi Tungl (Feat. Gyða Valtýsdóttir) 
8. Sparven
9. You are Loved 
10. Time is a Measurement of Desire

YVES JARVIS SHARES VIDEO FOR NEW SINGLE “SEMULA”

WATCH AND SHARE “SEMULA” HERE

NEW ALBUM SUNDRY ROCK SONG STOCK COMING OUT SEPTEMBER 25 VIA FLEMISH EYE

PRE-ORDER SUNDRY ROCK SONG STOCK HERE

“For a self-described "vitriolic mass of dynamite just bound to ignite," the composure that Yves Jarvis maintains on "Victim" is stunning. It's a carefully-packaged punch in the gut.” – The Fader on “Victim

“An enthralling and surprising listen ... coming from the same Afro-futuristic camp as Thundercat and Kendrick Lamar." - Under the Radar

“Audet’s work is haunting yet inviting, blending careful folk-noir with tender R&B flourishes, pillowy vocal beds, and a punkish ambivalence”  - XLR8R on “For Props

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Influences on Yves Jarvis’s upcoming album Sundry Rock Song Stock include Miles Davis, Italian avant-pop composer Franco Battiato, and Dutch post-punk band The Ex, who fuse radical politics with melodic, body-moving grooves. Jarvis may be less direct in his lyrics, but makes his feelings implicit through the use of vivid metaphors. Recording vocals in a free-associative, phonetic stream of consciousness that he compares to Lil Wayne, Jarvis says the meanings behind his songs are revealed when a poetic turn of phrase tumbles off his tongue.

Jealousy and judgmental behaviour earn his ire on his new single “Semula”, with its exhausted opening lines: ‘It’s your aim to shame me / just please spare me your sanctimony’.

"Roots can be particularly difficult to untangle,” Jarvis says of the song. 

WATCH AND SHARE “SEMULA” HERE

As a pre-teen street corner busker, some of Jarvis’s earliest performances took place outside. He returned to an open-air environment for his new album Sundry Rock Song Stock’s creation, setting up a makeshift studio to lay down its foundation of guitar, Nord synth, and Rhodes electric piano. Recording on a reel-to-reel tape machine, he experimented with various off-kilter techniques including a softly tapped steel drum drenched in effects, or melodies played on a wine glass meant to mimic a flute. 

“I want my recordings to be naturalist, so from that sense I am ideally making them outside,” says Jarvis. “More than a musician or a singer, I’m a producer, and any studio I’m in will become my bedroom. Creation is my life and I don’t compartmentalize it at all.”

WATCH AND SHARE THE VIDEO FOR NEW SINGLE “FOR PROPS” HERE

Resuming the practice of color theory that informed his 2017 album Good Will Come To You (morning yellow optimism) and 2019’s The Same But By Different Means (midnight blue contemplation), Sundry Rock Song Stock is infused with the natural state of green. As Jarvis explains, it’s the color he most closely connects to his personality, moving beyond an aesthetic attraction into feelings of wildness, boundless energy, and an anti-establishment streak permeating his 23 years on the planet.

“When you better yourself, you better the world,” Jarvis concludes. “Even if you only interact with one person in your life, the effect of trying to see things for what they are is vast. Change can feel like a fantasy, but I’m not fatalistic about it. I make music because I get results that way. It’s why I promote creativity, whatever that means for anyone.”

LISTEN AND SHARE “VICTIM” HERE

PRE-ORDER SUNDRY ROCK SONG STOCK HERE

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SUNDRY ROCK SONG STOCK TRACKLIST
1. Epitome
2. In Every Mountain
3. For Props
4. Ambrosia
5. Emerald
6. Victim
7. Semula
8. Notch In Your Belt
9. Emblem
10. Fact Almighty

YVES JARVIS ONLINE
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AUSTRA SHARES NEW REMIX OF “I AM NOT WAITING”

STREAM AND SHARE “I AM NOT WAITING” SHURA REMIX HERE

ACCLAIMED NEW ALBUM, HiRUDiN, OUT NOW VIA PINK FIZZ

BUY / STREAM HiRUDiN HERE

“…a collection of brutally honest and therapeutic tales of love, loss and moving on...it’s her strongest offering to date." - BeatRoute

“Stelmanis traces a deeply personal journey of growth, queerness and toxic relationships. Named after the anticoagulant released by leeches, HiRUDiN fittingly explores the parasitic nature of toxicity and the healing that it can call forth." - Exclaim!

“...the most engaging, vital and ambitious album of her career. HiRUDiN is fuelled and defined by her recent emotional turmoil...It’s one of the most beautiful breakup albums you’ll hear this year." - Tinnitist

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Photo Credit : Virginie Khateeb // DOWNLOAD HIGH-RES

Following the release of new album HiRUDiN, Austra (Katie Austra Stelmanis) is excited to present Shura’s intriguing remix of recent single “I Am Not Waiting”.

Stelmanis says of the remix "Shura has dreamed up a lush, hazy rework of my track, a sonic palette that's so pleasing to listen to, I want to melt away every time I hear it."

From Shura: "We met once briefly in a sweaty venue in Manhattan but I’ve been a longtime fan and was super excited to be asked to remix I Am Not Waiting because one... it’s Austra and two... i love the song and three... the working title was Big Hamburger"

STREAM AND SHARE “I AM NOT WAITING” SHURA REMIX HERE

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“I Am Not Waiting (Shura remix)” artwork

Austra worked with Peter Burr on creating new artwork for the Shura remix, the recent Claptone remix and other forthcoming remixes. 

Burr said on working with Stelmanis: “I've been a fan of Katie and her work since we first met in Toronto in 2005 so it was exciting to have a chance to think about our collaborative energy for this album. At the moment, living in a complicated quarantine surrounded by invisible (and not-so-invisible) plagues upon us, fragmentation is palpable: a splintering of social ties, of nature's capacity to regenerate, of something vague that once felt stable and now feels unreal...All of these things hover between us and within us. I like how the image of HiRUDiN and the chaos energy of ever-flowing blood resonates at this moment. Here we embrace that flow.”

LISTEN AND SHARE “I AM NOT WAITING” CLAPTONE REMIX HERE

While Austra’s third album, 2017’s Future Politics, was concerned with the external power structures that shape society, HiRUDiN points inward, tracing a deeply personal journey towards regeneration, dealing with the fallout of toxic relationships, queer shame, and insecurity along the way. Named after the peptide released by leeches that is the most potent anticoagulant in the world, HiRUDiN is about the importance of healing the self, letting go of harmful influences, and finding the power to rebuild.

STREAM HIRUDIN HERE

WATCH THE VISUALISER FOR “MOUNTAIN BABY (FEAT CECILE BELIEVE)” HERE

WATCH THE VIDEO FOR “RISK IT” HERE

WATCH THE VIDEO FOR “ANYWAYZ” HERE 

HiRUDiN is available to buy on tangerine coloured vinyl and CD from the Austra Store and digitally. Buy: Austra Store | Digital

MORE PRAISE FOR HiRUDiN

"Austra's most inventive album yet" Evening Standard

“Delicious” - The Independent

“Brilliant” DIY

"Revenge-pop bangers" The Line of Best Fit

"A deep dive, but a cathartic one" Sunday Times

"Her strongest cuts in some time" Uncut

"One of the most underrated pop artists working today" Beats Per Minute

AUSTRA ONLINE
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