LUKA KUPLOWSKY SHARES NEW SINGLE “CRAZY LOVE”

NEW LP STARDUST COMING ON NEXT DOOR RECORDS OCTOBER 2, 2020

WATCH AND SHARE “CRAZY LOVE” HERE

PRE-ORDER STARDUST HERE

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Photo Credit: Melissa Richards // DOWNLOAD HIGH-RES

Luka Kuplowsky’s Stardust – his first full-length release for Next Door Records – is out in one month, on October 2, 2020, and today he is sharing the subtly lush single “Crazy Love”. With its sparse instrumentation, “Crazy Love” allows the cinematic poetry of Kuplowsky’s songwriting to shine. The rhythm section, Josh Cole on bass and Evan Cartwright on drums, undulates with the vocal trio of Kuplowsky, Bernice’s Robin Dann and Bahamas’ Felicity Williams. All of these elements swirl together with Thom Gill’s flawlessly orchestrated guitar and synth lines, growing like the crest of a perfect wave as Kuplowsky sings out the final chorus. Fittingly, Kuplowsky explains:

Written in an instant.

"Love" can be "crazy" when it lacks control and direction. The voice of the song is impelled and urged towards someone, but keeps qualifying this push with a pulling back. The song is the dance of the psyche towards its eventual embrace.

We recorded 3 takes of this song and kept eliminating notes ‘til we had all this hanging space.

The arrangement moves like water; swirling, shimmering, circling, crashing.

WATCH AND SHARE “CRAZY LOVE” HERE

Animated and directed by Sonia Beckwith-Cole, in the video, “water is a powerful force that represents love and change and facilitates the physical transformations of our character from human to dolphin to bird,” says the director. “The water overtakes and overpowers him, while imbuing him with impossible and magical abilities, sending him through a dance-like cycle with the sea, the rain and the clouds.”

“It was such a joy to work with Sonia,” says Luka. “She approaches animation as a medium that is malleable and water-like. Her method was so similar to how we approached the record. I like to imagine this video as the album art coming to life. It's a beautiful companion and extension to the Stardust universe.”

Kuplowsky’s last single, the weirdo-art-rock track “Positive Push”, was a compelling shift from the folk-oriented first single “Never Get Tired (of Loving You)”. The song is dominated by a driving bass line with synth flourishes that, together, are reminiscent of Stereolab’s early work. The contrast of these songs perfectly encapsulates what makes Luka Kuplowsky such an exciting musical voice. His vision, and that of his collaborators, including members of U.S. Girls, Andy Shauf, Bahamas, Julia Jacklin and more, is never limited to genre. 

WATCH AND SHARE “POSITIVE PUSH” HERE

While not pining nor sugar coating, Kuplowsky’s first single off of Stardust, “Never Get Tired (of Loving You)”, is a love song, looking at love as an intrinsic component for growth, a solidarity between two people hurtling through the chaotic present. It’s not something light or easy. Rather, this love is, as Luka puts it, “a patient attuning.” Gold Flake Paint called it “a tender, almost opulent display… a swirling mix of jazz and folk, a Destroyer-esque melding of glorious vocals and glowing instrumentation that creates its own book of superlatives.” 

LISTEN AND SHARE “NEVER GET TIRED (OF LOVING YOU)” HERE

With his wonderful new album Stardust, Luka Kuplowsky makes a refreshing argument for the relevance of acoustic music as a place to hold thought; an open space to place impeccably chosen words, ideas and images. A young songwriter with a calm, conversational delivery and an effortless, un-showy grasp of poetry; Kuplowsky humbly picks up the same threads of inquiry that did Cohen, asking the big questions about love, meaning and consciousness. Musically, Stardust triangulates between Hejira and Late for the Sky, finding connections between the purity of simple melody and the tangled modulations of jazz. Luka Kuplowsky makes a music of contemplation, a music alive to the everyday possibilities of epiphany and revelation, an unhurried music that moves with the gentle and curving rhythms of thought.

From the first note, Stardust feels fresh and immediate, and this immediacy is no accident. The album was recorded in just two days, in a studio with almost no isolation, with an all-star band of musicians drawn from the rich jazz and improvisational scenes of Toronto. Vocals and nearly everything else was recorded live, in an act of pure trust, and the album truly captures a performance, an assembly of players discovering the songs in real time.

~ written by Tamara Lindeman (The Weather Station)

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STARDUST TRACKLIST
1. Do I Have to Be
2. Never Get Tired (of Loving You)
3. Stardust
4. Crazy Love
5. Rough Times
6. City By My Window
7. Positive Push
8. Sayonara Blue
9. Skyline
10. Stardust (Reprise)
11. Be New

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BADGE ÉPOQUE ENSEMBLE ANNOUNCE SOPHOMORE ALBUM, SELF HELP

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Photo Credit : Meg Remy & Colin Medley // DOWNLOAD HIGH-RES

Toronto’s Badge Époque Ensemble announce their sophomore album, Self Help, out November 20, 2020 on Telephone Explosion Records. Recorded live in the months before lockdown, Self Help is an exploratory record that dances across time and genre, guided by fidgety miniatures and jazz inflected collage. While constructed from the inspiration of soul, funk and film music, BÉE mediate those influences having first digested them through the productions of Madlib and the RZA. Throughout, the band pool together their instrumental chops, moving from fluid and serpentine R&B to meditative, minimalistic piano, evoking a contrast of virtuosity and self-surrender. 

Today, the ensemble shares the album’s opener, “Sing A Silent Gospel”, which sees guest vocalists Meg Remy (U.S. Girls) and Dorothea Paas bringing serenity to the track, and wearing its antic melodies lightly. 

LISTEN AND SHARE “SING A SILENT GOSPEL” FT. MEG REMY AND DOROTHEA PAAS HERE

BUY / STREAM “SING A SILENT GOSPEL” FT. MEG REMY AND DOROTHEA PAAS HERE

A sticker on the sleeve tells us Self Help “combines jazz-funk and mysticism,” a signpost to where its musical and spiritual concerns align. The jazz-funk component translates to arresting hooks in sideways song forms: echoes of Gainsbourg spooled through Azymuth-style Brazilian jazz and punctuated by the whip and snap of Steely Dan. “The Sound Where My Head Was”, the instrumental centrepiece, exemplifies present-wave jazz but also ancient sounds, giving off the mothballed air of a Hiroshi Yoshimura record in a library-music archive.

Self Help’s mysticism emerges in broad and specific ways, denoting not only a search beyond cliché and intellect but also an inquiry into the beat, the spirit, the one will. This isn’t new territory for them: Turnbull – the artist formerly known as Slim Twig, who writes and performs with U.S. Girls and various other Toronto concerns – named the group’s Nature, Man & Woman EP after the Alan Watts book. Building these songs from his drafts over three weekends at Toronto’s Palace Sound studio, the ensemble was free to tap out of the city and into some other place, taking up residence in a collective mind maze. 

The album produces, in equal measure, familiar surprises and the surprisingly familiar. Intoxicated jazz riffs swerve left at phantom intersections. Rhythms cut loose and tie you in knots. But wired into each song is a sense of gentle accumulation, making every featherlight flourish weigh a ton. 

The soul shimmer of “Unity (It’s Up to You)” lets the players pool their R&B chops into something fluid and serpentine while, on guest vocals, the musical performance artist James Baley issues urgent declaratives: “Water must pool, as a rule, before tasted/Or else the water is wasted.” The words throughout the record complement the ensemble music while riffing on the precarious nature of unity itself. Then, closer “Extinct Commune” finds Turnbull deserted at the piano, playing phrases of meditative minimalism taking after the composer Joanna Brouk. For all the record’s reach, it is these contrasting quiet moments that bring Self Help’s communal spirit into focus. 

A note on personnel: Badge Époque Ensemble now has a seventh member in Karen Ng, the saxophonist and sometime collaborator of Do Make Say Think, Feist, and others. In BÉE, Ng joins Chris Bezant and Giosuè Rosati, her bandmates in the Andy Shauf live band, as well as U.S. Girls co-conspirators Turnbull and Ed Squires, and other Torontonian cross-pollinators listed below. Guest vocalists across Self Help include Meg Remy, who sings with Dorothea Paas on the opener, James Baley, and Toronto singer-songwriter Jennifer Castle on the remarkable “Just Space for Light”.

Words by: Jazz Monroe 

Badge Époque Ensemble is: 
Jay Anderson: Drum Kit / Chris Bezant: Guitar / Karen Ng: Saxophone / Alia O’Brien: Flute / Ed Squires: Conga, percussion / Giosuè Rosati: Bass / Maximilian ‘Twig’ Turnbull: Fender Rhodes, clavinet, synthesizers 

PRAISE FOR BADGE ÉPOQUE ENSEMBLE

“Nature, Man & Woman is an immersive trip in the spirit of Alice Coltrane. "Badge Theme" crackles for its entire 14-minute runtime, while "Zealous Child" turns nimbly on multiple tempo changes and a breezy vocal from Dorothea Paas" Exclaim! 8/10

"Drawing on prog, psych, and funk with flute at its forefront, the band sounds like a dusty dollar bin record with grooves scorching hot enough to melt unsuspecting minds." Bandcamp

"The jazzy, progressive instrumental sextet are experts in groove, building each one as a vessel for adventurous melodies that snake from restless funk to wild explosions of dramatic psych" - NOW Magazine

“Twig’s writing is sure to appeal to anyone who likes late-’60s prog from the Canterbury scene” - Vancouver Sun

“...trippy groovefest...that takes more twists and turns than a bag of pretzels” - Tinnitist

"Will throw you back into a time when pop orchestration was king" - Laurie Brown’s Pondercast

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SELF HELP TRACKLIST
1. Sing A Silent Gospel
2. Unity (It’s Up To You)
3. Cloud
4. The Sound Where My Head Was
5. Just Space For Light
6. Birds Fly Through Ancient Ruins
7. Extinct Commune

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SATELLITE AND THE HARPOONIST (SHAWN HALL) NEW EP OUT THIS FRIDAY, SHARE NEIL YOUNG COVER

LISTEN AND SHARE “ONLY LOVE CAN BREAK YOUR HEART” (NEIL YOUNG) HERE

SATELLITE AND THE HARPOONIST - THE NEW SUPERGROUP FROM HARPOONIST AND THE AXE MURDERER’S SHAWN HALL, FEATURING MEMBERS OF THE DEEP DARK WOODS, THE BOOM BOOMS, AND KING MISSILE III

SATELLITE MAN EP OUT THIS FRIDAY, SEPTEMBER 4, 2020

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Photo Credit : Colin McTaggart // DOWNLOAD HIGH-RES

This Friday, Satellite and The Harpoonist, the new ‘super group’ from Shawn Hall (The Harpoonist) will release their debut EP, Satellit Man. Today, they are sharing one more track from the album ahead of its release, their version of Neil Young’s “Only Love Can Break Your Heart”.

“I had Neil Young’s autobiography with me in the studio,” says Hall. “The Hammond player spotted it and revealed a common love for his music. Given our quite diverse musical backgrounds, it was a miracle. I had just played ‘Only Love Can Break Your Heart’ on the piano to my kids prior, so this is our run at this classic, not planned, definitely not rehearsed, just childhood dreams being chased,”

LISTEN AND SHARE “ONLY LOVE CAN BREAK YOUR HEART” (NEIL YOUNG) HERE

MORE ABOUT SATELLITE AND THE HARPOONIST

As the great poet Henry Wadsworth Longfellow once stated, “The best thing one can do when it’s raining is to let it rain.” And so, in January 2020, as the city’s longest spell of precipitation in over five decades threatened to wash Vancouver into the Pacific, four musicians from disparate sonic territories did just that. Not that they had a say in the matter, they let it rain while gathering at Afterlife Studios to conduct an experiment as radical and historic as the weather outside. 

WATCH AND SHARE “LEE DORSEY” HERE

Shawn Hall of the acclaimed maverick blues duo The Harpoonist and The Axe Murderer was the progenitor, his notion being to assemble three talented friends with whom he had previously worked, yet that had never met each other. Then, during an intense three-day exploration of alchemic creative collaboration within a self-imposed pressure cooker environment, they would record a 6-song EP – all under the gaze of a film crew. So, as the rain smashed down on the City of Glass, Satellite and The Harpoonist was birthed, with every labour pain and its exhausting entry into the world captured on celluloid.

WATCH AND SHARE “SATELLITE MAN” (MUSIC VIDEO) HERE

Joining singer/harmonicist Hall in this extraordinary project – his “people that want to play in the sandbox” – are Geoff Hillhorst (Hammond organ/piano/synthesizers) of award-winning alt-country-folk dreamers, The Deep Dark Woods; Theo Vincent (percussion/congas/vocals) from Vancouver’s funk-soul powerhouse The Boom Booms, and on drums and Pencilina, Brooklyn’s Bradford Reed, of out-there art-rockers, King Missile III. The Pencilina, an incredible double-necked zither-like contraption, is Reed’s own one-off invention, making Satellite and The Harpoonist the world’s only band to feature it.

WATCH AND SHARE “BALLET IN A PHONE BOOTH” HERE

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EP Artwork // DOWNLOAD HIGH-RES

SATELLITE MAN TRACKLIST
Justine
Lee Dorsey
Satellite Man
Only Love Can Break Your Heart
Soul of the Sun
Ballet in a Phone Booth

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