LAL SHARES TITLE TRACK FROM UPCOMING LP, “METEORS COULD COME DOWN”

NEW LP, METEORS COULD COME DOWN, OUT NOVEMBER 6, 2020 VIA COAX RECORDS

WATCH AND SHARE “METEORS COULD COME DOWN” HERE

BUY / STREAM “METEORS COULD COME DOWN” HERE

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Photo Credit : Nadja Sayej  // DOWNLOAD HIGH-RES

Today, Toronto duo LAL (comprised of Rosina Kazi and Nicholas Murray) are sharing the title track from their upcoming LP, “Meteors Could Come Down”. The song itself “is a metaphor for how we felt during the first 2 months of the COVID, after returning from the West Coast, while on tour,” says Kazi. “If anything, what we’ve learned in the past 6 months is that anything could happen and at any time. Even though we have been preparing for that anytime-anything, we must further prepare to live in the moment and in community. Not only has our world changed, but this song is an invitation to go deeper and into more embodied ways of being regardless of what could go down.

“But, many of us, and our communities, have been dealing with so much; systemic racism, homophobia/transphobia, gendered violence, environmental destruction, poverty, ableism, mental health and all the ways these thing intersect and more, well before the COVID-19 pandemic. 

What we have been doing and been re-learning to do, is to create our own universe despite any hardships we may face. To also focus on joy and love, as a means of decolonizing our bodies and spirits. While on tour we got to connect with some of these alternative communities and they reminded us to keep doing what we do.”

WATCH AND SHARE “METEORS COULD COME DOWN” HERE

BUY / STREAM “METEORS COULD COME DOWN” HERE

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For over two decades, Polaris Music Prize longlisted electronic duo LAL have built a catalogue of silvery, internationally-influenced electronica that insists that the dancefloor remain a place of resistance. In the process, they’ve become the backbone of Toronto’s sprawling DIY scene, nurturing and propping up a multi-generational group of artists.

Recorded in the early months of 2020, Meteors Could Come Down finds LAL looking inward, examining the intricacies of their own relationship to understand how to provide care to their community. Experimenting with minimalism and a concise inventory of sounds, the album explores for the potential for open space offered through drums and voice—dually centering on the richly dynamic textures of Kazi’s vocals and Murray’s skilled ear for world-building through silvery synths and drum beats—to hold a great deal of emotive weight

WATCH AND SHARE “TURN WATER INTO BLOOD” HERE

BUY / STREAM “TURN WATER INTO BLOOD” HERE

It advocates for a complicated kind of hope that’s only available when the end feels near: that’s at times slow and grating; confusing and confounding; and urgent and breathless. On Meteors Could Come Down Kazi and Murray capture a lofty anticipation that’s uniquely available to artists who have long been on the frontlines of radical change: hope for the energetic transformation into a new world.

WATCH AND SHARE “END OF THIS WORLD TOGETHER” HERE

BUY / STREAM “END OF THIS WORLD TOGETHER” HERE VIA BANDCAMP

Their 7th album, Meteors Could Come Down captures the spirit of a season fueled by a moment of pause that stoked the embers of revolution. Inspired by road trips along the coast to radical DIY arts scenes in Oakland and Olympia, and Adrienne Maree Brown’s bestselling book Pleasure Activism, Meteors Could Come Down is both their most minimal, and intimate, album to date. 

Utilizing concise inventory, Meteors Could Come Down, finds Kazi and Murr pulling back the curtain to examine the mechanical intricacies of their own relationship to understand how to provide care to their community. Hypnotic, opaque, glittering, and meditative; Meteors Could Come Down was designed to soothe, and settle into, building an album to support the many ways bodies utilize sound to repair. At its core, the album is fiercely futurist and a sprawling love letter to their chosen family and community that places the intimate space of (two) bodies as the first space of reconciliation. Together, they capture a lofty anticipation that’s uniquely available to artists who have long been on the frontlines of radical change: hope for the energetic transformation into a new world.

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METEORS COULD COME DOWN TRACKLIST
01 The Bitter End
02 End Of This World Together
03 Meteors Could Come Down
04 No Excuses
05 Still Movements
06 Turn Water Into Blood
07 Free And Broken
08 Who You Are

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DONOVAN WOODS ANNOUNCES VIRTUAL ALBUM RELEASE BENEFIT SHOW IN SUPPORT OF ARTSCAN CIRCLE AND SOUTHERN GIRLS ROCK CAMP

FILMED IN AN EMPTY ROY THOMSON HALL - THE SHOW IS SLATED FOR NOV 5

TICKETS ON-SALE THIS FRIDAY, OCT. 9 VIA WWW.DONOVANWOODS.NET

WITHOUT PEOPLE DUE OUT NOVEMBER 6 VIA MEANT WELL

NEW ALBUM FEATURES CO-WRITES WITH ED ROBERTSON, TUCKER BEATHARD, KATIE PRUITT, ASHLEY MONROE, JESSIE JO DILLON, DUSTIN CHRISTENSEN, AND MORE

PRE-ORDER WITHOUT PEOPLE HERE

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Photo Credit : Maya Fuhr // DOWNLOAD HI-RES

Tune-in on Thursday, November 5 at 8 PM ET  / 5 PM PT to watch Donovan Woods' 1-hour solo acoustic performance in celebration of his 7th studio album release Without People. In an effort to support others with the release of his album, 50% of net ticket sales will be given back to participating show promoters, and Woods will donate 100% of his artist proceeds to ArtsCan Circle (Canada) and Southern Girls Rock Camp (US)

Coinciding with COVID safety measures, Woods performed completely alone in Roy Thomson Hall. The performance was recorded with seven robotic cameras controlled by one individual in a separate control room, taking the album phrase “without people” to heart. 

During the show, Woods will perform a 9-song set of songs off the new album and a few fan-favorites. Prior to the performance, fans can expect to see a 2-song performance by Philadelphia-based opening act LULLANAS, learn about the show’s benefiting charities, watch some tastefully artistic video interpretations of Woods’ new songs and a special-filmed message from Woods. After the concert, fans will get an exclusive first-look of the new Donovan Woods With People Project video for “We Used To” featuring Ariana and the Rose.

Tickets can be purchased for $15 USD starting this Friday, October 9 via donovanwoods.net.

LISTEN / STREAM “SHE WAITS FOR ME TO COME BACK DOWN”

WATCH AND SHARE “SHE WAITS FOR ME TO COME BACK DOWN” FT. KATIE PRUITT

Throughout the rollout of his Without People album, Woods has prioritized giving back to others and supporting diverse communities. His Donovan Woods With People Project commissions independent artists, dancers and creators around the world to create pieces interpreted by his songs.

DONOVAN WOODS ROY THOMSON HALL SHOW SETLIST:
1. Burn That Bridge
2. Last Time I Saw You
3. Grew Apart
4. It’ll Work Itself Out
5. Clean Slate
6. Man Made Lake
7. Portland Maine
8. Whatever Keeps You Going
9. Lonely People

PRE-ORDER WITHOUT PEOPLE HERE

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WITHOUT PEOPLE TRACKLIST

1. “Without People” 
2. “The Last Time I Saw You”
3. “Seeing Other People”
4. “We Used To”
5. “She Waits For Me To Come Back Down” feat. Katie Pruitt
6. “Clean Slate”
7. “Man Made Lake”
8. “Interlude”
9. “Lonely People” feat. Rhys Lewis
10. “Grew Apart”
11. “Whole Way Home”
12. "High Season” 
13. “God Forbid”
14. “Whatever Keeps You Going” 

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APPLE MUSIC

MATTHEW CARDINAL OF nêhiyawak SHARES NEW SONG & VIDEO FROM DEBUT LP, ASTERISMS

WATCH & LISTEN TO “MAR 12th” HERE

ASTERISMS ARRIVES OCTOBER 27 VIA ARTS & CRAFTS

PREORDER FROM ARTS & CRAFTS

"A synth-driven celestial bath of calm and wonder and gratitude, all things that feel desperately in short supply at this moment.” CBC Music 

“A Glacial Sonic Journal.” XLR8R

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Photo Credit: Chelsea Boida // DOWNLOAD HIGH-RES

Today, Matthew Cardinal is sharing the new video for “Mar 12th,” the third track he has shared from his debut solo album, Asterisms – a dazzling collection of ambient electronic audio journal entries that crystallizes moments in the amiskwaciy (Edmonton) based artist’s life. Directed by SCKUSE (Stephanie Kuse), the goal of the video was to “make something spring sky inspired — kind of cold, hazy and colourful,” she says. “I used heavily edited footage of the Apollo 8, 11 and 12 launches from 1968/1969 for this one, along with some blurred out illustrations of flowers from the 1800’s.”

The track unfurls in overlapping melodic waves like rhythmic but beatless IDM, gently pulsating, modulating, and filling the melancholy transient phase between seasons. “With the exception of the opening track on the album which was recorded years before the others, this is the oldest recording on the album,” says Matthew, who timestamped each of the album’s eleven tracks with the dates of their creation. 

“‘Mar 12th’ is a very simple track with a Moog at its core, the pulse becoming syncopated by a few delays and the sound expanding as I slowly open and close the filter. Other sounds are an old Roland string machine and a downtuned sample of my fiddle, a gift given to me by my mooshum. I recorded this sitting on my bedroom floor, playing my synths and recording it all on my sampler's digital 4 track.”

WATCH AND SHARE “MAR 12th” HERE

Known for his work in nêhiyawak – the moccasingaze trio whose debut album nipiy is currently nominated on the 2020 Polaris Music Prize Shortlist and was nominated for a 2020 JUNO Award for Indigenous Album of the Year – Cardinal’s first solo full-length explores "captured moments of experimentation and expression . . . asterisms drawing attention to where I was musically, mentally and emotionally at very brief passages of my life,” says Cardinal. 

WATCH THE VIDEO FOR “MAY 24th”

Created with analogue synthesizers, a small modular system, samplers, electric piano, and processed voice, each sonic entry came out naturally in improvisational waves, recorded often in single days if not single takes. The minimal instrumental framework created pathways through each machine to the album’s vast cloud of starry narratives. “I'm very influenced by the instruments I play,” says Cardinal. “I love the sound of reverb, the imperfect reflection of sounds and how it decays. The sounds of bells, chimes, electric piano, and cello. I find certain sounds very inspiring.”

WATCH THE ALBUM TRAILER (“MAY 25th”)

Calling to mind the luxurious minimalism of Brian Eno, Erik Satie, Steve Reich, and Glenn Gould, and the swirling influence of Fennesz, Jim O’Rourke, Boards of Canada, and Slowdive, Cardinal creates a glacial, airy sonic universe that is personal yet evocative, subtle yet impressive. The album opening “Dec 31st” glistens with the crystalline climate synonymous with the day, while the album closing “Jul 23rd” ranges into Postal Service territory at the height of summer with a pulsing bpm that punctuates the amorphous map of moods that makes up the record. 

PREORDER ASTERISMS FROM ARTS & CRAFTS

Described by Cardinal as “music recorded mostly for myself,” the cathartic value of these instrumental compositions is found in their release. A collection of intimate contemplations becomes interpretive and intentional music, a catalyst and companion to reading, studying, working, walking, dancing, hand-holding, and sleeping. “I would like it if people listened and interpreted the music anyway they want to,” says Cardinal. “I don't think these songs need a narrative, and I think certain moods come through some of the tracks, while other moods might only be heard by individual listeners.”

Cardinal found the title Asterisms to be the perfect encapsulation of the record he made. In typography, a near-obsolete character used to draw attention to a passage, and in astronomy, a visually obvious pattern of stars, asterisms connects the tangible and the intangible aspects that define this music. On his solo debut, Cardinal creates a document of his inner reflections that flourishes into an offering of sonic refractions for our own contemplation during these thought-provoking times.

Asterisms will be released by Arts & Crafts on October 27, 2020 on digital and vinyl formats. See below for full tracklisting.

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Matthew Cardinal – Asterisms
1. Dec 31st
2. May 25th
3. May 24th
4. Dec 4th
5. May 7th
6. Mar 12th
7. Sep 7th
8. Aug 23rd
9. Sep 11th
10. Jan 8th
11. July 23rd

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