MATTHEW CARDINAL OF nêhiyawak REVEALS VIDEO FOR “JULY 23rd” FROM ASTERISMS, DEBUT ALBUM OUT TODAY

WATCH THE “JULY 23rd” VIDEO HERE

BUY / STREAM ASTERISMS FROM ARTS & CRAFTS

”A substantial and constantly shifting record — a sky of billowing clouds, heavy with texture and depth... an entirely wordless snowfall.” Exclaim!

"A synth-driven celestial bath of calm and wonder and gratitude, all things that feel desperately in short supply at this moment.” CBC Music 

“A Glacial Sonic Journal.” XLR8R

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Photo Credit: Heather Saitz // DOWNLOAD HIGH-RES

Today, Matthew Cardinal releases his debut solo album, Asterisms – a dazzling collection of ambient electronic audio journal entries that crystallizes moments in his life. To celebrate, the amiskwaciy (Edmonton) based artist is sharing the new video for the album’s final track, “July 23rd,” by director SCKUSE (Stephanie Kuse). The video follows the established trajectory of her video entries for “May 25th,” “May 24th,” and “Mar 12th,” with distinct natural elements finally emerging from the abstract beauty of images processed through an old TV. 

“The track reminded me of warmly reflecting on memories of a summer spent with a loved one where the passage of time feels fast and slow all at once,” Kuse says. “I used a collection of clips I shot throughout the summer supplemented with hands reaching out shot in studio and found footage of fireworks to visually emulate that feeling.”

WATCH & LISTEN TO “JULY 23rd” HERE

Of the track, Cardinal says, “I needed to do some work and needed a soundtrack for myself. I made a generative piece and, instead of doing work, I decided to build on this. Adding some analogue bass, a shimmering organ lead and the only drum machine on the album, I came out with one of my favourite tracks I’ve ever done.”

Known for his work in nêhiyawak – the moccasingaze trio whose debut album nipiy was nominated for the 2020 Polaris Music Prize Shortlist and JUNO Award for Indigenous Album of the Year – Cardinal’s first solo full-length explores "captured moments of experimentation and expression . . . asterisms drawing attention to where I was musically, mentally and emotionally at very brief passages of my life,” says Cardinal. 

BUY / STREAM ASTERISMS FROM ARTS & CRAFTS

Created with analogue synthesizers, a small modular system, samplers, electric piano, and processed voice, each sonic entry came out naturally in improvisational waves, recorded often in single days if not single takes. The minimal instrumental framework created pathways through each machine to the album’s vast cloud of starry narratives. “I'm very influenced by the instruments I play,” says Cardinal. “I love the sound of reverb, the imperfect reflection of sounds and how it decays. The sounds of bells, chimes, electric piano, and cello. I find certain sounds very inspiring.”

Calling to mind the luxurious minimalism of Brian Eno, Erik Satie, Steve Reich, and Glenn Gould, and the swirling influence of Fennesz, Jim O’Rourke, Boards of Canada, and Slowdive, Cardinal creates a glacial, airy sonic universe that is personal yet evocative, subtle yet impressive. The album opening “Dec 31st” glistens with the crystalline climate synonymous with the day, while the album closing “Jul 23rd” ranges into Postal Service territory at the height of summer with a pulsing bpm that punctuates the amorphous map of moods that makes up the record. 

CLICK FOR THE YOUTUBE PLAYLIST OF ALL ASTERISMS VIDEOS

Described by Cardinal as “music recorded mostly for myself,” the cathartic value of these instrumental compositions is found in their release. A collection of intimate contemplations becomes interpretive and intentional music, a catalyst and companion to reading, studying, working, walking, dancing, hand-holding, and sleeping. “I would like it if people listened and interpreted the music anyway they want to,” says Cardinal. “I don't think these songs need a narrative, and I think certain moods come through some of the tracks, while other moods might only be heard by individual listeners.”

Cardinal found the title Asterisms to be the perfect encapsulation of the record he made. In typography, a near-obsolete character used to draw attention to a passage, and in astronomy, a visually obvious pattern of stars, asterisms connects the tangible and the intangible aspects that define this music. On his solo debut, Cardinal creates a document of his inner reflections that flourishes into an offering of sonic refractions for our own contemplation during these thought-provoking times.

Asterisms is out today via Arts & Crafts on digital and vinyl formats. See below for full tracklisting.

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Matthew Cardinal – Asterisms
1. Dec 31st
2. May 25th
3. May 24th
4. Dec 4th
5. May 7th
6. Mar 12th
7. Sep 7th
8. Aug 23rd
9. Sep 11th
10. Jan 8th
11. July 23rd

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GORD DOWNIE RELEASES OTHERWORLDLY MUSIC VIDEO FOR “THE LEAST IMPOSSIBLE”

NEW POSTHUMOUS DOUBLE ALBUM AWAY IS MINE DEBUTS #3 ON THE CANADIAN BILLBOARD CHART 

WATCH “THE LEAST IMPOSSIBLE”

BUY / LISTEN TO AWAY IS MINE NOW

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Away Is Mine Album Artwork // DOWNLOAD HIGH-RES

“Downie stares down his mortality like never before, a poignant statement from a man who was so good at seizing the moment.” - CBC Music 

“For a man who made his name wailing about Canadian history over roaring rock riffs, this generous peek inward as he bid the nation that loved him adieu will certainly offer closure, along with no shortage of tears." - Under The Radar

The vaults are opening, ‘like an old friend checking in,’ on Downie's extraordinarily productive final years. 'Away Is Mine,' a new solo album, is another gift. - Maclean’s Magazine

Gord Downie released the posthumous double album Away Is Mine on October 16, on the eve of the third anniversary of his passing. The final songs that The Tragically Hip frontman would record, Away Is Mine highlights Gord’s poetic mastery at its most bare and personal, with vibrant, haunting production that casts each song in supernatural light. Unanimously celebrated as “a gift,” the album has arrived at a time when fans have needed his voice most, earning a #3 Billboard Canada chart debut with the #1 spot on the Top Albums, Vinyl, and Digital Albums charts.

BUY / LISTEN TO AWAY IS MINE NOW

Today, Downie shares the animated music video for “The Least Impossible,” which opens the second side of Away Is Mine with the album’s most oblique sonic textures and starkly emotional wreckoning. Grappling with life or livelihood and the fleeting nature of either, Gord sings over rattling synthesizers “I try not to try / I try not to know / Up until thought itself asks / ‘Where do you go?’” Pondering this line, director Sara Basso and illustrator Laura Arango, set out to explore the view from the edge of the abyss. 

“‘The Least Impossible’ is about a journey into the unknown. I wanted to visualize this by exploring a psychedelic trip within ourselves, one that pushes the limits of our imagination and tries to make sense of the things that defy our relative understanding,” says Basso, who is Creative Director and Producer of the Away Is Mine music video series. “We transition through realms beyond our world, where space and time are abstract, mimicking the attempt to reach a higher state of consciousness in search of the greater truth.”

The fifth music video released so far from Away Is Mine extrapolates the visual story that Gord’s music has inspired. For an album defined by contemplations – Gord’s own musings, in the care of family, friends, and collaborators alike – each video interprets a corner of Gord’s universal imagination, painting a possible portrait of him during the incredible circumstances of the album’s recording, and now casting forward his legacy with its timely presentation. 

WATCH “THE LEAST IMPOSSIBLE” OFFICIAL MUSIC VIDEO

Curating a diverse and inclusive group of creatives ranging from emerging new talent to pioneers in the industry, Basso and team set out to create unique visualizations of all ten songs on Away Is Mine. The contributions thus far – from Ty Goodwin’s landscape-defining “Hotel Worth” to Alex McLeod’s lucid take on “River Don’t Care” (described by Rolling Stone as “The Life Aquatic with Steve Zissou meets Schitt’s Creek”) – cast each artists’ idea of Gord singing to us “from the liminal space between life and the great divide.” The transportative cinema of Basso and Genevieve Blais’ “Useless Nights” and the reflexive animation of Zuna Amir’s “About Blank” project the spiritual breadth and captivating ambiance of Gord’s album. 

Along with ten “acoustic” lyric videos by Matthew Beaubien that bring Gord’s handwritten lyrics to life, the music video series will continue to unfurl with contemplations by creators like Tim Thompson (of Hockey Night In Canada fame), Akash Sherman (award-winning filmmaker of Clara), and the Secret Path team of Mike Downie, Jeff Lemire, and Justin Stephenson uniting for the “Untitled” sign-off. See the full list of artists below.

CLICK FOR YOUTUBE PLAYLIST WITH ALL VIDEOS

Steered to life by “my oldest Toronto friend,” guitarist and co-writer Josh Finlayson, Downie recorded Away Is Mine in July 2017 at The Tragically Hip’s studio in Bath, Ontario, mere months before he passed on October 17th that year. The two-disc set features Downie’s last ten songs, each presented in electric and acoustic versions. Away Is Mine is out now in deluxe limited edition 2LP, 2CD, and digital formats via Arts & Crafts.

“This won’t be his last release, but these are the final ten songs Gord sang before he passed away. The last time he ever sang into a mic,” brother Patrick Downie wrote. 

A characteristically questing and idiosyncratic work that holds fast to its author’s unwavering artistic spirit, Away Is Mine is a reflection on Gord’s life, written with his deft hand and forever inscrutable sense of humour even as he locked eyes with the Great Inevitability. As autobiographical as it is collaborative, Away Is Mine is a document of an artist disappearing into his art, essentially becoming his art through that process. 

Like all of the music and the poetry and the memories and the mad genius Gord gave us during his 53 years on our planet, Away Is Mine is immortal. And yet it took a fearless reckoning with his own mortality to get us here. 

“We feel so blessed for this opportunity. Simply described as gratitude. Grateful for another gift from Gord. A gift that has been our beautiful companion and an unintended source of solace in the face of life without him,” Josh and Patrick share. “May it lift you up and carry you onwards and upwards always and forever. 

Away Is Mine. Away Is Yers.”

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Gord Downie – Away Is Mine – Official Music Videos / Directors:

1. Hotel Worth / Ty Goodwin
2. Useless Nights / Sara Basso & Genevieve Blais
3. I Am Lost / Bhabna Banerjee & Amanda Matalanis
4. About Blank / Zuna Amir
5. River Don’t Care / Alex McLeod
6. The Least Impossible / Sara Basso & Laura Arango
7. Traffic Is Magic / Kenny Tran & Sara Basso
8. Away Is Mine / Akash Sherman
9. No Solace / Tim Thompson
10. Untitled / Mike Downie, Jeff Lemire & Justin Stephenson

Acoustic Lyric Videos / Matthew Beaubien

Production Credits:
Creative Director & Producer: Sara Basso
Assoc. Producer & Art Director: Jung EJ Lee
Production Company: New Ritual Studio
Executive Producers: Patrick Downie, Mike Downie, Josh Finlayson, Jake Gold, Sara Basso, Marc Wayne, Carly Stojsic, Trisha Kulathungam 

Copyright: Gordieland Inc.

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MEGAN NASH SHARES NEW SINGLE, “ARTIFACT”

SONGWRITER MEGAN NASH SHARES FIRST NEW MUSIC SINCE 2017’S JUNO AWARD NOMINATED ALBUM, SEEKER

LISTEN/SHARE “ARTIFACT” HERE

BUY / STREAM “ARTIFACT” HERE

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Photo Credit : Aaron Sinclair // DOWNLOAD HIGH-RES

When the frigid winter ends and the earth absorbs every last blanket of snow, infinite dust blooms from the prairies. If you walk down a twilit dirt road in the middle of nowhere, south central Saskatchewan, that dust creeps onto and into you, cementing  your relationship with the endlessness of the place—endless skies, endless wind, endless dust. Megan Nash knows this feeling more intimately than most. Despite taking their music all over the world, their songs always retain some piece of the prairies. There’s the grit of dust in the crunch of an overdriven guitar; the howl of wind in a soaring, hypnotic eruption of horns. And there is a boundlessness in her voice—electric with timbres both luminous and dusky, coloured with the textures of her poetry—that can’t help but recall those spellbinding skies.  

With their 2017 album Seeker, Nash used that voice to establish herself as an artist with a singular vision. Mining loss, heartache, grief, dreams, and desire over lush soundscapes, she revealed themselves as the titular seeker—someone with a suitcase they never really empty, whose reach always exceeds their grasp. In the time since Seeker, Nash’s life has taken tumultuous turns. In their own words, the new music she’s been working on was written, “in the cracks of a foundation—in moments of reflection during years of whirlwind romance, gut wrenching heartbreak, reviving friendships, and life saving dog love.” They’re heavy, haunting, elegiac songs in which Nash has rendered themselves more vulnerable than ever. 

The first new music from Nash, “Artifact” is “a song about discovering fragments of your former life; a letter from a past lover, a photograph from a perfect day, and how that discovery can be a punch in the stomach,” she says. “It draws the comparison of your own world and your relationships with the environment and the climate crisis; reminding the listener of when something you love gets neglected, it can fall apart right in front of you. I wrote this song in an afternoon, shortly after I found myself to be the sole occupant of a little house in the middle of nowhere. A neighbour came over for coffee later that day and I played it for her. ‘That’s a break up song’ she said. My first glowing review. I love sad songs and how they can remind us that we aren’t alone in the painful experiences. If this song can remind someone of that, that pain is the sacrifice we all make for knowing love, then it’s done its job.”

LISTEN/SHARE “ARTIFACT” HERE

BUY / STREAM “ARTIFACT” HERE

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“Artifact” Single Artwork // DOWNLOAD HIGH-RES

In the middle of these mercurial past few years, Nash has been busier than ever on the road, most often with their seasoned backup outfit, The Best of Intentions (Dana Rempel on bass, Darnell Stewart on guitar, and Tanner Wilhelm Hale on drums). She’s played some of their biggest gigs both at home and on tour in Germany, Estonia, and the U.K., riding the momentum of her JUNO Award nomination for Seeker. And in the wake of the COVID-19 pandemic, she’s been proactive finding ways to connect with fans via events like drive-in and virtual shows. Rest assured that if it’s possible, she’ll be following those highway lines in 2021.

MEGAN NASH ONLINE
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