ALLISON RUSSELL (BIRDS OF CHICAGO / OUR NATIVE DAUGHTERS) COVERS SADE AND FLEETWOOD MAC

AR_web1_FrancescaCepero.jpg

Photo Credit : Francesca Cepero // DOWNLOAD HIGH-RES 

Today, acclaimed singer-songwriter and multiinstrumentalist Allison Russell, a founding member of Our Native Daughters (with Rhiannon Giddens, Leyla McCalla and Amythyst Kiah) and Birds of Chicago (with her husband/musical partner JT Nero), has shared two new covers songs, intimate and imaginative versions of Sade’s “By Your Side”, and Fleetwood Mac’s “Landslide”, sung entirely in French. 

Both tracks hold special meaning for her. “I grew up afraid and ashamed all of the time,” says Russell. “I learned to make myself very small and very quiet in order to survive. My adoptive father - my primary abuser - was intensely controlling of all aspects of my life and of our constantly shifting households. He was particularly tyrannical about what we were allowed to listen to. Almost anything written after 1820 was banned. Anything not written or appropriated by a white man was banned. I ran away at 15 to escape his violence...and a whole new universe of sound opened up to me. Music saved my life. I learned that women could write music too. I discovered that I was a musician; that I was a writer. But, I was a listener first. Every time I listen to a modern song that moves me it feels like resistance. These brilliant artists - Sade, Stevie Nicks - powerful writers all, make me feel brave and fully human. These songs each create a world that I want to visit and revisit. They sound like freedom to me. I have tried to do them some justice while finding my own truth within the songs. I have taken loving liberties and translated some of their poetry into French. I have been missing the language of my Montreal childhood, trying to reclaim those broken years. May these interpretations bring some comfort. Here’s to Hope and Healing for this New Year.”

LISTEN AND SHARE “BY YOUR SIDE” (SADE COVER) HERE

“Sade’s “By Your Side” is an “endlessly expansive and inclusive song of love,” says Russell. “It could be the love between lovers, the love of a parent for a child, the love for an elder who is not long for this world. It feels like it has always existed and always will. It feels like an expression of our collective unconscious. It comforts me and invokes a melancholy yearning all at once. I was singing this one to my seven-year-old daughter, Ida, like a lullaby. I couldn’t get through it without crying. This pandemic has been devastating for our little ones. I’ve returned to this song almost daily during these hard months. ’By Your Side’ may have lost the Grammy back in 2001 but it has won the test of time. Sade lights the way for so many of us. I remember how electrified I felt the first time I heard her and saw her on television; a mixed heritage black woman like me, not fitting easily or neatly into any box, transcending them all. A living, breathing Goddess. I sing this in homage and gratitude. I hope to have the privilege of meeting her one day. Sade’s voice gives me strength and hope.”

LISTEN AND SHARE “LANDSLIDE” (FLEETWOOD MAC COVER) HERE

Fleetwood Mac’s “Landslide” was a song Russell was “terrified” to touch at first. “It is such an iconic classic and has been covered by so many,” she says. “But then I thought: what would Stevie Nicks do? If she hadn’t written it she’d find a way to make it her own. So, I found my way in, through translation. Little snippets of the lyrics started coming to me in French. I pondered how difficult the art of poetry translation is and I decided to accept the challenge my subconscious was throwing down. The song deserves no lesser sacrifice. I agonized over this translation of Stevie’s luminous lyrics. I tried to remain completely faithful to her meaning as I understand it. I tried to reproduce the beauty, inevitability and sadness in French. In order to do so I had to take some poetic license with the vocabulary. It is an offering of love and acceptance for what cannot be changed. ’Landslide’ or ‘L’Avalanche’, this enduring melody, this human experience, speaks for itself. Thank you, Stevie Nicks.”

Russell will release her first ever solo album via Fantasy Records this spring.  

AR_S_cover_BYS.jpg

Cover Artwork for “Landslide” and “By Your Side” by Niki Frazier  // DOWNLOAD HIGH-RES

ALLISON RUSSELL ONLINE
WEBSITE
TWITTER
FACEBOOK
INSTAGRAM
YOUTUBE

FANTASY RECORDS
WEBSITE

STEVEN WILSON UNVEILS THE FUTURE BITES - NEW LP OUT TODAY

GROUNDBREAKING ARTIST/PRODUCER RETURNS WITH ACCLAIMED NEW ALBUM

THE FUTURE BITES AVAILABLE TODAY VIA ARTS & CRAFTS

BUY / STREAM THE FUTURE BITES HERE

SW_LP_cover_TFB.jpg

Groundbreaking musician/songwriter/producer Steven Wilson has announced today’s eagerly anticipated release of his acclaimed sixth album, THE FUTURE BITES, available everywhere now via Arts & Crafts. THE FUTURE BITES is available on all digital platforms, along with vinyl, CD, and a limited edition deluxe box set that contains CDs of the album, an instrumental version of the album, bonus material (including six additional songs and several reworked versions of album tracks, among them a 19-minute extended mix of “Personal Shopper”), a cassette of demos, and a Blu-ray featuring videos and Wilson’s own 5.1 surround sound and Dolby Atmos versions of the album (marking THE FUTURE BITES as the first contemporary album to be mixed and released in Dolby Atmos). 

BUY / STREAM THE FUTURE BITES HERE

THE FUTURE BITES includes such remarkable new tracks as “12 Things I Forgot”, “King Ghost”, “Eminent Sleaze”, and the epic first single, “Personal Shopper”, the latter of which is joined by an equally ambitious official video streaming now at Wilson’s official YouTube channel; additional videos – as well as a striking trailer previewing the album’s provocative themes of high-concept consumerism and post-internet evolution – are also streaming now via YouTube.

WATCH / SHARE “PERSONAL SHOPPER” HERE

WATCH / SHARE “KING GHOST” HERE

WATCH /  SHARE “EMINENT SLEAZE” HERE

WATCH / SHARE “MAN OF THE PEOPLE” HERE

Co-produced in London by Wilson with David Kosten (Bat For Lashes, Everything Everything), THE FUTURE BITES sees Wilson exploring contemporary addiction and the lasting effect of ever-increasing technology on our daily lives. The album marks his most inventive and far-reaching musical construction to date, spanning soaring acoustics, lush electronica, relentless bass-driven grooves, murky funk, and so much more, all linked through powerfully focused songcraft and this one-of-a-kind artist’s always unique creative vision.

Hailed by Rolling Stone’s David Fricke for his “fighting spirit and truly progressive ideals in rock composition, group improvisation and emotionally authentic storytelling,” Wilson recently launched an official THE FUTURE BITES webstore, featuring a fully imagined consumer universe. The website will crack a door open onto a wonderful world of purchase power, a place where everything is marketable and nothing is too random or too moronic to be considered valuable. Inspired by notable 21st century artifacts like the Virgil Abloh ceramic block or Vitality Air’s canned Canadian oxygen, THE FUTURE BITES website is a fully imagined consumer universe (built in collaboration with Baby and Crystal Spotlight) designed to be accessible and addictive to anyone from the casual fan to the hardcore collector. The site will feature regular drops of limited edition merchandise over the coming months, showcasing anything from a slogan shirt to a branded hole punch.

In addition, Wilson recently unveiled a truly unique – and now sold out – special edition of THE FUTURE BITES. Limited to 1 of 1, ULTRA DELUXE MUSIC PRODUCT ON OBSOLETE MEDIA retailed for £10,000, with all proceeds directly benefiting the Music Venue Trust to help save grassroots music venues in the UK adversely affected by COVID-19. Simultaneously the apotheosis of modern consumerism and the ultimate Steven Wilson collectible, the bespoke package collects THE FUTURE BITES LIMITED EDITION DELUXE BOX SET alongside previously unheard music (including a one-sided 7-inch single with the exclusive track, “The Tastemaker”, limited to an edition of one and never to be released anywhere else), conceptual artwork, handwritten lyrics, and such rare items of personal ephemera from Wilson’s personal archive as six laminated AAA passes for various tours between 2011-18 and his GRAMMY® Award nomination certificate and medal honoring 2011’s GRACE BEFORE DROWNING for “Best Surround Sound Mix.” 

VISIT THE FUTURE BITES WEBSITE

PRAISE FOR THE FUTURE BITES

"Despite its dark, cautionary subject matter, The Future Bites is Steven Wilson’s most powerful and commercially appealing set to date." - AMERICAN SONGWRITER (4/5)

"The Future Bites is a bold, captivating, and fulfilling statement as only Wilson could create, resulting in another testament to his singular and invaluable brilliance." - POP MATTERS

“A great grown up pop record…(Wilson’s) solo work has seen him embracing dance, electronica and pop, and becoming all the better for it.” – MOJO (4/5)

“Maverick meta-pop…the great white hope of 21st century Brit-prog ventures deeper into pastures new.” – UNCUT (8/10)

“ATTENTION ALL PASSENGERS: Be advised that STEVEN WILSON is an artist. He’s not your musical bitch. If you can’t f**cking deal with that, feel free to pull the emergency brake at any time and exit.” – SONIC PERSPECTIVES

SW_LP_cover_TFB.jpg

DOWNLOAD HIGH-RES

THE FUTURE BITES TRACK LISTING
01 UNSELF
02 SELF
03 KING GHOST
04 12 THINGS I FORGOT
05 EMINENT SLEAZE
06 PERSONAL SHOPPER
07 MAN OF THE PEOPLE
08 FOLLOWER
09 COUNT OF UNEASE 

STEVEN WILSON ONLINE
WEBSITE
FACEBOOK
INSTAGRAM
TWITTER

JULIA STONE UNVEILS NEW TRACK 'WE ALL HAVE' FT. MATT BERNINGER (THE NATIONAL)

JS_web4_BrookeAshleyBarone.jpg

Photo Credit: Brooke Ashley Barone // DOWNLOAD HIGH-RES

Julia Stone has today shared another tantalising taste of her forthcoming third solo album Sixty Summers with the poignant track “We All Have” featuring Matt Berninger from The National. Also been revealed today; Sixty Summers will now be released on Friday, 16 April, 2021 via Arts & Crafts due to a delay in vinyl production. 

“We All Have” is Sixty Summers’ most tender song, a sweet ballad celebrating every human’s ability to heal even in the face of devastating pain. With its spare piano and finger-plucked guitars, “We All Have” represents the duality of Sixty Summers. “This song is about how everything transforms and moves; even though you feel so shitty at one point, it might shift into something new,” says Stone of the inspiration behind the song.  “Love is all that we really need to be here for —not love with someone else but love in your heart.” 

Matt Berninger, frontman of The National who features on the stunning track shares his elation of his involvement on “We All Have”: "It's always really inspiring to hear old friends creating such amazing music. I've been a big fan of Julia's work for a long time, and it was so fun to be invited to be a part of this song!"

LISTEN / SHARE “WE ALL HAVE” FT. MATT BERNINGER HERE

JS_S_cover_WAH.jpg

“We All Have” Artwork // DOWNLOAD HIGH-RES

“We All Have” stands as the fourth track to be released from Sixty Summers. It follows Stone’s first solo single in a number of years, “Break”, drenched in dazzling moonlit pop, the ethereal and otherworldly “Unreal” and, most recently, the dreamy, rose-coloured “Dance”. Each of the singles have arrived with award-worthy visuals imagined by Stone and her creative collaborators Jessie Hill for “Break” and “Dance” and Bonnie Moir for “Unreal”. At the end of 2020, Stone revealed a reimagining of the three singles to date on an EP titled Twin. She also found time to release a four-track Christmas EP titled Everything Is Christmas

“We All Have” the single, is also accompanied by a music video directed by twice ARIA nominated director Gabriel Gasparinatos (Baker Boy, ONEFOUR). Featuring Gabriel's cousin Jesse Gasparinatos, a second-generation Abalone diver based out of Australia's southernmost Tasmanian town, the clip was shot over a week spent on Jesse's fishing boat late last year.

Shot in one of Tasmania's most remote landscapes, the clip follows the secluded relationship between a diver and their deck-hand, exploring the lightness and darkness in grief and isolation.

WATCH / SHARE “WE ALL HAVE” HERE

Her first solo album in eight years, Sixty Summers arrives as a powerful rebirth for one of Australia’s most prolific artists. Emerging from the wildernesses of folk and indie-rock, on Sixty Summers Stone dives headfirst into the cosmopolitan, hedonistic world of late-night, moonlit pop. The stunning album brings us the grit and glitter of the city, with all its attendant joys, dangers, romances and risks. It is Stone at her truest, brightest self, a revered icon finally sharing her long, secret love affair with this vibrant and complex genre.

WATCH AND SHARE “BREAK” HERE

BUY / STREAM “BREAK” HERE

Recorded sporadically over five years from 2015 to 2019, Sixty Summers was shaped profoundly by Stone’s key collaborators on the album: Thomas Bartlett, aka Doveman, and Annie Clark, the Grammy-winning singer, songwriter and producer known as St. Vincent. Bartlett and Clark were the symbiotic pair Stone needed to realise her first pop vision. A wizard of production and songwriting, Bartlett helped coax Sixty Summers’ independent, elemental spirit from Stone, writing and recording over 30 demos with her at his studio in New York. Itself a thoroughfare for indie rock luminaries, some of whom, such as the aforementioned Matt Berninger from The National and Bryce Dessner, ended up on the album, Bartlett’s studio was perfect fertile ground for Stone’s growth. “Making this record with Thomas, I felt so free. I can hear it in the music,” says Stone. “He brings a sense of confidence to recording sessions.”

WATCH AND SHARE “UNREAL” HERE

BUY / STREAM “UNREAL” HERE

The scope of Sixty Summers is dizzyingly vast; miles away from Stone’s past work, it is a world unto itself, a surreal and breathtaking new landscape. Where Stone’s previous solo records, 2010’s The Memory Machine and 2014’s By The Horns, found her grappling with the natural darkness that comes with loving too much, Sixty Summers finds Stone claiming every part of herself: fire, fury, love, lust, longing. Touching on reference points as disparate as the avant-funk of Talking Heads (on “Break”) the romantic 2am musings of Serge Gainsbourg (“Free”, “Dance”) and the sleek, ecstatic synth work of Lorde’s Melodrama (“Substance”), Sixty Summers is an album you can dance to and one you can lose yourself in completely. 

WATCH “DANCE” STARRING SUSAN SARANDON + DANNY GLOVER
BUY / STREAM “DANCE” HERE

PRE-ORDER SIXTY SUMMERS HERE

JS_LP_cover_SS.jpg

DOWNLOAD HIGH-RES

SIXTY SUMMERS TRACKLIST
01 Break
02 Sixty Summers
03 We All Have
04 Substance
05 Dance
06 Free
07 Who
08 Fire In Me
09 Easy
10 Queen
11 Heron
12 Unreal
13 I Am No One

JULIA STONE ONLINE
WEBSITE
INSTAGRAM
TWITTER
FACEBOOK
YOUTUBE
SPOTIFY 
APPLE MUSIC