DANA SIPOS SHARES NEW  VIDEO FOR “SKINNY LEGS” FROM UPCOMING LP

DANA SIPOS NEW SANDRO PERRI PRODUCED LP, THE ASTRAL PLANE, OUT JUNE 25, 2021 VIA ROARING GIRL RECORDS

WATCH AND SHARE “SKINNY LEGS” HERE

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PRE-ORDER THE ASTRAL PLANE HERE

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Photo Credit : Chris Dufour // DOWNLOAD HIGH-RES

Today, Dana Sipos (Dan-ah Sea-pose) is sharing another new single and video from her upcoming album, The Astral Plane, out June 25 via Roaring Girl Records. “Skinny Legs” is an ode to Dana's beloved grandmother and her extraordinary life. The song is a personal exploration into family histories and legacies that explores the imprints of memory that form and take hold over the many lifetimes of a person, a family, a generation, and how they live in our bodies.

“My grandmother, a grand storyteller her whole life, lost the ability to speak due to a severe stroke and has been living between the earthly and astral plane for some time,” says Dana. “In this song I am coming to terms with this impending transition, loss. I am also asking my grandmother all the questions that I can't ask her in real life - are you afraid? Are you ready? Do you have any sense of what's to come? I am peeking into the future while keeping one eye on the past of my grandmother's storied life and reflecting on the profound impact her life has had on mine.”

WATCH AND SHARE “SKINNY LEGS” HERE

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MORE ABOUT THE ASTRAL PLANE

The Astral Plane opens with an invitation for the listener: to revel in the quiet, sometimes off-putting nature of the spaces in between. ‘Don’t let the light in, don’t let the moon on, I just want to sit with the darkness for a little bit / The day has fallen down.’ Winding down the opening track, Sipos meditates on the temporary, often painful nature of our earthly experience: ‘We’re two broken bones, I guess, camped out in borrowed bodies just waiting to set.’

This invitation arrives after a full minute of undulating piano and shimmering guitar, guiding the listener into an emotionally and sonically rich landscape. What follows is a deeply personal exploration, tracing the imprints of memory that form and take hold over the many lifetimes of a person, a family, the environment. Running parallel to this investigation of family histories and legacies, there are strong undercurrents of collective climate grief, the shifting faces of loss and inherited trauma echoing the ecological crises of our time.

Many albums offer a snapshot in time, or a glimpse behind the curtain into a fleeting certain moment in the writer’s story. On The Astral Plane, Sipos instead invites the listener beneath the surface, diving into complex personal histories and relationships and their ongoing reverberations, from the past and into the present and future.

WATCH AND SHARE “LIGHT AROUND THE BODY” HERE

BUY / STREAM “LIGHT AROUND THE BODY” HERE

For The Astral Plane, Sipos once again teaming up with experimental producer Sandro Perri and reunited with her accomplished studio band for the project, consisting of Thomas Hammerton (keys, piano, organ), Mark McIntyre (bass), Nick Zubeck (guitar), and Blake Howard (percussion), with guest appearances from Lydia Persaud (vocals) and Michael Davidson (vibraphone). To bring the new songs to life, the crew decamped to a large converted 1860s stone carriage house, The House of Miracles, in Cambridge, Ontario, in the summer of 2020. The result is an impeccably curated collection of sounds, anchored by Sipos’ haunting vocals and evocative lyrics.

This LP is the album Sipos has been preparing to write her whole life. Her grandparents survived the Holocaust in their youth and later, with two young children in tow (including Dana’s mother), fled Hungary during the Communist Revolution of 1956. “My grandparents had miraculous lives,” Sipos says. “As child survivors, they both lost so much. During their escape from Hungary they were thrown in jail, sent back, escaped again; my mother was drugged to stay quiet on the journey and almost didn’t survive. They arrived in Canada with $5 sown into a jacket pocket and didn’t speak a word of English. I feel very lucky that they shared these stories and experiences with us.” From her grandfather, she also inherited a love for singing, Jewish jokes and Yiddish humour: “I grew up with a love of stories and storytelling across the board, the unfathomably dark and painful. And despite — or perhaps because of — the hardships, the ability to turn that darkness into humour.” Sipos became a careful observer and close listener at the kitchen table on her grandparents’ farm, where they settled in southern Ontario. 

Throughout the album, Dana unearths the trauma of her grandparents' early lives, which took a noticeable toll on her family in later years. Sipos has long infused a quality of thoughtful observation into her songwriting, but there’s a new urgency that drives many of these songs. “Skinny Legs” is a goodbye letter to her beloved grandmother, asking questions that cannot be posed in real time. “Greenbelt” specifically explores her upbringing on the farm and the ways, both subtle and overt, that trauma impacted the family over time. And on “Hoodoo”, Sipos explores how this intergenerational legacy mirrors the profoundly damaged earth that generations to come will inherit, highlighting the lasting and cyclical nature of trauma.

In writing these songs, Sipos is holding memories, often painful ones, up to the light and asking: What is the contour of these memories in your body? How do they shape you? How are these inherited memories and experiences absorbed? What does their aftermath look and feel like? 

Described as “slightly strange and completely mesmerising” (Gold Flake Paint UK), Sipos’ work combines enigmatic lyrics and bold production choices. Hailed as a “luminous and compelling work” by Exclaim!, her 2018 release Trick Of The Light was nominated for English Songwriter of the Year at the Canadian Folk Music Awards, shortlisted for the Ontario Arts Council Colleen Peterson Songwriting Award and the Kerrville Folk Festival “New Folk” songwriter competition. The release was supported by tours and festival dates throughout North America, Europe, Australia and New Zealand. Trick Of The Light received acclaim from CBC, The Bluegrass Situation, Penguin Eggs, Folk Roots Radio (UK), and No Depression. Trick Of The Light followed a 2015 album released on Nashville-based Muddy Roots Records and was nominated for a Canadian Folk Music Award in the Pushing The Boundaries category, celebrating innovation in creating new folk sounds, extensive international touring and caught the eye of outfits like No Depression who lauded Sipos as “a consummate singer and songwriter with a wholly unique sound.”

The Astral Plane arrives June 25th via JUNO Award nominated musician Miranda Mulholland's label, Roaring Girl Records.

PRE-ORDER THE ASTRAL PLANE HERE

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THE ASTRAL PLANE TRACKLIST
01 Light In Moon On
02 Swallow’s Call
03 A Crude Likeness
04 Light Around The Body
05 Skinny Legs
06 Daniel
07 Greenbelt
08 Hoodoo
09 Breathing Barrel

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STATUS/NON-STATUS (FORMERLY WHOOP-Szo) ANNOUNCE NEW EP, SHARE FIRST SINGLE

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Photo Credit : Olde Nightrifter // DOWNLOAD HIGH-RES

Status/Non-Status is the new name for the ongoing musical work of Anishinaabe community worker Adam Sturgeon (Nme’) and his longtime collaborators (fka Whoop-Szo). The band spent a decade carving a path through Canada’s DIY scene before leveling up thanks to 2019’s acclaimed long player Warrior Down (You’ve Changed Records). This album confronted Sturgeon’s complex family history and identity and was long listed for the Polaris Music Prize among numerous other accolades. Today, the band emerges renewed, with more stories to share …

Adam is ‘non-status’ as defined by the Canadian government. Adam’s grandfather Ralph made the difficult decision to enfranchise in order to support himself and his family by joining the Armed Forces. Enfranchisement was the government’s term for the legal process of turning in one’s Status Card, terminating one’s Indian Status, and becoming instead a Canadian citizen. It was a pillar of the government’s assimilation policy and a requirement for any Indigenous person who wished to enlist. 

In the name of providing a better life for himself and his family, Ralph was required to forsake his Anishinaabe roots, an all-too-common experience for Indigenous peoples across Turtle Island. Acts of colonial violence such as enfranchisement, the residential school system, and the Indian Act  have resulted in disconnection amongst generations of Indigenous people from their communities, languages, land, and identities. Today, new voices are rising up and — through acts of reclamation via art, language, music, and community — taking back spaces that have been dominated by settler culture for so many years. 

Who is native enough? Who ‘counts’ as Indigenous, and who does not? These questions swirl through the Canadian arts discourse today, impacting every medium and revealing fundamental inadequacies within our current identity-defining systems. For Adam, the proof is in the work; his commitment to telling his family’s story with integrity and truth informs every aspect of his music and his life. Now a father to his own young son, it is the future that allows Adam to dig further into his roots. 

“When we tell stories, we have a responsibility to tell the truth. Do the necessary work to earn trust. Share your experience as one voice within a greater circle … and find a home.”

READ ADAM STURGEON’S ESSAY ON THE NEW NAME, STATUS/NON-STATUS

Status/Non-Status are sharing the first single from the upcoming 1, 2, 3, 4, 500 Years EP, “Find A Home”, which arrives with a video directed remotely by the Olde Nightrifter (aka Eiyn Sof, recent collaborator of Rick White). On “Find A Home”, Sturgeon says:

“It is within the small and simple things that we find ourselves. On a long drive, a quick walk down to the river, or cooped up in silence at home. It is in our language and in our names. When I started making this music, I didn’t know a whole lot about myself or who I was. Métis, they would call me. Part Ojibwe. Part this or that. Which part? Same old story for the mixed breeds. Never saw my true reflection staring back at me. 

On those long and lonely drives between tour stops, you can see life move but you only get a dusty windshield of a view. The occasional flat lets ya stop to peak the landscape. A snowstorm lets you know its history. These things shape you, give you ‘experience’. I’ve seen a lot of gas stations, no doubts there: informed.

Giving the time and reflection to do my best is what it comes down to. That, and driving overnight. Sometimes our best hurts. Hurts ourselves, hurts others. It always hurts you when it hurts someone else by the way. And so at night, out there ... nowhere, I’ve touched down and untangled the black roots of this strawberry heart. There were things I couldn’t see around the corner, not on this dark road. Not even on the brightest prairie day. At night, on the road, on and off stage I fill myself. Wake up new, on a floor, on the move, anywhere.

Music has helped me when I can’t find answers. For a long time I didn’t know where we were driving, and I mean all of us. This road put my mind together and maybe we all can too. Find a new way. Until then, I keep filling the tank. Reclaimed …”

WATCH AND SHARE “FIND A HOME” HERE

BUY / STREAM “FIND A HOME” HERE

ABOUT 1, 2, 3, 4, 500 YEARS EP
Set to the resonance of an unearthed whistle in the Jalisco province of Guadalajara, Mexico.

While the plastic grocery bag that housed these ancient artifacts would suggest otherwise, we could not in a good way nor in superstition employ such a spiritual apparatus that had been gifted many centuries ago to the lands we were visiting. The cracked and phallic fragments accompanying the whistles were other worldly in their own right, sitting atop a dresser turned Altar by our guide Alvaro Moreno in his tiny apartment upon our arrival; some cannabis, an old band photo, a favourite record, and a bag of clay objects older than anything we’d ever touched. 

For two weeks, the band held up in a van and studio before finally being guided to the original home place known now as Guatchimontones to deliberate our own place within the mess of time. Life is messy but on paper it all looked so real and yes, a circular pyramid (La Iguana) on the foothills of deities, community and freshwater was where we in fact stood. That was real, but only in that today it resembles a pillaged and half assed attempt at honouring a long forgotten and desecrated people. That story doesn’t belong to us, but we wanted to ensure that we could come pay our respects and learn about the place we travelled. 

As our guide Alvaro walked us, drove us and educated us of his life and city, we ourselves felt like the Lost Ones. Children, not warriors, unaware of every crack at our feet and every hole in our understanding. Unlike that of the local artists, professors and activists, silenced and disappeared from the walls of their own institutions.

Generally a safe city; divided in half by class, colour, and an old river turned stink pipe; staying, wandering through the streets and monuments like the strip malls and theme parks of our Canadian youth. New parents calling home to loved and little ones.  

And so after 500 years……

For what?

PRE-ORDER 1, 2, 3, 4, 500 YEARS EP HERE

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1, 2, 3, 4, 500 YEARS TRACKLIST
01 Find A Home
02 Genocidio
03 Untitled Travelogue
04 Chronic Traumatic Encephalopathy
05 500 Years

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MIKE EDEL DRIVES IT HOME WITH “ONE HEADLIGHT” IN NEW WALLFLOWERS COVER

THE THIRD TRACK IN A SERIES OF 4 COVERS, MIKE EDEL’S SHARES HIS COVER THE WALLFLOWERS “ONE HEADLIGHT”

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The third track in a series of four covers, today Mike Edel is sharing his version of The Wallflowers radio hit “One Headlight”. Previously, the acclaimed West Coast songwriter also released his takes on Coldplay’s “Don’t Panic” and Sarah McLachlan’s classic “Building A Mystery”.

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MORE ON MIKE EDEL’S EN MASSE

On the heels of his latest full-length album En Masse, Canadian indie singer-songwriter Mike Edel continues to embrace the positives of the era. His series of contemplative, mid-tempo covers is a nod to Edel’s singer-songwriter lean whereas En Masse embraced co-writing, collaboration, intuition and was decidedly upbeat.

WATCH AND SHARE “BUILDING A MYSTERY” (SARAH MCLACHLAN COVER) HERE
BUY / STREAM “BUILDING A MYSTERY” (SARAH MCLACHLAN COVER) HERE

En Masse, Mike Edel’s fourth full-length out via PENNANT, saw production and mixing contributions from Marcus Paquin (The National, Arcade Fire), Andy Park (The Head and The Heart, Noah Gundersen) among others. The album features all co-written songs by Edel and including the up-tempo singles and accompanying videos “Hello Universe”, and “Good About Everything”, and “Still Thinking About You”.

WATCH AND SHARE “DON’T PANIC” VISUALIZER HERE
BUY / STREAM “DON’T PANIC” HERE

Edel’s latest is a follow up to Edel’s Chris Walla (Death Cab For Cutie) produced 2019 record, THRESHOLDS. After THRESHOLDS, 4 Million cumulative streams across major platforms, landing a song on ABC’s American Idol, in heavy rotation on CBC Music, AAA Radio across the United States, and on Sirius XM’s The Verge and North Americana; after playing hundreds of shows across North American and Europe including Rifflandia Festival, Vancouver Folk Festival, Regina Folk Festival, Victoria International Jazz Festival, and Upstream Music Festival; after sharing the stage with Serena Ryder, Foy Vance, Said The Whale and Josh Garrels; and after moving to Seattle, WA and getting married, Edel has established himself as a creative tour de force with plenty on the horizon.

WATCH AND SHARE “STILL THINKING ABOUT YOU” HERE
WATCH AND SHARE “GOOD ABOUT EVERYTHING” HERE
WATCH AND SHARE “HELLO UNIVERSE” HERE

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