JEAN-MICHEL BLAIS REVEALS “passepied” FROM UPCOMING ENSEMBLE LP


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AUBADES, THE POST-CLASSICAL ICON’S FIRST ENSEMBLE RECORD, OUT FEBRUARY 4, 2022 VIA ARTS & CRAFTS

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Today, post-classical piano icon Jean-Michel Blais is sharing “passepied” from his upcoming album, aubades, due out February of next year via Arts & Crafts. Blais says of the track that “passepied” was a "popular Breton dance from the Middle Ages, lively and cheerful, later taken over by the aristocracy, reminding me of square sets, of line dancing. ‘feelings are intense / words are trivial / pleasures remain’. A tribute to Debussy."

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“passepied” single artwork // DOWNLOAD HIGH-RES

aubades marks the Montreal-born musician’s transition from pianist to composer, as he writes for an ensemble for the first time in his career. Written during the pandemic and following a breakup, Blais has used his distinctive musical voice to create a defiantly uplifting record with glistening instrumental textures and warm major tonalities. The album’s title refers to the “aubade”, a Middle Ages morning love song about lovers separating at daybreak, a dawn serenade. 

Jean-Michel Blais has been a celebrated figure in the post-classical piano world since the release of his critically-acclaimed debut album II in 2016. He attended Quebec’s prestigious Trois-Rivières Music Conservatory but left after two years of study, exhausted by the restraints of the traditional music curriculum. Blais then travelled widely before retraining as a special education teacher. Whilst working as a teacher, he returned to music on his own terms, rediscovering his passion through improvising on the piano. These improvisations formed the basis of a recording career that has earned him two Polaris Music Prize nominations, a #1 on the Billboard Classical chart and a Time Magazine top ten album of the year. 

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Despite the difficult global and personal backdrop, Blais described the time writing this album as a “fruitful moment of creativity for me. We started having hares in the park, beautiful butterflies flying everywhere. It was a time of lots of blossoming, and also a moment when I blossomed from being a pianist into a composer.” Musical ideas captured in over 500 recorded piano improvisations were transformed by Blais into 11 compositions performed by a 12-person ensemble. During the composition process, Blais collaborated with Alex Weston, former music assistant to Philip Glass. The musicians were recorded with close-up microphones, creating a richly intimate atmosphere that captures the human behind each instrument, from the mechanics of the woodwind keys to the snap of a double bass string. 

Blais also consciously found himself leaning towards major tonalities, which he believes are surprisingly rare in modern classical piano music. “With this album, I was definitely responding to certain trends,” Blais reckons. “For example, the fact that the solo piano tends to sound melancholic. That’s good, but I’ve done that already, I wanted to go beyond that.”

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In aubades, every instrument is given moments of expression to an extent that took the players by surprise. Blais says, “there’s often been this dominant idea in classical music that one instrument is the chief, the king of all the instruments, and the others are in the background merely supporting.” He was inspired by more democratic musical textures from the Renaissance and Middle Ages, as well as the social democratic artistic ethos of the English 19th century poet, designer and activist William Morris and the Arts and Crafts movement. 

Jean-Michel Blais will be taking aubades on the road in 2022. Full tour dates can be found below.

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AUBADES TRACKLIST
murmures
passepied
nina
flâneur
ouessant
if you build it, they will come
amour
yanni
absinthe
carrousel
doux

2022 TOUR DATES
Mar 27 - London, UK - Purcell Room
Mar 30 - Hamburg, DE - Nachtasyl
Mar 31 - Berlin, DE - Planetarium
Apr 1 - Cologne, DE - Altes Pfandhaus
Apr 2 - Copenhagen, DN - XXX
Apr 4 - Oslo, NO - Röversatden
Apr 6 - Amsterdam, NL - Concertgebouw
May 6 - Clermont-Ferrand, FR - La Comédie
Jul 9 - Montreal, QC - Montreal Jazz

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CASSIDY MANN SHARES NEW SINGLE, “STOP A HEART”

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CASSIDY MANN SIGNS TO END X MUSIC - THE NEW LABEL FROM DONOVAN WOODS AND MICHELLE SZETO

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Today, Cassidy Mann is following up her recent single, “Election Night”, with another new track, “Stop A Heart”, a song about “the exact moment when you know you have to end a relationship and then realizing that means you’re going to hurt another person in the process,” says Mann.

“There have been times where I’ve sat on that feeling for a while and tried to figure out how to minimize the damage but it’s just a form of procrastination. It’s putting off the break up because even though you know it’s the right call, it sucks to do. I’ve been on the other side of that situation too and it’s not fun either way. But heartbreak happens to everybody and you can’t control it, you just have to feel it and know that eventually it will pass. Because it will.”

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“Stop A Heart” Single Artwork // DOWNLOAD HIGH-RES

Recently, Cassidy Mann announced her signing with End X Music (End Times Music), the new label from Donovan Woods and his long-time manager Michelle Szeto.

MORE ABOUT CASSIDY MANN
Entwining her acoustic roots with gentle electronic textures, Cassidy Mann often reshapes a small moment into a powerful and poetic song that feels both personal and relatable.  “My favorite thing is to write about tiny things that make the bigger picture more important somehow,” she says. 

WATCH AND SHARE CASSIDY MANN’S “ELECTION NIGHT” VISUALIZER HERE

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Growing up in the Prairies of Winnipeg, Mann has been singing since she could talk. Her parents bought her a guitar as a birthday present when she was 9. By 14, she started taking songwriting more seriously and her emerging talent led to a nomination for Aboriginal Recording of the Year at the Western Canadian Music Awards. Watch for more news about Cassidy soon. 

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MORE ABOUT END X MUSIC
The core of End Times’ mission is transparency and adaptability. In the world of streaming, the data is available. Artists should understand their expenses and their earnings as well as anyone they work with. It allows us to interpret and react to how, why, and where songs are being discovered. 

There are many pathways to success, and success looks different to everyone. Every artist and every project is unique and artists should be confident that the team built around them is being created thoughtfully and purposefully in service of their individuality. 

We’ll focus on songwriters, regardless of genre, and work together to make their music valuable by getting it to people who will use it and love it.

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ASTRAL SWANS SHARES NEW VIDEO FOR “BLACKHOLE TOWN”

Recently, Astral Swans’ (Matthew Swann) released the new self-titled LP and a live video performance of album track “Blackhole Town”, a love song “about a desperate person living in a small redneck town,” says Swann. 

Today, he shares a new official video for the track from animator Jordan Minkoff. “I appreciate the notion that an individual within a black hole perceives time differently than an observer viewing the individual from outside the black hole’s gravitational field,” Swann tells RANGE Magazine about “Blackhole Town” for today’s video premiere. “Similarly, it’s easy to get caught up in thinking that your hometown is the only reality.”

WATCH AND SHARE “BLACKHOLE TOWN” HERE

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The new self-titled album is their most upbeat, catchy, and immediate Astral Swans album to date. Each song operates as an absurdist short story filled with Swann’s wry observations of the sad beauty of mundane moments. Swann almost exclusively composed the songs internally on solo walks throughout various cities around the world (pre-covid), and the same city over and over again (during covid). As Swann describes it, “the melodies were written in my head, on long walks alone, like spontaneous flowers sprouted from the id; ecstatic downloads from the cosmos. Sometimes the lyrics appeared with the melodies, other times they were refined more consciously, after the fact.”

WATCH AND SHARE “BLACKHOLE TOWN” LIVE PERFORMANCE

MORE ABOUT ASTRAL SWANS
Astral Swans is Matthew Swann - a human song-maker specializing in abstract narratives of lonerism, frailty, absurdity, and whimsy, all told with darkly comedic empathy, and helpless concern. 

The songs on Astral Swans range from affirmations of joy amidst dread, composed in the streets of Shimokitazawa Tokyo (“Wind In A Mindless Universe”), to ballads of disoriented uncertainty set against the backdrop of early quarantine (“Spiral”). Songs about birds heckling the anxious and heartbroken in Vondel Park Amsterdam (“Bird Songs”), to a cover of the Cat Power classic, “Cross Bones Style” sung as a duet with Julie Doiron (Eric’s Trip, Mt. Eerie). The album closer “Awake For A While”, is an interrogation of somebody who is trying to piece together the events that transpired over many days of, well...being awake.

WATCH AND SHARE “FLOOD” FT. JULIE DOIRON HERE

Astral Swans was produced and engineered by Paul Chirka (Calgary Philharmonic Orchestra), and Brock Geiger (Reuben and the Dark), with Swann functioning as a third producer. Sonically it is rich and spacious, and features a diverse array of sounds ranging from delicate string arrangements, to atmospheric synth freak outs, and deconstructive guitar solos. All the while, seated atop all the instrumental beauty and chaos floats Swann’s uniquely haunting voice which effortlessly warbles and swoons through its natural range and into Swann’s trademark falsetto. Astral Swans ST brings with it an arts commune worth of fantastic collaborators. Guest performers include: Julie Doiron (Eric’s Trip, Mt. eerie) Cassia Hardy (Wares), LT Leif, Scott Munro (Preoccupations, Chad VanGaalen), Shalom Toy (SilverRing), Laura Hickli (36?), Minami Taga (Mako Puri), Swann’s childhood friend Carolyn Sweet, Jim Bryson (Kathleen Edwards, Weakerthans), and more. Each guest adds their own unique addition to the sound, bringing their own bit of the world into Swann’s solipsistic compositions. 

WATCH AND SHARE “SPIRAL” FT. JULIE DOIRON HERE


In 2015 Swann gained prominence as the first artist signed to Madic Records, an imprint of Arts & Crafts helmed by JUNO award-winning musician Dan Mangan, and created for the purpose of releasing Swann’s debut All My Favourite Singers Are Willie Nelson. The album received widespread acclaim, Noisey described it as “a stark, beautiful project that embraces darkness rather than shying away from it.” The Calgary Herald called Swann an artist of immeasurable depth, incredible smarts, remarkable bravery and infinite charm, creativity and insight. 

2018’s Strange Prison (co-produced by Preoccupations’ Scott Munro) earned even more attention including accolades from  Paste, Tiny Mix Tapes, Post Trash and a host of others. The album’s single CONTROLS reached number one on CBC radio 3 which led to a performance on CBC q, which highlighted Swann’s ability at “grabbing listeners' attention and holding onto it.” 

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