LOGAN STAATS SHARES NEW SINGLE “DEADMAN”, SIGNS WITH RED MUSIC RISING


WINNER OF BELL MEDIA’S ‘THE LAUNCH’, LOGAN STAATS, SIGNS WITH RED MUSIC RISING

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Photo Credit : Trung Hoang  // DOWNLOAD HIGH-RES

Acclaimed Indigenous storyteller and activist Logan Staats returns with his newest single “Deadman” following his rise to fame as the first winner of Bell Media’s ‘The Launch’. “I wrote ‘Deadman’ while in rehab,” says Staats. “It’s not about a girl; the culture is the love that I’m asking for. The love for myself. That was stolen from me - by the government, the crown, the church. When I sing ‘GIVE ME BACK MY LOVE’, I'm speaking about my culture, my pride, and my love for myself.” 

As Staats’ ancestors were residential school survivors, the video for “Deadman” was partially filmed on the property of the Mohawk Institute, a former residential school in Brantford, Ont. (The ​​Six Nations of the Grand River has since called for that location to be among grounds searched for remains.) The video follows Staats through his community, including Land Back Lane, where Six Nations land defenders have mobilized to protect the area from proposed subdivision development. 

“Recently I’ve been spending a lot of time on the west coast in Wet’suwet’en territory after answering the call of the Hereditary Chiefs there and standing in solidarity with the land defenders on their sovereign ground," says Staats. "After serving an eviction notice to Coastal Gas Link, a for-profit corporation conducting illegal activities on Wet’suwet’en territory, heavily armed RCMP officers were flown in and conducted a raid on the traditional lands or 'Yin’tah'.

During that raid I was punched in the ear. My head was slammed into the frozen pavement by my braids. And I was kneed in my spine and held down while I was handcuffed and bleeding... all after I was only peacefully singing our water song and hugging/protecting a 70 year old matriarch. I was hauled off to jail along with my sister, Layla Black, several other land defenders, elders, along with members of the press. With the support of my community and people rallying across nations, I was free’d and remain steadfast and committed to defending the land from sea to sea all across Turtle Island."

WATCH / SHARE “DEADMAN” HERE
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MORE ABOUT LOGAN STAATS

In 2018, veracious Mohawk singer-songwriter Logan Staats was chosen from 10,000 hopeful contestants vying for a spot on musical competition show ‘The Launch’. Before an audience of 1.4 million viewers, Staats won, officiating the breakthrough that would lead him to Nashville and Los Angeles, and to his single “The Lucky Ones” winning the Indigenous Music Award for Best Radio Single. “The Lucky Ones” also occupied #1 in Canada. 

In the years between now and then, Staats has come home, making the intentional decision to re-root at ​​Six Nations of the Grand River. “I wanted to bring my songwriting back to the medicine inside of music, to the medicine inside of reclamation,” he says following a phase of constant travel and intensity. 

To Staats, music is a healing salve, contemplatively composed and offered to listeners in need of comfort. Since returning home, Staats has been able to create music authentically again, reclaiming his sound through honest storytelling and unvarnished, sometimes painful reflection. 

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KYLA CHARTER STEPS OUT IN FRONT WITH NEW SINGLE, “DOUBTS”


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SUPPORTING PATRICK WATSON ON DECEMBER 15 AT TORONTO’S MASSEY HALL

Photo Credit : Noelia Ruiz // DOWNLOAD HIGH-RES

Today, Kyla Charter is stepping out in front with her new single “Doubts”. Having lent her voice to the backgrounds of tracks and performances from July Talk, Alessia Cara, and Zaki Ibrahim, to Rich Aucoin and Patrick Watson, the new single marks the first official solo release for the celebrated Toronto musician.

Working together with production team Safe Spaceship (Chino De Villa (Jessie Reyez, Justin Nozuka, Charlotte Day Wilson), Scott McCannell (Claire Davis, Aphrose) and Ben MacDonald), “Doubts” was written in lockdown, after her tour opening for Patrick Watson was cut short due to the pandemic in early 2020.

“I had a moment, in the dark days of lockdown, where I was forced to face myself and all the ways in which I had been self-sabotaging,” says Charter on “Doubts”. “I truly asked myself why…There were no good answers. I realized, the ‘me’ that was having those thoughts was an unreliable narrator. I allowed myself to question those thoughts, challenge those thoughts, and ‘have my doubts’ about those thoughts as they told me what I did and didn’t deserve. In writing this song, I got to explore the exorcism of that kind of thinking.”

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“Doubts “ Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT KYLA CHARTER
A graduate of Humber College Jazz and Contemporary Music Program for Vocal Performance, Kyla was invited to sing with July Talk at Field Trip Festival by her good friend James Baley. The performance was the beginning of a beautiful working relationship and the start of her professional career. Over the years Kyla has lent her vocals to artists that include Alessia Cara, Zaki Ibrahim, Rich Aucoin, and most recently Patrick Watson. After singing together for a CBC First Play Live session in the fall of 2019, Patrick invited Kyla to accompany him on a last minute trip to Paris to play France Inter, and subsequently to open for him on the European leg of his tour for 2019’s Wave

The tour began in February of 2020 and was cut short by COVID-19 but the singer was excited to come home and continue working on her first album. As restrictions eased in the summer of 2020 Kyla began working full force on her first body of work.

Kyla has been sharing some of her new songs with audiences from Mariposa Festival to the City of Toronto YYZ Live Online series. She is currently getting ready to open for Patrick Watson at Massey Hall on December 15th, and release her first EP in February of 2022

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DONOVAN WOODS SHARES NEW SINGLE, “I HOPE YOU CHANGE YOUR MIND”

Photo Credit : Bree Fisher // DOWNLOAD HIGH-RES

Recently, Donovan Woods released new singles “Here In Chicago” and “IOWA” with Aoife O’Donovan. Today the JUNO Award winning songwriter is sharing another new song, “I Hope You Change Your Mind”. Co-written with David Hodges (Maren Morris, Carrie Underwood, Ed Sheeran) the track is such an understated tearjerker that you don’t even realize the relationship is over until the last line. “That song is about that back-end portion of a relationship when everyone knows the score but no one wants to say it,” Woods says. “It’s loving someone so much that you’re not sure how to be mad at them, so you twist yourself into knots.” 

WATCH / SHARE “I HOPE YOU CHANGE YOUR MIND” LYRIC VIDEO HERE
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“I Hope You Change Your Mind” Single Art // DOWNLOAD HIGH RES

MORE ABOUT WITHOUT PEOPLE
Over a year ago, when a hush fell over the house after his kids went to bed, Donovan Woods got to work on his celebrated album Without People, which he made in isolation at the height of the pandemic. 

“So much of what I like about making records is the spontaneity of making music in a room together, and we missed that, but we tried our best to re-create that feeling” says Woods, winner of the 2019 JUNO Award for contemporary roots album (for Both Ways) and whose global streams have surpassed 220 million.

Without People was acclaimed as “a nuanced experience” (American Songwriter) and a thoughtful exploration of “fleeting interpersonal moments now under the microscope” (NPR/KUTX). So much of that album’s allure was rooted in how Woods connected with his collaborators and imparted the intimacy so many of us craved during a global health crisis. It was so successful, in fact, that it led to a deluxe edition of Without People in 2021.

WATCH AND SHARE “HERE IN CHICAGO” VISUALIZER

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MORE ABOUT DONOVAN WOODS
As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Femke Weidema, and Ed Robertson (Barenaked Ladies).

Woods' featured vocals on Dabin & Nurko’s “When This Is Over” veered into anthemic dance pop, and yet Woods still sounded right at home. On “IOWA”, Woods found a kindred spirit in Grammy Award winning singer-songwriter Aoife O’Donovan for a pastoral meditation on dreaming of a place you know doesn’t exist.

Those collaborations highlighted a growing truth about Woods: As respected as he is as a solo artist, he continues to evolve and work with musicians across disparate genres. As he does so, his own songs have become more dimensional as he digs into new sonic textures.

WATCH AND SHARE “IOWA” VISUALIZER HERE

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CANADIAN 2022 TOUR DATES
Apr 20 – Sarnia, ON @ Imperial Theatre (+)
Apr 21 – Sarnia, ON @ Imperial Theatre
Apr 22 – Meaford, ON @ Meaford Hall
Apr 23 – Huntsville, ON @ Algonquin Theatre
Apr 28 – Kingston, ON @ Sydenham Church
Apr 29 – Kitchener, ON @ Centre in the Square
Apr 30 – London, ON @ London Music Hall
May 4 – Vancouver, BC @ Hollywood Theatre (+)
May 5 – Vancouver, BC @ Hollywood Theatre
May 8 – Edmonton, AB @ Winspear Centre
May 9 – Calgary, AB @ Jack Singer Concert Hall
May 10 – Saskatoon, SK @ Broadway Theatre (+)
May 11 – Saskatoon, SK @ Broadway Theatre
May 12 – Winnipeg, MB @ Burton Cummings Theatre
May 17 – Ottawa, ON @ National Arts Centre (+)
May 18 – Ottawa, ON @ National Arts Centre
May 19 – Montreal, QC @ L’Astral
May 27 – Toronto, ON @ Massey Hall

 (+) Solo Acoustic Performance

PRAISE FOR DONOVAN WOODS

“Woods' brand of folk-pop is both grand and unassuming” – The Line of Best Fit

“Donovan Woods is no stranger to making music that tugs at the heart-strings.” - The FADER

"He’s got a knack for slice-of-life storytelling that blends heartache and hooks." - Rolling Stone

“Capturing the early optimism of new-found love, the singer pours his heart out for this emotional and moving tune.”  - Wonderland

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MORE ABOUT END X MUSIC
The core of End Times’ mission is transparency and adaptability. In the world of streaming, the data is available. Artists should understand their expenses and their earnings as well as anyone they work with. It allows us to interpret and react to how, why, and where songs are being discovered. 

There are many pathways to success, and success looks different to everyone. Every artist and every project is unique and artists should be confident that the team built around them is being created thoughtfully and purposefully in service of their individuality. 

We’ll focus on songwriters, regardless of genre, and work together to make their music valuable by getting it to people who will use it and love it.

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