SAM WEBER SHARES NEW TRACK, “GET OUT OF THE GAME”

NEW ALBUM, GET FREE, OUT FEBRUARY 4, 2022 VIA SONIC UNYON

WATCH / SHARE “GET OUT OF THE GAME” LYRIC VIDEO HERE

BUY / STREAM “GET OUT OF THE GAME” HERE

US TOUR DATES BEGIN FEBRUARY 5

“Sam Weber's Get Free traces the artist's journey from his home country of Canada to his new universe of Los Angeles, a collection of travelling songs that tell stories of rediscovery and rebirth. It's a road trip album if there ever was one.” Exclaim!

Press Photo : Jacob Boll // DOWNLOAD HIGH-RES

Sam Weber ended 2021 with a run of successful tour dates supporting Bahamas, and the announcement of his upcoming LP, Get Free, due out February 4, 2022 via Sonic Unyon. Recently, Exclaim! listed the album as one “the most anticipated albums of 2022.” Today, the celebrated West Coast songwriter is sharing another new track and lyric video from the album, “Get Out Of The Game”.

"I recently experienced my first real bout of career doubt,” says Weber. “This track is about quitting everything you’re passionate about and trying something else - and the process of returning to that first thing with a new perspective and taking stock of all your changes. The video is a collage-style piece I shot driving around California. I grew up where the world was very grey for much of the year. I love how all the colours of this state are so vibrant. After spending enough time in California, the vibrancy becomes normal day-to-day. Watching this now, the drama of the light is stark and beautiful.”

WATCH / SHARE “GET OUT OF THE GAME” LYRIC VIDEO HERE

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“Get Out Of The Game” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT GET FREE
Sam Weber's storied exodus from his homeland of Canada to find new footing and opportunity in America resonates like a classic story of pain, loss, and rebirth. That narrative thread is woven throughout his new record, Get Free, offering a warm, intimate, and multidimensional portrait of the 28-year-old singer-songwriter. With this new collection of material, Weber reaches fresh emotional depths, commanding more expressive personal moments than ever before — at times within the margins of a single verse.

LISTEN AND SHARE “ALREADY KNOW” HERE

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Sam Weber has already logged more miles as a gigging musician than most of his peers will in a lifetime, earning enviable accolades along the way (he was featured in Guitar Player a decade ago, by some accounts the youngest artist ever to grace those pages). He first picked up the guitar at age 12 to form a rock ’n’ roll band with his father and brother in the living room of their family home. 

LISTEN AND SHARE “MONEY” HERE

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Sixteen years later, having collaborated with Grammy Award winners and with extensive international tours under his belt, the Canadian-born Los Angeleno goes forth with the same intention and mantra as when he began: “Music is an emotional conduit between people and allows us the opportunity to share moments of truth and unity. In an age where the ritual of music-making can be a solitary exercise, I want to live my life to remind everyone that playing music as a communal and spontaneous practice can be healing and powerful.”

After recording what Weber calls his “only real studio album,” Everything Comes True, which was cut live-off-the-floor in the iconic B room at Hollywood’s Ocean Way Studios, things began to move steadily for Sam. More frequent visits to Los Angeles had allowed him to make a name for himself, and he began to form friendships in the music community. He was tapped to contribute to a compilation album alongside Andrew Bird, Blake Mills, Jim James, Taylor Goldsmith (Dawes), Tim Heidecker, Tony Bennett, Kurt Vile, Jackson Browne, and Matt Berninger (The National). 

WATCH AND SHARE “HERE’S TO THE FUTURE” HERE

BUY / STREAM “HERE’S TO THE FUTURE” HERE 

“Initially, it was the music scene here that drew me in,” Sam notes. “So many of the albums that meant so much to me growing up came from this place, but when I finally set my feet in town, I was spellbound by everything I saw — especially the architecture. There’s an incredible variety of style and materials. The passage of time is so evident here and it can feel like a ruin. It’s not an old place as far as cities go, but the energy of the people who’ve passed through is enchanting.”

Charmed by the city of angels, Weber began the process of formally moving to Los Angeles and writing what would become Get Free. When COVID-19 rendered touring prospects inert and much of his initial recording plans impossible, he sought a new approach. 

“I wrote most of this music before the lockdown happened,” he says. “We wanted to go into another beautiful L.A. studio with another super band to record these new songs, but when all the plugs got pulled, we were sort of left holding nothing but the material. My partner Mallory Hauser (Mal), was keen to rally and share production duties with me to make the most of what we had, which was liberating somehow: to have this logistical ceiling on how we could record or approach these songs in our living room. We were forced to be as creative as possible with what we had. I think it was the best thing that could have happened to us.” 

Coming face-to-face with the realities of record making in the pandemic age, Sam and Malllory called upon their friend Danny Austin-Manning to join their pod and the trio began meeting up weekly for recording sessions in their Hollywood apartment. “Danny would come over and the three of us would turn on the microphones and give these wild, unchained performances of the material,” Weber recalls. “The songs became as much about the experience and ritual of spending time together as the content in the lyrics. I called the record Get Free because each performance of each song was a moment of transcendence and an escape for us from an otherwise odd, restrictive time.” 

Weber and Hauser tapped Grammy-nominated engineer Robbie Lackritz (Feist, Bahamas) to mix the album, having collaborated with him on the JUNO Award-nominated Bahamas album Sad Hunk. “I really love [Get Free], don’t get me wrong… but it sort of sounds janky…in a good way! Because our only option was to make it in our house, it gave us permission to let it be what was going to be and not get wrapped up in the details, and in turn I think that allowed the veil between the performances and the hearts of each song to be very thin. Robbie [Lackritz] sort of saved the record fidelity-wise; we gave him some questionable rough mixes with the room mics cranked up so loud. What we got back sounded way rad.”

A particular sense of grandness is felt in certain songs across Weber’s recorded catalogue. Moments that feel lofty, yet devoid of pretentiousness. With more of these moments present and tangible on Get Free than any other of his releases, the listener can effectively observe Sam’s emancipation. With this record he assumes a creative identity unique only to him. 

SAM WEBER TOUR DATES
02.04 - Los Angeles, CA @ Highland Park Backyard Concert *
02.05 - San Francisco, CA @ Amado's *
02.06 - Bolinas, CA @ Smiley's Schooner Saloon *
02.07 - Astoria, OR @ Adrift Hotel 
02.08 - Astoria, OR @ Adrift Hotel 
02.09 - Seattle, WA @ The Royal Room 
02.10 - Portland, OR @  StrumPDX
02.11 - Coos Bay, OR @ 7 Devils Brewing Co.
02.12 - Eugene, OR @  Sam Bond's Garage
02.13 - Santa Rosa, CA @ Lost Church Santa Rosa 
03.01 - Des Moines, IA @ xBk Live 
03.02 - Bishop Hill, IL @ Bishop Hill Creative Commons 
03.03 - Madison, WI @ The Bur Oak
03.04 - St Paul, MN @ Turf Club **
03.06 - Milwaukee, WI @ Anodyne Coffee Roasting Co.
03.09 - Newport, KY @ Southgate House
03.10 - Atlanta, GA @ Boggs Social & Supply
03. 11 - Chattanooga, TN @ The Woodshop
03.13 - Charlotte, NC @ The Evening Muse ***
03.15 - Carrboro, NC @ Cat's Cradle 
03.16 - Richmond, VA @ The Tin Pan ****
03.17 - Washington, DC @ Pie Shop ****
03.19 - Philadelphia, PA @ World Cafe Live ****
03.20 - Brooklyn, NY @ The Sultan Room ****
03.24 - South Burlington, VT @ Higher Ground ****
03.25 - Exeter, NH @ The Word Barn ****
04.18 - 22 - Kansas City, MO @ Folk Alliance International

 *with J. E. Sunde
**with J. E. Sunde & Humbird
***with Echoes & Artifacts
****With The Ladles

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GET FREE TRACKLIST
01 Truth Or Lie
02 Already Know
03 Get Out Of The Game
04 Don’t Cry For Me
05 Survival
06 Nowhere Bound
07 Here’s To The Future
08 Money
09 Everyone
10 Streets Of LA

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KATIE TUPPER SHARES NEW SINGLE / VIDEO FOR “DANNY” FROM UPCOMING EP

WATCH / SHARE “DANNY” HERE

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TOWARDS THE END EP OUT FEBRUARY 18, 2022 VIA ARTS AND CRAFTS

PRE-SAVE TOWARDS THE END EP HERE

“Saskatchewan's Katie Tupper makes the kind of soul-stained folk that feels instantly familiar, but it's her complex writing — vividly capturing the sights and smells of her home province, like the "fields of butter" on "How Can I Get Your Love?" — that makes her debut EP so anticipated, further calcifying the singer/songwriter's distinct and subtle touch.“ Exclaim!

“Tupper's smooth, neo-soul delivery is paired with a minimalist sound, often letting her honest songwriting shine in the forefront; definitely recommended for fans of Charlotte Day Wilson or Loony. …we can't wait to hear how she'll continue to grow and expand her sound.” CBC Music

(“Danny” Video Still Credit: Julian Lomaga
)

Hailing from Saskatoon, singer/songwriter Katie Tupper blends Neo-soul and indie seamlessly into a tantalizing concoction. While recent single “How Can I Get Your Love?”, which is currently rising up the CBC Music Top 20 chart, leaned more into the serene side of her sound, her latest offering, “Danny”, slides gracefully in another direction. On display is her mastery of immediacy: it’s gentle, yet undeniably head-bobbing all at once, a deep dive into a finger-snapping, emotive blast of pure grace. Taken from her debut EP, Towards the End, “Danny” captures everything that makes Tupper an essential, exciting new voice.

 With swelling strings and twinkling keys exquisitely backing up an instantly catchy, syrupy drumline, Tupper's voice soars over the track, telling a story of heartbreak and resentment, digging into that feeling of having so little left to lose that there’s hardly anything worth salvaging. The lyrics feel akin to an exhalation for any of us that have limped out of a relationship that simply didn’t work, wounded and uncertain: ‘Your family never liked me, and I never liked them / And, it scares me to say that out loud / But what’s the worst some words can do to me now,’ and other moments have a stark, forthright beauty to them. It’s deeply relatable and bracing all at once. It recalls all the uncomfortable moments of a love faded we try so hard to leave behind, yet never seem able to forget.

WATCH / SHARE “DANNY” HERE

BUY / STREAM “DANNY” HERE

“Danny” Single Cover // DOWNLOAD HIGH-RES

Speaking on both the track and its video, Tupper shares, “‘Danny’ is about the biggest breakup I've, thankfully, ever had to go through. I was with a guy for a handful of years, most of which I was just hoping that something would happen that would give me an excuse to break up with him. Turns out, when you're in a long term relationship and looking for a way out the entire time you build bad habits for all relationships to follow! Who would've thought! Danny is a reflection on that relationship, and asking how I’m supposed to move forward in my life with these poor habits stamped into my brain. The music video brought that idea to life in a colourful expedition for closure.”

Directed by Mashie Alam, the video is a steady stream of contrasting images, finding Tupper traversing and relaxing through a series of idyllic locations, donning a flowery dress: it’s imagery right out of a fantasy. Tagging along, however, is the titular Danny, represented here by a lifeless mannequin: literally dead weight that she’s left to lug around, the perfect representation of her view on their crumbled relationship, when staying together has become merely a habit. As with everything Tupper does, it’s contemplative but not without a bit of a bite.

WATCH / SHARE "HOW CAN I GET YOUR LOVE?" HERE
BUY / STREAM "HOW CAN I GET YOUR LOVE?" HERE

MORE ABOUT KATIE TUPPER:

Having begun to tinker with her own songwriting via piano lessons at a particularly young age, Katie Tupper found herself touring the U.S. playing bass drum with a marching band at the age of just 14. By the time she was 18, she had properly entered the local Saskatoon art community, joining a loose collection of musicians, all in preparation of gradually striking out on her own. Stay tuned for more from Towards the End, out February 18th.


PRE-SAVE TOWARDS THE END EP HERE

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TOWARDS THE END TRACKLIST
01 Live Inside
02 Danny
03 How Can I Get Your Love?
04 Cost Of Loving You
05 Misbehavin'

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TIKTOK

BROKEN SOCIAL SCENE RELEASE 2010 B-SIDE “CURSE YOUR FAIL” PREVIOUSLY ONLY AVAILABLE ON 7-INCH

TAKEN FROM FORTHCOMING COMPILATION OLD DEAD YOUNG: B-SIDES & RARITIES

AVAILABLE JANUARY 14, 2022 VIA ARTS & CRAFTS

LISTEN / SHARE “CURSE YOUR FAIL” HERE

PRE-ORDER OLD DEAD YOUNG: B-SIDES & RARITIES

Credit: Richmond Lam // DOWNLOAD HIGH-RES

Today, Toronto indie rock collective Broken Social Scene have released “Curse Your Fail”, a track taken from the forthcoming Old Dead Young: B-Sides & Rarities, a career-spanning collection of B-sides, rarities, and outtakes pulled from 20 years of 7-inches, compilations, soundtracks, and hard-to-find releases. “Curse Your Fail”, previously only available on a 2010 split 7-inch with The Sea and Cake, features alternating vocals from four lead singers including guest Sebastien Grainger (of DFA 1979)

“Curse Your Fail” follows “This House Is On Fire”, a previously unreleased dream pop single taken from the 2009 Forgiveness Rock Record recording sessions. Old Dead Young: B-Sides & Rarities is available for digital download and streaming on-demand on January 14, 2022. Fans can pre-order the album on vinyl set for release in the spring.

LISTEN / SHARE “CURSE YOUR FAIL” HERE

Once a two-person basement recording project, Broken Social Scene came to life onstage as a shadowy improvisational entity with a revolving-door roster, each concert a wholly unique experience dependent on the room, the weather, what they ate for dinner that night, and who was dropping in to play. Where the band’s 2001 debut album, Feel Good Lost, presented BSS as an anonymous ambient project that reflected its humble, homespun origins, their electrifying live performances from that era rallied an extended family of performers with roots in post-rock (Justin Peroff; Do Make Say Think’s Charles Spearin), Latin jazz (Andrew Whiteman), art-folk (Feist), synth-pop (Amy Millan and Evan Cranley, also of Stars), dance-punk (Metric’s Emily Haines and Jimmy Shaw), and country rock (Jason Collett). 

LISTEN TO “THIS HOUSE IS ON FIRE”

 But by pursuing improvisational freedom over commercial considerations, Broken Social Scene set a new gold standard for indie rock in the 21st century with 2002’s You Forgot It In People, an album that pushed the genre far beyond its noisy ’90s slacker roots toward a more sonically expansive, emotionally expressive vision. And with follow up releases like the blissfully chaotic Broken Social Scene (2005), the rapturous Forgiveness Rock Record (2010), and the intricate, insidiously melodic Hug of Thunder (2017), Broken Social Scene have amassed a thrillingly amorphous, unpredictable body of work. Old Dead Young: B-Sides & Rarities is everything that happened in between.

PRE-ORDER OLD DEAD YOUNG: B-SIDES & RARITIES

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 OLD DEAD YOUNG: B-SIDES & RARITIES (TRACKLIST)
01 "Far Out" (2009, From the 'Forgiveness Rock Record' pre-order EP 'Lo-Fi For The Dividing Nights')
02 “Do the 95” (2001, B-Side to “Stars and Sons” 7-inch)
03 “Curse Your Fail” (2009, From tour 7-inch split with the Sea and Cake)
04 "Not At My Best" (2010, From the end credits for film 'It's Kind Of A Funny Story')
05 "National Anthem of Nowhere" (2004, Early Broken Social Scene version of an Apostle Of Hustle song)
06 "Golden Facelift” (2009, ‘Forgiveness Rock Record’ outtake. Released on Globe & Mail’s Broadsheet Music
project)
07 “This House Is On Fire” (2009, 'Forgiveness Rock Record' outtake)
08 “Canada vs America” (2004, From the ‘Self-Titled’ bonus CD "EP to be You and Me")
09 "Day Of The Kid" (2005, Released on Arts & Crafts 10th anniversary compilation)
10 "Stars and Spit" (2006, B-Side to "7/4 Shoreline" 7-inch)
11 “Until It's Dead” (2006, From Lake Ontario Waterkeeper compilation 'At The Barricades: Vol 1')
12 "All My Friends" (2004, From the ‘Self-Titled’ bonus CD "EP to be You and Me")
13 “Death Cock” (2001, Very first recording with producer Dave Newfeld. Released on Arts & Crafts 10th anniversary compilation)
14 “Old Dead Young” (2016, ‘Hug Of Thunder’ vinyl-only track)

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