PUP ANNOUNCE NEW ALBUM, SHARE NEW SINGLE/VIDEO FOR “ROBOT WRITES A LOVE SONG”

Photo Credit: Vanessa Heins // DOWNLOAD HIGH-RES

Today, PUP — comprised of Stefan Babcock, Nestor Chumak, Zack Mykula, and Steve Sladkowski — announce their incredible, ambitious and aptly titled fourth album, THE UNRAVELING OF PUPTHEBAND, out April 1. THE UNRAVELING OF PUPTHEBAND was recorded and mixed over the course of five weeks in the summer of 2021, in GRAMMY Award winning producer Peter Katis’ bat-filled mansion in Connecticut. Full of typically furious, ridiculous, and anthemic songs, the recording process allowed PUP to push themselves further than ever before. With more time in the studio, they were able to craft their songs sonically in a way they were unable to in the past, and allowed themselves to incorporate new instruments like piano, synths, horns, and more for the first time. Though made in madness-inducing isolation (aside from Peter and the bats, of course), PUP were remotely joined on the album by Sarah Tudzin (Illuminati Hotties), Kathryn McCauhey (NOBRO), Mel St. Pierre (Casper Skulls), and Erik Paulson (Remo Drive). The result is not just the next PUP record, but the *most* PUP record.

Recently, PUP released “Waiting”, which will appear on THE UNRAVELING OF PUPTHEBAND, upon announcing their forthcoming tour a few weeks ago. Now the band is sharing another new single and music video from the album for “Robot Writes A Love Song”. Written in 15 minutes and with vocals recorded in the backseat of Stefan’s car, “Robot Writes A Love Song” dissolves into a wash of nervous vocals before becoming what is surely the most emotional song ever written from the perspective of a computer being overwhelmed unto death by actual human emotions. Check out the song and ingenious Whitey McConnaughy-directed music video.

WATCH / SHARE “ROBOT WRITES A LOVE SONG” HERE

BUY / STREAM “ROBOT WRITES A LOVE SONG” HERE

MORE ABOUT THE UNRAVELING OF PUPTHEBAND:
PUP released Morbid Stuff in 2019 to critical acclaim, earning countless year-end nods from the likes of Pitchfork and NPR, their late-night debut on Late Night With Seth Meyers, the JUNO Award for Alternative Album of The Year, the short list for the Polaris Music Prize, and sold-out shows across the globe. Two years later, they spent a few weeks in the Summer of 2021 in a mansion in Connecticut with Peter Katis (Interpol, Kurt Vile, The National) to record and mix their new record, THE UNRAVELING OF PUPTHEBAND.

The band more or less never left. When they got comfortable in their strange new home, the (figurative) walls came down. “As the weeks passed, we seemed less and less rational, objective, and sane,” Babcock says. “You can hear the band start to fall off the cliff, and because of that, I think this record is our truest and most genuine to date. There is nothing more PUP than a slow and inevitable descent into self-destruction.” 

LISTEN AND SHARE “WAITING” HERE

LISTEN AND SHARE “KILL SOMETHING” HERE

BUY / STREAM “WAITING” & “KILL SOMETHING” HERE

Every PUP record arrives with an implied “contents under pressure” warning; the tension between the band’s instinct for the melodic and its gift for chaos propels the songs forward while making them also seem close to flying apart in a horrifying spray of tears and gore. THE UNRAVELING OF PUPTHEBAND is the sound of a band that is not just comfortable with but in command of that chaos. “There’s only so many times you can write a song about how much you hate yourself before you write a song about how fucking good you are at hating yourself,” Babcock says. “I wanted to write about the horrible state of the world, but through a very specific and personal lens. It’s a lot of me trying to articulate my own coping with existential dread, hopelessness, and what I’ve called ‘Grim Reaping’—which is to me, the idea that we are all reaping what we sow, and right now we’re sowing some pretty fucked up shit.”

THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.” 

THE UNRAVELING OF PUPTHEBAND is that next step—not towards perfection, or even towards some more perfect version of writing songs about fucking up, but just in the direction of its choice. It’s a product of this endless awful broader moment, but also very much a step forward into that uncertainty. “The whole album process really brought us closer together, even as things unraveled,” Babcock says. “It’s hands down my favourite PUP record, and I don’t think it could’ve been made under any other circumstances.” 

THE UNRAVELING OF PUPTHE BAND DIGITAL PRE-ORDER

THE UNRAVELING OF PUPTHEBAND PHYSICAL PRE-ORDER
+ PUPTHEBAND INC. MERCH


Album Artwork Credit: Jordan Speer // DOWNLOAD HIGH-RES

THE UNRAVELLING OF PUPTHEBAND TRACKLIST
01 Four Chords 
02 Totally Fine
03 Robot Writes A Love Song
04 Matilda
05 Relentless
06 Four Chords Pt. II: Five Chords
07 Waiting
08 Habits
09 Cutting Off The Corners
10 Grim Reaping
11 Four Chords Pt. III: Diminishing Returns
12 PUPTHEBAND Inc. Is Filing For Bankruptcy

2022 TOUR DATES
2/7/22 - Winnipeg, MB - Burton Cummings Theatre #
2/8/22 - Winnipeg, MB - Burton Cummings Theatre #
2/10/22 - Calgary, AB - Big Four #
2/11/22 - Edmonton, AB - Edmonton Convention Centre #
2/14/22 - Vancouver, BC - PNE Forum #
3/27/22 - Hamilton, ON - Bridgeworks 
3/28/22 - Kingston, ON - The Ale House 
3/29/22 - Peterborough, ON - The Venue 
4/1/22 - Pittsburgh, PA - Roxian Theatre ^ *
4/2/22 - Columbus, OH - Newport Music Hall ^ *
4/3/22 - Chicago, IL - Riviera Theatre ^ *
4/5/22 - Minneapolis, MN - The Fillmore ^ *
4/8/22 - Victoria, BC - Capital Ballroom ^ 
4/9/22 - Victoria, BC - Capital Ballroom ^ 
4/10/22 - Seattle, WA - Showbox SoDo ^ 
4/11/22 - Portland, OR - Crystal Ballroom ^ +
4/15/22 - Indio, CA - Coachella Music and Arts Festival
4/22/22 - Indio, CA - Coachella Music and Arts Festival
4/16/22 - Phoenix, AZ - The Van Buren ^ +
4/24/22 - Denver, CO - The Ogden Theatre ^ +
4/27/22 - Dallas, TX - Granada Theater ^ +
4/28/22 - Houston, TX - House of Blues ^ +
4/29/22 - Austin, TX - Stubb's Waller Creek Amphitheater ^ +
5/1/22 - Atlanta, GA - Shaky Knees Music Festival
5/3/22 - Asheville, NC - The Orange Peel ^ +
5/4/22 - Raleigh, NC - The Ritz ^ +
5/5/22 - Richmond, VA - The National ^ +
5/6/22 - Philadelphia, PA - Franklin Music Hall ^ +
5/7/22 - Washington, DC - The Fillmore Silver Spring ^ +
5/9/22 - Sayreville, NJ - Starland Ballroom ^ +
5/10/22 - Boston, MA - House of Blues ^ +
5/11/22 - New York, NY - Terminal 5 ^ +
5/13/22 - Montreal, QC - MTelus ^ +
5/14/22 - Toronto, ON - History ^ +
5/15/22 - Toronto, ON - History ^ +
7/8/22 - Cheltenham, UK - 2000trees Festival
7/23/22 - Byron Bay, Australia - Splendour in the Grass
8/24/22 - 8/27/22 - Málaga, Spain - Canela Party Festival

# with Billy Talent & NOBRO
^ with support from Pinkshift
* with support from Cloud Nothings
+ with support from Sheer Mag

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NIALL MUTTER SHARES NEW SINGLE, “I WONDER”

Photo Credit : Michael Sayegh // DOWNLOAD HIGH-RES

Today, Montreal-based singer-songwriter and multi-instrumentalist Niall Mutter is sharing his first new music of the new year courtesy of Lighter Than Air / Nice Guys. “I Wonder” comes from “the mystery that can be in someone else’s head and living in the ambiguity of it,” says Mutter. “It’s a calling for lighter moods and, in the moment it was written, was really premised on offering support to someone special. As the title eludes to, we are all inevitably left wondering what that someone is thinking." 

LISTEN / SHARE “I WONDER” HERE

BUY / STREAM “I WONDER” HERE

“I Wonder” Single Art // DOWNLOAD HIGH-RES

Niall has spent most of his life oscillating between the seasons, tree planting in the Canadian bush in the summer and escaping to the mountains out West for the winter. When a friend invited him out to Quebec for a couple weeks, he pulled into Montreal’s tightly knit music community and never left. Couch surfing in the middle of a raging pandemic gave him the instability and dishevelled edge he needed to bring his songwriting hiatus to an end, finishing and releasing his first single ‘You’ — a disco-shimmered summer love song that was immediately well received. 

LISTEN / SHARE/ BUY / STREAM “YOU” HERE

His country roots inspire his minimalist production style and narrative lyricism, while his desire for transience adds an almost undetectable sentiment to his dreamy beached-out vocals. He brings a floaty dance trance to his states of confusion, teasing out his lover’s quarrels with a sonic harmony, sculpting the inbetween as a comfortable resting space for himself, often rocking unsureness like a trusted pair of boots.

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SUNGLACIERS ANNOUNCE SOPHOMORE ALBUM, SHARE NEW SINGLE / VIDEO

WATCH / SHARE “AVOIDANCE” HERE

BUY / STREAM “AVOIDANCE” HERE

SECOND LP, SUBTERRANEA, OUT MARCH 25, 2022 VIA MOTHLAND

PRE-SAVE SUBTERRANEA HERE

"Sunglaciers are already criminally underrated and a must add to your playlist [...]" - Sidewalk Hustle

 "Calgary psych-pop quartet Sunglaciers [share] the twinkling "Draw Me In," a new single co-produced by Chad VanGaalen." - Exclaim!

"A sweat-slicked fever dream of an album, Sunglaciers’ first full-length release reverberates with an electric intellect that shimmers like a sunset reflecting off a skyscraper." - BeatRoute

"In the studio, [Sunglaciers] finds a nice balance between feverish fits of experimental noise and more traditional songcraft." - Calgary Herald

"Sunglaciers’ songs are complex but never fussy, maintaining a healthy display of instrumental dexterity and structural sophistication [...]" - Stagehand

Press Photo : Haley Gunn // DOWNLOAD HIGH-RES

Sunglaciers’ latest bid to keep indie rock articulate comes in the form of a 13 song post-punk meets psychedelic pop long-player that is sonically dense, yet easy on the eardrums. Today, the Calgary outfit announce their upcoming sophomore album, Subterranea, out March 25, 2022 via Montreal imprint Mothland. Though Subterranea is anchored in strange realities from our times, this new effort from Evan Resnik and Mathieu Blanchard (the pair behind Sunglaciers) is also laced with a certain optimism, perhaps the work of well-calculated psychedelic elements and headbanging rhythms, making for a most-rewarding listening experience.

The band is also sharing the second track from the album, “Avoidance”, an epic post-punk scorcher fueled by a restless drumbeat and an alarming synth hook, atop inhuman screams from Louis Cza (Roman66, The Black Greek God), and screeching violins from Laura Reid, a member of the Calgary Philharmonic Orchestra. Its lyrics introduce the album’s themes of alienation, feeling abandoned but also culpable, with Resnik describing the song as “a stranded panic anthem.” 

Like the full-length, the single was co-produced by Chad VanGaalen and mixed by Mark Lawson (Arcade Fire, Yves Jarvis, The Unicorns). Arriving today complete with a video from directors Ryan Kostel and Sunglaciers lead vocalist Evan Resnik, the video depicts “a nightmare scenario with the protagonist in a panic as he is tormented by figures he thought were his friends, ultimately coming face-to-face with himself,” says Resnik. “The fogged-out rooms, varied lighting, and overlaid shots pull the viewer inside this dreamscape and accentuate the anxiety and trepidation we explore in the song."

"When filming 'Avoidance' I really wanted to mimic the anxious, unsettled mind,” adds Kostel. “Constantly shifting angles, I used long fluid shots and shifts in time to create an unbalanced sensation. Rapid fluctuations of light and color layered over kinetic and sometimes violent imagery help to convey the subject's mental unease."

WATCH / SHARE “AVOIDANCE” HERE

BUY / STREAM “AVOIDANCE” HERE

“Avoidance” Single Art // DOWNLOAD HIGH-RES

Like their name might suggest, Sunglaciers’ music blurs the boundaries between dazzling indie-rock melodicism and icy post-punk experimentation. On the Calgary quartet’s sophomore album, Subterranea, co-produced by hometown hero Chad VanGaalen and mixed by acclaimed engineer Mark Lawson (Arcade Fire, Yves Jarvis, The Unicorns), they carve out new sonic spaces with laser focus. While past releases found the band exploring a maximalist approach, these 13 songs emerge and vanish in rapid succession, never outstaying their welcome.

“We tried to write vertically instead of horizontally,” explains multi-instrumentalist Blanchard. “Our last album Foreign Bodies and the EPs that came before it had lots of long songs with different parts drifting back and forth. For this album, we decided to strip our songs down to two or three minutes with only a few ideas in each of them.”

Sunglaciers initially came together in 2017 as a collaboration between Blanchard and lead vocalist Resnik, both of whom handle an array of instruments and co-production duties on Subterranea. As Blanchard completed his studies to become a doctor working in family medicine and addiction, and Resnik returned from a hitchhiking trip through France, the duo decided to form a new musical project. The past five years have found them steadily growing in popularity, sharing stages with acts such as Omni, Preoccupations, and Daniel Romano, while topping the charts of campus radio stations in Western Canada.

When COVID-19 put Sunglaciers’ tour plans on pause, they shifted their focus to songwriting, dedicating 40-plus hours per week to music in the early months of 2020. Subterranea was recorded in the unusual location of On Air Studios, a professional voiceover studio owned by former member Bruce Crews. This extended timeframe taught them skills in engineering, while also allowing for experiments such as swapping the instruments that each member typically plays (an oblique strategy used on Portishead’s Third and David Bowie’s “Boys Keep Swinging”). Chad VanGaalen fleshed out the songs further with vocal and instrumental contributions, while the band welcomed other guests such as harpist Jennifer Crighton (Hermitess) and hip-hop / black metal vocalist Louis Cza (Roman66, The Black Greek God).

The result is an urgent and cohesive full-length statement, drawing on influences from the high drama indie-rock of Deerhunter, Total Control’s post-punk tenacity, and the woozy grooves of BEAK>

WATCH AND SHARE “DRAW ME IN” HERE

BUY / STREAM “DRAW ME IN” HERE

The ‘90s rock sound of “Glue” shows off an entirely different side of Sunglaciers’ sonic personality, merging triumphant Walkmen-esque trumpets with a ripping guitar solo from VanGaalen. “Draw Me In” toys with the formula to the greatest degree, as a sputtering Of Montreal-inspired dance beat propels Resnik’s vulnerable lyrics about untying the noose of depression during his darkest days

“The bulk of this album came together during the pandemic and the changing of gears that we had to do,” says Resnik. “I was out of work and Mathieu was working half as much as usual, so we had lots of time on our hands. We flipped a switch and started playing music everyday. It’s a good indicator of how we were writing at the time while we wrapped our heads around some new gear and saw what came out of it. Essentially, we took all of our favourite musical tendencies and put them together. We were listening to a lot of McCartney II at the time and loved how eclectic it was, which led to us mirroring that vibe.”

PRE-SAVE SUBTERRANEA HERE


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SUBTERRANEA TRACKLIST
1. Negative Ways
2. Avoidance
3. Out of my Skull
4. Order
5. Subterranea
6. Thought Maps
7. Stayed
8. Glue
9. Draw Me In
10. Best Years
11. No Horizon
12. Cause/Effect
13. Roundabout

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