OMBIIGIZI, A COLLABORATION BETWEEN ZOON AND STATUS/NON-STATUS, SHARES NEW SINGLE / VIDEO "CHERRY COKE" 

DEBUT ALBUM, SEWN BACK TOGETHER, OUT FEBRUARY 10 ON ARTS & CRAFTS

WATCH / SHARE "CHERRY COKE" HERE

BUY / STREAM “CHERRY COKE" HERE

"The brainchild of Daniel Monkman of Zoon and Adam Sturgeon of Status/Non-Status, OMBIIGIZI finds the Anishinaabe songwriters shedding some of the distorted "moccasin-gaze" blur of their individual projects and leaning into cleaner tones, finding a clarity of songcraft and voice.” -  Exclaim!

"Together, Monkman and Sturgeon show new plaintive depths to their writing, crafting a tribute to the joys and innocence of childhood." - Under The Radar

“The first taste of their work is “Residential Military,” an arty rock exercise that’s as stripped down and straightforward as these pair of musicians get.” - Dominionated

“Cherry Coke” Video Still

OMBIIGIZI – (pronounced om-BEE-ga-ZAY, meaning s/he is noisy) – is a collaboration between Zoon (Daniel Monkman) and Status/Non-Status (Adam Sturgeon), Anishnaabe artists who explore their cultural histories through sound. An amalgam of their unique Indigenous heritages and personal musical architectures, Daniel and Adam imbue their lyrics with their families' storytelling, revealing truths and finding common ground amidst their differences. The debut album Sewn Back Together is a fusion of individuality – a reflection on Adam and Daniel's commitment to each other as collaborators and distinct members of community.

Following the guttural art rock of their debut single,"Residential Military," Ombiigizi today releases the album-opening track "Cherry Coke" – a wistful ode to the late father of Monkman, whose syrupy vocals here lead the track's buzzing guitars and rolling drums. 

Daniel explains the meaning behind "Cherry Coke":
"I used to get into a lot of fights at school when I was younger. One of the schools was called ‘Happy Thought’ which ironically was filled with racist rural farmer type folk. I think as a type of punishment my Mom sent me to live with my Dad on the Rez, so he could show me how to be a ‘man’. Although my Dad was a very complex human, he was very compassionate towards me, especially when I explained how the kids would tease me for being Ojibway. He’d always let me stay home with him and oftentimes we’d go to the Rez store for chips and pop; I’d get Cherry Coke or Vanilla Coke. The lyrics and song title are inspired by these memories of my childhood and of my father."

WATCH / SHARE "CHERRY COKE" HERE

BUY / STREAM “CHERRY COKE" HERE

Putting aside the tonal nuances of their previous work as Zoon and Status/Non-Status (formerly known as WHOOP-Szo), OMBIIGIZI strips back the waves of distortion to reveal themselves, their voices, writing and improvising for the sake of the song. The family on Sewn Back Together includes the production duo of Kevin Drew of Broken Social Scene and Nyles Spencer of The Bathouse Studio. Recorded there in fast and intentional sessions during the summer of 2021, Drew and Spencer – along with musicians Eric Lourenço and Drew McLeod from Status/Non-Status and Zoon, respectively – helped steer this collision of divergent artists into some glorious sonic territory steeped in shoegaze, dream pop, anthemic rock, Chicago post-rock, and 2nd wave emo. While not always getting to play and perform alongside other members of their community, OMBIIGIZI is a coming together – with Sewn Back Together, a resounding statement shaped by healing and the guidance of culture.

WATCH / SHARE "RESIDENTIAL MILITARY” HERE
BUY / STREAM “RESIDENTIAL MILITARY" HERE

LINER NOTES BY WAUBGESHIG RICE:
The Anishinaabe revival is accelerating. Our artists are becoming more resurgent in all realms: telling the stories, singing the songs, and creating the imagery to further solidify our everlasting presence on this land. The soundtrack to this movement is diverse profound, and beautiful. The Anishinaabe sonic revolution is richly layered and wide-reaching, inspiring and influencing all generations to gather, sing, and speak, as we’ve always done. And at the core of this renewal are artists like OMBIIGIZI.

Adam Sturgeon and Daniel Monkman have come together in the spirit of making noise in a good way for our people. They have documented this moment in time while paying homage to the ancestors who kept our language and stories alive. There is a deep respect and love embedded in these songs for Anishinaabe sounds and voices. These songs proudly tell family and community stories, and they exquisitely conjure a hopeful future that will result from our current collective efforts to share our realities with each other and the world.

Sewn Back Together is a passionate journey. It meanders like a nurturing stream, weaving in and out of the tangible and spiritual worlds, as all time-honoured Anishinaabe stories and songs have done. It harkens back to ancient melodies and rhythms while using modern tools and instruments to centre us in our identities as the original storytellers of this land. It is essential listening as we forge our future and reclaim and revive who we are.

Sewn Back Together Album Art // DOWNLOAD HIGH-RES

 OMBIIGIZI - SEWN BACK TOGETHER - TRACKLISTING
1. Cherry Coke
2. Residential Military
3. The Once Child
4. Niiyo Biboonagizi 
5. Ogiin
6. Spirit In Me
7. Yaweh
8. Birch Bark Paper Trails 
9. Zaagitoon 

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GEOFFROY NEW LP OUT TODAY, SHARES PERFORMANCE OF “SWEETPIE”

WATCH AND SHARE “SWEETPIE” PERFORMANCE HERE

BUY / STREAM LIVE SLOW DIE WISE, OUT TODAY

CANADIAN TOUR COMMENCES MARCH 5

ON THE NEW LP GEOFFROY BRINGS A CONTEMPLATIVE AND PHILOSOPHICAL APPROACH TO SONGWRITING INSPIRED BY ARTISTS LIKE PAUL SIMON, NICK DRAKE, JEFF BUCKLEY, AND THINKERS ALAN WATTS, ECKHART TOLLE, AND MICHAEL POLLAN

Photo Credit : Alex Dozois // DOWNLOAD HIGH-RES

Today, Geoffroy’s (pronounced : Jeff-wah) new self-released third LP officially hits the record store shelves, air waves, and playlists. Live Slow Die Wise was marked as one of the albums to watch for 2022 by ET Canada, Le Canal Auditif, and Exclaim!. 

Recently, Geoffroy spent some time in Mexico and recorded a performance of “Sweetpie” from an Airbnb in San Cristobal de Las Casas, Chiapas. “I liked how cozy the place was and it would allow us to record in a controlled environment, or a least we hoped so,” says Geoffroy. “Yet we still had to start it over a couple times before being able to tape the whole song without dogs barking in the background. Hence the ‘dog still at it?’ I say when entering the house.

It's the second song out of 7 total we recorded. At that point we had been traveling for almost a week and had a bunch of setbacks making me reconsider the feasibility of our two man operation. But getting this song down in a controlled environment motivated us to continue and to not give up on our ambitious project. The next morning we taped ‘As My Old Man Always Said’ at a hotel across the street and ‘Cold World’ on the steps leading to la Iglesia de San Cristóbalito.”

All of the live performances will be included in a short film, ‘Live Slow Die Wise in Mexico’, releasing February 22 on Geoffroy’s YouTube channel and on IGTV.

WATCH AND SHARE “SWEETPIE” PERFORMANCE HERE

BUY / STREAM LIVE SLOW DIE WISE, OUT TODAY

 MORE ABOUT LIVE SLOW DIE WISE

The journey to the LP’s 2022 release began with the unveiling of “Cold World”, an intimate and reflective song that beautifully represents the album’s tone. “Live Slow Die Wise is the timeless story of societal individualism and ego,” Geoffroy shares. “We’re driven by an endless pursuit for growth, innovation and profit. But at what cost?” Live Slow Die Wise still features the personal and reflective touch Geoffroy fans know to expect, but this time through the lens tinted by experience. Inspired by artists like Ry Cooder, Paul Simon, Nick Drake, Jeff Buckley, and thinkers such as Alan Watts, Eckhart Tolle, and Ralph Waldo Emerson, Geoffroy brought a more contemplative and philosophical approach to the album’s songwriting than in previous works.

WATCH AND SHARE “COLD WORLD” HERE

Live Slow Die Wise was penned during isolation in 2020, and brought to life in the studio with help from legendary French Canadian producer Louis-Jean Cormier. The songs mark a return to Geoffroy’s early days as an artist, travelling the world and playing solo on the streets as he went. A renewed appreciation for organic instrumentation and a recording process that favoured live takes in the studio added depth and authenticity to the songs and hopefully, forge a deep and intimate connection with the listener.

Live Slow Die Wise represents a specific state of mind. It's about taking the time to live freely and consciously. It's about being aware and embracing the ephemerality and fragility of life.”

WATCH AND SHARE “STRANGERS ON A TRAIN” HERE

Geoffroy will take Live Slow Die Wise on the road beginning March 5, 2022. All tour dates are below and tickets can be purchased HERE.

GEOFFROY 2022 CANADIAN TOUR DATES
03/05 Trois Rivières - Cabaret Cogeco
03/11 Montreal - MTELUS
03/25 Quebec - Imperial Bell
04/05 Winnipeg - Good Will Social Club
04/06 Saskatoon - Amigos Cantina 
04/09 Vancouver - Hollywood Theatre
04/10 Victoria - Capital Ballroom
04/14 Red Deer - Bo’s Bar
04/15 Calgary - Commonwealth
04/16 Edmonton - Starlite Room
04/20 London - Rum Runners
04/21 Toronto - Axis Club
04/22 Kingston - The Grad Club
04/23 Ottawa - Club Saw

 Live Slow Die Wise Artwork // DOWNLOAD HIGH-RES

LIVE SLOW DIE WISE TRACKLIST
01 As My Old Man Always Said
02 Strangers On A Train
03 Youngblood
04 Santa Catalina
05 Sweetpie
06 Cold World
07 Life As It Comes

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ABIGAIL LAPELL ANNOUNCES UPCOMING LP, SHARES FIRST SINGLE “PINES”

WATCH / SHARE “PINES” HERE
BUY / STREAM “PINES” HERE

ABIGAIL LAPELL’S THIRD LP, STOLEN TIME, SET FOR RELEASE APRIL 22, 2022 VIA OUTSIDE MUSIC

PRE-SAVE STOLEN TIME HERE

Photo Credit : Jen Squires // DOWNLOAD HIGH-RES

Just listen. Toronto songwriter and multi-instrumentalist Abigail Lapell offers this prompt at the end of synesthetic piano tune “I See Music”, but the invitation could apply to her entire third album, Stolen Time. Produced by Howard Bilerman at Hotel2Tango Studio in Montreal, Stolen Time is elemental and powerfully evocative, channeling natural imagery and the revolving seasons to take a longer look over decades and generations, ultimately delivering up the present moment the way only the best music can. 

Today, Lapell is sharing “Pines”, the evocative first single from the new album. Inspired by a songwriting residency in the Rockies, “Pines” captures the intimacy of walking alone through the woods, spellbound, surrounded by frozen mountain vistas. The track features Lapell on piano, accordion and harmonica, with a voice like autumn smoke and a contagious melody reminiscent of Neil Young crossed with early Cat Power. Building to a bluesy harp outro, Lapell serenades the currents of electricity that seem to course through the mountains, down a raging river, whispering on the breeze and out past distant stars—all driven by the same pulse of energy that guides her footsteps, carrying secret transmissions on a frequency just out of earshot.

WATCH / SHARE “PINES” HERE

BUY / STREAM “PINES” HERE

“Pines” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT STOLEN TIME
A theme of recovery runs through Stolen Time, with lyrics about becoming sober or coping with a partner’s sudden illness, exploring the cycle of relapse and rehabilitation. The album’s title comes from the musical term tempo rubato, which Lapell picked up while teaching herself piano. Referring to the expressive push and pull of tempo in musical phrasing, it’s also a fitting metaphor for the fragile rhythm of uncertain times, darkness hand in hand with escapism. On “Scarlet Fever”, swirling and woozy with Rachael Cardiello’s viola and Peggy Lee’s cello, Lapell recalls a relative’s tales of childhood quarantine; “Sewage” is a fever dream of a loved one recovering from surgery. “All Dressed Up”, a honeyed sweet duet with Montreal’s Chris Velan, echoes how many of us have felt these past two years while waiting to recover our lives. 

By turns poetic and painterly, Stolen Time brings a live-off-the-floor, 70s folk-rock vibe and structural experimentation to songs that feel expansive in their scope—unhurried, psychedelic and other-worldly in the vein of Gillian Welch or Karen Dalton. It also marks the meeting of two important music communities for Lapell, who spent formative years living in Montreal’s Mile End before moving back to her hometown. Toronto players include Dan Fortin (bass), Dani Nash (drums, vocals) and Christine Bougie (lap steel, guitars); and from Montreal, Katie Moore (vocals), Pietro Amato (French horn) and Ellwood Epps (trumpet).

Lapell’s band underscores and meets the power of her vocals on songs like “Ships”, a wild sax solo seemingly enticing her higher and louder to meet the crashing waves. The twangy guitar of “Stolen Time” recalls the hazy ambivalence of lazy summer days, wasting away in a state between bliss and blitz. “Old Flames”, with Lapell’s melodic fingerstyle guitar mimicking flickering embers, could be read as a bit of an answer song to Bruce Springsteen’s “I’m On Fire”. 

But many of Stolen Time’s standout tracks are solo guitar or piano ballads, backed by little more than Lapell’s harmonica, antique pump organ or accordion--including “Waterfall”, with its captivating cascade of descending notes; love song closer “I Can’t Believe”, which sounds like a 1950s standard and features Nashville legend Fats Kaplin on pedal steel; and “Land Of Plenty”, which you would be forgiven for mistaking for a lost Woody Guthrie or Pete Seeger tune.  

Over the past five years and two spellbinding albums, Lapell has garnered two Canadian Folk Music Awards (English Songwriter of the Year in 2020 and Contemporary Album of the Year in 2017), hit number one on Canadian folk radio and accrued a staggering 13 million+ Spotify streams while touring widely across Canada, the United States, and Europe. 

PRE-SAVE STOLEN TIME HERE

DOWNLOAD HIGH-RES

STOLEN TIME TRACK LIST
01 Land Of Plenty
02 Ships
03 Pines
04 Scarlet Fever
05 All Dressed Up
06 I See Music
07 Stolen Time
08 Waterfall
09 Sewage
10 Old Flames
11 I Can’t Believe

ABIGAIL LAPELL ONLINE
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