JERRY LEGER ANNOUNCES NEW LP, NOTHING PRESSING, SHARES VIDEO FOR FIRST TRACK

Photo Credit : Laura Proctor  // DOWNLOAD HIGH-RES

Jerry Leger has been making the most of his time while off the road due to the pandemic. In 2020 Leger published his first book of poetry Just the Night Birds, made a film for his mailing list subscribers The Apartment Show He Never Gave, while releasing what he terms a “surprise” album, Songs from the Apartment

Today, Leger announces his upcoming album, Nothing Pressing, out March 16, 2022 via Latent Recordings, and is sharing the new video for album single, “Have You Ever Been Happy?”. "The opening line (‘break in the new world but let me keep my job’) is hopeful, it's actually quite a hopeful song,” says Leger. “I like to think that real happiness involves being respectful, appreciative and considerate. The words have these deeper layers and questions but Angie Hilts singing with me really lifts it up to a nice place. It's just fun and fortunate to play rock 'n' roll with my friends and we've all needed some fun these days."

Video director Colin Medley says, "The concept for this video was simple: show everything leading up to a standard music video type performance, without really showing the performance at all. I think we were all feeling like making something fun and casual, and showing off the sense of camaraderie among friends who haven’t been together in a while. The clincher for me was when Jerry mentioned he lived across the street from a bowling alley. From there it came together in about 5 seconds."

WATCH / SHARE “HAVE YOU EVER BEEN HAPPY?” HERE

BUY / STREAM “HAVE YOU EVER BEEN HAPPY?” HERE

“Have You Ever Been Happy?” Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT NOTHING PRESSING
Leger’s previous album, Songs from the Apartment was a stripped-down lo-fi affair recorded in his home using a cheap tape recorder with an internal microphone. Two songs from the current album, “Underground Blues” and “Sinking In”, were also recorded in Leger’s home, this time using two SM58 microphones fed into his vintage 1981 Tascam 4-track tape recorder. The remaining nine tracks included on Nothing Pressing present Leger’s work in two starkly contrasting soundscapes. “Nothing Pressing”, “Protector”, and “Still Patience”, are solo acoustic recordings cut live in the studio with little embellishment save Dan Mock’s overdubbed harmony vocals and, on the title track, producer Michael Timmins’ ukulele. The other six tracks are prime roots rock and roll featuring his long-time band The Situation (drummer Kyle Sullivan and bass player Dan Mock). Among the latter songs, “Kill It With Kindness” and “Have You Ever Been Happy?” have the kind of drive, energy and spirit that  are sure to make them highlights of his future live shows.

Leger often times finds himself at a loss as to explain the source of his songs. He feels his  songwriting, while clearly drawing on experiences filtered through a panoply of influences, often verges on being a supernatural experience. Over the course of the eleven songs on Nothing Pressing, the songwriter’s songwriter engages with questions of existence, mortality, hope, trust, and heartbreak while simultaneously conjuring feelings of isolation, reflection, longing, and gratitude.  

Paired with such evocative lyrics are wonderfully crafted melodies, soulful vocals, and the spirit and energy of a mature songwriter, comfortable in his skin and growing as an artist with every release. Nothing Pressing serves a wonderfully refreshing tonic in troubling times.

Born in the mid-80s, singer-songwriter Jerry Leger came of age in the Upper Beaches area of  Toronto. Surrounded by music from a young age, his grandfather first turned him onto Hank  Williams, constantly playing the youngster a plethora of the honky tonk master’s great  recordings. Although Williams’ voice came from another world in terms of time, geography,  and class, Leger was intrigued by the ways that Williams’ songs told a story and often conjured up mysterious images in his head. Other seminal influences were slowly added including John Lennon (and the Beatles), Bob Dylan, Lightnin' Hopkins, Leonard Cohen, Elvis Costello, Neil Young, the Everly Brothers, Tom Waits, and Gordon Lightfoot. 

In 2005 as Leger turned nineteen he cut his first independently released album. In the sixteen  years since then the multi-talented singer-songwriter has recorded nine additional studio  albums as well as one live compilation under his own name. In 2014 he was signed to the  Cowboy Junkies’ label, Latent Recordings, releasing the critically acclaimed Early Riser that  same year. His second Latent release, Nonsense and Heartache, followed in 2017. A year  later the two-album set was picked up by Proper Records for distribution in the U.K and  Europe, leading to extensive touring throughout the continent, in the process opening up a  whole new audience for Leger’s finely crafted songs. With his next Latent album, 2019’s Time Out for Tomorrow, Leger began to receive positive notices in such high-profile music  magazines as Uncut and Rolling Stone. 

A restless hungry spirit, when not performing and recording under his own name, Leger stays busy with a plethora of side projects including The Del Fi’s (loose improvisatory rock and  roll) and the Bop Fi’s (Leger reciting his poetry over jazz accompaniment). He has also been known to work under the pseudonym Hank Holly (bonus points go to those who can figure out where that name came from!). 

PRE-SAVE NOTHING PRESSING HERE

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NOTHING PRESSING TRACKLIST
Nothing Pressing
Kill It With Kindness
Recluse Revisions
Wait A Little Longer
Still Patience
Underground Blues
Have You Ever Been Happy?
With Only You
Sinking In
A Page You've Turned
Protector

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THE WEATHER STATION ANNOUNCES NEW LP, SHARES FIRST SINGLE/VIDEO

THE WEATHER STATION ANNOUNCES HOW IS IT THAT I SHOULD LOOK AT THE STARS, COMPANION ALBUM TO IGNORANCE, OUT MARCH 4, 2022 VIA NEXT DOOR RECORDS

WATCH / SHARE “ENDLESS TIME” HERE

BUY / STREAM “ENDLESS TIME” HERE 

2022 TOUR DATES BEGIN FEBRUARY 12

PRE-SAVE HOW IS IT THAT I SHOULD LOOK AT THE STARS HERE

“Tamara Lindeman’s shape-shifting avant-folk reaches a kind of apex on [Ignorance], as she sings coolly about climate grief, love, lust, healing, and the upheaval of self-discovery.” 
- New Yorker, Album of the Year (Amanda Petrusich)

“Whether they deal with romantic loss or the perils of climate change, the songs on The Weather Station’s Ignorance are concerned with grief and carried by a calm, penetrative air of desperation. Lindeman’s ache is exquisite.” - The Globe and Mail, Album of the Year (Brad Wheeler)

 “In the lush, dewy arrangements and Lindeman's sterling songcraft is the suggestion of a way forward in the fight for our world and for ourselves, proposed with a clarity and vulnerability that still feels like a gift. If the world is right and good — and granted, it often isn't — Ignorance will be remembered for a long while, as both a towering artistic achievement and a document of a time when there was still something worth saving.” - Exclaim! , #2 Best Album of 2021

“How do you make music about climate change without it sounding too didactic and abstract? [The Weather Station] came up with a winning solution on her stirring album Ignorance, which finds her singing elegiac love songs to a dying planet.” - The New York Times, Best Albums of 2021

“ The album effortlessly connects our relationship with the planet to our relationships with each other — poetic breakup songs that pull double duty. It’s  the intimacy of small moments that Lindeman is best at detailing, and it's why Ignorance resonates so personally: she takes the emotional side of climate change and places it in the palm of your hand.” - CBC Music, Best Albums of 2021

“After [Ignorance], it seems, Tamara Lindeman can do anything.”  - Pitchfork, #7 Best Album of 2021

Photo Credit: Brendan Ko // DOWNLOAD HIGH-RES

One year ago, The Weather Station released Ignorance, one of 2021’s most praised and far-reaching albums. Today, Tamara Lindeman announces How Is It That I Should Look At The Stars, a new album out March 4 on Next Door Records, and presents its lead single/video, “Endless Time”. How Is It That I Should Look At The Stars is intended to be heard as a companion piece to Ignorance. These are songs written at the same time that connect emotionally and deal with many of the same themes: disconnection and conflict, love, birds, and climate feelings. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.  

“When I wrote Ignorance, it was a time of intense creativity, and I wrote more songs than I ever had in my life. The songs destined to be on the album were clear from the beginning, but as I continued down my writing path, songs kept appearing that had no place on the album I envisioned.  Songs that were simple, pure; almost naive.  Songs that spoke to many of the same questions and realities as Ignorance, but in a more internal, thoughtful way.” Lindeman elaborates, “So I began to envision How Is It That I Should Look At The Stars, a quiet, strange album of ballads. I imagined it not as a followup to Ignorance, but rather as a companion piece; the moon to its sun.”

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else. On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. With Christine Bougie on guitar and lap steel, Karen Ng on saxophone and clarinet, Ben Whiteley on upright bass, Ryan Driver on piano, flute, and vocals, and Tania Gill on wurlitzer, rhodes, and pianet, the band comprised some of the best players in the Toronto jazz and improvisation scene. 

How Is It That I Should Look At The Stars was recorded live off the floor at Toronto’s Canterbury Music Studios from March 10-12, 2020. With Jean Martin co-producing, Lindeman sang and played piano live while the band improvised their accompaniment. When the band entered the studio, Covid-19 was a news item, not front of mind, but just three days later, everything had changed. On today’s “Endless Time”, Lindeman sings about a feeling of unease, interweaving relational loss with anxiety about the impending climate crisis. She wonders whether she would look back on the present moment as one of unnoticed abundance as she repeats in the song ‘it’s only the end / of an endless time’. Lindeman comments, “In Toronto, I live in a world of overwhelming abundance; fruits and fresh vegetables flown in year round from Chile, California, Malaysia. Standing outside a neighbourhood fruit stand one day, I found myself wondering how I would look back on this time from the future; if I would someday remember it as a time of abundance and wealth I did not fully comprehend at the time, and I wondered how it would feel to stand at that threshold of change. I wondered too if we were not already there. The song was written long before the pandemic, but when we recorded it, on March 11, 2020, it began to feel eerily prescient. The day it was recorded truly was the end of an endless time, and as ever, I don’t know how the song knew. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts.”

WATCH / SHARE “ENDLESS TIME” HERE

BUY / STREAM “ENDLESS TIME” HERE 

You might argue that the underlying theme of Ignorance was vulnerability; vulnerability that goes unnoticed and unacknowledged, and the damage that results from that erasure. On How Is It That I Should Look At The Stars, this vulnerability is made manifest. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

The Weather Station embark on a long-awaited tour next month in support of Ignorance and How Is It That I Should Look At The Stars. Shows prior to February 12 have been moved later in spring. All shows are on sale now here.

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HOW IS IT THAT I SHOULD LOOK AT THE STARS TRACKLIST:
1. Marsh
2. Endless Time
3. Taught
4. Ignorance
5. To Talk About
6. Stars
7. Song
8. Sway
9. Sleight of Hand
10. Loving You

THE WEATHER STATION TOUR DATES:
Sat. Feb. 12, 2022 - Los Angeles, CA @ Troubadour &
Sun. Feb. 13, 2022 - San Francisco, CA @ The Independent &
Tue. Feb. 15, 2022 - Portland, OR @ Mississippi Studios &
Thu. Feb. 17, 2022 - Seattle, WA @ Tractor Tavern &
Sat. Feb. 19, 2022 - Salt Lake City, UT @ The State Room ^
Mon. Feb. 21, 2022 - Denver, CO @ Globe Hall ^
Wed. Feb. 23, 2022 - Minneapolis, MN @ Turf Club ^
Thu. Feb. 24, 2022 - Madison, WI @ High Noon ^
Fri. Feb. 25, 2022 - Chicago, IL @ Lincoln Hall ^
Tue. Mar. 15, 2022 - Brighton, UK @ Komedia
Wed. Mar. 16, 2022 - Bristol, UK @ Thekla
Thu. Mar. 17, 2022 - Manchester, UK @ Gorilla
Fri. Mar. 18, 2022 - Dublin, IE @ Workmans Club
Sat. Mar. 19, 2022 - Belfast, UK @ Black Box
Mon. Mar. 21, 2022 - Glasgow, UK @ Mono
Tue. Mar. 22, 2022 - Leeds, UK @ Brudenell Social Club
Wed. Mar. 23, 2022 - London, UK @ Scala
Fri. Mar. 25, 2022 - Brussels, BE @ Botanique
Sat. Mar. 26, 2022 - Paris, FR @ La Boule Noire
Sun. Mar. 27, 2022 - Amsterdam, NL @ Paradiso Noord
Mon. Mar. 28, 2022 - Berlin, DE @ Frannz Club
Wed. Mar. 30, 2022 - Copenhagen, DK @ Loppen
Thu. Mar. 31, 2022 - Oslo, NO @ Bla
Fri. Apr. 1, 2022 - Stockholm, SE @ Debaser / Bar Brooklyn
Sat. Apr. 2, 2022 - Gothenburg, SE @ Oceanen
Mon. Apr. 4, 2022 - Hamburg, DE @ Nochtwache
Tue. Apr. 5, 2022 - Cologne, DE @ Blue Shell
Wed. Apr. 6, 2022 - Munich, DE @ Milla
Thu. Apr. 7, 2022 - Zurich, CH @ Bogen F
Sat. Jun. 11, 2022 - Barcelona, ES @ Primavera
Thu. Jun. 16, 2022 - Manchester, TN @ Bonnaroo

&= w/ Cassandra Jenkins
^= w/ Helena Deland
*= w/ Sam Amidon

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PONDERCAST : I’VE COME BACK FROM WORSE

LISTEN TO PONDERCAST : I’VE COME BACK FROM WORSE

GET ‘THE SIGNAL’ EXPERIENCE EVERY MONTH WITH ‘PONDERCAST RADIO’ - SPECIAL CONTENT FOR PATREON SUBSCRIBERS

SUBSCRIBE TO GROUND LEVEL - THE NEW PODCAST FROM LAURIE BROWN

LISTEN TO PONDERBEAT EPISODE 10 HERE

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This episode of Laurie Brown’s Pondercast is a report from deep inside the limbic system of the brain. Also known as the paleomammalian cortex (if you want to get fancy), or the emotional brain. Perhaps you’ve been there before? 

“I’m calling it ‘I’ve Come Back from Worse’, because shit has been going down in my world.  Yours too? If so, how about something you can hang on your wall to acknowledge that?  The phrase ‘I’ve come back from worse’ has earned a reputation in my family, and my niece has created this tea saucer and sends them out into the hurting world from her shop in Peterborough, Ontario. Pondercastronauts get a 10% discount!”

Type in the code IVECOMEBACKFROMWORSE and you can join this illustrious club of survivors – shop here.

You will also hear about a program I took called The Grief Recovery Method. Here’s a link to find out more about that. 

If you are looking for grief support, contact Laurie (laurie@pondercast.ca) and she’ll put you in touch with someone who can guide you through the course. 

LISTEN TO PONDERCAST : I’VE COME BACK FROM WORSE

For Season 5, a few new things are happening while some others are getting their own spotlight. First, the Pondercast team is bringing you something entirely new yet a little reminiscent of times past. Pondercast Radio uses an innovative hack of streaming technology to bring you a once a month ‘radio show’ which you can stream at any time. The show will include a new playlist of music and Laurie’s introductions for your dining and dancing pleasure.  The episodes play out exactly like radio, feel like Laurie’s old show The Signal - and you will get a 2 hour show of new music for you to fall in love with every month.

Pondercast Radio is available only to those who support Pondercast via Patreon at any level. Supporters must also have a paid Spotify or Apple Music account to access Pondercast Radio. If you have a paid account on Apple Music or on Spotify, then you can get our monthly ‘radio’ shows delivered to your inbox.

SUPPORT PONDERCAST VIA PATREON HERE

The other big news is the new podcast Ground Level which is out now. Pondercast is moving all of their weekly guided meditations to a brand new podcast. So if you have been meditating with Laurie, subscribe to Ground Level wherever you get your podcasts to be sure you don’t miss an episode. Look for interviews and other content to help navigate these strange days. 

SUBSCRIBE TO GROUND LEVEL - THE NEW PODCAST FROM LAURIE BROWN

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Recently, Killbeat Music partnered with the team at Pondercast to bring you Ponderbeat, a series of special episodes featuring selections curated by Brown from some of Killbeat’s latest releases. The ninth episode of Ponderbeat is live now, featuring music from Charlotte Cornfield, Ouri, Andy Shauf, Cots, Absolutely Free, Homeshake, and more.

LISTEN TO PONDERBEAT EPISODE 10 HERE

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