SAM WEBER NEW LP OUT TOMORROW, SHARES ANOTHER TRACK, “TRUTH OR LIE”

NEW ALBUM, GET FREE, OUT TOMORROW, FEBRUARY 4, VIA SONIC UNYON

LISTEN / SHARE “TRUTH OR LIE” HERE

BUY / STREAM GET FREE ON FEBRUARY 4

US TOUR DATES BEGIN FEBRUARY 6

“Sam Weber's Get Free traces the artist's journey from his home country of Canada to his new universe of Los Angeles, a collection of travelling songs that tell stories of rediscovery and rebirth. It's a road trip album if there ever was one.” - Exclaim!

Press Photo : Jacob Boll // DOWNLOAD HIGH-RES

Tomorrow, Sam Weber’s new LP, Get Free, which Exclaim! listed as one of “the most anticipated albums of 2022,” will officially be released via Sonic Unyon. Today, the West Coast songwriter is sharing another new track from the album. "Truth Or Lie" is a reminder that “despite anyone’s attempt to control a narrative or manipulate our perception of how things are, the truth and what is real always comes out,” says Weber. “This was the first song we recorded for this collection and inspired us to continue making music more at home than I’d ever done before. It started in Tyler Chester’s garage with me and Mal Hauser at 4am one night. Griffin Goldsmith (Dawes) played some beautiful percussion on it and it was pretty much done after that!”

LISTEN / SHARE “TRUTH OR LIE” HERE
BUY / STREAM GET FREE ON FEBRUARY 4

“Truth Or Lie” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT GET FREE
Sam Weber's storied exodus from his homeland of Canada to find new footing and opportunity in America resonates like a classic story of pain, loss, and rebirth. That narrative thread is woven throughout his new record, Get Free, offering a warm, intimate, and multidimensional portrait of the 28-year-old singer-songwriter. With this new collection of material, Weber reaches fresh emotional depths, commanding more expressive personal moments than ever before — at times within the margins of a single verse.

LISTEN / SHARE “ALREADY KNOW” HERE
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Sam Weber has already logged more miles as a gigging musician than most of his peers will in a lifetime, earning enviable accolades along the way (he was featured in Guitar Player a decade ago, by some accounts the youngest artist ever to grace those pages). He first picked up the guitar at age 12 to form a rock ’n’ roll band with his father and brother in the living room of their family home. 

LISTEN / SHARE “MONEY” HERE
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Sixteen years later, having collaborated with Grammy Award winners and with extensive international tours under his belt, the Canadian-born Los Angeleno goes forth with the same intention and mantra as when he began: “Music is an emotional conduit between people and allows us the opportunity to share moments of truth and unity. In an age where the ritual of music-making can be a solitary exercise, I want to live my life to remind everyone that playing music as a communal and spontaneous practice can be healing and powerful.”

WATCH / SHARE “GET OUT OF THE GAME” LYRIC VIDEO HERE
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After recording what Weber calls his “only real studio album,” Everything Comes True, which was cut live-off-the-floor in the iconic B room at Hollywood’s Ocean Way Studios, things began to move steadily for Sam. More frequent visits to Los Angeles had allowed him to make a name for himself, and he began to form friendships in the music community. He was tapped to contribute to a compilation album alongside Andrew Bird, Blake Mills, Jim James, Taylor Goldsmith (Dawes), Tim Heidecker, Tony Bennett, Kurt Vile, Jackson Browne, and Matt Berninger (The National). 

WATCH / SHARE “HERE’S TO THE FUTURE” HERE
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“Initially, it was the music scene here that drew me in,” Sam notes. “So many of the albums that meant so much to me growing up came from this place, but when I finally set my feet in town, I was spellbound by everything I saw — especially the architecture. There’s an incredible variety of style and materials. The passage of time is so evident here and it can feel like a ruin. It’s not an old place as far as cities go, but the energy of the people who’ve passed through is enchanting.”

Charmed by the city of angels, Weber began the process of formally moving to Los Angeles and writing what would become Get Free. When COVID-19 rendered touring prospects inert and much of his initial recording plans impossible, he sought a new approach. 

“I wrote most of this music before the lockdown happened,” he says. “We wanted to go into another beautiful L.A. studio with another super band to record these new songs, but when all the plugs got pulled, we were sort of left holding nothing but the material. My partner Mallory Hauser (Mal), was keen to rally and share production duties with me to make the most of what we had, which was liberating somehow: to have this logistical ceiling on how we could record or approach these songs in our living room. We were forced to be as creative as possible with what we had. I think it was the best thing that could have happened to us.” 

Coming face-to-face with the realities of record making in the pandemic age, Sam and Malllory called upon their friend Danny Austin-Manning to join their pod and the trio began meeting up weekly for recording sessions in their Hollywood apartment. “Danny would come over and the three of us would turn on the microphones and give these wild, unchained performances of the material,” Weber recalls. “The songs became as much about the experience and ritual of spending time together as the content in the lyrics. I called the record Get Free because each performance of each song was a moment of transcendence and an escape for us from an otherwise odd, restrictive time.” 

Weber and Hauser tapped Grammy-nominated engineer Robbie Lackritz (Feist, Bahamas) to mix the album, having collaborated with him on the JUNO Award-nominated Bahamas album Sad Hunk. “I really love [Get Free], don’t get me wrong… but it sort of sounds janky…in a good way! Because our only option was to make it in our house, it gave us permission to let it be what was going to be and not get wrapped up in the details, and in turn I think that allowed the veil between the performances and the hearts of each song to be very thin. Robbie [Lackritz] sort of saved the record fidelity-wise; we gave him some questionable rough mixes with the room mics cranked up so loud. What we got back sounded way rad.”

A particular sense of grandness is felt in certain songs across Weber’s recorded catalogue. Moments that feel lofty, yet devoid of pretentiousness. With more of these moments present and tangible on Get Free than any other of his releases, the listener can effectively observe Sam’s emancipation. With this record he assumes a creative identity unique only to him. 

SAM WEBER TOUR DATES
02.06 - Bolinas, CA @ Smiley's
02.07 - Long Beach, WA @ Adrift Hotel (The Pickled Fish)
02.08 - Long Beach, WA @ Adrift Hotel (The Pickled Fish)
02.09 - Seattle, WA @ The Royal Room †
02.10 - Portland, OR @  StrumPDX ‡        
02.11 - Coos Bay, OR @ 7 Devils Brewing Co.
02.12 - Eugene, OR @  Sam Bond's Garage #
02.13 - Santa Rosa, CA @ Lost Church Santa Rosa ≈
03.01 - Des Moines, IA @ xBk Live 
03.02 - Bishop Hill, IL @ Bishop Hill Creative Commons 
03.03 - Madison, WI @ The Bur Oak
03.04 - St Paul, MN @ Turf Club ∆ 
03.06 - Milwaukee, WI @ Anodyne Coffee Roasting Co.  ƒ<
03.09 - Newport, KY @ Southgate House ƒ
03.10 - Atlanta, GA @ Smith's Olde Bar ƒ
03. 11 - Chattanooga, TN @ The Woodshop ƒ
03.13 - Charlotte, NC @ The Evening Muse ƒ
03.15 - Carrboro, NC @ Cat's Cradle ƒ
03.16 - Richmond, VA @ The Tin Pan §
03.17 - Washington, DC @ Pie Shop §
03.19 - Philadelphia, PA @ World Cafe Live §
03.20 - Brooklyn, NY @ The Sultan Room §
03.24 - South Burlington, VT @ Higher Ground §
03.25 - Exeter, NH @ The Word Barn §
03.26 - Springville, NY @ Springville Center for the Arts
04.18 - 22 - Kansas City, MO @ Folk Alliance International

 † with Ted Poor
‡ with Hayley Lynn
# with Corwin Bolt and the Wingnuts
≈ with Echoes & Artifacts
∆ with J. E. Sunde & Humbird
< with Tom West
ƒ with Matthew Fowler
§ with The Ladles

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GET FREE TRACKLIST
01 Truth Or Lie
02 Already Know
03 Get Out Of The Game
04 Don’t Cry For Me
05 Survival
06 Nowhere Bound
07 Here’s To The Future
08 Money
09 Everyone
10 Streets Of LA

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SCOTT HARDWARE REVEALS “LOVE THROUGH THE TREES” FROM NEW LP

LISTEN / SHARE “LOVE THROUGH THE TREES” HERE
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SCOTT HARDWARE’S BALLAD OF A TRYHARD, OUT MARCH 4, 2022
VIA TELEPHONE EXPLOSION

Photo Credit : Kirk Lisaj // DOWNLOAD HIGH-RES

In just over a month, Scott Hardware (the moniker of Toronto-based musician and composer Scott Harwood) will release his upcoming third album, Ballad of a Tryhard, which was listed as one of Exclaim!’s “most anticipated albums of 2022.” With singles “Watersnake” and “Summer” already released into the ether, today the celebrated songwriter is sharing another new track from the album, out March 4, 2022 via Telephone Explosion.

“Love Through The Trees” is “a love song!” exclaims Harwood. “The night I wrote it, I was in a mad rush against my own urge to self-censor, the lyrics bare no mystery or even much poetry.  More than that, they're honest in a way that STILL makes me uncomfortable. Being able to get them out before I could stifle this loud and proclamation of love was a big deal for me as a songwriter and as a person."

LISTEN / SHARE “LOVE THROUGH THE TREES” HERE
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MORE ABOUT BALLAD OF A TRYHARD

How do you self-stabilize amidst ongoing crisis? Or, more crucially, what does it mean to question how much control we have over our collective well-being? On Ballad of a Tryhard, the third album by Scott Hardware, he attempts a response by honouring the splendor of “living between emotions.” It’s an album where a rich inner monologue, and the undefined space between reflection and realization can offer an invaluable reprieve. 

Over luminous keys and sky-sweeping melodies, Harwood reverse engineers his capabilities as a composer skilled in the art of complexity to deliver his boldest album to date — unselfconsciously ambitious Y2K rock; a reimagination of experimental adult contemporary that tweaks the limits of soft rock with curiosity and appreciation. 

For the first single, “Summer” (which features members of Phedre, Lee Paradise, WHIMM, Vallens, Blunt Chunks, and Jaunt), Harwood tries his hand at a bouncy, heartstring ballad built for the open road. "I was born in September, and autumn has always been my favourite season,” says Harwood. “Fall people love to look back and to dwell in the bittersweetness of memory. This song marks a deep dive into my changing thoughts about nostalgia, seeing it change from cozy romanticism to toxic waste."

LISTEN / SHARE “SUMMER”
BUY / STREAM “SUMMER” HERE

On Ballad of a Tryhard, Hardware conducts a painstaking character evaluation to better understand the world by looking inward. Suspended and exalting, the album bursts with cinematic flourishes that ring with a courageous form of earnestness. Because once you examine the internal toll of people-pleasing, and question if charisma has been overvalued, is there space to imagine a new reality that seeks to uplift rather than wallow — observing sparse moments of beauty and light amidst a world in constant mourning? 

Crafted in Spain and co-produced with Matt Smith (Prince Nifty, Lido Pimienta), Ballad of a Tryhard is a snapshot of weeks spent in Elche, a sleepy Mediterranean city on the southeast coast, wandering through emptied-out streets, becoming acquainted with the interiors of a historic apartment block, and living for the first time with a familiar love. With unlimited time on his hands, Harwood would write slowly, playing piano until dawn. The result is an album with ornate and bucolic orchestral arrangements that nod to a background in techno and house with a tangled web of synths and strings. 

Prior to his solo work as Scott Hardware, Harwood played with indie rock stalwart Toronto groups like Ostrich Tuning and released ambient pop as Ken Park. A move to Berlin influenced his 2016 debut, Mutate Repeat Infinity, which centered the dancefloor as a site of queer resilience. 2020’s Engel pulled direct inspiration from Wim Wender’s 1987 haunting masterpiece Wings of Desire. In 2021 Harwood was accepted into the Slaight Family Music Lab.

LISTEN / SHARE “WATERSNAKE” HERE
BUY / STREAM “WATERSNAKE” HERE

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BALLAD OF A TRYHARD 
01 Summer
02 Metaterranean
03 Another Day Ending
04 Is Something Wrong Tonight
05 Love Through The Trees
06 Watersnake
07 Dentera
08 Sing Like That
09 Bootleg
10 Underdog

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MONTRÉAL’S BUSTY AND THE BASS SHARE NEW SINGLE WITH CADENCE WEAPON

BUSTY AND THE BASS SHARE NEW SINGLE “AIRPLANES” WITH POLARIS MUSIC PRIZE WINNER CADENCE WEAPON, AND B-SIDE “CARIBOU”

LISTEN / SHARE “AIRPLANES” FT. CADENCE WEAPON HERE
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LISTEN / SHARE “CARIBOU” HERE
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“Airplanes” / “Caribou” Artwork // DOWNLOAD HIGH-RES 

Today, Busty And The Bass are sharing a two-song single package, "Airplanes”, featuring Polaris Music Prize winner Cadence Weapon, and B-Side “Caribou". The two tracks mark the first new music from the Montréal collective since their breakout 2020 album Eddie, which was recorded with Grammy Award winning producer and sonic guide Neal Pogue (Tyler The Creator, Outkast, Anderson .Paak) and executive producer Verdine White (Earth, Wind & Fire). 

"Airplanes" is a bouncy house-influenced rap single with the band’s signature blend of jazz and funk. The song finds Alistair Blu (keys/vocals) trading verses with Cadence Weapon who explains the track is about "finding a way to allow yourself to truly relax and disconnect in the age of the notification."

The new single “started as an electronic beat, reminiscent of one of those dingy Montréal afterparties where the line between late night and early morning ceases to exist,” says Louis Stein. “Bringing it to the band brought new life to the groove and when we got Cadence on the track, he gave it meaning and helped make this beat into a song.” 

LISTEN / SHARE “AIRPLANES” FT. CADENCE WEAPON HERE
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The B-side track “Caribou” is the brain-child of Eric Haynes (keys, piano). “The inspiration is a bit of Radiohead, a bit of Floating Points, with the production of live instruments mimicking how electronic elements and drum sequencers might sound,” says Alistair Blu. “A few of the parts are taken from group jams live off the floor, while others are overdubs. The song journeys through peaks and valleys of strings and horns, and is driven forward by the movement of Julian’s drum performance." 

LISTEN / SHARE “CARIBOU” HERE
BUY / STREAM “CARIBOU” HERE


MORE ABOUT BUSTY AND THE BASS
Busty And The Bass first burst onto the scene in early 2015, releasing a pair of EPs—GLAM [2015] and LIFT [2016]—before unveiling 2017’s full-length debut, Uncommon Good and in the time since have amassed over 45 MILLION streams worldwide. In addition to packing houses on headline tours, including recent SOLD OUT shows at NYC’s Bowery Ballroom and LA’s Troubadour, they graced the stages of international festivals such as Made in America, Osheaga, Pinkpop, Montréal International Jazz Festival, The Great Escape, Ottawa Bluesfest, and Rifflandia, playing alongside the likes of Radiohead, Anderson .Paak, and Lana Del Rey.

STREAM / BUY EDDIE HERE

2022 PERFORMANCE DATES
May 28 - Denver, CO @ (city outdoor show)
May 31 - Los Angeles, CA @ Echo
Jun 1 - San Francisco, CA @ Independent
Jun 3 - New York, NY @ Brooklyn Made

PRAISE FOR BUSTY AND THE BASS

"An undeniable live performance and a sound that’s best described as a lovechild between jazz, hip-hop, and electro-soul." - Complex

"Some fresh beats along with a juicy melody and you’ve got yourself an aural feast at which a jazzy, funkalicious hip-hop-infused experience awaits you." - The Huffington Post

"...a collection of reflective compositions showcasing their marriage of jazz, hip-hop and electro-soul influences" - Jazziz on Eddie

“If we need to pick a song of the summer – consider Out of Love, a funky, bubbling slice of R&B that cools the edge like tonic does to gin” The Globe and Mail on “Out Of Love”

"The overall vibe is that of a basement make-out party with dim lights, smoke-filled air, and a pile of R&B based rock, funk and soul 45s endlessly dropping down on the automatic record changer. The album should be played at a lower volume than most." - PopMatters on Eddie

“...an album filled with expert musicianship.” - Erie Reader on Eddie

"Combining their love of funk, soul, hip-hop, gospel and dance, Busty and the Bass is one of the baddest in the land when it comes to delivering unified sounds for the masses." - Okayplayer

"...drips with gold, beaming a timeless warmth, innocence, reflection, and adventure on a summery feel-good jazz-funk electro-soul pop fusion." - Atwood Magazine on Eddie

“This Montreal-funk eight-piece pulls out all the stops on its guest-laden new album. It’s Cool.” The Vancouver Sun on Eddie

Photo Credit: Maya Fuhr // DOWNLOAD HIGH-RES 

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