GHOSTKEEPER ANNOUNCES NEW LP VIA VICTORY POOL

MULTIDIMENSIONAL CULTURE OUT MAY 27, 2022 VIA VICTORY POOL

WATCH / SHARE “THE TREES” HERE
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Photo Credit : Heather Saitz // DOWNLOAD HIGH-RES

‘Let these bodies know / that they exist for one another,’ beckons Shane Ghostkeeper above an angularly shifting progression. ‘This is a reckoning of truth and perception / a smooth redemption. Each phrase is echoed by a response from a ghostly choir, which blurs the line between the spirit world and the world of flesh and bone. These are the opening lines from Calgary based art-rock band Ghostkeeper's latest offering, Multidimensional Culture, an album which contains no shortage of dimensions, both sonically, and spiritually.

Today, they share the new single from the album, “The Trees” a song which Ghostkeeper says is about “escaping this colonial, political climate with its greed that abuses the Earth and its many religions that vie to conquer and chain the soul. It’s about yearning to return to that powerful spot: that piece of land where I have played in wonderment with the Creator as it engaged as Mother Earth and Grandmother Sun; that place in time when spirituality was simple, concise and magical…and I felt safe, inspired, and grateful."

WATCH / SHARE “THE TREES” HERE
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MORE ABOUT GHOSTKEEPER
The duo (originally from the Paddle Prairie Metis Settlement in Alberta) met in their early twenties, and began artistically collaborating soon after. Sarah, already a visual artist and musician, was integral to determining the imagery for the project from early on. She utilized her talents to design their album artwork, t-shirts, and masks, while Shane, who had only recently embarked on his musical journey, began laying the ground work for what would become their shared musical voice. Once their vision for the project had presented itself, the duo's trajectory and purpose became clear.

Their early recordings were released through Calgary-based record labels Saved By Vinyl and Flemish Eye (home to acclaimed artists Chad Vangaalen, Yves Jarvis, and Preoccupations). The band have long collaborated with Calgary heavy-hitter musicians Ryan Bourne and Eric Hamelin, who are integral in forging the melodic complexity of the bands’ sonically expansive catalog. Multidimensional Culture is at once unpredictable, and easily digestible. 

The album blends the avant-garde instincts of Ghostkeeper's previous releases with a new found peacefulness that has presented itself since the couple became parents. Thematically, Multidimensional Culture tackles many of life’s big questions, from the fragility of human existence, to the innocence of love. Even the pain of their ancestral discrimination is approached with a tenderness and understanding that only a narrator with true empathy and wisdom could provide. The sonic range of this record traverses a wide spectrum of influences, including African psychedelia, traditional Metis music, 70’s freak-folk traditions, and proto-punk guitar based bands like Television. All of these influences blend seamlessly into a sound that is unique, yet familiar. 

WATCH AND SHARE “GRASSY PLAINS” HERE
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Each song holds its own weight as a pillar to which the greater sonic structure rests upon. Each story has been lived, and there is a penetrating honesty in both Shane and Sarah's delivery that is palpable. Ghostkeeper channels the spirit world in all of its pain, beauty and wonderment, and gifts it to anyone willing to accept.

MULTIDIMENSIONAL CULTURE TRACKLIST
01 Doo Wop
02 Finn
03 Grassy Plains
04 Rolly
05 Summer Child
06 This Is How I Know You
07 Ancestral
08 The Trees
09 Ghost On A Rope
10 Tropical Metis

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JERRY LEGER SHARES NEW TRACK FROM UPCOMING LP

“Underground Blues” Video Still

Just about a month from now, Jerry Leger will be releasing his new album, Nothing Pressing, courtesy of Latent Recordings. Today, the celebrated songwriter is sharing another new track from the album, “Underground Blues”, which Leger says is about ‘survival’. "When asked about what success meant to him, Leonard Cohen replied ‘survival’,” says Leger. “He was reflecting on when he wrote poetry books and novels that barely sold a few hundred copies each, then started making records that had sluggish sales before seeing his career become more financially successful. This was a guy who had one of his albums turned down which included the now much celebrated and covered song ‘Hallelujah’. They told him, ‘we know you're great but we don't know if you're any good’. On its eventual classic status, Cohen said a mild sense of revenge arose in his heart. Now, ‘Underground Blues’ isn't about Leonard Cohen but it's about survival. There's no smoke and mirrors in what I do and that can be rewarding for both the creator and the listener. Are we not all just trying to survive in some way?"

“Underground Blues” Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT NOTHING PRESSING

Written during the pandemic, Nothing Pressing isn’t the only thing has kept Leger busy while off the road. In 2020 Leger published his first book of poetry Just the Night Birds, made a film for his mailing list subscribers The Apartment Show He Never Gave, while releasing what he terms a “surprise” album, Songs from the Apartment

Songs from the Apartment was a stripped-down lo-fi affair recorded in his home using a cheap tape recorder with an internal microphone. Two songs from the current album, “Underground Blues” and “Sinking In”, were also recorded in Leger’s home, this time using two SM58 microphones fed into his vintage 1981 Tascam 4-track tape recorder. The remaining nine tracks included on Nothing Pressing present Leger’s work in two starkly contrasting soundscapes. “Nothing Pressing”, “Protector”, and “Still Patience”, are solo acoustic recordings cut live in the studio with little embellishment save Dan Mock’s overdubbed harmony vocals and, on the title track, producer Michael Timmins’ ukulele. The other six tracks are prime roots rock and roll featuring his long-time band The Situation (drummer Kyle Sullivan and bass player Dan Mock). Among the latter songs, “Kill It With Kindness” and “Have You Ever Been Happy?” have the kind of drive, energy and spirit that  are sure to make them highlights of his future live shows.

Leger often times finds himself at a loss as to explain the source of his songs. He feels his  songwriting, while clearly drawing on experiences filtered through a panoply of influences, often verges on being a supernatural experience. Over the course of the eleven songs on Nothing Pressing, the songwriter’s songwriter engages with questions of existence, mortality, hope, trust, and heartbreak while simultaneously conjuring feelings of isolation, reflection, longing, and gratitude.  

WATCH / SHARE “HAVE YOU EVER BEEN HAPPY?” HERE

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Paired with such evocative lyrics are wonderfully crafted melodies, soulful vocals, and the spirit and energy of a mature songwriter, comfortable in his skin and growing as an artist with every release. Nothing Pressing serves a wonderfully refreshing tonic in troubling times.

Born in the mid-80s, singer-songwriter Jerry Leger came of age in the Upper Beaches area of  Toronto. Surrounded by music from a young age, his grandfather first turned him onto Hank  Williams, constantly playing the youngster a plethora of the honky tonk master’s great  recordings. Although Williams’ voice came from another world in terms of time, geography,  and class, Leger was intrigued by the ways that Williams’ songs told a story and often conjured up mysterious images in his head. Other seminal influences were slowly added including John Lennon (and the Beatles), Bob Dylan, Lightnin' Hopkins, Leonard Cohen, Elvis Costello, Neil Young, the Everly Brothers, Tom Waits, and Gordon Lightfoot. 

In 2005 as Leger turned nineteen he cut his first independently released album. In the sixteen  years since then the multi-talented singer-songwriter has recorded nine additional studio  albums as well as one live compilation under his own name. In 2014 he was signed to the  Cowboy Junkies’ label, Latent Recordings, releasing the critically acclaimed Early Riser that  same year. His second Latent release, Nonsense and Heartache, followed in 2017. A year  later the two-album set was picked up by Proper Records for distribution in the U.K and  Europe, leading to extensive touring throughout the continent, in the process opening up a  whole new audience for Leger’s finely crafted songs. With his next Latent album, 2019’s Time Out for Tomorrow, Leger began to receive positive notices in such high-profile music  magazines as Uncut and Rolling Stone. 

A restless hungry spirit, when not performing and recording under his own name, Leger stays busy with a plethora of side projects including The Del Fi’s (loose improvisatory rock and  roll) and the Bop Fi’s (Leger reciting his poetry over jazz accompaniment). He has also been known to work under the pseudonym Hank Holly (bonus points go to those who can figure out where that name came from!). 

PRE-SAVE NOTHING PRESSING HERE

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NOTHING PRESSING TRACKLIST
Nothing Pressing
Kill It With Kindness
Recluse Revisions
Wait A Little Longer
Still Patience
Underground Blues
Have You Ever Been Happy?
With Only You
Sinking In
A Page You've Turned
Protector

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ABIGAIL LAPELL SHARES “SHIPS” FROM UPCOMING LP, STOLEN TIME

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ABIGAIL LAPELL’S THIRD LP, STOLEN TIME, SET FOR RELEASE APRIL 22, 2022 VIA OUTSIDE MUSIC

PRE-SAVE STOLEN TIME HERE

PERFORMING AT SXSW THIS MARCH

Photo Credit : Jen Squires // DOWNLOAD HIGH-RES

Set for release on April 22 via Outside Music, Abigail Lapell’s third album, Stolen Time, is elemental and powerfully evocative, channeling natural imagery and the revolving seasons to take a longer look over decades and generations, ultimately delivering up the present moment the way only the best music can. Today, the Toronto based songwriter and multi-instrumentalist is releasing another new track from the LP, “Ships”, a song in which opposites attract and repel again.

The song explores the insatiable, contradictory impulses that drive doomed love and other addictions: leaving versus staying, quitting versus relapsing, familiar shores and uncharted waters. Anchored by Lapell’s insistent, slightly distorted guitar riff, the song builds in dynamics with layers of vocal harmonies alongside drums (Dani Nash), bass (Dan Fortin) and guitars (Christine Bougie), sounding like a mellower Sleater-Kinney or Laura Veirs with a horn section. Sketching in waves of sunshine and shadow, the band underscores and meets the power of Lapell’s vocals, a wild sax solo seemingly enticing her higher and louder to meet the crashing waves. 

WATCH / SHARE “SHIPS” HERE
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“Ships” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT STOLEN TIME
Produced by Howard Bilerman at Hotel2Tango Studio in Montreal, a theme of recovery runs through Stolen Time, with lyrics about becoming sober or coping with a partner’s sudden illness, exploring the cycle of relapse and rehabilitation. The album’s title comes from the musical term tempo rubato, which Lapell picked up while teaching herself piano. Referring to the expressive push and pull of tempo in musical phrasing, it’s also a fitting metaphor for the fragile rhythm of uncertain times, darkness hand in hand with escapism. On “Scarlet Fever”, swirling and woozy with Rachael Cardiello’s viola and Peggy Lee’s cello, Lapell recalls a relative’s tales of childhood quarantine; “Sewage” is a fever dream of a loved one recovering from surgery. “All Dressed Up”, a honeyed sweet duet with Montreal’s Chris Velan, echoes how many of us have felt these past two years while waiting to recover our lives. 

By turns poetic and painterly, Stolen Time brings a live-off-the-floor, 70s folk-rock vibe and structural experimentation to songs that feel expansive in their scope—unhurried, psychedelic and other-worldly in the vein of Gillian Welch or Karen Dalton. It also marks the meeting of two important music communities for Lapell, who spent formative years living in Montreal’s Mile End before moving back to her hometown. Toronto players include Dan Fortin (bass), Dani Nash (drums, vocals) and Christine Bougie (lap steel, guitars); and from Montreal, Katie Moore (vocals), Pietro Amato (French horn) and Ellwood Epps (trumpet).

WATCH / SHARE “PINES” HERE
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 The twangy guitar of “Stolen Time” recalls the hazy ambivalence of lazy summer days, wasting away in a state between bliss and blitz. “Old Flames”, with Lapell’s melodic fingerstyle guitar mimicking flickering embers, could be read as a bit of an answer song to Bruce Springsteen’s “I’m On Fire”. 

But many of Stolen Time’s standout tracks are solo guitar or piano ballads, backed by little more than Lapell’s harmonica, antique pump organ or accordion--including “Waterfall”, with its captivating cascade of descending notes; love song closer “I Can’t Believe”, which sounds like a 1950s standard and features Nashville legend Fats Kaplin on pedal steel; and “Land Of Plenty”, which you would be forgiven for mistaking for a lost Woody Guthrie or Pete Seeger tune.  

Over the past five years and two spellbinding albums, Lapell has garnered two Canadian Folk Music Awards (English Songwriter of the Year in 2020 and Contemporary Album of the Year in 2017), hit number one on Canadian folk radio and accrued a staggering 13 million+ Spotify streams while touring widely across Canada, the United States, and Europe. 

PRE-SAVE STOLEN TIME HERE

UPCOMING PERFORMANCES
Mar 12 - Dallas, TX - New New Festival - Four Corners Brewing Company
Mar 16 - Austin, TX - SXSW - Stephen F’s Bar
Mar 25 - Boise, ID - Treefort Music Fest - Pengilly’s Saloon

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STOLEN TIME TRACK LIST
01 Land Of Plenty
02 Ships
03 Pines
04 Scarlet Fever
05 All Dressed Up
06 I See Music
07 Stolen Time
08 Waterfall
09 Sewage
10 Old Flames
11 I Can’t Believe

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