COLA (EX-OUGHT) ANNOUNCE DEBUT LP, SHARE NEW SINGLE

WATCH / SHARE “SO EXCITED” HERE
BUY / STREAM “SO EXCITED” HERE

DEEP IN VIEW OUT MAY 20, 2022 VIA NEXT DOOR RECORDS

"A gorgeously obsessive guitar groove...'Blank Curtain' is more than just a beautiful tune — it’s a graceful way to mark the transition from one stage of life to the next." - Rolling Stone

“'Blank Curtain,' a song that seemingly alludes to the myriad of possibilities the band now faces, stacked with oblique imagery and tethered to a driving groove." - FADER

"A hypnotic debut outing, leveraging minimalist instrumentation into propulsive, droning post-punk." - Paste

Photo Credit: OK Pedersen: // DOWNLOAD HIGH-RES

In November, the Montreal band Ought announced their break up after three critically-acclaimed albums and 9 years together. This news came with a silver-lining though, as Ought members Tim Darcy and Ben Stidworthy simultaneously announced a new project with U.S. Girls/The Weather Station drummer Evan Cartwright called Cola. This coincided with the announcement of the new band's signing to Next Door Records and the release of their debut single "Blank Curtain" which generated immediate excitement, earning praise from outlets like Pitchfork, NPR, FADER, Stereogum, Uproxx, Paste, BrooklynVegan, Consequence, Clash, NME and Rolling Stone who described their sound as being "like a streamlined version of Ought" and highlighted the track's "gorgeously obsessive guitar groove."

Today, Cola are back to announce their debut LP Deep In View, which will be released via Next Door Records on May 20, 2022 and share its first single "So Excited". Built around Stidworthy's agile bass playing and Cartwright's insistent shuffle, "So Excited" conjures a sense of constant motion from minimal building blocks. Meditative but dynamically structured, it was the song around which the beginnings of this new project initially coalesced, as Darcy explains:

"We would talk about this track as the ‘capstone’ of the Cola record. It was that song that we would warm up with and get tight on since it was one of the first to really come together, plus it’s fun to play. There are Cola songs of mine that predate this one but this was the one I was working on when Ben told me he was going to come back from grad school and we talked about jamming together. It clicked when we played it out with Evan and from there we decided to work on songs for a new project.

The first song Tim showed me, I had this special bassline which I had been playing at Ought soundchecks and was saving for the right moment," Stidworthy adds. "It fit perfectly in the first phrase of the chorus and felt like it was a sign."

WATCH / SHARE “SO EXCITED” HERE
BUY / STREAM “SO EXCITED” HERE

MORE ABOUT DEEP IN VIEW
Deep In View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date.

“I love when I find a record that has many different angles from which it can be approached,” Darcy explains. The band’s affinity for polysemy is first-and-foremost a chord struck in the name Cola, which most obviously is the fizzy beverage that Darcy deadpans is ”bound by laws older than man to poison most ordinary life on earth” in closing track “Landers”, but also can be traced back to a term in poetics as well as an acronym about social security that refers to “Cost of Living Adjustment”. Cola is also about drinking in the endless crispness of a streamlined (and streamed) world, and the often unsettling sense of satisfaction and emptiness that subsequently sets in. Fundamentally, this record is about passion and what happens to a person when they find themselves increasingly encountering a passionless landscape of consumption. This peeling back of layers is integral to both Cola’s mindset as well as their worldview, which despite a claustrophobic time in the making sees them joyfully exploring new realms as musicians.

Cola started collaborating in fall 2019 when Darcy and Stidworthy, both formerly of Ought, reached out to their friend Cartwright, who they had frequently met on the road while he was drumming with various other projects. “It wasn’t the post-Ought band right off the bat,” Darcy says, “we really just took time to enjoy the process of collaborating and writing songs together.” The band’s organic chemistry solidified quickly after a few sessions of jamming in-person.  Then, as the pandemic began, they were forced to decamp and write songs separately. Working in solitude ended up becoming a “defining color as well as a barrier” to the album, says Darcy. He notes that he wrote the lyrics to “Fulton Park” as a “dream landscape”, a sort of alternative to the frustration and depression he was experiencing at the time.

LISTEN AND SHARE “BLANK CURTAIN” HERE
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The imposed isolation of writing at home led Stidworthy (who helped compose the album’s guitar parts and plays the piano on “Landers”) to “create little worlds with the songs”. The keen brushstrokes of all three members combined feels languidly tactile, replete with profound meaning that is almost archeological in its sense of economy and personal touch. This sense of relaxed exploration could only occur because of the mutual trust between the trio: Stidworthy adds, “I could go really far in cultivating a mood for a demo and send it to them and know that it could only improve.” Meanwhile, Cartwright (who also plays guitar on the project and coded Supercollider synth parts in the studio), found that he was subliminally incorporating drum ideas and patterns from when he first started playing as a teen, embedded deep in his muscle memory.

The resulting record delights in its aversion to superficiality. Although Darcy’s characteristically wry voice remains front-and-center, shifting from decisive to distressed and detached, his lyrical invocations remain only the first key to a much more intricate universe of sound and longing. Individual tracks often feel like small revelations, and each element contributes to a streamlined and yet poetically expansive set of meanings, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. Much greater than the sum of its parts, Deep In View is an album of artful and energetic post-punk that sparks novel interpretations with every listen, like an object that takes on new shape with each angle from which you hold it.

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DEEP IN VIEW TRACKLIST
1. Blank Curtain
2. So Excited
3. At Pace
4. Met Resistance
5. Degree
6. Water Table
7. Gossamer
8. Mint
9. Fulton Park
10. Landers

TOUR DATES
03.12 - Chicago, IL @ Sleeping Village
06.20 - Winooski, VT @ Monkey House
06.21 - Boston, MA @ Sonia's
06.22 - Kingston, NY @ Tubby's
06.23 - Brooklyn, NY @ Baby's All Right
06.24 - Philadelphia, PA @ Kung Fu Necktie
06.25 - Washington, DC @ DC9
06.27 - Raleigh, NC @ Cat's Cradle (Back Room)
06.28 - Atlanta, GA @ The Earl
06.29 - Nashville, TN @ DRKMTTR
07.01 - Dallas, TX @ Ruins
07.02 - Austin, TX @ The Parish
07.05 - Phoenix, AZ @ The Rebel Lounge
07.06 - San Diego, CA @ Soda Bar
07.07 - Los Angeles, CA @ The Echo
07.08 - San Francisco, CA @ Rickshaw Stop
07.10 - Portland, OR @ Mississippi Studios
07.11 - Vancouver, BC @ The Biltmore 
07.12 - Seattle, WA @ Tractor Tavern
07.14 - Boise, ID @ Neurolux
07.16 - Denver, CO @ Hi-Dive
07.18 - Omaha, NE @ Slowdown
07.19 - Minneapolis, MN @ 7th St. Entry
07.20 - Milwaukee, WI @ Cactus Club
07.21 - Chicago, IL @ Sleeping Village
07.22 - Detroit, MI @ Magic Bag
8.20 - Crickhowell, UK @ Green Man Festival
8.23 - Brighton, UK @ Prince Albert
8.24 - London, UK @ Moth Club 
8.25 - Birmingham, UK @ Hare & Hounds
8.26 - Bristol, UK @ Rough Trade Bristol
8.27 - Birkenhead, UK @ Future Yard
8.28 - Leeds, UK @ Brudenell Social Club
8.30 - Edinburgh, UK @ Sneaky Pete's
8.31 - Glasgow, UK @ Broadcast
9.1 - Newcastle UK @ The Cluny 2
9.2 - Nottingham, UK @ Rough Trade
9.3 - Manchester, UK @ Manchester Psych Fest (Yes)
9.4 - Salisbury, UK @ End of the Road Festival

COLA ONLINE
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RUBY SINGH’S VOX.INFOLD OUT TODAY, SHARES NEW VR DANCE VIDEO

WATCH / SHARE “CODES OF THE FALLEN | C.O.D.” HERE

VOX.INFOLD, AVAILABLE EVERYWHERE TODAY

BUY / STREAM VOX.INFOLD HERE

“Mesmerizing, vibrant…Singh isn’t just crossing genres, he’s straddling astral planes….Vox.Infold is an immersive experience of looped beats, breathing and vocals that deserve placement on a Dune soundtrack.” - Globe and Mail

"Ruby Singh keeps on dropping dynamic sonic experiments. The cross-cultural a cappella project brings together vocalists from Indigenous, Inuit, Black and South Asian backgrounds to unite myriad musical traditions in new and unique ways." The Vancouver Sun

“Lush polyphonic worlds…atmospheric, haunting, ethereal” - Stir Vancouver

“Truly immersive, exciting experience…wildly experimental..fresh and vital.” - The Manitoban

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Vox.Infold, the new album from Ruby Singh, is an a cappella offering, composed and (remarkably) recorded at a time when singing together was something that could kill us. Against the backdrop of the Covid-19 pandemic and amidst potent social unrest, this powerhouse vocal ensemble of Indigenous, Inuit, Black, and South Asian voices, reimagined how to sing together. The resulting work is so much more than a convergence of diverse vocal traditions but a complex rendering of what’s possible when we can hold each other's humanity. The album dives into a full bodied, resonant and sensuous expression housed in polyrhythm, lush harmonies, mimicry, and polyphonic poetry.

To celebrate today’s release of Vox.Infold, Singh is sharing the new video for “Codes Of The Fallen | S.O.S.”, a song which leans into “the grief we’ve all been feeling through the Covid 19 pandemic - grief for the loved ones we’ve lost, the ones we miss, the disconnected lives we’ve lived,” says Singh. “Sorrow drenched melodies rise from the opening of the song, collecting voices that carry our individual and collective sorrow (you can hear a haunting “help me” coming from the edges of the chorus). Injustices perpetrated on Black and Indigenous kin, the climate crisis ravaging our planet, the opioid epidemic laying siege to the most vulnerable and ongoing economic inequities entwine together to inform the symphonic, wailing crescendo. As the song builds, embracing the pains of this world, it offers the saltwater tears of our ancestors. Gently, gently we remember to breathe. Respite. It’s important to lean into grief and pain - it gives us the opportunity to expand our humanity, our empathy and our understanding. ‘Codes Of The Fallen | S.O.S.’ is an urgent call to expand into possibility, stretching us to reach for a just world.”

The song’s VR Dance video features new media/dance artists Sammy Chien and Caroline MacCaull of Chimerik 似不像 and is accompanied by a binaural spatialized version of the song. Shot in both the beautiful west coast of Turtle Island on Galiano Island and the ancient temples in Siem Reap, Cambodia. Chimerik 似不像 integrates their dance project We Were One, investigating the invisible interconnectivity between our souls and beyond what seems to be tangible in this physical reality. In this dark time may light shine the brightest, as an ongoing human experience of suffering and grief that reminds us to cherish true joy, love and kindness, these are some of the greatest powers within us.”

WATCH / SHARE “CODES OF THE FALLEN | C.O.D.” HERE


MORE ABOUT VOX.INFOLD
The resulting sonic landscape encompasses a non-linear journey in which we may find and care for each other. Evoking loneliness, joy, the mysterious and supernatural, Vox.Infold brings together musical luminaries, Dawn Pemberton, Inuksuk Mackay and Tiffany Ayalik of PIQSIQ, Russell Wallace, Tiffany Moses, Shamik Bilgi and Ruby Singh. They remind us that the human voice is an adaptation of the metabolic activity most crucial to our existence – breathing. This is how the atmosphere enters our beings and how we know we are intimately connected to our world. 

WATCH AND SHARE “NAKSHATRA” HERE



“Not only the pandemic but the severe racial inequities faced by the Black community and the genocidal origins of Canada were really coming to light in the mainstream media and that takes a real toll on those racialized communities,” says Singh. “I wanted to see what it might mean to make music outside of the lens and influence of white supremacy and capitalism. This work is really a testament to how these incredible artists came together to lift each other's spirits in these challenging times.” Brewed in uncertainty this crew held steadfast to their callings, protected by shields and masks, distanced over 20ft, armed with microphones, loopstations and studio space at the Western Front in Vancouver to create a complex, potent and innovative album. The album was recorded and mixed by John Raham at AfterLife Studios on the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səl̓ílwətaʔɬ/Selilwitulh Nations.

Ruby Singh’s Vox.infold album will be pre-released in traditional stereo and in a special binaural mix on Bandcamp on January 31, 2022 and will be released on all major DSPs on February, 18, 2022. You can hear it presented at the PUSH festival in Vancouver BC running from January 20-30, 2022 at the groundbreaking LOBE spatial sound studios. An array of speakers run across the ceiling and under the floor in conjunction with custom-designed vibroacoustic floor panels, entirely surrounding the listener in an immersive and haptic listening experience. Using 4D sound technology, their voices ebb and flow, forming sonic environments holographically and without perceivable sources. LOBE studios is one of three of its kind on the planet and the only one in North America. 

WATCH / SHARE “HORIZON” 
FEAT. PIQSIQ, TIFFANY MOSES, DAWN PEMBERTON, RUSSELL WALLACE

Ruby Singh is a multi award winning composer and producer that has been a longtime beloved member of the Vancouver artistic community. His creativity crosses the boundaries of music, poetry, photography and film, engaging with mythos, memory, justice and fantasy. Singh is an artist whose work is informed by sound found all around us, from the whirling planets and stars of distant galaxies to percussion of an umbrella under coastal rains, to the perpetual moving birdsong of the never ending dawn chorus, constantly circling the globe. The richly imaginative visual textures to his sound design have found kinship in the theatre, film and dance worlds, where he has been celebrated by multiple Jessie and Leo Award nominations. He believes in art’s ability to reimagine futures, to repurpose aesthetic freedoms toward civil and environmental justice. His distinct approach uses traditional and emergent sonic practices to create compositions that express the vast spectrum of the human experience. Singh’s artistic impulses gravitates in many directions, his previous works range from the ambient audio-visual worlds of the Polyphonic Garden to Jhalaak, a Sufi hip-hop album made alongside Manganiyar musicians recorded in the clay huts of the Thar desert in Rajasthan India, reinterpreting 13th century Sufi poetry.

BUY / STREAM VOX.INFOLD HERE

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VOX.INFOLD TRACKLIST
01 Hyphae
02 Horizon
03 Soar Sore
04 Nakshatra
05 Rhizome
06 Codes Of The Fallen | S.O.S.
07 Corv.us
08 Shapeshift
09 Plica
10 Allium Redux
11 Moon Of Open Hands

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KATIE TUPPER’S DEBUT EP OUT TODAY, SHARES NEW SINGLE "MISBEHAVIN'”

WATCH / SHARE “MISBEHAVIN’” HERE

BUY / STREAM TOWARDS THE END HERE

“Saskatchewan's Katie Tupper makes the kind of soul-stained folk that feels instantly familiar, but it's her complex writing — vividly capturing the sights and smells of her home province, like the "fields of butter" on "How Can I Get Your Love?" — that makes her debut EP so anticipated, further calcifying the singer/songwriter's distinct and subtle touch.“ Exclaim!

“Tupper's smooth, neo-soul delivery is paired with a minimalist sound, often letting her honest songwriting shine in the forefront; definitely recommended for fans of Charlotte Day Wilson or Loony. .Her music helps us challenge the way we look back at events or people in our lives, always in search of ways to move forward with a set path and a clearer mind.” CBC Music

"[Katie Tupper] strikes a narrow balance between the vivid romanticism of soul and the hushed confessions of a folk singer/songwriter." - Under The Radar Magazine

"Katie Tupper pairs hard truths with soft sounds." - FLOOD Magazine

Photo Credit: Thomas Van Der Zaag
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Beneath the painted hues and infinite prairie skies of Saskatoon – a city in the heart of Canada – lies a soulful, creative spirit that proves there’s much more to the so-called ‘fly-over states’ than grassland and grain silos. Katie Tupper, a 23-year old neo-soul musician, embodies that spirit and is determined to show there’s an entire world of boundary-pushing, genre-defying artists at work within the often overlooked region. Central to that mission is her new EP Towards The End – a sultry, glittering debut that showcases Tupper’s mastery as a musician, writer and producer. 

Towards The End, co-produced by Connor Seidel (Charlotte Cardin, Matt Holubowski), is an ode to love, identity and the inextricable ways the two entwine. “It’s about navigating young love. About how we adapt and change with new people,” Tupper says.

The latest single, out today, is the self-assured “Misbehavin’”, with Tupper finally having arrived at a place in which she feels in control. It’s a song of many colors, with luling strings and playful horns scoring her call to arms. She’s taking the wheel, letting a lover know just what it is she needs, and that if they can’t provide it, she’ll be just fine without them. “Maybe you could be there for me, give me what I never thought I’d want from you,” she considers, but above all, she knows one simple truth: “I won’t miss misbehavin’.” Take it or leave it, Katie Tupper is laying it all out on the floor both with this track and her new collection of songs overall. Even in a quick burst that hardly passes a quarter of an hour, she takes the listener on an emotional journey that comes full circle.

"'Misbehavin’ is a song I wrote for my partner," Tupper shares. "I realized when we first started dating that I had a lot of bad habits that I had built with previous partners and I was ready to break them for him. This song is super special to me because I think sonically it's the closest to myself I’ve ever felt in a song. Connor Seidel and I spent a really long time perfecting the sound of this song and placing everything intentionally. I also love all the live horns that we got to have in this song - it felt luxurious to have a real musician play horns but it really does add so much to the song."

WATCH / SHARE “MISBEHAVIN’” HERE
BUY / STREAM TOWARDS THE END HERE

MORE ABOUT TOWARDS THE END
Towards The End opener “Live Inside” starts with a drum kick, quickly joined by distant, emotive guitar and Tupper’s own omnipresent voice. An anthem for the COVID era, she sings, ‘Now that I live inside / I think I can have some peace of mind’. There’s a truth to it, both saddening and freeing: we’re more isolated than at any time in our lives, but have more time than ever before for self-reflection and realization. Refusing to be boxed into an anxious corner, Tupper instead opts for the wisdom and self-reliance she’s discovered from spending so much time in her own company.

“Danny” rapidly pulls in another direction, finding Tupper lost in her thoughts over a lover that should have been more than they were. With delicately tapping percussion and her own soothing backing harmonies, the song lures you into a world of regret and longing. She knows she’s left behind someone that simply needed leaving, but it doesn’t make the healing any easier. It coaxes you into a sense of security with its layered vocals and twinkling keys, only to yank that very shield away in the face of her direct, even frightened lyrics: ‘what’s the worst some words can do to me now?’ The potential power of the words is consciously undermined by Tupper’s own inner-battle. The worst that can be done, she’s doing to herself, and it’s a feeling anyone who’s suffered the end of a love that they thought was “it” can immediately understand.

WATCH / SHARE “DANNY” HERE

Rolling off that very idea is “How Can Get I Your Love?”. With slow, serene strumming, more than any track on Towards The End, it calls towards the plains of her home. “I grew up in fields of butter,” she sings, but the dominant theme here is grasping and scrambling back towards a love long gone, albeit one she simply can’t accept has passed. If they were the one, how could they leave her, after all? “I know you got another lover, but being honest that don’t matter”, she utters in a bruised tone: words relatable to anyone who still sees themselves as the primary aspect of another’s life, in spite of all facts to the contrary. Sometimes, there’s simply no letting go, and “How Can I Get Your Love?” encapsulates that very feeling.

WATCH / SHARE "HOW CAN I GET YOUR LOVE?" HERE

 “Cost Of Loving You” is equally wistful, albeit towards an entirely different destination. With delicate strings and gentle percussion, it unfurls into a tapestry of acceptance and regret intertwined. For anyone who’s invested time - time after time - into a relationship that ultimately went nowhere, there’s some serious acceptance that must be done. There are days, months, even years of hurt, but one has to arrive at a pragmatic place: it just is what is. “Cost of Loving You” is the anthem for just such a moment of conclusive acceptance.

BUY / STREAM TOWARDS THE END HERE

MORE PRAISE FOR KATIE TUPPER

"Her ethereal sound and husky vocals are phenomenal." - EQUATE

"Drenched in guitar plucks and elegant melody lines." - Earmilk

"Katie Tupper sounds like Canadian meadows and memories of old love." - Fizzy Mag


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TOWARDS THE END TRACKLIST
01 Live Inside
02 Danny
03 How Can I Get Your Love?
04 Cost Of Loving You
05 Misbehavin'

KATIE TUPPER ONLINE
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