JORDAN KLASSEN’S NEW LP, OUT TODAY, SHARES NEW VIDEO

WATCH / SHARE “LOTUSLAND” HERE

GLOSSOLALIA OUT TODAY

BUY / STREAM GLOSSOLALIA HERE

“quietly contemplative meditations on finding your place in the world” - Exclaim!

“Insightful and vulnerable in equal measure” - The Line Of Best Fit

Photo Credit : Rachel Pick // DOWNLOAD HIGH-RES

Today, Jordan Klassen’s new LP Glossolalia finds its way to streaming platforms everywhere. The LP sees the internationally renowned songwriter reimagining himself as a lyrical poet, as much as a musician. Throughout the record’s ten tracks, Klassen evokes early modern American poets such as T.S. Eliot and Robert Frost. The songs’ lyrics are thoughtful and intelligent, beautifully set against rich harmonies and melodic ballads. 

To celebrate the release, he’s releasing the new video for “Lotusland", directed by Brendan Taylor and filmed in Vancouver. “I’ve always loved songs like ‘One Great City’ by The Weakerthans. Honest odes to a hometown. ‘Lotusland’ is my ode to Vancouver and the spirit of the city among myself and my peers - captivated by the beauty of the place but so disheartened by how desperately it seems to try to push you away."

WATCH / SHARE “LOTUSLAND” HERE

BUY / STREAM GLOSSOLALIA HERE

MORE ABOUT GLOSSOLALIA

Glossolalia is classic and essential Jordan Klassen: ethereal, dreamy, mystical, and reminiscent of times gone by and the folk singers of yore. This album is a lyrical essay, with each song like a chapter in a personal journal. ‘Glossolalia’ itself is the phenomenon of (apparently) speaking in an unknown language, more commonly called ‘speaking in tongues’. 

The album is almost elegiac, with its pervasive sense of something that has been lost to the past. Perhaps it was inevitable that Klassen would produce this record now, reflecting on the promise we have all felt of something better just on the horizon, that has since been erased by life in a pandemic that has entered its third year. In Klassen’s own words on this record, “Everything is about longing - longing for change but trying to be realistic about change as well.” 

The album’s lead single, “Milk And Honey”, hones in on this pining for nostalgia. It is a modern folk composition that explores the gap between the shadow and the light side of waiting. About this song, Klassen notes, “It is a strange thing to live in a time when everyone is looking ahead for things to return to normal, and wondering if you are failing or succeeding in that process. We want Utopia but forget that it is in the cracks and gaps that we often are transformed.” 

WATCH / SHARE “MILK AND HONEY” HERE

Rather than becoming paralyzed by our desire for perfection, “Carried Away” is an exploration of what it’s like to jump into something with abandon, whether that takes one down dark pathways of the mind into mental illness and addiction, or being swept up by something that is good and right, like a greater cause, or falling in love. Either way, in retrospect we say that we “lost ourselves for a moment”, as we surrendered to forces too powerful to be contained. 

WATCH / SHARE “CARRIED AWAY” LYRIC VIDEO

Record opener “Lotusland” is an ode to Klassen’s hometown of Vancouver, but specifically, the Vancouver of yesteryears, before the city grew to become an overinflated and vastly different landscape of what it used to be; a former shell of itself, where the weight of the cost of living seemingly crushes its oldest inhabitants. As friends move away, the singer asks the city to convince him to stay, and laments what ‘West Coast living’ could have meant. Similarly, Klassen stays in that uncomfortable place of yearning in “Hard On Myself”. The song deals with the choice to take the road through life that represents the “third way”, in a world that is polarized and binary. This is a conscious movement away from religious rigidity, absolute certainty, and toxic black and white thinking. But the other road, “the road less traveled”, to quote Robert Frost, is one of strangeness and deconstruction, and there is a sadness in this choice as well. In a contemporary take on a poetic classic, Klassen sings: “There are two roads where I’m standing, and each one has called itself good. But there’s light in the sky and I’ve got some supplies; I just might make my way through the woods.” Frost ruminated, “Two roads diverged in a wood, and I - I took the one less traveled by, And that has made all the difference.” 

WATCH / SHARE “ASH WEDNESDAY” HERE

The back half of Glossolalia flips from an observational standpoint, to a more personal, introspective one. “Brothers In Arms” is a personal reflection on the need for reconciliation, with painful rifts in society and within families and friends’ groups, heightened by vaccine anxiety, isolation, restrictions, quarantine, and lockdowns. We are reminded that we are still “Living our days as brothers in arms”, regardless of what goes on around us in a pandemic world. It is a mature, reserved commentary from Klassen that none of us has the residue of innocence anymore: “Oh you aren’t some little boy who needs the world explained”. “Pangea” draws parallels between Klassen’s personal love of history and a past when the world was truly one in a great continental mass. The artist, who can be seen as a kind of Renaissance man himself, takes up the defense of great movements and thoughts of the past, and declares, “I’m caught up in stories from before”.

LISTEN / SHARE “NIKO” HERE

In another spin on heartfelt beliefs, Glossolalia takes a satirical look at the conspiracy thinkers, who have certainly experienced a resurgence in numbers since the pandemic began, with the track “Niko”. What do we do when someone we know has bought into the hype that “the taller tales are proof”? He begs the imaginary ‘Niko’ not to “go down this dark road”, perhaps knowing that individual’s tendency to get “carried away” by such things. 

The celebrated American poet Robert Frost said that retreating into the realm of a poem, whether as a writer or as a reader, begins with a kind of “homesickness”. It is longing for the place where you know who you are at your core. Glossolalia explores what is found at the core of each of us when we find ourselves estranged and disoriented in society.

BUY / STREAM GLOSSOLALIA HERE

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GLOSSOLALIA TRACKLIST
1. Lotusland
2. Milk and Honey
3. Hard On Myself
4. Carried Away
5. Good Intentions
6. Brothers In Arms
7. Pangea
8. Ash Wednesday
9. Niko
10. Sleeper In The Cabin

 JORDAN KLASSEN ONLINE
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OMBIIGIZI ANNOUNCES CANADIAN TOUR DATES, SHARES NEW LIVE VIDEO

COLLABORATION BY ZOON AND STATUS/NON-STATUS OUT NOW ON ARTS & CRAFTS

LIVE PERFORMANCES BEGIN APRIL 20 THROUGHOUT ONTARIO AND ALBERTA

WATCH / SHARE “OGIIN” LIVE PERFORMANCE VIDEO

BUY / STREAM SEWN BACK TOGETHER HERE

"With all these styles woven together as part of an essential and ongoing social conversation, Sewn Back Together is ultimately a work of healing. With introspective, emotional resonance and formidable guitar tones, OMBIIGIZI's noise cuts through the static, loud and proud” -  Exclaim! 

“Indigenous futurism through a heavy psychedelic folk lens” NOW

"Together, Monkman and Sturgeon show new plaintive depths to their writing, crafting a tribute to the joys and innocence of childhood." - Under The Radar

"Ombiigizi’s debut, Sewn Back Together, flows like a river, finding a path forward against all obstacles" - Dominionated

“Anishinaabe songwriters Adam Sturgeon and Daniel Monkman measure the weight of the world on Sewn Back Together.” RANGE

“subtly psychedelic and strikingly pretty …noise as catharsis, care, the sound of people coming together” Maisonneuve

Hazy electronic soundscapes, gentle guitar strumming and stirring vocal harmonies.” NEXT 

OMBIIGIZI, (pronounced om-BEE-ga-ZAY, meaning s/he is noisy) continues to celebrate the release of their debut album, Sewn Back Together, with the announcement of their first ever tour dates. The first live performance will take place at Massey Hall on April 20 with label mates Broken Social Scene while the tour commences on June 2 in Ottawa and includes stops in Toronto, Hamilton, London, Edmonton, Calgary’s Sled Island Festival and Toronto’s Field Trip Festival. All dates and ticket links can be found HERE and are listed below. 

OMBIIGIZI is also sharing the new live video for album track “Ogiin.” For so many Indigenous cultures the Mother is who holds the fort, provides love and ultimate care. For both OMBIIGIZI’s Daniel Monkman and his father, they were at times removed from their Mother’s arms. This story is a reconciliation of their collective experiences of being denied that nurturance due to the residential school system.

A collaboration between Zoon (Daniel Monkman) and Status/Non-Status (Adam Sturgeon), OMBIIGIZI are Anishnaabe artists who explore their cultural histories through sound. An amalgam of their unique Indigenous heritages and personal musical architectures, Daniel and Adam imbue their lyrics with their families' storytelling, revealing truths and finding common ground amidst their differences. The debut album Sewn Back Together is a fusion of individuality – a reflection on Adam and Daniel's commitment to each other as collaborators and distinct members of their community.

WATCH / SHARE “SPIRIT IN ME” HERE

Putting aside the tonal nuances of their previous work as Zoon and Status/Non-Status (formerly known as WHOOP-Szo), OMBIIGIZI strips back the waves of distortion to reveal themselves, their voices, writing and improvising for the sake of the song. The family on Sewn Back Together includes the production duo of Kevin Drew of Broken Social Scene and Nyles Spencer of The Bathouse Studio. Recorded there in fast and intentional sessions during the summer of 2021, Drew and Spencer – along with musicians Eric Lourenço and Drew McLeod from Status/Non-Status and Zoon, respectively – helped steer this collision of divergent artists into some glorious sonic territory steeped in shoegaze, dream pop, anthemic rock, Chicago post-rock, and 2nd wave emo. While not always getting to play and perform alongside other members of their community, OMBIIGIZI is a coming together – with Sewn Back Together, a resounding statement shaped by healing and the guidance of culture.

WATCH / SHARE "CHERRY COKE" HERE

WATCH / SHARE "RESIDENTIAL MILITARY” HERE

ESSAY BY WAUBGESHIG RICE:

The Anishinaabe revival is accelerating. Our artists are becoming more resurgent in all realms: telling the stories, singing the songs, and creating the imagery to further solidify our everlasting presence on this land. The soundtrack to this movement is diverse profound, and beautiful. The Anishinaabe sonic revolution is richly layered and wide-reaching, inspiring and influencing all generations to gather, sing, and speak, as we’ve always done. And at the core of this renewal are artists like OMBIIGIZI.

Adam Sturgeon and Daniel Monkman have come together in the spirit of making noise in a good way for our people. They have documented this moment in time while paying homage to the ancestors who kept our language and stories alive. There is a deep respect and love embedded in these songs for Anishinaabe sounds and voices. These songs proudly tell family and community stories, and they exquisitely conjure a hopeful future that will result from our current collective efforts to share our realities with each other and the world.

 Sewn Back Together is a passionate journey. It meanders like a nurturing stream, weaving in and out of the tangible and spiritual worlds, as all time-honoured Anishinaabe stories and songs have done. It harkens back to ancient melodies and rhythms while using modern tools and instruments to centre us in our identities as the original storytellers of this land. It is essential listening as we forge our future and reclaim and revive who we are.

OMBIIGIZI LIVE DATES
April 20 - Massey Hall, Toronto ON, supporting Broken Social Scene | TICKETS
June 02 - Club Saw, Ottawa ON | TICKETS
June 03 - The Garrison, Toronto, ON | TICKETS
June 05 - Bridgeworks, Hamilton, ON | TICKETS
June 17 - Social Bowl, London, ON | TICKETS
June 22 - Aviary, Edmonton, AB | TICKETS
June 23-26 - Sled Island, Calgary AB | TICKETS
July 09 - Field Trip, Toronto, ON | TICKETS

 Photo Credit : Rima Sater // DOWNLOAD HIGH-RES

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JESSE NORTHEY SHARES NEW SINGLE / VIDEO, “SOUL SEEKER”

Photo Credit : Heather Saitz // DOWNLOAD HIGH-RES

There’s no smoke and mirrors when it comes to Jesse Northey’s music; the goal is to explode the artifice of masculinity, norms, and ambition. Today, he shares his first single of 2022, “Soul Seeker”. Produced by Thomas D’Arcy (The Sheepdogs, NOBRO, Yukon Blonde) at Taurus Studios, D’Arcy infuses Northey’s sensitive indie rock with vintage analog warmth and alt-rock swagger. 

“Soul Seeker” is a track about “living for the chase in the name of trying to experience more, and actually missing the point because you couldn't see the big picture or were having too much fun to notice any sort of damage you were causing,” says Northey. “It's a shift towards more awareness, less destruction, and the root causes of joy.”

The single arrives with a video from director J.S. de Courcy who says about the visual, "nobody steals boats anymore, especially ones without motors. This is maritime counterpoint; three movements of passion with a finale of love."

WATCH / SHARE “SOUL SEEKER” HERE
BUY / STREAM “SOUL SEEKER” HERE

“Soul Seeker” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT JESSE NORTHEY
Northey has a varied career as a recording engineer, producer, musician and artist manager. As frontman for Jesse and the Dandelions, Northey has opened for Hollerado, Said the Whale, and July Talk

Now living in Toronto, he is President and co-owner of the independent record label Victory Pool, and manages Witch Prophet, The Deep Dark Woods, Marlaena Moore, Ghost Woman, and Ombiigizi among others. Signed by High Priestess Publishing in 2021, he composes for film, television, games and ads from his home studio. In 2021 Jesse’s song “Hope Floats” was placed in an Amazon documentary of Pete Buttigieig former Indiana Mayor turned presidential candidate.  

JESSE NORTHEY ONLINE
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