STATUS / NON-STATUS SHARE VIDEO FOR “MAINLY CROWS”, ANNOUNCE CANADIAN TOUR DATES

POLARIS MUSIC PRIZE SHORT-LISTED ARTIST, ADAM STURGEON (OF OMBIIGIZI), RETURNS WITH STATUS / NON-STATUS’ NEW LP, SURELY TRAVEL, OUT SEPTEMBER 23, 2022

WATCH / SHARE “MAINLY CROWS” HERE
BUY / STREAM “MAINLY CROWS” HERE

PRE-ORDER / PRE-SAVE SURELY TRAVEL VINYL / BANDCAMP

Photo Credit : Matthew Wiewel // DOWNLOAD HIGH-RES

Recently, Status / Non-Status shared the first single, “Mashkiki Sunset”, off their upcoming LP, Surely Travel, due out September 23, 2022. Today, the Polaris Music Prize long-listed band returns with “Mainly Crows”, an “observation on community,” says Adam Sturgeon. “Of how flashy lights and opportunities flush vibrant people from their humble homes. It’s about the death of the small town and the call to join the city mass. More than that, it is a tribute to friends and about travelling between worlds to see them along the way. It’s a song about how sorely they are missed and how we can’t really blame them for moving away.”

WATCH / SHARE “MAINLY CROWS” HERE
BUY / STREAM “MAINLY CROWS” HERE

MORE ABOUT SURELY TRAVEL
What’s revealed when you archive the quiet moments during time spent on the road? For Adam Sturgeon, the result is a crystalline glimpse into the unseen — and gratifying — moments of personal renovation we rarely pay attention to; where a blown out tire incites calm rather than rage, and moments of frustration invite grace instead of judgement. This is the vantage of Surely Travel, the newest album by Status/Non-Status, the evolving musical project of the Anishinaabe artist and community worker, and a close-knit group of collaborators. 

While Status / Non-Status’ previous album Warrior Down was long-listed for the Polaris Music Prize and was shortlisted for the 2022 SOCAN Songwriter Prize for album track “Find A Home”, recently, Sturgeon joined Zoon’s Daniel Monkman to form OMBIIGIZI whose debut album, Sewn Together, was shortlisted for the 2022 Polaris Music Prize.

Exploring their expansive, sky-sweeping folk rock from a fresh angle, Status/Non-Status drive head-on into a natural complement to the earth-shaking sonic landscapes they’re known for. A loose concept album written as a travel log of animals in flight, the record brims with open air reflections, while gazing out of a blurry window and acknowledging what it can’t see clearly. Blending the melted psychedelic gauze of distorted Americana, with thundering flashes of post rock, Sturgeon implements softness generously. At the core, remembering that lyrics that break through universally sing with clarity about experiences that “chop at the knees.” 

WATCH / SHARE “MASHKIKI SUNSET” HERE
BUY / STREAM “MASHKIKI SUNSET” HERE

Recorded over 10 days at Deadpan Studios in Sudbury, the goal was to chisel things down down to the bone. Where past records built atmosphere out of heavy swaths of sound, overlaid with harmonies, the band opted for a single vocal take, a Wurlitzer, and ran a $100 classical guitar through an amp. Written in the company of others, whether from the back of a van, or with a baby on the other side of the door, Sturgeon wrote sections of the record in near silence — whispered lyrics and muted bass riffs that started as lullabies, only to be blown out later. It interlaces the album’s material composition with its central inspiration: the allure of touring from coast to coast, and the reality of over-indexing on time spent in an unreliable, stuffy van; the wrenching sacrifice of time away from loved ones, in favour of only seeing a gas station and vacant roads for hours on end. 

Where the acclaimed Warrior Down (2019), and its celebrated follow-up the 1,2,3,4,500 Years EP (2020) required a mighty sonic landscape to fit its lofty reckonings of nationhood, trauma and familial memory, Surely Travel tightens its scope, but not its ambition. Instead, peering inward to examine the self within its surroundings, and to underscore identity and indigeneity from the smallest spaces or ordinary experiences. Conjuring the awe of sunshowers through the rearview mirror, Surely Travel intentionally doesn’t over-promise optimism, but rather celebrates the small wins of a human-sized approach to resilience and healing.

PRE-ORDER / PRE-SAVE SURELY TRAVEL VINYL / BANDCAMP

UPCOMING TOUR DATES
Sep 23 - London, ON - Palasad Social Bowl
Sep 24 - Windsor, ON - Meteor
Sep 30 - Montreal, QC - Pop Montreal
Oct 6 - Brantford, ON - 
Oct 8 - Toronto, ON -  Horseshoe Tavern
Oct 13-16 - Folk Music Ontario Conference 


DOWNLOAD HIGH-RES
SURELY TRAVEL TRACKLIST
01 Blown Tire
02 Has It Been So Long
03 Mashkiki Sunset
04 Mainly Crows
05 Bineshiinh
06 Travelogue
07 When They Were
08 What Am I To Do
09 North Adelaide
10 Surely Travel

STATUS/NON-STATUS ONLINE
WEBSITE
TWITTER
FACEBOOK
INSTAGRAM

STATUS / NON-STATUS RETURN WITH NEW LP, FIRST SINGLE

POLARIS MUSIC PRIZE SHORT-LISTED ARTIST, ADAM STURGEON (OF OMBIIGIZI), RETURNS WITH STATUS / NON-STATUS’ NEW LP, SURELY TRAVEL, OUT SEPTEMBER 23, 2022

WATCH / SHARE “MASHKIKI SUNSET” HERE

BUY / STREAM “MASHKIKI SUNSET” HERE

PRE-ORDER / PRE-SAVE SURELY TRAVEL VINYL / BANDCAMP

Photo Credit : Matthew Wiewel // DOWNLOAD HIGH-RES

What’s revealed when you archive the quiet moments during time spent on the road? For Adam Sturgeon, the result is a crystalline glimpse into the unseen — and gratifying — moments of personal renovation we rarely pay attention to; where a blown out tire incites calm rather than rage, and moments of frustration invite grace instead of judgement. This is the vantage of Surely Travel, the newest album by Status/Non-Status, the evolving musical project of the Anishinaabe artist and community worker, and a close-knit group of collaborators. 

While Status / Non-Status’ previous album Warrior Down was long-listed for the Polaris Music Prize and was shortlisted for the 2022 SOCAN Songwriter Prize for album track “Find A Home”, recently, Sturgeon joined Zoon’s Daniel Monkman to form OMBIIGIZI whose debut album, Sewn Together, was shortlisted for the 2022 Polaris Music Prize.

Exploring their expansive, sky-sweeping folk rock from a fresh angle, Status/Non-Status drive head-on into a natural complement to the earth-shaking sonic landscapes they’re known for. A loose concept album written as a travel log of animals in flight, the record brims with open air reflections, while gazing out of a blurry window and acknowledging what it can’t see clearly. Blending the melted psychedelic gauze of distorted Americana, with thundering flashes of post rock, Sturgeon implements softness generously. At the core, remembering that lyrics that break through universally sing with clarity about experiences that “chop at the knees.” 

Today, Status / Non-Status are sharing the new single, “Mashkiki Sunset” which arrives complete with a video from director Sarah Houle (of Ghostkeeper). “Mashkiki is the Anishinaabe word for medicine and this song serves as a dedication to love, one of our 7 sacred teachings,” says Sturgeon.

“Mashkiki Sunset” is the first single from Surely Travel, “a record about being trapped in a van, watching life pass by through a foggy windshield,” says Sturgeon. “While often pulled far from home, I will picture myself a bird, flying home on a beautiful sunset atop the back of my dear old van.”

WATCH / SHARE “MASHKIKI SUNSET” HERE
BUY / STREAM “MASHKIKI SUNSET” HERE


MORE ABOUT SURELY TRAVEL
Recorded over 10 days at Deadpan Studios in Sudbury, the goal was to chisel things down down to the bone. Where past records built atmosphere out of heavy swaths of sound, overlaid with harmonies, the band opted for a single vocal take, a Wurlitzer, and ran a $100 classical guitar through an amp. Written in the company of others, whether from the back of a van, or with a baby on the other side of the door, Sturgeon wrote sections of the record in near silence — whispered lyrics and muted bass riffs that started as lullabies, only to be blown out later. It interlaces the album’s material composition with its central inspiration: the allure of touring from coast to coast, and the reality of over-indexing on time spent in an unreliable, stuffy van; the wrenching sacrifice of time away from loved ones, in favour of only seeing a gas station and vacant roads for hours on end. 

Where the acclaimed, Polaris Music Prize Long Listed album Warrior Down (2019), and its celebrated follow-up the 1,2,3,4,500 Years EP (2020) required a mighty sonic landscape to fit its lofty reckonings of nationhood, trauma and familial memory, Surely Travel tightens its scope, but not its ambition. Instead, peering inward to examine the self within its surroundings, and to underscore identity and indigeneity from the smallest spaces or ordinary experiences. Conjuring the awe of sunshowers through the rearview mirror, Surely Travel intentionally doesn’t over-promise optimism, but rather celebrates the small wins of a human-sized approach to resilience and healing.

PRE-ORDER / PRE-SAVE SURELY TRAVEL VINYL / BANDCAMP

DOWNLOAD HIGH-RES
SURELY TRAVEL TRACKLIST
01 Blown Tire
02 Has It Been So Long
03 Mashkiki Sunset
04 Mainly Crows
05 Bineshiinh06 Travelogue
07 When They Were
08 What Am I To Do
09 North Adelaide
10 Surely Travel

STATUS/NON-STATUS ONLINE
WEBSITE
TWITTER
FACEBOOK
INSTAGRAM

STATUS/NON-STATUS REVEAL POWERFUL NEW VIDEO FOR “GENOCIDIO”

WATCH AND SHARE “GENOCIDIO” HERE

STATUS / NON-STATUS (FKA WHOOP-szo) NEW EP, 1, 2, 3, 4, 500 YEARS, OUT NOW VIA YOU’VE CHANGED RECORDS AND THE GRIZZLAR

BUY / STREAM 1, 2, 3, 4, 500 YEARS HERE

READ ADAM STURGEON’S ESSAY ON THE NEW NAME, STATUS/NON-STATUS

VISIT THE NEW IMMERSIVE WEBSITE HERE 

Photo Credit : Olde Nightrifter // DOWNLOAD HIGH-RES

Earlier this year, Status / Non-Status, (the new name for the ongoing musical work of Anishinaabe community worker Adam Sturgeon (Nme’) and his longtime collaborators), released their new EP, 1, 2, 3, 4, 500 Years, out tomorrow via You’ve Changed / The Grizzlar. Today, they are sharing the new video for “Genicido” from director Travis Welowszky.

On the video, Welowszky says, “From atop the makeshift mountain, a grim presence looms above the life below. A meditation on the endless, encroaching empire.

The creatures traversing this plane are plastic and placeless; conjoined to their terrain as playthings in the tableaus of glorious exploiters. The understudies of colonial rule, silhouetted across a hill, obscure serenity by way of simulation; scrambling signals.

Colonial esoterica. Banal evil in list form. Silence: the cause to the resounding pain.”

Sturgeon says, “The crown skull of existence is consumption while genocide seeps into the cracks of our everyday. We’re beginning to see beyond the veil and there isn’t a whole lot more to say about it; Calling out and into our own mirrored reflections; the land, the air, the food and the children.” 

WATCH AND SHARE “GENOCIDIO” HERE

Status / Non-Status have also launched a new website for the project in which you can immerse yourself in a tactile, educational, and archival collage experience. Visit it HERE.

MORE ABOUT STATUS / NON-STATUS (FKA WHOOP-szo)
Status / Non Status spent a decade carving a path through Canada’s DIY scene before leveling up thanks to 2019’s acclaimed long player Warrior Down (You’ve Changed Records). This album confronted Sturgeon’s complex family history and identity and was long listed for the Polaris Music Prize among numerous other accolades. Now, the band emerges renewed, with more stories to share …

Adam is ‘non-status’ as defined by the Canadian government. Adam’s grandfather Ralph made the difficult decision to enfranchise in order to support himself and his family by joining the Armed Forces. Enfranchisement was the government’s term for the legal process of turning in one’s Status Card, terminating one’s Indian Status, and becoming instead a Canadian citizen. It was a pillar of the government’s assimilation policy and a requirement for any Indigenous person who wished to enlist. 

WATCH AND SHARE “500 YEARS” HERE

In the name of providing a better life for himself and his family, Ralph was required to forsake his Anishinaabe roots, an all-too-common experience for Indigenous peoples across Turtle Island. Acts of colonial violence such as enfranchisement, the residential school system, and the Indian Act  have resulted in disconnection amongst generations of Indigenous people from their communities, languages, land, and identities. Today, new voices are rising up and — through acts of reclamation via art, language, music, and community — taking back spaces that have been dominated by settler culture for so many years. 

Who is native enough? Who ‘counts’ as Indigenous, and who does not? These questions swirl through the Canadian arts discourse today, impacting every medium and revealing fundamental inadequacies within our current identity-defining systems. For Adam, the proof is in the work; his commitment to telling his family’s story with integrity and truth informs every aspect of his music and his life. Now a father to his own young son, it is the future that allows Adam to dig further into his roots. 

“When we tell stories, we have a responsibility to tell the truth. Do the necessary work to earn trust. Share your experience as one voice within a greater circle … and find a home.”

READ ADAM STURGEON’S ESSAY ON THE NEW NAME, STATUS/NON-STATUS

WATCH AND SHARE “FIND A HOME” HERE


ABOUT 1, 2, 3, 4, 500 YEARS EP
Set to the resonance of an unearthed whistle in the Jalisco province of Guadalajara, Mexico.

While the plastic grocery bag that housed these ancient artifacts would suggest otherwise, we could not in a good way nor in superstition employ such a spiritual apparatus that had been gifted many centuries ago to the lands we were visiting. The cracked and phallic fragments accompanying the whistles were other worldly in their own right, sitting atop a dresser turned Altar by our guide Alvaro Moreno in his tiny apartment upon our arrival; some cannabis, an old band photo, a favourite record, and a bag of clay objects older than anything we’d ever touched. 

For two weeks, the band held up in a van and studio before finally being guided to the original home place known now as Guatchimontones to deliberate our own place within the mess of time. Life is messy but on paper it all looked so real and yes, a circular pyramid (La Iguana) on the foothills of deities, community and freshwater was where we in fact stood. That was real, but only in that today it resembles a pillaged and half assed attempt at honouring a long forgotten and desecrated people. That story doesn’t belong to us, but we wanted to ensure that we could come pay our respects and learn about the place we travelled. 

As our guide Alvaro walked us, drove us and educated us of his life and city, we ourselves felt like the Lost Ones. Children, not warriors, unaware of every crack at our feet and every hole in our understanding. Unlike that of the local artists, professors and activists, silenced and disappeared from the walls of their own institutions.

Generally a safe city; divided in half by class, colour, and an old river turned stink pipe; staying, wandering through the streets and monuments like the strip malls and theme parks of our Canadian youth. New parents calling home to loved and little ones.  

And so after 500 years……

For what?


BUY / STREAM 1, 2, 3, 4, 500 YEARS HERE

STATUS/NON-STATUS ONLINE
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