THE TRADE-OFFS SHARE NEW VIDEO FOR “PUT ‘EM DOWN”

WATCH / SHARE “PUT ‘EM DOWN” MUSIC VIDEO (FEAT. TERRY UYARAK AND HIS DOG SLED TEAM) HERE

BUY / STREAM “PUT ‘EM DOWN” HERE

THE TRADE-OFFS NEW LP, let go, give in, fall down, OUT NOVEMBER 4, 2022 VIA AAKULUK MUSIC

Photo Credit : Joshua Qaumariaq / Jeff Maurice // DOWNLOAD HIGH-RES

On their new record, let go, give in, fall down, The Trade-Offs have refined their unique sound with a blend of deeply personal Inuktitut and English lyrics singing the Arctic blues about universal themes of darkness and light and closeness and isolation. Arctic Soul, the band’s iconic brand, is distinguished by the deep brooding voice of Josh Qaumariaq and soulful backing of Jeff Maurice, Galen Pelley, and Michael Eckert set against blues and rock and roll sounds echoing from the depth of the Northern tundra. 

Today, they share the new music video for “Put ‘Em Down”, the second single from their upcoming album. Directed by Iqaluit's Simeonie Kisa-Knickelbein it features JUNO Award nominated artist and Aakuluk Music labelmate Terry Uyarak and his dog sled team of Chico, Tarrak, Allaarjuq, Qairulik, Tarsaq (deceased), Siku, and Allak.

“Throughout the 20th century many Inuit families recall the Royal Canadian Mounted Police deliberately killing sled dogs to force Inuit into government run settlements,” says Qaumariaq. “Put ‘Em Down is about this sad story and about the effort to put us as a people down and erase our culture. A truth many do not know a lot about because it has been kept so quiet. This song's release has been timed to coincide with Orange Shirt Day, a day of reflection in Canada about the treatment of Indigenous people.”

Of the music video the songwriter notes “It is a response to the sombre lyrics of the song. Where the song speaks of the sad history of colonization in the North, (specifically with regards to the RCMP dog slaughter) the video shares a message of hope. Featuring Igloolik musician Terry Uyarak and his dog team, the music video highlights both the utility and importance of huskies while showcasing Inuit resiliency in the face of colonization.”

Video director Simeonie Kisa-Knickelbein adds, "Being able to create such beautiful art out of a messy past is one of the many amazing talents of The Trade-Offs. It was extra special to work with Terry Uyarak and his dogs to showcase the amazing strength of communities across Nunavut."

WATCH / SHARE “PUT EM DOWN” MUSIC VIDEO (FEAT. TERRY UYARAK AND HIS DOG SLED TEAM) HERE

BUY / STREAM “PUT EM DOWN” HERE

MORE ABOUT let go, give in, fall down
The lyrics “Crowberry Hill” sums up the spirit of let go, give in, fall down, the Iqualit band’s second full-length record. Due out on November 4, 2022 via Aakuluk Music, let go, give in, fall down – in both its title and in the content of its nine tracks — is about how to bend, but not break; it’s about how to survive and find hope in the North amid loneliness, isolation, and deaths of close relations.

“It’s just the feeling of the album,” says lead singer and guitarist Josh Qaumariaq. “From losing people to being alone, you just gotta let go, give in, and fall down.”

There’s solace and joy to be found here, too. Lead single “Qanuirunniilaarmijuk” is a patient, smoky alt-country sway that switches between English and Inuktitut lyrics, while Michael Eckert’s slide guitar whines and croons in the background. “The title means, ‘things will be okay again,’” says Qaumariaq. “Things get tough, and you have to remember to say, ‘Okay, this is crazy right now, but it’ll calm down.’ I thought it was important to put it out right away, especially for Inuit.

WATCH / SHARE “CROWBERRY HILL” HERE

BUY / STREAM “CROWBERRY HILL” HERE

The blues rock stomp of second single “Crowberry Hill” is a love letter to Qaumariaq’s home, and the rituals, both simple and critical, that he and his kin have built there. ‘Hunting down young ring seals/Glassy lakes and long big fields/Now you know, baby, where I come from!’ he calls on the chorus. Across the record, Qaumariaq howls and roars like the Arctic wind, then broods and glows like late-night embers in the hearth, while the band swaggers between rootsy, earnest alt-country, -rock, -blues, and -soul.

The Trade-Offs—Iqaluit-based members Qaumariaq and Jeffrey Maurice (bass, backing vocals), along with Toronto collaborators Eckert (pedal steel) and Galen Pelley (drums)—recorded let go, give in, fall down over six days at Toronto’s Orange Lounge Studio with producer JP Maurice (Jeffrey’s cousin). Jace Lasek mixed the record and Philip Gosselin mastered it.

Qaumariaq says it’s the record he and Maurice have always wanted to create, finally pinning down the sound they’d been chasing for 10+ years as a band. “We finally feel so good because we sound like ourselves,” says Qaumariaq. “This album means a lot to me, and I finally feel like I have something that feels like me.”

DOWNLOAD HIGH-RES

 let go, give in, fall down TRACKLIST
01 Crowberry Hill
02 Qanuirunniilaarmijuk
03 Put Em Down
04 Taaqtumik
05 Push Myself Away
06 Never Knew
07 Let Go Give In
08 Almost Fell In

THE TRADE-OFFS ONLINE
WEBSITE
TWITTER
FACEBOOK

JILL BARBER ANNOUNCES NEW ALBUM, HOMEMAKER, SHARES NEW VIDEO

Photo Credit : Jessica Jacobson  // DOWNLOAD HIGH-RES

Having spent the last 20 years playing nearly every folk and jazz festival in Canada—and captivating audiences across the globe in Japan, Europe, Australia, Mexico, South America, the USA, and the Middle East—JUNO Award-nominated songwriter Jill Barber’s newest turn is back to her folk roots. With her upcoming album, Homemaker, out February 10, 2023 via Outside Music, Barber delivers ten quietly profound songs about the complexities of motherhood, marriage, and the struggle to feel at home in one’s own identity. 

It was over the past few years that Jill began to feel an increasing disparity between her public image as “Canada’s Sweetheart” and the reality of her domestic life as an overwhelmed wife and mother. “One day I was headlining Massey Hall, and the next day I was sweeping a messy hall” she quips. “I was afraid to break the spell of the more romantic version of myself that I put out there in the world and which helped define my career, but I eventually reached a breaking point where I needed to write this album in order to reconcile these two versions of myself and feel okay about all aspects of who I am.” 

These songs tell the story of what happens to the young romantic when she reaches “middle age,” with Jill recasting “The Homemaker” as the hero of her own story, reclaiming its power for herself and others.  

Today, Jill unveils the video for first track from Homemaker, the illustrative “Instant Cash For Gold”. Cleverly led by abandoned-dream pawn shop imagery, Barber turns the song on a dime and points it toward herself with the song's crestfallen refrain: ‘One of these days I’ll quit the road and trade these old songs in / Like instant cash for gold.’

‘“Instant Cash for Gold’ is a reflection on the chasm that exists between the personal value that music holds for people, relative to its commercial value,” says Barber. “Sadly, the persistent undervaluing of music forces so many of us musicians to trade it all in—often in a defeated way, much like those willing to trade in their most valued possession out of pure desperation to have cash in hand.” Leave it to Barber to take arguably the most negative aspect of chasing a dream and turn it into a beautiful, three-minute tune—though her sentiment remains, loud and clear. “The never-ending hustle to make ends meet can really wear the shine off a career in music.” 

WATCH / SHARE “INSTANT CASH FOR GOLD” HERE
BUY / STREAM “INSTANT CASH FOR GOLD” HERE

“Instant Cash For Gold” Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT HOMEMAKER 
Written and recorded in Barber’s adopted hometown of Vancouver where she lives with her husband and two children, Homemaker is the first record that sees Jill in the role of a producer, co-producing with Erik Nielsen (City and Colour), and featuring some of Vancouver’s top session players like Paul Rigby (Neko Case), and Geoff Hicks (Colin James). “These songs are so damn personal, and such a deep reflection of my soul, that I felt an almost maternal instinct to both protect them and produce them for myself,” says Barber. “I really feel like I stepped into my own power as a producer on this record, with a lot of generous assistance from engineer/producer Erik Nielsen, who really championed my abilities in the studio.” 

Homemaker is a return to Jill’s folk roots. Whereas her most recent albums have been bathed in lush string arrangements, Homemaker sees emotions laid bare, with a stripped-down production style reminiscent of her acclaimed debut Oh Heart and double JUNO Award-nominated follow-up, For All Time. But mostly, Homemaker is a statement about the humility and strength that it takes to do the meaningful work of creating a home for others, while still holding space for your own dreams.

MORE ABOUT JILL BARBER
Jill Barber is a three-time JUNO Award nominated singer-songwriter with an unforgettable voice once heard, never forgotten. Her critically acclaimed repertoire spans a transformative spectrum from folk, to vocal jazz, to pop, and includes songs in both French and English. 

Her 2018 album Metaphora featured the #1 hit song “Girl’s Gotta Do” and her breakthrough jazz album Chances was certified Gold for 40,000 copies sold in Canada. Jill’s work has earned her awards, such as the Sirius XM Jazz Artist of the Year and the East Coast Music Award for Album of the Year, and scores of fans, including Blue Rodeo, Ron Sexsmith, and Kris Kristofferson, who called Jill “a real songwriter, and a damn good songwriter.” Her evocative and timeless songs have been featured in film and TV, scoring shows such as Orange Is The New Black, The L Word, Working Moms, and Heartland, and powering a global advertising campaign for Chrysler with the track “Never Quit Loving You”

An unforgettable, enchanting performer, Jill has headlined iconic venues such as Toronto’s Massey Hall and Roy Thomson Hall, Ottawa’s National Arts Centre, Vancouver’s Vogue Theatre, Dubai’s 2020 World Expo, and Tokyo’s Blue Note and Cotton Club. 

PRE-ORDER HOMEMAKER HERE

DOWNLOAD HIGH-RES

HOMEMAKER TRACKLIST
01 Instant Cash For Gold
02 Beautiful Life
03 Homemaker
04 Joint Account
05 Woman Of My Own Dreams
06 Hell No
07 My Mother’s Hand
08 Big Eyes
09 Helium
10 Still In Love

JILL BARBER ONLINE
WEBSITE
FACEBOOK
TWITTER
INSTAGRAM

POLARIS WINNER PIERRE KWENDERS ANNOUNCES CANADIAN TOUR DATES, SHARES NEW VIDEO

CANADIAN TOUR DATES BEGIN IN 2023

WATCH / SHARE “KILIMANJARO” LIVE

BUY / STREAM JOSÉ LOUIS AND THE PARADOX OF LOVE HERE

“An endlessly listenable album that combines pop, R&B and electronic music with melodic vocals delivered in a mixture of Lingala, French, English, Tshiluba and Kikongo." - The New York Times

“A beguiling mix of multilingual Afropop, rhumba and R&B.” - The Guardian

"Kwenders exudes a poetic warmth that's hard to resist." - MOJO

“A wonderland of rich textures.”- CBC Music

"Kwenders isn’t simply blazing a narrow trail here but opening up a cosmos." - PopMatters

Photo Credit: Vanessa Heins

Congolese-born, Montreal-based musician, songwriter, and DJ Pierre Kwenders (he/him) has won the Polaris Music Prize awarded to the Best Canadian Album for his deeply personal, innovative, and undefinable masterpiece José Louis And The Paradox Of Love. A storyteller at his core, a joyful and reflective Kwenders at the night’s gala thanked family, friends, and collaborators who contributed to the telling of his journey: “This is for all the kids from the diaspora… This is my story. This is my African story, my Congolese story, my Canadian story. This is your story if you want to take it as yours.” Motivated by the intricacies of love, the songs of José Louis And The Paradox Of Love together narratives from memories of the past, sketches of his hometown, and reflections on the future. With his third Polaris nominated album and first via Arts & Crafts, Kwenders arrives at a new juncture – a moment of resonance, carefully wrapped in freewheeling tapestry, hinged in reverence to its diverse heritage, yet reveling in the inventive combination of its elements.

WATCH / SHARE “KILIMANJARO” LIVE

Seamlessly working across Congolese rumba, contemporary electronic music, pop-R&B, and jazz-infused progressions with a range of global collaborators including Tendai Maraire (Shabazz Palaces), Branko (M.I.A., Buraka som Sistema), Michael Brun (J Balvin), and Uproot Andy (Poirier), José Louis and the Paradox of Love is both an embrace of African musical tradition and an evolution of it. Singing and rapping in Lingala, French, English, Tshiluba, and Kikongo, Kwenders similarly weaves his stories across the boundaries of language and geography. 

WATCH / SHARE “PAPA WEMBA”

Born in Kinshasa, capital of the Democratic Republic of Congo, Kwenders borrows his stage name from his late grandfather, a widely respected businessman and community figure. Following his mother’s footsteps, in 2001 Kwenders immigrated from Congo to Montreal. While his music-filled childhood quickly earned him a reputation as the most energetic dancer at family gatherings, it was when he joined a youth choir in 2008 that Kwenders would have his first formative musical experience. Collecting taxes by day and singing in church by night, this spiritually fitting experience brought a young Kwenders clarity on the role that music would come to play in his life. Inspired by “sagacité,” a way of life coined by Ivorian singer Douk Saga, which means to work hard in order to play hard, a decade later he’s established himself as an architect of modern African music, creating a unique blend of Afro-inflected electronic sounds inspired by Congolese rumba, propagated by the Moonshine collective, a post-border multidisciplinary artist collective celebrating diversity in dance culture since Kwenders co-founded it in 2014.

WATCH / SHARE “HEARTBEAT” (FEAT. ANAIIS)

José Louis and the Paradox of Love is a culmination of personal growth and the musical dexterity he has honed over the years, converging his strong songwriting capabilities with the bravado he possesses as a DJ. The album explores an ongoing search to grasp the universal complexities of romance, sometimes through the lens of Kwenders’ own intimate experiences. The songs were written and recorded over the span of four years, and the album is symbolically titled after his birth name, José Louis Modabi. Through different moments of tension and release, romantic narratives of beauty and disaster are packed into powerful poetic musical vignettes.

WATCH / SHARE “KILIMANJARO” (OFFICIAL VIDEO)

José Louis and The Paradox of Love transcends genres including electronic, pop, and rumba and includes instruments such as the guitar, saxophone, cello, trumpet, violin, and the Mbira, a plucked idiophone from Zimbabwe. Just as Kwenders writes from a multilingual perspective, so too does he draw on his musical influences, searching for the precise nuances offered by each one to best emotionally resonate. Dipping into a wide range of cultures, the album was written and recorded in a handful of cities across borders including Montreal, Lisbon, Seattle, New York City, Philadelphia, and New Orleans.

BUY/STREAM JOSÉ LOUIS AND THE PARADOX OF LOVE


PIERRE KWENDERS ON TOUR

2022
12/8 - New York NY - Nublu

2023
02/8 - Victoria, BC - Capital Ballroom
02/9 - Vancouver, BC - Biltmore Cabaret
02/16 - Ottawa, ON - Block Heater
02/17 - Toronto, ON - Adelaide Hall
02/24 - Montreal, QC - Aussgang

*** MORE CANADIAN DATES TO BE ANNOUNCED SOON ***