THE NEW PORNOGRAPHERS TO RELEASE NEW LP VIA MERGE RECORDS, SHARE NEW SINGLE

NEW LP, CONTINUE AS A GUEST, OUT ON MARCH 31, 2023 VIA MERGE

PRE-SAVE CONTINUE AS A GUEST HERE

WATCH / SHARE “REALLY REALLY LIGHT” HERE
BUY / STREAM “REALLY REALLY LIGHT” HERE

TOUR DATES BEGIN THIS SPRING

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Continue as a Guest, the new album from The New Pornographers, is set for release on March 31 via Merge Records—their first for the label. The first single, “Really Really Light”, is out today with an accompanying video directed by Christian Cerezo.

A co-write with Dan Bejar (Destroyer), “Really Really Light” is a refashioning of a cutting-room-floor track from the band’s acclaimed 2014 album Brill Bruisers. “Part of my process throughout the years has been messing with things I never finished. I really liked Dan’s chorus, and for a while I was just trying to write something that I felt like belonged with it,” A.C. Newman shares. “I was thinking of the Aloe Blacc song ‘The Man’ which interpolated the chorus from Elton John’s ‘Your Song’ and thought it would be fun to interpolate a song that no one knows. Not trying to sound like Aloe Blacc, just doing some interpolating of my own. It became a game of writing a verse that felt like a part of the same song. In my mind, I was striving for a little Jeff Lynne–era Tom Petty, a classic go-to.”

WATCH / SHARE “REALLY REALLY LIGHT” HERE
BUY / STREAM “REALLY REALLY LIGHT” HERE

Newman began work on Continue as a Guest at his Woodstock, New York home over the course of a year, after the band had just finished touring behind 2019’s In The Morse Code Of Brake Lights. During the writing and recording process, he discovered new lyrical, artistic and sonic approaches experimenting with his own vocal register. 

The 10-track record is produced by Newman and features compatriots Neko Case, Kathryn Calder, John Collins, and Todd Fancey as well as contributions from saxophonist Zach Djanikian and in addition to the Bejar co-write, glimmering track "Firework in the Falling Snow" was co-penned by Sadie Dupuis (Speedy Ortiz, Sad13). 

The album tackles themes of isolation and collapse, following the ambivalence of day-to-day life during the pandemic and the endless pitfalls of living online. But Newman says that Continue as a Guest’s title track also addresses the continually rolling concerns that come with being in a band for so long. “The idea of continuing as a guest felt very apropos to the times,” he explains. “Feeling out of place in culture, in society—not feeling like a part of any zeitgeist, but happy to be separate and living your simple life, your long fade-out. Find your own little nowhere, find some space to fall apart, continue as a guest.”

The New Pornographers have previously released eight studio albums, including their classic debut, Mass Romantic, reissued in 2021 to celebrate the 21st anniversary of its premiere. Their latest, In The Morse Code Of Brake Lights, debuted at #2 on the Billboard Alternative Chart, #6 on the Billboard Rock Chart and #15 on the Billboard Album Chart. It was hailed as “infectious” by NPR, while Rolling Stone praised “the Canadian power-pop crew keeps cranking out songs where the hooks-per-minute ratio is almost unseemly.”

Album Art Credit: Amy Casey // DOWNLOAD HIGH-RES

CONTINUE AS A GUEST TRACKLIST
01 Really Really Light 
02 Pontius Pilate’s Home Movies 
03 Cat and Mouse with the Light 
04 Last and Beautiful 
05 Continue as a Guest
06 Bottle Episodes 
07 Marie and the Undersea 
08 Angelcover 
09 Firework in the Falling Snow 
10 Wish Automatic Suite 

TOUR DATES
April 19—Asheville, NC—Salvage Station*
April 20—Atlanta, GA—Variety Playhouse*
April 21—New Orleans, LA—Tipitina’s*
April 22—Houston, TX—White Oak Music Hall*
April 23—Dallas, TX—Studio at The Factory*
April 25—Austin, TX—Paramount*
April 26—Oklahoma City, OK—Tower Theatre*
April 27—St. Louis, MO—Sheldon Concert Hall*
April 28—Omaha, NE—The Waiting Room*
April 29—Kansas City, MO—The Truman*
April 30—Denver, CO—Gothic Theatre*
May 3—St. Paul, MN—The Fitzgerald*
May 4—Milwaukee, WI—Turner Hall*
May 5—Chicago, IL—Thalia Hall*
May 6—Chicago, IL— Thalia Hall*
May 8—Cincinnati, OH—Memorial Hall*
May 9—Columbus, OH—Newport Music Hall*
May 11—Detroit, MI—El Club*
May 12—Toronto, ON—Danforth*
May 13—Burlington, VT—Higher Ground Ballroom*
May 14—Norwalk, CT— Wall Street Theater*
May 15—Boston, MA—Royale*
May 17—New York, NY—Brooklyn Steel*
May 18—Philadelphia, PA—Union Transfer*
May 19—Washington, DC—9:30 Club*
May 21—Saxapahaw, NC—Haw River Ballroom*

*with Wild Pink

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JILL BARBER SHARES VIDEO FOR TITLE TRACK FROM UPCOMING LP ‘HOMEMAKER’, ANNOUNCES TOUR DATES 

WATCH / SHARE “HOMEMAKER” VIDEO HERE
BUY / STREAM “HOMEMAKER” HERE

HOMEMAKER ALBUM OUT FEBRUARY 10, 2023 VIA OUTSIDE MUSIC
TOUR DATES BEGIN APRIL 14, MORE ANNOUNCING SOON

PRE-ORDER HOMEMAKER HERE

"Homemaker, is a reflection on marriage, motherhood and self-identity. It's billed as a return to Barber's stripped-down folk roots after dipping into pop, jazz, soul and vintage chansons on recent records. Produced by Barber herself along with Erik Nielsen, the album is preceded by the lovely, pedal steel-laden "Instant Cash for Gold."" - EXCLAIM! (Most Anticipated Canadian Albums ‘23)

Photo Credit : Jessica Jacobson  // DOWNLOAD HIGH-RES

On February 10 Jill Barber will release her new album, Homemaker, via Outside Music, and today the celebrated songwriter is sharing the title track. "Homemaker is a rally cry to all the parents out there who have ever felt isolated, depressed or trapped in a domestic situation that feels stifling, thankless and unending," says Jill. "It’s a gentle reminder that its okay to not feel okay… and that sometimes just getting through the day is enough" The video was shot and directed on location at Afterlife Studios in Vancouver, BC by Rich Smith, and featuring musicians Paul Rigby on Guitar, Erik Nielsen on bass, Leon Power on drums and Darryl Havers on keys.”

WATCH / SHARE “HOMEMAKER” VIDEO HERE

BUY / STREAM “HOMEMAKER” HERE

Jill will be heading out on the road in support of the new LP beginning April 14 in BC. All dates are listed below and tickets can be purchased HERE. More dates will be announced very soon. 

MORE ABOUT HOMEMAKER
With Homemaker, Barber delivers ten quietly profound songs about the complexities of motherhood, marriage, and the struggle to feel at home in one’s own identity. It was over the past few years that Jill began to feel an increasing disparity between her public image as “Canada’s Sweetheart” and the reality of her domestic life as an overwhelmed wife and mother. “One day I was headlining Massey Hall, and the next day I was sweeping a messy hall” she quips. “I was afraid to break the spell of the more romantic version of myself that I put out there in the world and which helped define my career, but I eventually reached a breaking point where I needed to write this album in order to reconcile these two versions of myself and feel okay about all aspects of who I am.” These songs tell the story of what happens to the young romantic when she reaches “middle age,” with Jill recasting “The Homemaker” as the hero of her own story, reclaiming its power for herself and others. 


WATCH / SHARE “BEAUTIFUL LIFE” HERE
WATCH / SHARE “JOINT ACCOUNT” HERE

WATCH / SHARE “INSTANT CASH FOR GOLD” HERE


Written and recorded in Barber’s adopted hometown of Vancouver where she lives with her husband and two children, Homemaker is the first record that sees Jill in the role of a producer, co-producing with Erik Nielsen (City and Colour), and featuring some of Vancouver’s top session players like Paul Rigby (Neko Case), and Geoff Hicks (Colin James). “These songs are so damn personal, and such a deep reflection of my soul, that I felt an almost maternal instinct to both protect them and produce them for myself,” says Barber. “I really feel like I stepped into my own power as a producer on this record, with a lot of generous assistance from engineer/producer Erik Nielsen, who really championed my abilities in the studio.” 

Homemaker is a return to Jill’s folk roots. Whereas her most recent albums have been bathed in lush string arrangements, Homemaker sees emotions laid bare, with a stripped-down production style reminiscent of her acclaimed debut Oh Heart and double JUNO Award-nominated follow-up, For All Time. But mostly, Homemaker is a statement about the humility and strength that it takes to do the meaningful work of creating a home for others, while still holding space for your own dreams.


PRE-ORDER HOMEMAKER HERE

JILL BARBER TOUR DATES
April 14 - Lake Country, BC - Creekside Theatre
April 15 - Vancouver, BC - York Theatre
April 17 - Sidney, BC - Charlie White Theatre

MORE ABOUT JILL BARBER
Jill Barber is a three-time JUNO Award nominated singer-songwriter with an unforgettable voice once heard, never forgotten. Her critically acclaimed repertoire spans a transformative spectrum from folk, to vocal jazz, to pop, and includes songs in both French and English. 

Her 2018 album Metaphora featured the #1 hit song “Girl’s Gotta Do” and her breakthrough jazz album Chances was certified Gold for 40,000 copies sold in Canada. Jill’s work has earned her awards, such as the Sirius XM Jazz Artist of the Year and the East Coast Music Award for Album of the Year, and scores of fans, including Blue Rodeo, Ron Sexsmith, and Kris Kristofferson, who called Jill “a real songwriter, and a damn good songwriter.” Her evocative and timeless songs have been featured in film and TV, scoring shows such as Orange Is The New Black, The L Word, Working Moms, and Heartland, and powering a global advertising campaign for Chrysler with the track “Never Quit Loving You”

An unforgettable, enchanting performer, Jill has headlined iconic venues such as Toronto’s Massey Hall and Roy Thomson Hall, Ottawa’s National Arts Centre, Vancouver’s Vogue Theatre, Dubai’s 2020 World Expo, and Tokyo’s Blue Note and Cotton Club. 

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HOMEMAKER TRACKLIST
01 Instant Cash For Gold
02 Beautiful Life
03 Homemaker
04 Joint Account
05 Woman Of My Own Dreams
06 Hell No
07 My Mother’s Hand
08 Big Eyes
09 Helium
10 Still In Love

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DEBBY FRIDAY ANNOUNCES DEBUT ALBUM, SHARES FIRST SINGLE

DEBBY FRIDAY’S DEBUT LP, GOOD LUCK, SET FOR RELEASE ON MARCH 24

FIRST SINGLE, “SO HARD TO TELL”, OUT TODAY


WATCH / SHARE “SO HARD TO TELL” HERE
BUY / STREAM “SO HARD TO TELL” HERE

PRE-SAVE GOOD LUCK HERE

INTERNATIONAL TOUR DATES BEGIN IN CANADA ON JANUARY 21

Photo Credit: Katrin Braga // DOWNLOAD HIGH-RES

DEBBY FRIDAY will release GOOD LUCK, her supernovic, full-length debut worldwide (ex. Canada) on March 24, 2023 through Sub Pop. The album, which features first single “SO HARD TO TELL”, as well as “I GOT IT”, “SAFE”, and the title track, was co-produced and mixed by DEBBY FRIDAY and Graham Walsh (METZ, Holy Fuck) at Candle Recording Studio in Toronto, and mastered by Heba Kadry in New York. 

Of the cosmically sublime lead single “SO HARD TO TELL”, FRIDAY offers this, “I have a lower register and speak with vocal fry so I don’t know what came over me when I made this track. I have never in my life sung like this before and I had no idea I could even make these kinds of sounds with my voice. There’s no pitch effects on ‘SO HARD TO TELL’, it’s all me."

The video, co-directed by Kevan Funk and DEBBY FRIDAY, sees FRIDAY in prismatic view. Roaming through rocky hillsides, psychedelic forests, ancient stone temples and more, FRIDAY is luminescent and multitudinous - the many versions of herself synthesizing into the shape of a burgeoning star.

WATCH / SHARE “SO HARD TO TELL” HERE
BUY / STREAM “SO HARD TO TELL” HERE

DEBBY FRIDAY’s international headlining tour dates and festival appearances in support of GOOD LUCK begin January 21 in Montreal at La Sala Rossa and includes a Toronto performance on February 17 at The Boiler Room. The tour currently runs through May 6 with a stop at SXSW along the way as well as second dates in Montreal and Toronto in March and a performance in Vancouver on April 15. All dates are listed below and additional 2023 live performances will be announced soon.

ABOUT DEBBY FRIDAY’S GOOD LUCK:
The usual boom-and-bust cycles of growing up -- breaking down, gathering the strength to get up, fumbling hard, doing it all over again - can feel unmooring, to say the least, but, and according to DEBBY FRIDAY, its tragedies and glories need savoring. Losing illusions, gaining expectations; getting deep into the private, soupy kaleidoscope of what’s possible and what’s futile -- GOOD LUCK, her debut, and supernovic, full-length album, is built on welcoming the journey’s complicated drops and mountain highs with something more like grace. 

Nigerian-born, then an emigré to bits of Canada - from Montreal to Vancouver to Toronto - DEBBY FRIDAY’s roamings through space and time really began when the sun fell. Nightlife was her emancipation from the toughness of home life, and she fell into it, body and soul, totally seduced. Raves til sunrise; house music in unknown basements and warehouses – the lure of the party was the perfect escape. “I was like a little club rat,” she laughs. Her adoration of the world that it opened for her came in “almost in a sensual way.” 

Things that feel good sometimes do fall apart, though. In 2017, after DJing for less than a year, her life just sort of imploded. Parties started getting less functional. Nothing was going the way that she wanted it to go. So she gathered her things and embarked on what would turn out to be the first of a few of her coming-of-age stories – a wave of bildungsromans. “Personal issues: mental health stuff, substance abuse stuff, stupid love;” she lists, but the way FRIDAY says it, it seems as if she’s grateful for the valleys she had to walk through in order to see the version of herself we get today. After making the decision to stop herself in her tracks, she pulverized new paths for herself forward. Late-night YouTube tutorials on music production led to an EP, BITCHPUNK, and BITCHPUNK led to her first public performances, and all that gave way to a second EP, DEATH DRIVE. Her art endowed her with the strength she needed to move on. “This is what I was born to do,” she goes. “It came to me so naturally and instinctively. I felt just so clear, focused, and in my power in a way that I’d never felt before up until that point.” 

So what does it take to hone that power? Discipline - routines, rituals; an MFA, practices of writing and filmmaking, and music-making that guide a person from one day to the next - but something close to mysticism, too. FRIDAY’s serious, long-term relationships to the study of astrology, psychology, and philosophy allow her to move through the world, relate to others, and get closer to what’s inside her. She believes in what emerges. She believes in making the unconscious, conscious. She wants to be in dialogue with the darkness. 

It’s why GOOD LUCK works like such a study in entropy. On the surface, you’ll hear smears of Santigold’s dub dazzle, the MIDI-crush of Death Grips, but less obviously the plaintiveness of directors like Eric Rohmer, or the grotesque decadence of later-era Sylvia Plath. (Juno Award and Polaris Prize-nominated composer Graham Walsh adds a sort of heft and pull to the genre-flexibility on parade here: think of it a little like Sevdaliza meets FKA Twigs.) 

Few do it like her, though. If lucid, acid housey, high-BPM tracks like “I GOT IT” - accompanied by Chris Vargas of Pelada / Uñas - has her cocksure and vainglorious about her “big ol ego” and “red blood libido,” a crushing track like “LET U DOWN” (“I been your Brutus, your Judas / I’ve been so wrecked and so ruthless”) doesn’t hesitate to explore the lower ends of the emotional register. She’s drawn to certain keys and moods (the brooding D and F minors, for instance, are all over this album) to suggest melancholia and darkness. However, the lead single, “SO HARD TO TELL”, sees FRIDAY totally shed all of her signature industrial tropes, to deliver a completely out-of-pocket, totally assured, falsetto pop song. Sounding like little that has come before in her catalog, this track is a crucial signifier in FRIDAY’s development. 

The album GOOD LUCK will be co-released with a short film of the same name, co-directed by FRIDAY and Nathan De Paz Habib (past work includes Eroica, based on Chino Amobi's novel of the same name). It’s a story of individuation. It’s a love story about a woman and her masked beloved, but outside of the accompanying-but-stand-alone visual, it’s all a willing, yearning investigation into what goes on behind the veil of sadness, of cruelty. Because knowing the darkness is the only way to understand the light, but also the greys and the blues and the in-between states. FRIDAY’s explorations in GOOD LUCK -- delving down into the muck of nuance - are a kind of courage.

PRE-SAVE GOOD LUCK HERE

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GOOD LUCK TRACKLIST
1. GOOD LUCK
2. SO HARD TO TELL
3. I GOT IT (feat. Uñas)
4. HOT LOVE
5. HEARTBREAKERRR
6. WHAT A MAN
7. SAFE
8. LET U DOWN
9. PLUTO BABY
10. WAKE UP

TOUR DATES
Sat. Jan. 21 - Montreal, QC - La Sala Rossa w/ Pelada
Fri. Feb. 17 - Toronto, ON - Boiler Room
Wed. Mar. 15 - Austin, TX - SXSW
Thu. Mar. 16 - Austin, TX - SXSW
Fri. Mar. 17 - Austin, TX - SXSW
Sat. Mar. 18 - Austin, TX - SXSW
Fri, Mar. 24 - Montreal, QC - Phi Centre
Sat. Mar 25 - Toronto, ON - Garrison
Wed. Apr. 12 - Portland, OR - Mississippi Studios
Thu. Apr. 13 - Seattle, WA - Barboza
Fri. Apr. 14 -  Los Angeles - Zebulon
Sat. Apr. 15 - Vancouver - Cobalt
Wed. Apr. 19 - Brooklyn, NY - Babys Alright
Thurs. Apr. 20 - Chicago, IL - Empty Bottle
Wed. May 03 - London, UK - Corsica Studios w/ Grove

DEBBY FRIDAY ONLINE
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