THE SECRET BEACH SHARES NEW SINGLE, “22”, FROM NEW LP

WE WERE BORN HERE, WHAT’S YOUR EXCUSE?, THE NEW LP FROM THE SECRET BEACH, OUT AUGUST 23, 2024 VIA VICTORY POOL RECORDS

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US TOUR BEGINS TODAY

Photo Credit : Little Jack Films // DOWNLOAD HIGH-RES

The Secret Beach is an ever-shifting group of musicians and co-conspirators orbiting around the songs and voice of Prairie-based songwriter Micah Erenberg. The band moniker – in the same vein as classic groups Guided By Voices, The Byrds, and Tame Impala – helpfully points out that a songwriter is not an island (or indeed, a beach) unto themselves, and the contributions from the involved parties go a long way in making this project what it is. 

The new LP, We Were Born Here, What's Your Excuse?, is unquestionably a musical delight (more on that later), but it's also a subtle nod to the oft-overlooked Canadian province of Manitoba, lazily known to many as either a landlocked frozen tundra or the butt of a joke on The Simpsons (hence the album's title). The shuffling, introspective “22” muses on Erenberg's time in Winnipeg's Osborne Village, watching gentrification run rampant while freezing cold for the better part of the year.

Erenberg calls the single, "A song about being young in a frozen, gentrifying shithole. Inspired by the infamous Simpsons’ 'Midnight RX' (season 16, episode 6), where a welcome to Winnipeg sign reads 'NOW ENTERING WINNIPEG. WE WERE BORN HERE, WHAT’S YOUR EXCUSE?'" 

"I’d like to dedicate this one to some of Manitoba’s finest street performers," He continues, "Eric the Great, Blue McLeod and Curtis Falk. Frequenters of the Osborne Village strip. The last time I walked through that spot at night, there was no soul to be found. The live music spots were closed, some canned music played out into the street. Eric, Blue and Curtis had moved on to better spots, I guess. I still love that town...yeah, it’s a shithole, but it’s our shithole."

Helmed by meandering 12-string guitar and the lonesome wails of pedal steel, the song's nostalgic qualities are only enhanced by the video that accompanies it, which features a series of snowy, archival footage from the Manitoba Department of Tourism and Recreation.

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MORE ABOUT WE WERE BORN HERE, WHAT’S YOUR EXCUSE?

Musically, one of Erenberg's primary inspirations for this record was the classic Bob Dylan & The Band album Planet Waves. The casual, homespun vibe of that LP had long held a special appeal for the songwriter, and after deep-diving on some of the album's finer details, Erenberg discovered that Planet Waves' producer, Rob Fraboni (also known for his work with the Rolling Stones, The Beach Boys, and Tim Hardin, to name but a few) was still active and, as it turned out, still open to working with new projects. After a few phone calls, it was decided that Erenberg would travel to the veteran producer's studio of choice in Connecticut where the two spent five days marinating in the songs. Fraboni offered his enthusiastic perspective on the tunes, shared some of his well-honed musical philosophies, and a friendship was quickly cultivated. The songwriter stuck this experience in his back pocket and used it as fuel to write a few more songs and complete the final mix of the album.

We Were Born Here, What's Your Excuse? is an album teeming with warmth; its 17 tracks casually unfurl spools of intimate texture, hushed melodies, and a wholly inviting atmosphere that puts the listener virtually in the same room as these timeless tracks. The songs – many of them barely cracking the two-minute mark – fly effortlessly by, nodding to many major players in the pop music canon. The spectre of Elliott Smith hovers over many corners of the record, including opener “Beautiful Everything” as well as the achingly tender one-two punch of “Long Distance Gossip” and “Natural Metaphor”. And indeed, whiffs of Dylan and The Band appear throughout, with the latter uniquely evoked in the album's organic, live-band feel, and the former's lyrical mastery mirrored throughout. More contemporary touchstones like Brooklyn indie-folk auteurs Woods and M. Ward (“Where Did It Go?”) are also apparent, and early '00s heroes Grandaddy are called to mind on “LA Haircut”, a cleverly sardonic critique of misplaced ambition.

While Erenberg played a whole pile of instruments on the album himself, The Secret Beach wouldn't be what it is without the help of the carefully selected crew of fellow travellers tastefully deployed throughout the album. We're talking about the sort of players whose first priority is to shine a light on this collection of songs, seeming almost invisible in the apt-ness of their contributions; but repeat listens will have the listener revelling in the finer details, which include vocals and pedal steel from acclaimed country duo Kacy & Clayton, keys and guitar courtesy of Liam Duncan (aka Boy Golden), and duel backing vocals from Duncan and frequent bandmate Fontine. Erenberg captured the album on a variety of classic vintage tape machines, burnishing the album with a sepia-toned analog patina that makes it sound as if it could have been made any time in the last five decades. And while the spirit of Planet Waves looms large, one would be forgiven for hearing hues of early McCartney solo albums, Big Star's Third, and fellow Canadian DIY legend Chad VanGaalen.

WE WERE BORN HERE, WHAT’S YOUR EXCUSE?
01 Beautiful Everything
02 Sunspill
03 Buying You A Garnet Amp
04 22
05 All This Living
06 Have You Seen The News?
07 If You Don't Love Me, Let Me Go
08 Blame Manny
09 Sucked Into It
10 L.A. Haircut
11 Long Distance Gossip
12 Not So Bad
13 Natural Metaphor
14 Where Did It Go?
15 Hat's Way of Walking

TOUR DATES
Feb 22 - Seattle, WA - The Rabbit Box Theatre
Feb 23 - Olympia, WA - Cryptatropa Bar
Feb 24 - Portland, OR - Alberta Street Pub
Feb 25 - Roseburg, OR - House Concert
Feb 26 - Mt. Shasta, CA - Jefferson Center for the Arts
Feb 29 - Los Angeles, CA - Permanent Records Roadhouse
Mar 2 - Long Beach, CA - 4th Street Vine
Mar 29 - Winnipeg, MB - Legion ANAF with MOONRIIVR

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CHARLOTTE DAY WILSON ANNOUNCES NEW ALBUM, CYAN BLUE

WATCH / SHARE “I DON’T LOVE YOU” HERE
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CYAN BLUE OUT MAY 3RD VIA STONE WOMAN MUSIC / XL RECORDINGS 

PRE-SAVE CYAN BLUE HERE

“Wilson occupies a lane distinct from most burgeoning R&B stars and often allows her soulful music to be the center of attention.” - Billboard 

“ Wilson directly channels soul music of decades past but also inhabits that same minimalist expanse occupied by so many of her contemporaries.” - NPR

“The Toronto singer-songwriter and producer’s vast voice is like a canyon that the sun can’t access; the percolating soul and quiet storm that surround it flicker like candlelight….Her voice—and what a voice, deep and passionate, cast in the mold of Anita Baker—feels less crepuscular, less intimate, and more capable of levitating cars and uprooting whole forests.” - Pitchfork

“She can shush viewers to silence with heart-wrenching lyrics and rile them up with a surprise saxophone solo—all in the same song.” - Harper’s Bazaar

“Blending elements of jazz, soul, folk, and R&B, Wilson writes deeply personal lyrics and delivers them with the expertise of a seasoned vocalist.” - Complex

“she's got the type of slow-burning, smoldering jazz and R&B-influenced sound that already feels classic.” - NYLON

“Charlotte expertly pulls inspirations from jazz, R&B and soul and what results is an atmosphere that is solely her own.” - Hypebeast

Photo Credit : Emily Lipson // DOWNLOAD HIGH-RES

Today, the Toronto-born-and-raised singer, songwriter, producer, and multi-instrumentalist Charlotte Day Wilson announces her highly-anticipated sophomore album, Cyan Blue, out May 3, 2024 via Stone Woman Music / XL Recordings. Along with the announcement of her new album comes the release of first single, “I Don’t Love You”, a stark and devastatingly beautiful confessional, highlighting Wilson’s immaculate production skills and chill inducing vocals laid atop smooth groove piano chords and soft drums. The track also arrives with a visual directed by Dani Aphrodite featuring layered low fi footage of the artist and producer performing at home, living every day life and having moments of solitude in her car, a theme that comes up throughout the album. “This song is meant to remind us that losing love & leaving can be just as inspiring as finding it,” shares CDW. 

WATCH / SHARE “I DON’T LOVE YOU” HERE
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Cyan Blue finds Wilson crafting a smoothly woven cyan tapestry of her eternal influences; thumping gospel piano, warm soul basslines, atmospheric electronics, and penetrating R&B melodies. Yet, it possesses a sense of vastness that rings in a new era for Wilson, one in which she’s embracing collaboration and newfound creative openness tinged with wistfulness and yearning and a reflection on youthful  innocence. “I want to look through the unjaded eyes of my younger self again,” Wilson explains of making Cyan Blue. “Before there wasn’t as much baggage, before so much life was lived. But I also wish that my younger self could see where I am now. It would be nice to be able to impart some of the wisdom and clarity that I have now onto her.” 

Working with producers like Leon Thomas (SZA, Ariana Grande, Post Malone), and Jack Rochon (H.E.R, Daniel Caesar), Cyan Blue demonstrates Wilson’s sonic expertise while also showcasing the next evolution of her time-bending songwriting. Through 13 hypnotizing tracks, she continues to use music as a vessel for unpacking relationships, which in turn allows her to meet and understand herself in life-spanning, panoramic focus. But, on Cyan Blue, she challenged herself to kick her perfectionist tendencies. “Before, I was extremely intentional about creating music with a strong foundation, a bed of artistic integrity,” Wilson reflects. “But that was a bit stifling, like, ‘Let me just make a great piece of art that will stand the test of time, no pressure.’ Now, I think I'm getting out of this frozen state of needing everything to be perfect. I'm more interested in capturing feelings in the moment as they happen and leaving them in that moment.”

While this is only her second album, Wilson’s influence in music has made a major mainstream impact. Wilson broke out in 2016 with her critically acclaimed EP, CDW, followed by 2018’s Stone Woman and made her debut studio album an official coming out moment in 2021 with the critically acclaimed, self-released Alpha. Over the past decade, she’s been sampled by Drake, John Mayer, and James Blake, while Patti Smith has recently praised and covered Wilson’s 2016 breakout single “Work”. Additionally, she’s collaborated with artists like Kaytranada, BADBADNOTGOOD, and SG Lewis, demonstrating that there’s no sound Wilson can’t adapt to and sprinkle her cyan-colored magic over. 

PRE-SAVE CYAN BLUE HERE

ALBUM ART // PHOTO CREDIT: Emily Lipson // DOWNLOAD HIGH-RES

CYAN BLUE TRACKLIST
My Way
Money
Dovetail
Forever (ft. Snoh Aalegra)
Do U Still
New Day
Last Call
Canopy
Over The Rainbow
Kiss & Tell
I Don’t Love You
Cyan Blue
Walk With Me

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OLD MAN LUEDECKE ANNOUNCES NEW LP, SHARES VIDEO FOR THE TITLE TRACK

OLD MAN LUEDECKE JOINS OUTSIDE MUSIC FOR NEW LP, SHE TOLD ME WHERE TO GO, PRODUCED BY AFIE JURVANEN, SET FOR RELEASE MAY 24

 WATCH / SHARE “SHE TOLD ME WHERE TO GO” HERE
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NORTH AMERICAN TOUR DATES WITH MATT ANDERSEN BEGIN TODAY

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Last month, two time JUNO Award winner Old Man Luedecke stepped off the scallop boat and shared his first new music in a while, minus his trademark banjo, a suggestion from Afie Jurvanen ( Bahamas ). Today, Old Man Luedecke is announcing his upcoming album, She Told Me Where to Go, produced by Jurvanen, and is sharing the title track from the LP.

“The footsteps of doom kick us off,” says Luedecke about the new single. “This is the first OML track that may blow your hair back. This is music for a gunfight that could take place in The Mandolorian in the shape of a savage country blues with a hellish destination. The certainty of fate acts as an introduction to the ease of what is to follow. ‘I do not hurry, I do not rush, I don’t waste no effort on what don’t mean much’ opens up the album’s laid back grappling with fate and spirit and love.”

“The video does a pretty good job turning the underside of a big oak tree at my house in rural Nova Scotia into the gravedigging scene from Oh Brother Where Art Thou,” Luedecke notes. “One of me is wearing a hand loomed vest from Lunenburg, the other one a 6X Beaver hat from an earlier and unpublic cowboy song obsessed version of myself. The blue flower tele I have had for ten years but it's been overshadowing the five string banjo for a prolonged post pandemic moment. I had a lot of fun shooting myself because my internal struggles are without strategy and unlike chess.”

Old Man Luedecke begins a 10 week North American tour today. All dates are listed below and tickets can be found HERE.

 WATCH / SHARE “SHE TOLD ME WHERE TO GO” HERE
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MORE ABOUT OLD MAN LUEDECKE
How did Old Man Luedecke go from touring the world with his banjo to suddenly giving it all up to work as a deckhand on a scallop boat, and abandoning his signature instrument?

“I was just going over to my scallop farming neighbour’s house to get some scallops to have for dinner”, says Chris Luedecke. “Knowing that the live music world had slowed down, he asked me if I wanted a job on his boat” And so, Luedecke accepted and began going out to sea in the North Atlantic, not far from his family home in rural Nova Scotia. He was giving up the game of music. 

Throughout that time working on the water, song ideas would pop in his head, and Chris would stash them away in his sea salt-stained notebook and battered iphone, not sure if anything would ever come of them. During downtimes, Chris and his family would host all-day sap boils and wiener roasts over an open fire on their property where they tapped their maple trees and boiled the sap to make syrup in the late days of several winters. A frequent visitor to these fires was Afie Jurvanen, aka Bahamas, who brought his family over for the BBQ and syrup and to chat music and play around on their guitars. 

“What about not playing the banjo on your next record?” suggested Jurvanen. Initially, Chris thought those may have been fighting words, and prepared to throw down with his fellow JUNO Award winner. Luckily, it didn’t come to blows and Chris understood that Afie’s question was rooted in how much of a fan he was of Chris’s song writing, and that maybe perceptions of the banjo distracted from that. This was the moment that “She Told Me Where to Go'' was conceived.

LISTEN / SHARE “MY STATUS IS THE BADDEST” FT. BAHAMAS HERE
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“I was a musician, a banjo player, known for my old-time Appalachian-based sound, and Afie thought that we should let go of the chains and expectations that come with writing songs around an instrument, and that I should just write the songs without the instrument in mind. He convinced me to abandon my signature sound, and I had this newfound sense of freedom in my song writing.”

She Told Me Where to Go is a journey through the darkness and light of mid-life. The songs wrestle, long form, with the value of an artist in a time when music is ingested in fifteen second increments. There’s hopefulness in “Guy Fieri” but “Holy Rain” and “Misfits in Old Clothes” capture the ongoing struggle. 

The album took time. With Jurvanen producing, they worked on the songs for almost two years and then spaced out the tracking and the vocals over 10 months. This is the longest gestation period ever for an Old Man Luedecke record. “I took a note from the world of theatre, rehearsing and tweaking the songs endlessly before they were ready for the stage, or in this case, the studio.”

It might have been easier to just quit the game, and stick to scallops, but being able to let go of the instrument that made him, brought new life to his songs and the album-making process. 

And fans need not worry, the banjo is always close at hand. There’s a treasure trove of songs that have soundtracked the lives of many, that feature that signature sound. The absence of the banjo is not forever, just for now. 

PRE-SAVE SHE TOLD ME WHERE TO GO HERE

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SHE TOLD ME WHERE TO GO TRACKLIST
01 She Told Me Where To Go
02 Guy Fieri
03 Going On The Mountain
04 The Quiet Good Goes On
05 The Raven And The Dove
06 Shine On Love (ft. Reeny Smith)
07 My Status Is The Baddest
08 Forgive My Anger
09 Red Eye
10 Our Moment In The Sage
11 Holy Rain

NORTH AMERICAN TOUR DATES
2/22 – Salina, KS @ Steifel Theatre *
2/24 – St Louis, MO @ Blue Strawberry
2/25 – Chicago, IL @ Old Town School of Folk Music, Szold Hall *
2/29 – Nashville, TN @ City Winery *
3/1 – Decatur, GA @ Eddie’s Attic *
3/2 – Savannah, GA @ District Live *
3/4 – New Orleans, LA @ Chickie Wah Wah *
3/5 – Tomball, TX @ Main Street Crossing *
3/6 – Waco, TX @ Texas Music Café *
3/7 – Austin, TX @ The 04 Center *
3/8 – Fort Worth, TX @ The Rose Chapel at Southside Preservation Hall *
3/9 – Ruston, LA @ Dixie Center for the Arts *
3/27 – Longueuil, QC @ Salle Jean-Louis Milette *
3/29 – St-Hyacinthe, QC @ Cabaret Andre-H-Gagnon *
3/30 – Frelighsburg, QC @ Beat & Betterave *
4/1 – Ann Arbor, MI @ The Ark *
4/2 – Cleveland, OH @ Beachland Ballroom & Tavern *
4/3 – Grand Rapids, MI @ Midtown *
4/5 – Minneapolis, MN @ Hook & Ladder Theater *
4/6 – Milwaukee, WI @ Vivarium *
4/8 – Oakville, ON @ Oakville Centre for the Performing Arts *
4/9 – Parry Sound, ON @ Charles W. Stockey Centre for Performing Arts *
4/11 – Quebec City, QC @ Salle Octave-Cremazie *
4/12 – Victoriaville, QC @ Cabaret Guy Aubert *
4/13 – Thetford Mines, QC @ Salle Dussault *
4/14 – Portland, ME @ Portland House of Music *
4/16 – Toronto, ON @ Hugh’s Room
4/18 – Ottawa, ON @ Red Bird Live
4/20 – Greenbank, ON @ Greenbank Folk Club
4/24 – Montreal, QC @ Sala Rosa
4/25 – Westport, ON @ The Cove Inn
4/26 – Burnstown, ON @ Neat Café
4/27 – Kingston, ON @ Skeleton Park Arts Festival
5/18 – St. John’s, NL @ The Ship
5/19 – St. John’s, NL @ The Ship

* Supporting Matt Andersen


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