GEORDIE GORDON SHARES VIDEO FOR “LONG, LONG”, ANNOUNCES JAPAN TOUR DATES

WATCH / SHARE “LONG, LONG” HERE

PERFORMING AT TORONTO’S GLAD DAY BOOKSTORE MAY 15 - TICKETS HERE

JAPAN TOUR DATES BEGIN MAY 21

GEORDIE GORDON’S NEW ALBUM, TAMBOURINE, OUT NOW VIA VICTORY POOL

BUY / STREAM TAMBOURINE HERE

Photo Credit : Jacklyn Barber // DOWNLOAD HIGH-RES

Recently, Geordie Gordon, the Toronto singer/songwriter who is currently a member of two internationally acclaimed indie acts, U.S. Girls and Islands, released his new album Tambourine via Victory Pool Records. Today, he’s sharing the new video for album track “Long, Long” which features fellow U.S. Girls collaborator Kass Richards on vocals.

“‘Long, Long’ is a simple song, flowing as constant as the three most unstoppable elements: Fire, Water, and Time,” says Gordon. “We are all strapped on to this spinning earth and uncontrollable happenings are inevitable. ‘Long, Long’ moves like the passing of time, like a leaf on a stream.”

WATCH / SHARE “LONG, LONG” HERE

MORE ABOUT GEORDIE GORDON & TAMBOURINE
His second solo album, Tambourine, is Geordie’s own coming-of-age story, in more ways than one. It’s the album that will introduce the world to Geordie Gordon’s depth of talent as a singer, arranger, lyricist and melodicist.

Tambourine opens with the title track, about a teenage Geordie (pron. Jordy) taking the bus from his small university town to Toronto to see the Hidden Cameras. There, the closeted teen witnesses an outburst of queer and pansexual joy, where tambourines are passed to the crowd and all are welcome to join the celebration: ‘They were an army of love / With sound raining down from above / lifting their violins / holding their heads high and proud’. The album closes with “Homecoming”, a song written after Geordie listened to an audiobook by activist Cleve Jones. “He worked with Harvey Milk, and in a short few years he went from being this hippie boy in the late ’60s to later running the AIDS quilt after losing all his friends. That song is a tribute to the ancestors for their brave service.” 

Geordie Gordon was 16 when gay marriage was made legal in his home province of Ontario. He was raised in an accepting community of hippies and leftist punks. He’s a son of James Gordon, a successful Canadian folk singer covered by the Cowboy Junkies on The Trinity Session. Geordie formed his first band as a teenager, the misnomered Barmitzvah Brothers (featuring Bird City’s Jenny Mitchell). They toured Canada and were on the cover of Toronto’s Now Magazine. They sounded like nothing else on the thriving Canadian indie scene at the time: junkstore instruments, unusual lyrics, and a childlike sense of play—because they were still actual children. 

WATCH / SHARE “SPINNING WHEEL” HERE

“I had such a different childhood than most coming-of-age stories,” says Geordie. “Even before high school, I learned that being quirky was a thing. My band never tried to fit in, and yet we were embraced by older people and the indie scene. I had so many sensitive music friends that I wasn’t in a toxic area. It was a unique environment; it wasn’t very typically straight.” 

Musically, Tambourine is also a coming-of-age statement, and his boldest project to date. His first album, in 2014, was made with his brother Evan under the name The Magic. His first solo album, The Tower, was a very solitary affair and came out during the pandemic—release shows were hampered by new lockdowns. 

WATCH / SHARE “SOUL PROMISE” HERE

This time out, Geordie is writing on tenor guitar for the first time, tapping into the folk influences of his childhood. “My brother and I were never like my dad, a folk festival singer, who goes to workshops and talks about his songs,” he says. “So for me it’s a fun challenge to get closer to that.” Geordie’s not playing folk festivals yet, but he did host secret shows by candlelight in Toronto parks during the pandemic. 

Everything about Tambourine is a huge leap forward for Geordie. The layered vocal harmonies explore both his falsetto heights and the lower end of his register. The electronics of The Tower are still present, as are the soft pop vibes of U.S. Girls and Islands. 

From teenage awakenings to the wisdom of elders, Tambourine is the record Geordie Gordon was born to make. And he’s just getting started. 

WATCH / SHARE “TAMBOURINE” HERE

TOUR DATES
5/15 - Toronto, ON - Glad Day Bookstore
5/21 - Matsumoto - Give Me Little More
5/22 - Nagoya - k.d. japon
5/23 - Takamatsu - Toonice
5/24 - Yuda Onsen - Organ’s Melody
5/25 - Fukuyama - Polepole
5/26 - Kochi - Chaotic Noise
5/27 - Kyoro - Growly
5/28 - Minami Horie, Osaka - Socore Factory
5/29 - Shibuya, Tokyo - home
5/30 - Omiya,  Greater Tokyo - hisomine
5/31 - Hakodate - ARARA
6/1 - Sapporo  - REVOLVER

GEORDIE GORDON ONLINE
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DONOVAN WOODS RELEASES NEW SINGLE “BACK FOR THE FUNERAL” FROM UPCOMING LP

NEW ALBUM, THINGS WERE NEVER GOOD IF THEY’RE NOT GOOD NOW, OUT JULY 12 VIA END TIMES MUSIC

ANNOUNCES AUTUMN NORTH AMERICAN HEADLINING TOUR

WATCH / SHARE “BACK FOR THE FUNERAL” HERE
BUY / STREAM “BACK FOR THE FUNERAL” HERE

PRE-SAVE THINGS WERE NEVER GOOD IF THEY’RE NOT GOOD NOW HERE

Photo Credit: Brittany Farhat // DOWNLOAD HIGH-RES

Earlier this year, acclaimed songwriter Donovan Woods announced his seventh studio album, Things Were Never Good If They’re Not Good Now, due July 12 via End Times Music. Today he shares a second single from the record, the unflinching “Back For The Funeral”, co-written with Lori McKenna and Matt Nathanson. Throughout an album of heart wrenching songs, none hit harder than “Back for the Funeral”. Taking place in a small town, a group of friends who haven’t seen each other in years return to memorialize a schoolmate after they overdosed on pills.

“There's so much writing done about being back in your hometown and what it does to you,” Woods explains. “But there’s the idea that you only go there with bad news—which can be true—and what it does to your feelings about your hometown.” 

However, the song poignantly shows that even though someone may return to their hometown for unfortunate reasons, reconnecting with old friends is a positive byproduct of the circumstance.

WATCH / SHARE “BACK FOR THE FUNERAL” HERE
BUY / STREAM “BACK FOR THE FUNERAL” HERE

MORE ABOUT DONOVAN WOODS
Throughout his distinguished career, Woods has built a devoted following who cling to the acclaimed songwriter’s every word. Never one to mince them, Woods is one of music’s most vulnerable storytellers and on Things Were Never Good If They’re Not Good, Donovan takes that a step further. Perhaps his most open, honest and self-reflective collection of songs, Woods takes a long look inside himself and isn’t necessarily thrilled with what he sees. For an artist who isn’t afraid to bear his soul, this is as emotionally gritty as he has ever been.

Long known as a masterful storyteller, Woods is at his absolute best on Things Were Never Good If They’re Not Good Now. Across the album’s 12 sparse, intimate songs, Woods finds himself reflecting on the ups and downs he has been through since 2020, when he dropped his acclaimed, award-winning last album, the breakthrough Without People. Through his songwriting, Woods opens up and addresses the complexities of life, and all that he has been going through. He notes, this album serves as “a funeral to the life I was living.”

Co-produced with longtime collaborator James Bunton over much of 2023, the album’s delicate nature is reflected in its lyrics. The psychology of people’s actions always fascinated Woods and informs much of the record. Focusing on carefree, celebratory feelings has never necessarily appealed to him. Many of the songs that comprise Things Were Never Good If They’re Not Good Now focus on the intricacies of friendships and relationships, looking at the little moments in life, and hopefully, eventually taking joy in them.

WATCH / SHARE “ROSEMARY” HERE
BUY / STREAM “ROSEMARY” HERE

Woods was joined in the studio by a number of friends, co-writing “Back For The Funeral” with McKenna and Nathanson, lead single “Rosemary” with Connor Seidel, “I’m Just Trying To Get Home” with Amy Wadge (Ed Sheeran, Kacey Musgraves, Noah Cyrus) and Matt Prime (Sam Smith, Aloe Blacc, Charlie Puth), and featuring William Prince. And “When Our Friends Come Over” is a gorgeous duet written and performed with Madi Diaz.

As Donovan continues to work on himself, Things Were Never Good If They’re Not Good Now is the portrait of a songwriter at his creative best. Addressing the truths and pains of life is never easy, and here, he does so in a way that’s brutally honest.

Donovan Woods is currently on tour in the U.S. supporting Drew Holcomb and the Neighbors. He heads to Australia on tour in June, before summer festival dates, and a North American headlining tour in support of his new record [all dates below].

PRE-SAVE THINGS WERE NEVER GOOD IF THEY’RE NOT GOOD NOW HERE

2024 TOUR DATES [TICKETS]
05/03 – Denver, CO @ Summit Music Hall ^
05/04 – Salt Lake City, UT @ The Commonwealth ^
05/06 – Portland, OR @ Revolution Hall ^
05/07 – Seattle WA @ Neptune Theater ^
05/09 – San Francisco, CA @ The Fillmore ^
05/11 – Los Angeles, CA @ The Fonda Theater ^
05/12 – Solana Beach, CA @ Belly Up Tavern ^
05/18 – Nashville, TN @ The Ryman ^
06/13 – Perth, AU @ Milk Bar
06/14 – Adelaide, AU @ Jive
06/15 – Melbourne AU @ Northcote Social Club
06/16 – Melbourne, AU @ Sooki Lounge 
06/20 – Maitland, AU @ The Stag
06/21 – Sydney, AU @ The Great Club
06/22 – Brisbane, AU @ Black Bear Lodge
07/05-07/07 – Orillia, ON @ Mariposa Folk Festival
07/25 - Burlington, ON @ Royal Botanical Gardens #
08/03 – Ben Eoin, NS @ Live at the Lake Songwriters’ Circle
10/03 – Victoria, BC @ McPherson Playhouse Theatre
10/05 – Vancouver, BC @ The Centre in Vancouver for the Performing Arts
10/06 – Kelowna, BC @ Community Theatre
10/08 – Edmonton, AB @ Winspear
10/09 – Calgary, AB @ Jack Singer Concert Hall
10/11 – Winnipeg, MB @ Burton Cummings Theatre
10/13 – Minneapolis, MN @ 7th Street Entry
10/15 – Chicago, IL @ Schuba’s
10/16 – Ann Arbor, MI @ The Ark
10/24 – Huntsville, ON @ Algonquin Theatre
10/25 – Peterborough, ON @ Market Hall Performing Arts Centre
10/26 – Ottawa, ON @ National Arts Centre
10/29 – Montreal, QC @ Bar Le Ritz PTB
11/01 – Boston, MA @ Brighton Music Hall
11/02 – New York, NY @ Le Poisson Rouge
11/03 – Philadelphia, PA @ Johnny Brenda’s
11/04 – Washington, DC @ The Atlantic
11/09 – Atlanta, GA @ Vinyl
12/04 – Kitchener, ON @ Centre in the Square
12/05 – Toronto, ON @ Massey Hall

^ w/ Drew Holcomb
# co-headline w/ Hayden

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THINGS WERE NEVER GOOD IF THEY’RE NOT GOOD NOW
01. Rosemary
02. 116 West Main, Durham, NC 
03. Trompsingel (Another Life)
04. It’s Been Like That For A While
05. Living Well 
06. Well Read
07. Back For The Funeral
08. Don’t Talk to Her at Night
09. I’m Just Trying To Get Home (feat. William Prince)
10. When Our Friends Come Over (feat. Madi Diaz)
11. All Raked Flat

DONOVAN WOODS ONLINE
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APPLE MUSIC

KAÏA KATER REVEALS “THE WITCH” FT. AOIFE O’DONOVAN FROM UPCOMING LP

BUY / STREAM “THE WITCH” FT. AOIFE O’DONOVAN
WATCH / SHARE “THE WITCH” (LIVE PERFORMANCE VIDEO)

KAÏA KATER’S NEW ALBUM, STRANGE MEDICINE, OUT MAY 17

PRE-SAVE STRANGE MEDICINE HERE

‘‘Strange Medicine suggests that hers is a talent built to endure. ...dizzyingly fresh and satisfyingly rich"  9/10 UNCUT | Americana Album of the Month

"Over the plucky sounds of banjo and strings, the two capture the city's unique spirit in a romantic character study." Billboard on "In Montreal" Feat. Allison Russell

"Kater and Russell make a gorgeous pairing of two artists who were meant to join voices. ... two voices of folk music's future." CBC Music on "In Montreal" Feat. Allison Russell

NORTH AMERICAN TOUR BEGINS MAY 17

Photo Credit: Janice Reid // DOWNLOAD HIGH-RES

Today, Grenadian-Canadian musician Kaïa Kater is revealing “The Witch” featuring Aoife O’Donovan from her upcoming album, Strange Medicine. “I have been fascinated with old Puritan tales about witch burnings and scarlet letters for a long time,” explains Kater. “I specifically wanted to write about the way men historically have branded women as temptresses, harlots, sirens and shrews, and then sought to reflect this visually – the letter A for adulteress, the burning of flesh to symbolize evil. The first woman labeled a witch in Salem was a Black woman by the name of Tituba. Usually these women died nameless and scorned. In my narrative, the woman who is branded a witch and burned at the stake survives her pilgrim’s punishment, and now seeks her revenge on those who sought to destroy her.”

BUY / STREAM “THE WITCH” FT. AOIFE O’DONOVAN
WATCH / SHARE “THE WITCH” (LIVE PERFORMANCE VIDEO)

MORE ABOUT STRANGE MEDICINE
Produced by Kater and Joe Grass (Elisapie, The Barr Brothers), Strange Medicine is Kater’s first new album in six years (following 2018’s Grenades) and her most personal record to date. Created during a period of deep self-reflection and reinvention, the new music finds Kater expanding her creative scope as she celebrates the power of women and oppressed people throughout history, while also sharing meditations on her own life. In addition to “Fédon”, Strange Medicine also features previously released single, “The Internet”, as well as collaborations with Aoife O’Donovan (“The Witch”) and Allison Russell (“In Montreal”).  

Reflecting on the project, Kater shares, “The through line for me is just stories. It was the story of my dad on Grenades, and on Strange Medicine it’s the story of people in history who might not have had their proper shrift. It’s also my chance to finally write about the times in my life when I didn’t feel like I had a voice, in order to give myself one now.” 

WATCH / SHARE “FÉDON” FEAT. TAJ MAHAL
BUY / STREAM “FÉDON” FEAT. TAJ MAHAL

LISTEN / SHARE “THE INTERNET” HERE
BUY / STREAM “THE INTERNET” HERE


Since her debut, Kater has released three full-length albums including 2018’s Grenades, which was nominated for Contemporary Roots Album of the Year at that year’s JUNO Awards and long listed for the Polaris Music Prize. Released to widespread critical attention, NPR Music praised, “vivid, sensory images and poetic language…We’re lucky that Kater’s shared her fully formed vision with us,” while Rolling Stone declared, “plaintive, mesmerizing…[Kater] writes and performs with the skill of a folk-circuit veteran” and No Depression proclaimed, “You want some authenticity in your folk music or bluegrass – I give you Kaïa Kater.” Additionally, Kater has been featured as part of NPR Music’s “Tiny Desk Concert” series and toured extensively across North America, Europe and the U.K. 

LISTEN / SHARE “IN MONTREAL” FT. ALLISON RUSSELL
BUY / STREAM “IN MONTREAL” FT. ALLISON RUSSELL

WATCH KAÏA KATER’S NPR TINY DESK CONCERT

Based in Canada with a foothold in Brooklyn, Kater’s music is influenced by the sounds of Canada, the Caribbean and Appalachia, reflecting her diverse background. In addition to own her work as a singer and musician, Kater took part in the Slaight Music Residency at the Canadian Film Center and wrote original music for BET’s series, The Porter, for which she won Best Original Song in a Drama Series at the 2023 Canadian Screen Awards. She also wrote music for the new film, My Dead Friend Zoe, which premiered  at SXSW.  

PRE-SAVE STRANGE MEDICINE HERE

TOUR DATES
May 17 Groton, MA Groton Hill Music Center
May 18 Cambridge, MA Club Passim
May 21 Hamilton, ON Mills Hardware
May 22 Toronto, ON TD Music Hall
May 23 Montreal, QC La Sotterenea
May 24 Kingston, ON The Broom Factory
May 26 Ottawa, ON Red Bird Live
June 1 Brevard, NC NC Guitar Celebration
June 5 Evanston, Il Evanston Space
June 6 Ann Arbor MI The Ark
June 7 Paw Paw, MI The Lucky Wolf
June 9 Frankfort, KY Josephine Sculpture Park
June 12 Brooklyn, NY Union Pool
June 13 Philadelphia, PA World Cafe Live Upstairs
June 14 Baltimore, MD Creative Alliance At The Patterson
June 20 St Peters, PE Festival Small Halls
June 21 Charlottetown, PE Festival Small Halls
July 11-14 Winnipeg, MB Winnipeg Folk Festival *
Aug 4-5 Canmore, AB Canmore Folk Music Festival*

++Performing with New Dangerfield 
* Performing with New Dangerfield & as Kaïa Kater

MORE DATES TO BE ADDED SOON

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STRANGE MEDICINE TRACKLIST
1. The Witch (feat. Aoife O’Donovan)
2. Maker Taker
3. Mechanics of the Mind
4. In Montreal (feat. Allison Russell)
5. The Internet
6. Fédon (feat. Taj Mahal)
7. Floodlights
8. Often as the Autumn
9. History in Motion
10. Tigers

KAIA KATER ONLINE
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