OMBIIGIZI ANNOUNCES NEW LP, SHAME, SHARES SINGLE & VIDEO FOR “LAMINATE THE SKY”

SOPHOMORE ALBUM PRODUCED BY KEVIN DREW OUT NOVEMBER 1, 2024 VIA ARTS & CRAFTS

PRE-SAVE SHAME HERE

WATCH / SHARE “LAMINATE THE SKY” HERE
BUY / STREAM “LAMINATE THE SKY” HERE

Photo Credit: Natasha Roberts // DOWNLOAD HIGH-RES

Today, OMBIIGIZI, the Anishinaabe-Canadian band led by Daniel Monkman (aka Zoon) and Adam Sturgeon (aka Status/Non-Status), share the news of their sophomore album, SHAME, accompanied by the single and music video for "Laminate The Sky." 

"In my shame there is truth" OMBIIGIZI sings on the album opening track, laying down the atmospheric pulse of their followup to the much lauded debut, 2022’s Polaris finalist and Juno nominated Sewn Back Together. Delving into the Anishinaabe ancestry of its core members, with OMBIIGIZI's particularly sonic aspect – Indigenous futurism with a heavy dose of 90s Alt, Psych Rock, and Shoegaze – "Laminate The Sky" portrays “a visual representation of the world we are in,” Monkman says. With the first cheaply plasticized treaty cards ("that no stores would accept") as poetic reference, OMBIIGIZI's vaporous melodies, mingling with uncharacteristically stripped back guitars and gentle rhythmic propulsion, set the band's gripping sophomore album – SHAME – alight, with its perfect mix of terrestrial and spiritual elements. 

"'Laminate The Sky' to us symbolizes freedom in a lot of ways," the band says. "The idea comes from these things that Indigenous people are given at birth called a status card. Back in the day, they'd give you this crappy cardboard paper with a cheap laminated seal that everyone off the reservation thought was fake. Nowadays, we have high-tech ones that I scan at the border to go work in the United States, but even ten years ago my pass to get off the reservation would be rejected in the city. It was a rude awakening in my formative years, being self-conscious of my place.”

WATCH / SHARE “LAMINATE THE SKY” HERE
BUY / STREAM “LAMINATE THE SKY” HERE

Single Artwork // DOWNLOAD HIGH-RES

"Shame is a thing we all share," the band says of the album's title and core theme. "While the last album focused a lot on the positive force of healing despite odds, SHAME let’s things slide - it shares the things we don’t always say, it calls to others to heal and reminds them it’s OK - to feel, to be angry or sad, and that the world we experience can set the drag on high. But always it calls you in and forward." 

A song, at first, and an album that reckons deeply with identity and place. Following the recent singles "Connecting" and "Ziibi," OMBIIGIZI now embarks on the starkly honest yet richly uplifting work entitled SHAME, out November 1 via Arts & Crafts. 

Through its irrepressible storytelling and captivating sonics, again produced with Broken Social Scene's Kevin Drew at The Tragically Hip's Bathouse Studio in Kingston, Ontario – promising better tone, wider strident-to-bliss dynamics, more of what this collusion of creative souls exists to do best –OMBIIGIZI (pronounced om-BEE-ga-ZAY, meaning this is noisy) conjure a future from the remnants of the stolen past.

LISTEN / SHARE “ZIIBI” HERE
BUY / STREAM “ZIIBI” HERE

MORE ABOUT OMBIIGIZI
The Anishinaabe revival is accelerating. Our artists are becoming more resurgent in all realms: telling the stories, singing the songs, and creating the imagery to further solidify our everlasting presence on this land. The soundtrack to this movement is diverse, profound, and beautiful. The Anishinaabe sonic revolution is richly layered and wide-reaching, inspiring and influencing all generations to gather, sing, and speak, as we’ve always done. And at the core of this renewal are artists like Ombiigizi.

Adam Sturgeon and Daniel Monkman have come together in the spirit of making noise in a good way for our people. They have documented this moment in time while paying homage to the ancestors who kept our language and stories alive. There is a deep respect and love for Anishinaabe sounds and voices. They proudly tell family and community stories, and they exquisitely conjure a hopeful future that will result from our current collective efforts to share our realities with each other and the world. - Waubgeshig Rice

WATCH / SHARE “CONNECTING” HERE
BUY / STREAM “CONNECTING” HERE

PRE-SAVE SHAME HERE

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SHAME TRACKLIST
1. Laminate The Sky 
2. Street Names And Land Claims 
3. Connecting 
4. What Was Said 
5. Hands Are Up 
6. City Trials 
7. Photograph 
8. Ziibi 
9. Oil Spills 
10. Shame 

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BUSTY AND THE BASS SHARE FINAL TRACK FROM THE BREAKGLASS SERIES, “NO SELF CONTROL”

BUSTY AND THE BASS SHARE LIVE OF THE FLOOR VERSIONS OF TRACKS FROM FOREVER NEVER CARES, FILMED AND RECORDED AT BREAKGLASS STUDIOS

WATCH / SHARE “NO SELF CONTROL” (THE BREAKGLASS SERIES: PART 3)
BUY / STREAM “NO SELF CONTROL” (THE BREAKGLASS SERIES: PART 3)

BUY / STREAM FOREVER NEVER CARES HERE

Photo Credit : Jean-Phillipe Sansfaçon // DOWNLOAD HIGH-RES

"No Self Control (The Breakglass Version)" is the third and final piece from Montreal indie collective Busty and the Bass’ live off-the-floor video series, recorded at Breakglass Studio. The lush and explorative jazz track steps even further into the realm of improvisation and pushes the boundaries of the band's musical influences. Now as a 10-piece arrangement, featuring trading solos between trumpet and saxophone, along with Alistair Blu's dream-like lyrics, the track is a deep, meditative soundscape.

“The song originated as an instrumental piece written and arranged by Chris Vincent,” the band says. “The lush chords and constantly changing harmonies inspired the abstract, dream-like lyrics Alistair Blu eventually added for the track. The original version, from our album Forever Never Cares, concludes the LP with a deep, meditative solo by LA-based saxophonist/producer Terrace Martin.

“The ‘Breakglass Version’ steps even further into the realm of improvisation and pushes the boundaries of our jazz influences. This version was recorded live off the floor with a 10-piece arrangement of the band and features trading solos by Scott Bevins (aka No Cosmos) on trumpet and Chris Edmondson (aka Ivy Boxall) on alto saxophone.”

WATCH / SHARE “NO SELF CONTROL” (THE BREAKGLASS SERIES: PART 3)
BUY / STREAM “NO SELF CONTROL” (THE BREAKGLASS SERIES: PART 3)

Single Art // DOWNLOAD HIGH-RES

MORE ABOUT BUSTY AND THE BASS
For the Canadian-American soul-jazz collective Busty and the Bass, collaboration has always been at the forefront of their music. Formed at McGill University in Montreal over a decade ago, the group is now scattered across four North American cities from coast to coast. Yet, with a collaborative spirit at the heart of their third studio album, Forever Never Cares, the members have never been more connected.

Over the years, the group has collaborated with legendary artists George Clinton, Macy Gray, Earth Wind & Fire, Slum Village, and exciting new voices like Polaris Music Prize winners Cadence Weapon and Pierre Kwenders. Most recently, the group dropped a mini-album with Philadelphia poet and rapper STS. Despite such a strong history of partnerships, Forever Never Cares reshaped the band’s creative formula and redefined how they worked together a decade into their career.

WATCH / SHARE “STARSTRUCK” (THE BREAKGLASS SERIES: PART 1)
BUY / STREAM “STARSTRUCK” (THE BREAKGLASS SERIES: PART 1)

After a founding member and primary songwriter left the band in 2022, the collective used the opportunity to re-approach their creative process for the first time in years. Songs would be brought to the group from individual members or smaller formations of two or three members writing together. Interestingly, more voices involved in the songwriting resulted in the group’s most refined output to date. 

WATCH / SHARE “SMOKE AND THE PINE” (THE BREAKGLASS SERIES: PART 2) 
BUY / STREAM “SMOKE AND THE PINE” (THE BREAKGLASS SERIES: PART 2)

Two previous studio albums, Uncommon Good (2017) and Eddie (2020), saw the band experiment with genres effortlessly changing styles song to song, from soul to funk to pop. 

Forever Never Cares finds the collective both broadening and distilling their influences into a unified sound that is entirely their own. This is due in large part to founding member Christopher Vincent who engineered and mixed the album. Vincent found a sonic language that would compliment all of the ​​disparate genres being stacked atop one another.

With soul and R&B as the album’s cornerstone, the record is sprinkled with cross-genre explorations. From the indie rock-inflected uptempo singles “All The Things I Couldn’t Say To You” and “Wandering Lies,” to slow-burn ballads like “Give Me A Smile” and “Never Get Enough,” to the celebratory pop-funk of “Starstruck” and “No Angels,” a touch of 70s singer-songwriter on Smoke and the Pine” and “Holiday Drive,” and the psychedelic jazz explorations of “Far From Here” and “No Self Control” featuring saxophonist Terrace Martin, a frequent collaborator of Kamasi Washington and Robert Glasper.

BUY / STREAM FOREVER NEVER CARES HERE

BUSTY AND THE BASS ONLINE
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KROY’S NEW ALBUM, MILITIA, OUT TODAY, SHARES “SATIN SATAN”

Photo Credit : Gerardo Alcaine // DOWNLOAD HIGH-RES

Today, Montreal’s KROY, the stage name of pluridisciplinary artist Camille Poliquin (Milk & Bone), releases, MILITIA, an album teeming with dark pop melodies inspired by love, sadness and depression.

The body of work is as old as it is new, some songs rooted in late teen years, others from the dawn of one’s 30s. Every single one of them drenched in sadness and despair, from different perspectives of mania and depression. A portrait of a girl’s evolution through her twenties, gathering confidence, losing it entirely, testing out different personalities, just to come back closer to who she really is. In this case, a sad sad girl who loves alot and may be obsessed with the idea of death and cars and robots.

On album track “SATIN SATAN”, KROY embraces a cards-on-the-table approach in describing a toxic relationship. Her bubblegum vocals and cheery drum machine contrast with the matter at hand, an easy feat for an artist accustomed to the liminal spaces between mania and depression. 

WATCH / SHARE “SATIN SATAN” LYRIC VIDEO HERE

Fresh off an appearance at the Montreal Jazz Festival mainstage, KROY is preparing for fall touring through North America including a headline POP Montreal show supporting her new album MILITIA. Full tour dates can be found below with more dates to be added in the near future.

MORE ABOUT KROY
Her deeply personal approach to music and her bold pop explorations have seen her accumulate millions of plays on streaming platforms. KROY has been described as a visionary artist and Montreal’s queen of electropop and is known for her soaring voice, synth-pop melodies and brooding lyrics.

In the fall of 2016, KROY released her debut solo album SCAVENGER. With hypnotic electro rhythms  and lyrics dominated by stories of impossible love, the album draws inspiration from spacey trip-hop  (Goldfrapp, Portishead) and inventive modern pop (Vampire Weekend, Youth Lagoon). SCAVENGER’s whirlwind of synths has garnered praise from the likes of Rolling Stone, Nylon, FADER, Complex, Noisey and more. Reflecting KROY's polished black-and-white imagery, the cover won a prize at the 2017 Grafika Awards. The album’s success has also allowed KROY to perform throughout Canada and abroad, including New York and Paris, Le Printemps de Bourges, Austin (SXSW), Hamburg (The Reeperbahn) and Montreal (Osheaga). Between 2020 and 2023, the musician collaborated with Belgium-born producer Apashe, Canadian producer Felix Cartal, Korean producer QRION.

WATCH / SHARE “SALTWATER” HERE
BUY / STREAM “SALTWATER” HERE

WATCH / SHARE “JOLIGENTIL” HERE
BUY / STREAM “JOLIGENTIL” HERE

To express her forward and varied interests, Camille likes to say that, much like Seinfeld’s George Costanza, she could’ve become a marine biologist or an architect had she not turned her attention to music. On top of the success of KROY and her collaborative band Milk & Bone, the musician, who completed studies in orchestral composition, has crafted music for two Cirque du Soleil shows and several feature films with bandmate Laurence Lafond-Beaulne, including the theme song for King Dave for which the pair earned a nomination at the 2017 Canadian Screen Awards. Poliquin has also written the original music for the 2019  documentary Sisterhood, as well as the 17 episodes of Canadian TV series L’Empereur (Crave and Prime). Multiple KROY songs have been selected to play in feature films and TV series throughout the years.

In the time between SCAVENGER and MILITIA, KROY expanded her multidisciplinary practice. In exploring her obsession with robotic arms, she found an indispensable ally (Jonathon Anderson; The Creative School, Toronto Metropolitan University) who has brought her to work closely with KUKA robots. In 2021, she presented ANIMACHINA at the PHI Centre — a series of 7 videos premised on themes of surveillance, terror and animism, featuring her beloved robotic companion. 

BUY / STREAM MILITIA HERE

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MILITIA TRACKLIST
01 KILLSWITCH 
02 DEFENDER 
03 SATIN SATAN
04 JOLIGENTIL
05 ALAAT
06 AIRFORCE ONE
07 BLUEBIRD
08 THE WOLF
09 CREATURE
10 GHOST
11 SALTWATER
12 TWELVE WHEELER TRUCK

TOUR DATES // TICKETS HERE
Sept 28 - Montreal, QC - Theatre Fairmont
Oct 12 - Saint-Hyacinthe, QC - Zaricot
Oct 19 - Gatineau, QC - Minotaure
Dec 6 - Sherbrooke, QC - La Petite Boite Noire

KROY ONLINE
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