GEOFFROY ANNOUNCES DELUXE VERSION OF GOOD BOY LP

GEOFFROY ANNOUNCES THE DELUXE VERSION OF HIS LATEST ALBUM, GOOD BOY, FEATURING THREE UNRELEASED TRACKS - OUT THIS FRIDAY, SEPTEMBER 13

WATCH / SHARE “NO CALLS BEFORE NOON” TODAY HERE

PRE-SAVE GOOD BOY DELUXE LP HERE

ADDS MORE CANADIAN TOUR DATES - TICKETS HERE

Photo Credit : Alex Dozois // DOWNLOAD HIGH-RES

Today, Geoffroy announces the deluxe version of his colourful 2024 LP Good Boy. Arriving September 13, the expanded LP features three previously unreleased tracks including single “No Calls Before Noon”.

The LP features reimagined artwork by LA artist Old Sweaty, and was digitally retracklisted by Geoffroy to highlight his favourite tracks, to create a new listening experience that adds depth and weight to the original product.

“No Calls Before Noon” is accompanied by a beautiful Alex Dozois-directed video, shot with Geoffroy over a month in Vietnam and Thailand. The visual captures the mood of the song masterfully, a romantic melancholy that’s been at Geoffroy’s side since childhood.

“I've always been drawn to new destinations and meeting new people, homesickness has been a familiar companion,” Geoffroy explains. “‘No Calls Before Noon’ captures the feeling of complete belonging that strikes when you're travelling in a foreign place, yet somehow it feels like home. It's about that moment when you realise you're exactly where you're meant to be - in time and space.”

WATCH / SHARE “NO CALLS BEFORE NOON” TODAY HERE

PRE-SAVE GOOD BOY DELUXE LP HERE

MORE ABOUT GEOFFROY + GOOD BOY
Geoffroy is an essential and emerging voice in Canadian music. Now three LPs into a career that has solidified him as one of Quebec’s best artists, the Montreal-born songwriter and producer takes the next step internationally with the release of fourth full-length Good Boy.

Almost 10 years removed from his first release, this project was sparked with the intention of creating Geoffroy’s most authentic work to date, blending organic instrumentation and electronic elements into a bright and rich album filled with diverse sounds, a collection of songs that moves beyond the brooding depth that has defined recent works. 

Each past album that Geoffroy has released reflected a different tone and period in the artist’s life and his evolution and experimentation with different sonic palettes. In this case, Good Boy sees Geoffroy look back and collaborate with longtime production partners Clément Leduc and Gabriel Gagnon, but also incorporate a diverse collection of new background musicians and singers that brings the album to life in vibrant colour. 

That diversity was driven by a gradual shift in Geoffroy’s influences, having spent recent years immersing himself in the worlds of cumbiamusic and a range of other latin and african rhythmic styles, that melded with his traditional singer-songwriter form to create something that feels truly international. 

In fact the record’s narrative was inspired by a trip to Mexico where he befriended - and ultimately adopted - a shelter dog named Papi, bringing him from the streets of Mexico City to Montreal. Papi serves as the mascot for the LP, but more importantly acts as an overarching metaphor for being lost, but ultimately found. 

Asked to reflect on the change in perspective that accompanied the transition from his previous musical era into this one, Geoffroy spoke to the clarity he experienced in terms of his own agenda in the creation of music. 

Live Slow Die Wise had a slower pace and I was eager to step away from the nostalgia and melancholy I had visited and analyzed plenty in the past,” Geoffroy reflects. “I did what felt natural, a feel-good album (I think) that shed the weight of the other ones. I feel I’m getting closer to the sound I’m looking for, though I might be chasing something that’s faster than me.” 

TOUR DATES // TICKETS HERE
09/20/24 Victoria, BC - Capital Ballroom
09/21/24 Vancouver, BC - Hollywood Theatre
09/27/24 Calgary, AB - Commonwealth
09/29/24 Sherwood Park, AB - Festival Place 
10/09/24 Gatineau, QC - Minotaure
10/12/24 Brossard, QC - L'Étoile Banque Nationale
10/18/24 Sherbrooke, QC - Théâtre Granada
10/19/24 Saint-Casmir, QC - Théâtre les Grands Bois
10/23/24 Brooklyn, NY - Elsewhere (Zone One)
10/25/24 St-Hyacinthe, QC - Le Zaricot
10/26/24 Lavaltrie, QC - Café Culturel de la Chasse-Galerie
11/01/24 Halifax, NS - The Seahorse Tavern
11/20/24 Toronto, ON - The Drake Underground
11/21/24 Toronto, ON - The Drake Underground
11/23/24 Kingston, ON - The Broom Factory
12/12/24 Quebec, QC - Grizzly Fuzz
12/13/24 Quebec, QC - Grizzly Fuzz

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GOOD BOY DELUXE TRACKLIST
1. Only Child
2. C.A.Y.A
3. Early Morning Sun
4. Recuerdo De Ti
5. First Impressions
6. Blue
7. Hotel Bed
8. Cyclical (Ethereal Edit)
9. Hopeful
10. Mac N Cheese
11. Over You
12. State Of Mind (Interlude)
13. No Calls Before Noon

GEOFFROY ONLINE
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THUNDER QUEENS TO PERFORM WITH THE BEACHES AT POLARIS GALA, SHARE NEW BREEDERS COVER

THUNDER QUEENS TO PERFORM AT THE POLARIS MUSIC PRIZE GALA ALONGSIDE JORDAN MILLER FROM THE BEACHES

LISTEN / SHARE “CANNONBALL” (BREEDERS) HERE
BUY / STREAM “CANNONBALL” (BREEDERS) HERE

THUNDER QUEENS’ DEBUT LP, STRIKE ONE, OUT NOW VIA VICTORY POOL RECORDS

BUY / STREAM STRIKE ONE HERE

“Thunder Queens — the shit-kicking trio of Violet Bruneel, Lola Hayman and Clara Magnan — make music for staying alive. Their garage-adjacent tunes fold in elements of deep purple doom, scrappy punk and classic pop melodies, making debut album Strike One a thrillingly confident introductory statement." - Exclaim!

“This emerging garage punk trio might still be in high school but they’re ready to affect change through their music and message.” RANGE Magazine

“Strike One, is a rocking good time of punk, grunge, 70s metal, and riot grrrl. …  an impressive debut album” SPILL Magazine

Photo Credit : Bravo Foto // DOWNLOAD HIGH-RES

As they prepare to perform two songs at The Polaris Music Prize Gala alongside Jordan Miller from The Beaches, Thunder Queens are “excited, nervous, and starting high school.” The Queens are eager to make their mark on the iconic Massey Hall stage, recognizing the significance of this moment in their career, and excited to support The Beaches on stage for their Polaris nomination. 

Performing at such a prestigious event, surrounded by fellow Canadian artists living their dreams, will be an unforgettable experience for the band—one that will undoubtedly be a highlight of their journey so far. "The Beaches have been so nice and protective of us, it means a lot to us to have them in our corner.”

Known for their doomy anthems and sweet alt punk songs, today Thunder Queens are sharing their take on "Cannonball" by the iconic 90s band The Breeders. While staying mostly true to the original, they’ve infused the track with their signature heaviness, bright harmonies, and a youthful energy creating a version that feels distinctly Thunder Queens.  

Collaborating with renowned producer Thom D’Arcy, who works with fellow Polaris Music Prize nominees NOBRO, was an inspiring experience for the band, resulting in a recording process that was both smooth and creatively fulfilling. “Thom’s studio is a dream to work in, and everything came together in such a creative way.” 

LISTEN / SHARE “CANNONBALL” (BREEDERS) HERE
BUY / STREAM “CANNONBALL” (BREEDERS) HERE

“Cannonball” Artwork // DOWNLOAD HIGH-RES

MORE ABOUT STRIKE ONE
The band are unafraid to be experimental and shapeshift, conjuring the playful vitality of Sheer Mag, ground shaking range of Black Sabbath, and the urgency of The Runaways. Their raw energy and poignant lyricism show a band that’s played together for over half a decade while still being on the cusp of earning a driver’s license. Over 11 tracks, each riff and lyric paint a vivid picture of a world they’re still discovering, from the gauzy bliss of a sun-drenched road trip to the urgency of our fractured political landscape. Thunder Queens fearlessly explore a spectrum of emotions and themes with the unmatched curiosity of youth and solidarity that comes from nurturing a foundation of sisterhood. 

Lola Hayman (drums, vocals), Violet Bruneel (guitar, vocals), and Clara Magnan (bass, vocals) became friends while searching for loonies under the pinball machines at Call The Office. In between eating ice cream cones and wreaking havoc on their skateboards, they formed Thunder Queens. 

WATCH / SHARE “FIGHTER” HERE
LISTEN / SHARE “SUMMERTIME” HERE

The band have nailed their songwriting formula down to a science. They build the bones of shapeshifting riffs, dream up tones and harmonies, and weave stories into their songs. Similar to scoring a film, they visualize a cinematic treatment aligned around places they can see and words they can’t shake. (Like, “All These Problems” which they wrote during a summer of political unrest). Their writing, performances, and tenacity have earned them coveted spots alongside acclaimed Canadian acts like The Beaches, Metz, The Dirty Nil, Ombiigizi, and Daniel Romano, and to perform at Pop Montreal, Up Here Festival, and Bitchfest. 

Strike One is the natural follow-up to their 2020 self-titled EP (Yeah Right! Records), expressing the hopes, fears, and joys, while also making razor-sharp observations on our culture. As they gaze at their surroundings, Thunder Queens remain clear-headed about the future, while continuing to push boundaries and stake their claim in the Industry.

BUY / STREAM STRIKE ONE HERE

THUNDER QUEENS ONLINE
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ASKO SHARES NEW VIDEO, SHIRT COLLABORATION, NEW LP OUT TODAY

ASKO, THE NEW PROJECT FROM MAREK TYLER (nêhiyawak, WAYFINDING), NEW SELF-TITLED LP OUT TODAY VIA DINE ALONE RECORDS

ASKO COLLABORATES WITH ARTISTJOI ARCAND ON AN ORANGE SHIRT DESIGN. PROCEEDS TO BENEFIT THE  nêhiyawak LANGUAGE EXPERIENCE -  BUY ORANGE SHIRT COLLABORATION HERE

BUY / STREAM ASKO HERE

WATCH / SHARE “wâhkôhtowin” HERE

Photo Credit: Levi Manchak // DOWNLOAD HIGH-RES

Today, ASKO, the new project from Marek Tyler, releases his self-titled album courtesy of Dine Alone. In celebration, he’s sharing a new video for “wâhkôhtowin” and collaborating with artist Joi Arcand to release a new orange shirt for the Day for National Truth and Reconciliation, with proceeds benefiting the nêhiyawak Language Experience (nLE).

On the new video for “wâhkôhtowin” (the act of being related to each other), director Sebastian Buzzalino says, “Marek and I looked to tap into that anticipatory energy that builds once the sweat lodge’s door is closed and the darkness, heat and community take over. Bodies lose their boundaries and become interconnected, emancipatory in their intersections, and burst into new identities. We build new realities through these intersections, in the acts of being related to each other, as the three BIPOC Queens (and Marek’s cameos) emerge into their fully-formed selves.”

Marek adds, "capan (great-great grandfather) Harper told a story about learning our ways. When the lodge door closes, it's dark. The hot rocks' glow may be made out, but everything else disappears. You can hear the water hit the rocks, the feathers above, and the family around us. This song is for that moment when we are not alone. We were here, we are here, and we will always be here."

"tastawiyiniwak, the in-between people, hold significant places within nêhiyaw ways, embodying masculine and feminine qualities. For 3 minutes and 50 seconds, I wanted to strip away the binary and shame and consider what it means to be related. I wanted to celebrate enduring bonds within the nêhiyaw worldview and the importance of maintaining these relationships and our interconnectedness.”

WATCH / SHARE “wâhkôhtowin” HERE

The title of the shirt is nôkosiw-osâwipakowayân (he/she/they comes into view, becomes visible). On the shirt design Arcand says "nôkosiw-osâwipakowayân is my collaboration with Marek's ASKO project, Inspired by the sounds and the sentiments embedded in the music, these designs reflect the movement of waves. Orange Shirt Day is a day inspired by the story of Residential School Survivor — Phyllis Webstad. These shirts are our effort to honour the residential school survivors and those who didn't come home and celebrate Community strength.” The shirts are available to order via the Dine Alone Store.

MORE ABOUT THE NÊHIYAWAK LANGUAGE EXPERIENCE
The nêhiyawak Language Experience (nLE) has been a leading organization in preserving and enriching the nêhiyaw (Cree)  language and literacy in Saskatchewan for two decades. They have provided language experience and education to thousands of individuals from across North America and other continents. What sets them apart is their commitment to integrating nêhiyaw values and worldviews into the curriculum, fostering language proficiency, cultural pride, and identity. nLE’s origin is in Sturgeon Lake First Nation, SK, and it is here that they founded a not-for-profit organization that is committed to learning the language on the land, from the land in a collective process that is seeped in homes for intergenerational transmission of nêhiyawewin. They engage in language revitalization research and contribute to restoring nêhiyawewin literacy through workshops, presentations and community projects.

Notably, nLE has hosted summer Cree immersion camps since 2004. These camps provide hands-on experiences in land-based learning, reinforcing cultural connections and language skills. Their programs have been described as medicine contributing to therapeutic nourishment and healing.

WATCH / SHARE “sîsîkwan” HERE

MORE ABOUT ASKO - by Leanne Betasamosake Simpson
ASKO is a teaching lodge that you enter into with hesitation and humility. It is an immersive experience in which, if you bring an open heart and an open mind, you will learn to listen in a different register and come out of the lodge with a different perspective than you entered. ASKO is a coming  together –a meeting of emotional and intellectual knowledge, a meeting of the heartbeat and the sound of thought travelling through space. It is a place that teaches us how to listen to the energies and forces that continually create nêhiyawak worlds in spite of and despite the noise of colonialism. 

It is a storied meeting place of the drum and the rattle. 

Marek Tyler is nêhiyaw and Scottish/Irish, and while his name is on the project, ASKO is a gathering place of many collaborators and advisors. In some ways, Tyler is an oskâpêwis, listening deeply to the creative forces of his relatives. He follows the guidance of his câpân (great-great-grandfather), his mom, artist, educator and Knowledge Keeper, Linda Young of Onion Lake Cree Nation, his uncle Dale Awasis and advisor Diana Steinhauer. ASKO's community doesn't end here, though. ASKO includes the kinetics of pow-wow dancers following the heartbeat of the big drum and embraces the choreography of prairie chickens telling the stories of the grasslands. It is the voice of the wind and the songs of the bright blue sky. 

Taking this all inside, Tyler responds with ASKO, a creative offering in the form of a soundscape echoing nêhiyaw life and ways of living. ASKO foregrounds these energies, inviting the listener into a rich gathering of the nêhiyaw creative practice across time and space, generations, and forms of life. 

WATCH / SHARE “nisis” HERE

Tyler is best known as a touring musician from Treaty 6 (SK/AB - Canada), the drummer from the Polaris Music Prize short-listed and JUNO Award nominated indie band, nêhiyawak. Their debut release, nipiy (Arts and Crafts, 2018), is a thoughtful meditation on water. In some ways, ASKO is a deepening of nipiy. One of Tyler’s advisors, Dale Awasis, explains that ASKO derives from the nêhiyaw foundational principle' askôtowin,' which reflects the following action: we are taught to lead by following and weaving our existence into the web of creation we are a part of. 

This is different from how drummers usually work in rock bands. And herein lies Tyler’s transformation from drummer to beat worker. By following the movements, sounds and rhythm of the nêhiyaw lives of his kin, Tyler engages in wayfinding, inspiring and compelling us to make, feel and dream beyond our present moment. 

ASKO is meant to move the listener emotionally, spiritually and physically. It is meant to cross cultures and travel. The album is electronic-forward and the lead singer is percussion. You can hear the sounds of waves, wind and wings in these tracks alongside repurposed sounds like the bell of a residential school. The album doesn’t feel heavy though, it was born out of the kinetics of dance and it will make the listener want to move. 

Tyler presents us with the sonics of a continuous rebirth, the poetics of a continual unfolding and enfolding. 

The result is breath. 

The result is simply a gift. 

Welcome/tawâw 

WATCH / SHARE “nikâwîs” HERE


ASKO LIVE PERFORMANCE DATES
Sept. 12 - Sherwood Park, AB - Festival Place
Sept. 26 - Saskatoon, SK - Amigo’s | Breakout West
April 4 - Calgary, AB - Festival Hall

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ASKO TRACKLIST
01 nôkosiw
02 nikâwîs
03 nisis
04 wâhkôhtowin
05 sîsîkwan
06 enoksasant
07 pimohtêwin
08 sôhkisiw

ASKO ONLINE
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