TWO HOURS TRAFFIC NEW EP OUT TODAY, TOUR DATES BEGIN NEXT WEEK

TWO HOURS TRAFFIC RELEASE FIRST NEW SET OF SONGS IN A DECADE
I NEVER SEE YOU ANYMORE EP - OUT TODAY

BUY / STREAM I NEVER SEE YOU ANYMORE HERE

LISTEN / SHARE “ANDY MAGOFFIN” HERE

ONTARIO TOUR DATES BEGIN MAY 28 - FULL DATES LISTED BELOW

Photo Credit : Robert Georgeoff // DOWNLOAD HIGH-RES

Today, Two Hours Traffic releases their first collection of new music in a decade, I Never See You Anymore. While the band took their final bow in 2013, a quiet reunion some years later saw the Charlottetown group, comprised of Liam Corcoran, Andy MacDonald, Nick Doneff, and Derek Ellis, soon finding themselves playing together again, first occasionally, then more often, until new songs began to emerge naturally. Now, twelve years since their last release, Two Hours Traffic make an unexpected but welcome return with their new EP, I Never See You Anymore. 

To celebrate the occasion, the band are sharing “Andy Magoffin”, the song that sparked the EP’s title. “We wrote ‘Andy Magoffin’ after the EP was essentially finished and liked it so much that we recorded it quickly in our hometown and finished it just in time for the release,” says MacDonald. “It also gave us the title for our EP, I Never See You Anymore, which applies to our friend (and hero) Andy Magoffin, as well as so many other amazing people and places we don’t see anymore, since we stopped touring full-time.”

“Back in the early days of the band, we randomly caught a Two Minute Miracles video on MUCH’s The Wedge one Friday night,” explains Corcoran. “The song was called ‘Rayon Queen in a Nylon Dream’ and it just hit us like a ton of bricks. In less than 3 minutes, we were presented with a roadmap to what we wanted to sound like: a simple song structure that was giddily catchy/poppy, but with a unique lyrical voice that wasn’t concerned with making obvious sense to anyone. We started to cover ‘Rayon Queen’ shortly after hearing it, and we started listening to their albums on repeat. 

“Then one night in Kingston we were on a bill with Miracles’ mastermind Andy Magoffin who was playing solo that night. We surprised him by playing ‘Rayon Queen’. I think it meant a lot to him to see these green kids from PEI covering his song. We’ve been friends ever since that night.

“When our Andy, MacDonald, came to us with the idea for this song it made a lot of sense to us to look back and pay homage to the old days of our band on this new EP. In the second verse we move on to Sackville New Brunswick - to the now closed George’s Roadhouse. We played there loads of times in our early years, and we’d also drive over to see bands occasionally. In the song, we reference a particularly legendary Constantines show that was an end-of-semester night advertised to the students at Mount Allison University. It feels appropriate to end the song with the honest refrain of ‘I Never See You Anymore’ - this applies to so many wonderful people who we got to know on the road. Hopefully we see at least a few of them again in the years ahead.”

LISTEN / SHARE “ANDY MAGOFFIN” HERE

BUY / STREAM I NEVER SEE YOU ANYMORE HERE

MORE ABOUT TWO HOURS TRAFFIC + I NEVER SEE YOU ANYMORE
I Never See You Anymore follows the Polaris Music Prize shortlisted Little Jabs (2007) which was included on some of the most iconic TV show soundtracks of the era (The Office and The O.C.). This new six-song EP blends the experiences and influences of their early years with the maturity and clarity of a band shaped by another decade of life. The title, I Never See You Anymore, is reflective of encountering the bittersweet realities of no longer being a touring band, as bassist and producer Andy MacDonald explains. “Every time we made our way across Canada, and even on our trips to Europe, Australia, and the US, we’d run into friends and musicians we couldn’t wait to see,” he recalls. “Once we split up, it slowly dawned on us that we wouldn’t be seeing most of these people regularly again.” 

WATCH / SHARE “LEAVE TONIGHT” HERE

Recording the EP was a collaborative and organic process that unfolded naturally throughout 2024. Sessions took place at various friends’ studios on PEI, as well as at Fang Recording, Joel Plaskett’s studio, in Dartmouth, Nova Scotia. “Writing and recording this EP was such a pleasure because we weren’t beholden to any timelines,” MacDonald reflects. “We were able to slowly pick away at the songs and refine them.” 

“It takes a village to make a Two Hours Traffic record,” says Corcoran, referring to a village seemingly populated by some of Eastern Canada’s most acclaimed musicians. The process began with sessions at Greg Alsop’s (Tokyo Police Club) studio in Charlottetown. From there, bass and guitar were tracked at Plaskett’s studio in Dartmouth, followed by vocal recording in Hope River, PEI, at Mark Geddes’ studio, The Hold. Outside of these sessions, longtime collaborator Dan Griffin contributed synths and keys that subtly tied the songs together. 

WATCH / SHARE “ON THE SPOT” HERE

The newest member of the band, Nick Doneff, played a key role in the process, adding layers, working on rough mixes, and keeping things organized. “When we decided to record the sixth song, ‘Andy Magoffin’, Nick was in the engineer’s chair,” Corcoran notes. Reflecting on the band’s democratic approach, Corcoran praises MacDonald for stepping up to produce the project and guide them through the long and winding process. “Andy took on the task of making the executive decisions, ensuring that we retained our identity while also creating something fresh,” Corcoran says. 

The new songs seem to embrace the ethos that first brought them together: direct, melody-driven songwriting with an emotional core, but now with a refined maturity. While I Never See You Anymore carries echoes of Little Jabs’ infectious hooks and Foolish Blood’s polished confidence, it also leans into a warmer, more dynamic sound shaped by the band’s years apart. There’s a looseness in the arrangements, a sense of ease that comes from playing without expectation. Lead single, “Keep It Coming”, reflects this spirit. Written during a challenging year, the song became a mantra about staying present and trusting in resilience. “A reminder not to worry about every little thing in the future,” says MacDonald. 

WATCH / SHARE “KEEP IT COMING” HERE

For Two Hours Traffic, “the old days” seemed to be a time of constant evolution, navigating lineup changes and shifting priorities, both creatively and personally. Their 2009 album Territory saw them stepping into a more expansive, textured sound, pushing beyond the bright immediacy of Little Jabs. By 2013’s Foolish Blood, they had refined their songwriting even further, balancing their knack for hooks with a newfound confidence. Those years that followed were full of all the growing pains, joys, and struggles that come naturally to a young band under a spotlight. Reflecting on that time, Corcoran says, “I get the feeling that we were still trying to prove ourselves.” 

Now, with I Never See You Anymore, Two Hours Traffic are less focused on proving themselves and more on staying connected to the music they love. As MacDonald puts it, “Everyone in the band is ultimately in love with the process of writing and recording music. It’s been a part of our lives since we were teenagers, and we’re all still at it. Whether it’s Two Hours Traffic, Liam and Nick’s solo work, or Golden Cinema, we’re all still picking away. I don’t see it stopping anytime soon. We’re hooked.” 

BUY / STREAM NEVER SEE YOU ANYMORE HERE

TOUR DATES // TICKETS HERE
May 28 | Toronto, ON – The Rivoli (w/ Rockford)
May 29 | Hamilton, ON – Mills Hardware (w/ MOONRIIVR)
May 30 | London, ON – Rum Runners (w/ Pro Wrestling The Band) 
May 31 | Guelph, ON – Sonic Hall (w/ MOONRIIVR)

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I NEVER SEE YOU ANYMORE TRACKLIST
01 Keep It Coming
02 Leave Tonight
03 On The Spot
04 Moon Baby
05 Not A Day Goes By
06 Andy Magoffin

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KEN YATES SHARES SHARES FINAL SINGLE FROM UPCOMING LP, TOTAL CINEMA

KEN YATES’ NEW LP, TOTAL CINEMA, SET FOR RELEASE JUNE 6, 2025

LISTEN / SHARE “THE GREAT RESOLUTION” HERE
BUY / STREAM “THE GREAT RESOLUTION” HERE

PRE-SAVE TOTAL CINEMA HERE

SPECIAL ‘IN CONVERSATION’ EVENT AND PERFORMANCE WITH THE TORONTO STAR’S RICHIE ASSALY ON MAY 28

KEN YATES FOLLOWS UP TOUR DATES WITH MADISON CUNNINGHAM & KATHLEEN EDWARDS WITH MORE U.S. DATES IN JUNE

“'Under the Cover of Light' is a masterclass in contrast: At once heavy and buoyant, intimate and anthemic, delicate and driving. The Ontario native transforms raw hope and heartache into a soaring, revitalizing experience on his latest offering – a comforting, cathartic, and charged folk rock track that invites both quiet reflection and emotional release." Atwood Magazine

Photo Credit : Brittany Farhat  // DOWNLOAD HIGH-RES

Early next month, Ken Yates releases his new album, Total Cinema. Today, the celebrated songwriter is sharing one final track from the album. “The Great Resolution” feels like “this constant tug-of-war between cynicism and optimism,” says Yates of his latest single. “I kind of let my full cynical side take the wheel on this one, diving a little deeper into those raw, unfiltered thoughts. But then I tried to flip it—find a way to channel that energy into something useful, like calling out my own bullshit, as well as everyone else's. It’s this push-pull, really: staying connected to the world while fighting the urge to completely shut it out. It's easy to want to shut down and go numb to it, but I think it's crucial to keep engaging, especially as you get older. If you don’t, your world starts shrinking, and that’s not something I want. Some days, you’ve got to ditch the comfort zone, put on real pants, and just feel it — the good, the bad, the ridiculousness of it all."

LISTEN / SHARE “THE GREAT RESOLUTION” HERE
BUY / STREAM “THE GREAT RESOLUTION” HERE

MORE ABOUT TOTAL CINEMA + KEN YATES
"I feel like there are songs on this record that I had to live my whole life so far to write," reflects Yates on Total Cinema. "That's a cool feeling after doing this for a while—to have songs that still surprise you and feel like you had to earn them."

This atmospheric depth permeates Total Cinema, an album that captures an artist who has found clarity in making "the exact record I wanted to make." After years of determined evolution and a creative breakthrough with 2022's Cerulean, Yates has crafted his most immersive and dynamic work to date—a widescreen vision that embraces both the shadows and light of human experience.

WATCH / SHARE “UNDER THE COVER OF LIGHT” MUSIC VIDEO HERE
BUY / STREAM “UNDER THE COVER OF LIGHT” HERE

"I don't think I found my 'sound' until Cerulean," Yates acknowledges. "It took me a decade to figure out the kind of music I wanted to make." This recognition of being a self-described "late bloomer" belies the strength of his earlier work, but carries the characteristic modesty and wisdom of an artist who understands that authentic creative identity emerges on its own timeline. 

With Total Cinema, Yates widens the frame. His work, marked by precision, emotional depth, and a quiet kind of intensity, now takes on new dimensions. Where Cerulean was a study in restraint—hypnotic, meditative, deeply introspective—Total Cinema expands the lens, embracing electric textures, dynamic shifts, and an unshakable pulse that feels urgent, alive.

WATCH / SHARE “TOTAL CINEMA” VIDEO HERE
BUY / STREAM “TOTAL CINEMA” HERE

Working with producer Dan Ledwell in his Halifax backyard studio, Yates builds upon the atmospheric foundation of his previous work but adds new colors: sharper contrasts, broader instrumentation, a rawer sense of motion. "I wanted Total Cinema to be a lot more dynamic, different tempos, different vibes, different colors," Yates explains. This expansion of his sonic palette represents the natural progression of an artist no longer constrained by necessity or expectation.

The shift is more than sonic—it's thematic. If Cerulean was steeped in grief and introspection, Total Cinema is a reckoning with gratitude, self-awareness, and the absurdity of it all. The turning point came with "Under the Cover of Light", an uncharacteristically buoyant song that signaled a creative shift. "I was getting tired of playing the role of the brooding, tortured artist all the time," Yates explains. "I found myself starting to call out my own bullshit in the things I was writing."

That realization unlocks something across the album's ten tracks—a newfound willingness to explore joy alongside cynicism, to let the light in without losing the weight of experience. Tracks like "Perennials" sit beside the punchy, pop-forward "Greatest of All Time", proving Yates is unafraid to push his own boundaries.

WATCH / SHARE “PERENNIALS” LYRIC VIDEO HERE
BUY / STREAM “PERENNIALS” HERE

The recording process itself was marked by both collaboration and restraint. Joshua Van Tassel provides the rhythmic backbone, while Ledwell layers bass, piano, synths, and horns. Guest appearances from Jenn Grant, Breagh Isabel, and Kinley Dowling add warmth and texture, grounding the album in a shared creative energy.

Yates arrives at Total Cinema riding a wave of growing recognition. Recently selected as an Official Showcasing Artist at both SXSW and Americanafest 2024, he's been opening for acclaimed artists like Madison Cunningham and Kathleen Edwards while expanding his collaborative reach through songwriting with artists including with Katie Pruitt, Lori McKenna, Tiny Habits, Trousdale, Jenn Grant, and John Mark Nelson. His previous work has garnered robust support across streaming platforms, landing on playlists like Your Favorite Coffeehouse, Infinite Indie-Folk, Fresh Folk, Breaking Singer-Songwriter, and "New Music Friday Canada," with Apple Music already championing his latest singles.

Total Cinema is exactly that: a complete picture of Ken Yates in 2024—an artist embracing his evolution in real-time, crafting songs that celebrate this moment. For listeners who have followed his journey, it's the culmination of a path worth taking. For newcomers, it's an ideal entry point into the work of an artist who has learned that the most compelling stories are often those that take time to fully develop.

LISTEN / SHARE “CATACLYSMIC END” HERE
LISTEN / SHARE “MY LOVE FOR YOU IS A STRAIGHT LINE” HERE

PRE-SAVE TOTAL CINEMA HERE

TOUR DATES
5/28/25 - Toronto, ON - The Cameron House | In Conversation with Toronto Star’s Richie Assaly
6/1/25: Chicago, IL - The Hideout
6/3/25: New York, NY - Nightclub 101
6/4/25: Wayne, PA - 118 North
6/5/25 - Boston, MA - Lizard Lounge

PRAISE FOR KEN YATES

“Can’t quite put my finger on why I’m obsessed with this song by Canadian troubadour Ken Yates, ‘Cataclysmic End.’ Or maybe I can…” - Ann Powers, NPR Music

"Welcome to my obsession in life. The single greatest, most played artist in my car, house, office in the last 3 years. When I’m not listening to That Station, I’m listening to Ken." -
Chris Edge, WRAL

“The new single from folk singer/songwriter Ken Yates ‘Total Cinema’ has a smooth sailing yacht-rocky vibe fans of Andy Shauf would dig, and supposedly according to the PR Sam Fender is already a fan. So join Fender’s gang. 'Total Cinema’ is the title track from Yates’ newest album which was produced by Halifax-based Dan Ledwell and is set to drop June 6 2025. Yates is originally from London, ON. and has previously worked with Jim Bryson and released his debut back in 2013. So kat’s been around for a while. Good stuff.” -
Will McGuirk, Slow City

“…acclaimed roots singer-songwriter Ken Yates will put out Total Cinema on June 6…” -
Kerry Doole, Billboard Canada

“After a decade of honing his craft and organically building a loyal following, Canadian songwriter Ken Yates has arrived at Total Cinema with clarity, confidence, and a creative spark that’s hard to miss.” - Matt Conner, Analogue

“Musically, “Under the Cover of Light” embodies this ongoing creative evolution, dancing on an emotional knife’s edge as Yates injects energy and warmth into his heavy subject matter. The result is something unexpectedly uplifting: A bright, cathartic reckoning that can’t help but lean into the light, even as its narrator wrestles with the ache of wanting to support those who aren’t ready to receive it.” - Mitch Mosk, Atwood Magazine

“Let me introduce you to Canadian Ken (that’s what I call him). I met him via the algorithm this week. I was listening to Ruston Kelly’s new song, and Spotify decided to serve me up songs like it. The Swap text thread can attest that I’ve been wearing Yates out ever since. I love the pacing of “Under the Cover of Light”. It makes you tap your foot. The guitar in the background is pleasant, noticeable, but not overwhelming. If you listen closely, Ken kind of sounds like Ruston (thanks for pointing this out, Adam). If you like this one, check out Canadian Ken’s other song, Total Cinema.” The Music Swap

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TOTAL CINEMA TRACKLIST
01 Sidewinder
02 Greatest Of All Time
03 Under The Cover Of Light
04 Total Cinema
05 Cataclysmic End
06 Superimposed
07 Perennials
08 Paincaving
09 My Love For You Is A Straight Line
10 The Great Resolution
11 The Master

KEN YATES ONLINE
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AMBRE CIEL SHARES NEW MUSIC VIDEO FOR “EAU MIROIR” FROM UPCOMING DEBUT ALBUM

WATCH / SHARE “eau miroir” (MUSIC VIDEO) HERE
BUY / STREAM “eau miroir” HERE

AMBRE CIEL’S DEBUT ALBUM, STILL, THERE IS THE SEA, OUT JUNE 6, 2025 VIA GONDWANA RECORDS

PRE–SAVE STILL, THERE IS THE SEA HERE

PERFORMING AT FESTIVAL INTERNATIONAL DE JAZZ DE MONTRÉAL THIS SUMMER

Photo Credit : Lawrence Farfard // DOWNLOAD HIGH-RES

Recently, Ambre Ciel shared “eau miroir”, the second single from her debut album, still, there is the sea, out June 6 via Gondwana Records. Today, the Montreal artist shares the Alex Dozois directed music video for the dreamy neo-classical pop movement co-produced with Pietro Amato (Patrick Watson) with orchestral arrangement assisted by Owen Pallett.

“I’ve been following Alex’s work for a few years, and even have one of her photographs in my studio,” shares Ambre. “The space doesn’t have lots of windows but her photograph adds a lot of light to the space and makes it more inspiring. I’ve collaborated with Alex in the past and appreciate how talented, sensitive and humble she is. Her filming approach is as slow as the world can be fast, she’s always noticing subtle elements in nature, light and beauty around her. As ‘eau miroir’ was inspired by the sun’s reflection on water, I couldn’t have thought of anyone else to direct this music video; this collaboration felt completely natural.”

“Since my practice is rooted in exploring the relationship between humans, the natural world, and the ecosystems we’re part of, it felt only natural to collaborate on this with Ambre,” notes the Dozois. “The vastness I felt when listening to ‘eau miroir’ really spoke to me. I immediately sensed a deep connection between the song and the intentions that guide my practice. The clip is an attempt to depict the world within her mind, where nature, water, and cycles are central themes. I wanted the music video to feel like a visual meditation that encompassed those themes, as well as the dreams and quiet, blurred tension of standing on the edge of change. Inspired by the song’s water motif, it was also important to me that the imagery unfold in a fluid, abstract way.”

WATCH / SHARE “eau miroir” HERE
BUY / STREAM “eau miroir” HERE

MORE ABOUT STILL, THERE IS THE SEA
Ambre Ciel is a composer, violinist, pianist and singer who hails from Montreal and is a purveyor of dreamy, expansive, spacious pop music. Ambre, who sings in both French and English, hails from a family of singers and artists. “I started my journey learning violin at six and began experimenting with pedal effects and looping melodies later on,” says Ciel. University followed with a focus on composition and recording. “That’s when I started exploring composing and songwriting more deeply—both the world of sounds in itself and songs built mostly with layers of violin and voice. It was also during this time that I returned to my ‘first’ instrument, the piano, which opened more harmonic possibilities.” 

For Ambre, her debut album, still, there is the sea, represents a beginning, a first and she says imperfect attempt to create this other world that was living in her mind. She has crafted a beautifully refined ‘pop album’ making a lot of space for strings arrangements and other acoustic instruments, as well as her own beautiful voice. “On a personal level, I was searching for silence. I had just finally moved to a quiet apartment in Montreal and for the first time, I had all the time and space to hear silence and create, being solitary and living in the intangible world of possibilities”. 

The enigmatic title of the album, still, there is the sea, came to Ambre when she realised that water was a subconscious but recurring theme throughout the album in terms of melodies and lyrics; “eau miroir” refers to how the water can be some kind of mirror, “cycle” embodies a cyclical, perpetual movement, “atlantis” refers to this inward looking quest and distancing from the world, “sometimes” has sounds from rain and storm, and refers to a storm happening inside someone’s thoughts. “The water element can be very thin, fragile, but it’s always in movement and can resemble a larger and massive current, expansive, and I wanted to move between instrumental and song with this fluidity and was interested in finding ways to create something that could still feel cohesive. It also reflects this entire season of solitude and silence, how to me creating music represents this access to an underworld closer to the realm of dreams, that can be deep, surreal, rich and very grounding too.”

WATCH / SHARE “THE SUN, THE SKY” HERE
BUY / STREAM “THE SUN, THE SKY” HERE

The songs and compositions on still, there is the sea also aim to offer a way of coping with what is going on in the world, an escape from the horrors of war and climate change. An attempt to create beauty and hopefully offer escapism and to engage with the world in a way that is meaningful and authentic. “Music is mysterious and powerful,” explains Ciel. “You don’t always know how you feel and then just by improvising at the piano there’s a transfer operating and the opaqueness of your emotions translate in a music that can be as emotionally complex and inherently constructive.” 

While still, there is the sea is very much Ambre’s own personal statement and artistic vision as a composer, arranger and producer, Pietro Amato offered support and experience (and an extra pair of ears) as co-producer and Owen Pallett (Final Fantasy) gave assistance with the orchestral arrangements Ambre wrote for the FAMES Skopje Studio Orchestra conducted by Sasho Tatarchevski. And deeply sensitive musicians such as percussionist Stefan Schneider (Bell Orchestre, The Luyas), clarinettist Guillaume Bourque and a string trio made of Marilou Lepage, Sebastian Gonzalez Mora, and Julien Siino all brought their unique voices to the record.

PRE–SAVE STILL, THERE IS THE SEA HERE

PERFORMANCE DATES
June 30 - Festival International de Jazz de Montréal

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STILL, THERE IS THE SEA TRACKLIST
01 the sun, the sky
02 eau miroir
03 cycle
04 atlantis
05 dream - mirage
06 sometimes
07 pièce no. 8
08 fragment of

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