AMBRE CIEL’S NEW LP, STILL, THERE IS THE SEA, OUT TODAY

LISTEN / SHARE “pièce no.8” HERE

AMBRE CIEL’S DEBUT ALBUM, STILL, THERE IS THE SEA, OUT TODAY
VIA GONDWANA RECORDS

BUY / STREAM STILL, THERE IS THE SEA HERE

PERFORMING AT FESTIVAL INTERNATIONAL DE JAZZ DE MONTRÉAL THIS SUMMER

“Old adages about hypocrisy notwithstanding, sonically speaking, an Ambre Ciel song is a glass house. On her debut album still, there is the sea, the classically trained composer, pianist, violinist and singer toggles back and forth between straight-on instrumentals teeming with cinematic majesty and letting her serene voice — which lands somewhere between Margaux Sauvé of Ghostly Kisses and Beach House's Victoria Legrand — lead the expansive orchestral arrangements in a more pop-friendly, balladic direction with a lacquered elegance.” - Exclaim!

“It’s stunning to consider that this album project is Ambre Ciel’s debut. If the rest of the album is as beautifully made as “eau miroir,” it will prove to be well worth
repeated listens.”
- Great Dark Wonder

“haunting vocals, beautiful piano, sweeping orchestral arrangement assisted by Owen Pallett”
3 AM Revelations

Photo Credit : Lawrence Farfard // DOWNLOAD HIGH-RES

For Ambre Ciel, the composer and singer from Montreal, her debut album still, there is the sea, represents a beginning, a first, and she says an imperfect attempt, to create this other world that was living in her mind. “On a personal level, I was searching for silence. I had just finally moved to a quiet apartment in Montreal and for the first time, I had all the time and space to hear silence and create, being solitary and living in the intangible world of possibilities”.

Out today via Gondwana Records, the songs and compositions on still, there is the sea are an attempt to create beauty, offer escapism and to engage with the world in a way that is meaningful and authentic. “Music is mysterious and powerful,” explains Ciel. “You don’t always know how you feel and then just by improvising at the piano there’s a transfer operating and the opaqueness of your emotions translate in a music that can be as emotionally complex and inherently constructive.” 

Along with the album’s release Ambre Ciel is also sharing the cinematic and dreamy “pièce no.8”. Opening with signature delicate piano motif, later accompanied by emotive sweeping strings, this Philip Glass-esque song, blends neo-classical influences to create a contemplative allure. 

LISTEN / SHARE “pièce no.8” HERE

MORE ABOUT STILL, THERE IS THE SEA
Ambre Ciel is a composer, violinist, pianist and singer who hails from Montreal and is a purveyor of dreamy, expansive, spacious pop music. Ambre, who sings in both French and English, hails from a family of singers and artists. “I started my journey learning violin at six and began experimenting with pedal effects and looping melodies later on,” says Ciel. University followed with a focus on composition and recording. “That’s when I started exploring composing and songwriting more deeply—both the world of sounds in itself and songs built mostly with layers of violin and voice. It was also during this time that I returned to my ‘first’ instrument, the piano, which opened more harmonic possibilities.” 

For Ambre, her debut album, still, there is the sea, represents a beginning, a first and she says imperfect attempt to create this other world that was living in her mind. She has crafted a beautifully refined ‘pop album’ making a lot of space for strings arrangements and other acoustic instruments, as well as her own beautiful voice. “On a personal level, I was searching for silence. I had just finally moved to a quiet apartment in Montreal and for the first time, I had all the time and space to hear silence and create, being solitary and living in the intangible world of possibilities”. 

WATCH / SHARE “eau miroir” HERE

The enigmatic title of the album, still, there is the sea, came to Ambre when she realised that water was a subconscious but recurring theme throughout the album in terms of melodies and lyrics; “eau miroir” refers to how the water can be some kind of mirror, “cycle” embodies a cyclical, perpetual movement, “atlantis” refers to this inward looking quest and distancing from the world, “sometimes” has sounds from rain and storm, and refers to a storm happening inside someone’s thoughts. “The water element can be very thin, fragile, but it’s always in movement and can resemble a larger and massive current, expansive, and I wanted to move between instrumental and song with this fluidity and was interested in finding ways to create something that could still feel cohesive. It also reflects this entire season of solitude and silence, how to me creating music represents this access to an underworld closer to the realm of dreams, that can be deep, surreal, rich and very grounding too.”

WATCH / SHARE “THE SUN, THE SKY” HERE

The songs and compositions on still, there is the sea also aim to offer a way of coping with what is going on in the world, an escape from the horrors of war and climate change. An attempt to create beauty and hopefully offer escapism and to engage with the world in a way that is meaningful and authentic. “Music is mysterious and powerful,” explains Ciel. “You don’t always know how you feel and then just by improvising at the piano there’s a transfer operating and the opaqueness of your emotions translate in a music that can be as emotionally complex and inherently constructive.” 

While still, there is the sea is very much Ambre’s own personal statement and artistic vision as a composer, arranger and producer, Pietro Amato offered support and experience (and an extra pair of ears) as co-producer and Owen Pallett (Final Fantasy) gave assistance with the orchestral arrangements Ambre wrote for the FAMES Skopje Studio Orchestra conducted by Sasho Tatarchevski. And deeply sensitive musicians such as percussionist Stefan Schneider (Bell Orchestre, The Luyas), clarinettist Guillaume Bourque and a string trio made of Marilou Lepage, Sebastian Gonzalez Mora, and Julien Siino all brought their unique voices to the record.

BUY / STREAM STILL, THERE IS THE SEA HERE

PERFORMANCE DATES
June 30 - Festival International de Jazz de Montréal

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STILL, THERE IS THE SEA TRACKLIST
01 the sun, the sky
02 eau miroir
03 cycle
04 atlantis
05 dream - mirage
06 sometimes
07 pièce no. 8
08 fragment of

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BROKEN SOCIAL SCENE’S ICONIC BREAKTHROUGH ALBUM GETS REIMAGINED WITH ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People 

TRIBUTE ALBUM OF COVER SONGS BY MAGGIE ROGERS & SYLVAN ESSO, THE WEATHER STATION, SERPENTWITHFEET, HAND HABITS, TORO Y MOI & MORE
OUT NOW VIA ARTS & CRAFTS

STREAM / BUY / SHARE ANTHEMS HERE

IT’S ALL GONNA BREAK DOCUMENTARY NOW STREAMING IN CANADA
ON CRAVE -
WATCH HERE

Album Artwork // DOWNLOAD HIGH-RES

Over the last two plus decades, Broken Social Scene’s breakthrough album You Forgot It In People has cemented its place amongst indie rock's greatest -- through its collective energy pushing the genre far beyond its noisy ’90s slacker roots to a more tirelessly collaborative, sonically expansive, emotionally expressive vision. This vision is set to see new heights as today sees the release of ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People – a front-to-back tribute to the hallowed Toronto band's 2003 masterpiece.  

The album, out now, reimagines You Forgot It In People with cover versions from today’s indie music icons, including Maggie Rogers and Sylvan Esso, Toro y Moi, Middle Kids, The Weather Station, and more (full tracklisting below). 

The record includes serpentwithfeet’s reimagination of “Lover’s Spit” as something intimate and hushed, guided by a soft, steady piano line that anchors the track in quiet devotion.“With my cover I wanted to create something delicate and hushed. There is a subtle urgency in the original song that I'm responding to,” serpentwithfeet says. What emerges is a spell-like meditation on tenderness — a stripped-back, reverent take that radiates vulnerability without ever raising its voice. 

LISTEN / SHARES ANTHEMS: A Celebration of Broken Social Scene's
You Forgot It In People

Also this week, filmmaker Stephen Chung’s feature length documentary about the foundational early days of Broken Social Scene, It’s All Gonna Break, was released for streaming on Crave in Canada. The film pulls back the curtain on the early aughts Toronto indie music scene through his relationship with his friends in the trailblazing band. The unconventional POV documentary features Chung’s never-before-seen archival footage capturing a creatively rich era in Toronto and paying tribute to the power of indie music, friendship and the artists who started out in local bars before rocketing to global fame. Produced by Ann Shin, Hannah Donegan, Diana Warme. 

WATCH IT’S ALL GONNA BREAK DOCUMENTARY ON CRAVE HERE

WATCH IT’S ALL GONNA BREAK TRAILER HERE

ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People
1. Capture The Flag - Ouri 
2. KC Accidental - Hovvdy
3. Stars And Sons - Toro y Moi
4. Almost Crimes - Miya Folick & Hand Habits
5. Looks Just Like The Sun - The Weather Station
6. Pacific Theme - Mdou Moctar, Mikey Coltun 
7. Anthems For A Seventeen Year-Old Girl - Maggie Rogers & Sylvan Esso
8. Cause = Time - Middle Kids
9. Late Nineties Bedroom Rock For The Missionaries - Benny Sings
10. Shampoo Suicide - SPIRIT OF THE BEEHIVE
11. Lover's Spit - serpentwithfeet
12. Ainda Sou Seu Moleque - Sessa
13. Pitter Patter Goes My Heart - Babygirl

What press has said about Broken Social Scene’s You Forgot It in People

“a powerful and affecting album… they've made just exactly the kind of pop record that stands the test of time” - Pitchfork 

“BSS set the mold for some incalculable hybrid of post-rock-meets-stadium-rock-meets-folk-pop” - Stereogum 

“You Forgot It in People was a critical smash, paving the way for the great musical invasion from the north that’s still going strong today” - The New Yorker

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KEN YATES’ NEW LP, TOTAL CINEMA, OUT TODAY

LISTEN / SHARE “SIDEWINDER” HERE

BUY / STREAM TOTAL CINEMA HERE

“Total Cinema is imbued with a lightness that feels triumphant and fresh: the tempo is faster, the guitars are brighter, and the narrator -- though still cynical -- seems to have found a measure of peace. Indeed, if "Cerulean" was about moving through the bitter disappointments and nihilism of early adulthood, "Total Cinema" is about coming to terms with the broken state of the world -- about planting roots and celebrating the relationships that give life its shape and purpose." Richie Assaly, Toronto Star

“That all-consuming magic of escapism that happens in a darkened movie theater? Ken Yates harnessed it with his 2022 album Cerulean, and with its aptly named follow-up Total Cinema, he’s bottled it.” Maeri Ferguson - No Depression

“'Under the Cover of Light' is a masterclass in contrast: At once heavy and buoyant, intimate and anthemic, delicate and driving. The Ontario native transforms raw hope and heartache into a soaring, revitalizing experience on his latest offering – a comforting, cathartic, and charged folk rock track that invites both quiet reflection and emotional release." Mitch Mosk, Atwood Magazine

“After a decade of honing his craft and organically building a loyal following, Canadian songwriter Ken Yates has arrived at Total Cinema with clarity, confidence, and a creative spark that’s hard to miss.” Matt Conner, Analogue

“Can’t quite put my finger on why I’m obsessed with this song by Canadian troubadour Ken Yates, ‘Cataclysmic End.’ Or maybe I can…” Ann Powers, NPR Music

“Under the Cover of Light” can only further enhance his reputation, and if the new album delivers on this early promise, then this may be the moment that tips the fortune in his favour.”
Richard Clark, Great Dark Wonder

Photo Credit : Brittany Farhat  // DOWNLOAD HIGH-RES

"I feel like there are songs on this record that I had to live my whole life so far to write," reflects Yates on his new album Total Cinema, available everywhere today. "That's a cool feeling after doing this for a while—to have songs that still surprise you and feel like you had to earn them."

This atmospheric depth permeates Total Cinema, an album that captures an artist who has found clarity in making "the exact record I wanted to make." After years of determined evolution and a creative breakthrough with 2022's Cerulean, Yates has crafted his most immersive and dynamic work to date—a widescreen vision that embraces both the shadows and light of human experience.

With advance singles seeing radio support from both SiriusXM's The Verge and North Americana as well as play listing on Spotify's Indie All Stars, Fresh Folk, Folk & Friends, and on Apple Music's New in Alternative, Wax Eclectic, Morning Coffee, Acoustic Spring to name a few, Yates is now sharing the album release week single and opening track "Sidewinder".

“Sidewinder" is a “love letter to someone who insists on doing life the hard way, where everything feels like an uphill battle, refusing shortcuts not out of pride, but out of principle,” says the songwriter. “It’s for those who are carving their own path and questioning the life that is presented to them as the "right" way to do things."

LISTEN / SHARE “SIDEWINDER” HERE

BUY / STREAM TOTAL CINEMA HERE

MORE ABOUT TOTAL CINEMA + KEN YATES
"I don't think I found my 'sound' until Cerulean," Yates acknowledges. "It took me a decade to figure out the kind of music I wanted to make." This recognition of being a self-described "late bloomer" belies the strength of his earlier work, but carries the characteristic modesty and wisdom of an artist who understands that authentic creative identity emerges on its own timeline. 

With Total Cinema, Yates widens the frame. His work, marked by precision, emotional depth, and a quiet kind of intensity, now takes on new dimensions. Where Cerulean was a study in restraint—hypnotic, meditative, deeply introspective—Total Cinema expands the lens, embracing electric textures, dynamic shifts, and an unshakable pulse that feels urgent, alive.

WATCH / SHARE “TOTAL CINEMA” VIDEO HERE

WATCH / SHARE “PERENNIALS” LYRIC VIDEO HERE

Working with producer Dan Ledwell in his Halifax backyard studio, Yates builds upon the atmospheric foundation of his previous work but adds new colors: sharper contrasts, broader instrumentation, a rawer sense of motion. "I wanted Total Cinema to be a lot more dynamic, different tempos, different vibes, different colors," Yates explains. This expansion of his sonic palette represents the natural progression of an artist no longer constrained by necessity or expectation.

The shift is more than sonic—it's thematic. If Cerulean was steeped in grief and introspection, Total Cinema is a reckoning with gratitude, self-awareness, and the absurdity of it all. The turning point came with "Under the Cover of Light", an uncharacteristically buoyant song that signaled a creative shift. "I was getting tired of playing the role of the brooding, tortured artist all the time," Yates explains. "I found myself starting to call out my own bullshit in the things I was writing."

That realization unlocks something across the album's ten tracks—a newfound willingness to explore joy alongside cynicism, to let the light in without losing the weight of experience. Tracks like "Perennials" sit beside the punchy, pop-forward "Greatest of All Time", proving Yates is unafraid to push his own boundaries.

WATCH / SHARE “UNDER THE COVER OF LIGHT” MUSIC VIDEO HERE

LISTEN / SHARE “THE GREAT RESOLUTION” HERE

The recording process itself was marked by both collaboration and restraint. Joshua Van Tassel provides the rhythmic backbone, while Ledwell layers bass, piano, synths, and horns. Guest appearances from Jenn Grant, Breagh Isabel, and Kinley Dowling add warmth and texture, grounding the album in a shared creative energy.

Yates arrives at Total Cinema riding a wave of growing recognition. Recently selected as an Official Showcasing Artist at both SXSW and Americanafest 2024, he's been opening for acclaimed artists like Madison Cunningham and Kathleen Edwards while expanding his collaborative reach through songwriting with artists including with Katie Pruitt, Lori McKenna, Tiny Habits, Trousdale, Jenn Grant, and John Mark Nelson. His previous work has garnered robust support across streaming platforms, landing on playlists like Your Favorite Coffeehouse, Infinite Indie-Folk, Fresh Folk, Breaking Singer-Songwriter, and "New Music Friday Canada," with Apple Music already championing his latest singles.

Total Cinema is exactly that: a complete picture of Ken Yates in 2024—an artist embracing his evolution in real-time, crafting songs that celebrate this moment. For listeners who have followed his journey, it's the culmination of a path worth taking. For newcomers, it's an ideal entry point into the work of an artist who has learned that the most compelling stories are often those that take time to fully develop.

After live dates with Kathleen Edwards, Madison Cunningham, Rose Cousins, and more Yates will be celebrating the release of Total Cinema with a June 10 performance in Nashville at Urban Cowboy. Watch for more tour dates to be announced soon. 

LISTEN / SHARE “CATACLYSMIC END” HERE

LISTEN / SHARE “MY LOVE FOR YOU IS A STRAIGHT LINE” HERE

BUY / STREAM TOTAL CINEMA HERE


MORE PRAISE FOR KEN YATES

“The Canadian is now releasing his fourth album Total Cinema. As the title suggests, the sound is grand and colorful. Subtlety and restraint remain paramount to him” Alex Vos, Make A Fuzz

"Welcome to my obsession in life. The single greatest, most played artist in my car, house, office in the last 3 years. When I’m not listening to That Station, I’m listening to Ken." -
Chris Edge, WRAL

“The new single from folk singer/songwriter Ken Yates ‘Total Cinema’ has a smooth sailing yacht-rocky vibe fans of Andy Shauf would dig, and supposedly according to the PR Sam Fender is already a fan. So join Fender’s gang. 'Total Cinema’ is the title track from Yates’ newest album which was produced by Halifax-based Dan Ledwell and is set to drop June 6 2025. Yates is originally from London, ON. and has previously worked with Jim Bryson and released his debut back in 2013. So kat’s been around for a while. Good stuff.” -
Will McGuirk, Slow City

“Musically, “Under the Cover of Light” embodies this ongoing creative evolution, dancing on an emotional knife’s edge as Yates injects energy and warmth into his heavy subject matter. The result is something unexpectedly uplifting: A bright, cathartic reckoning that can’t help but lean into the light, even as its narrator wrestles with the ache of wanting to support those who aren’t ready to receive it.” - Mitch Mosk, Atwood Magazine

“Let me introduce you to Canadian Ken (that’s what I call him). I met him via the algorithm this week. I was listening to Ruston Kelly’s new song, and Spotify decided to serve me up songs like it. The Swap text thread can attest that I’ve been wearing Yates out ever since. I love the pacing of “Under the Cover of Light”. It makes you tap your foot. The guitar in the background is pleasant, noticeable, but not overwhelming. If you listen closely, Ken kind of sounds like Ruston (thanks for pointing this out, Adam). If you like this one, check out Canadian Ken’s other song, Total Cinema.” The Music Swap

PERFORMANCE DATES
Jun 10 - Nashville, TN - Urban Cowboy

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TOTAL CINEMA TRACKLIST
01 Sidewinder
02 Greatest Of All Time
03 Under The Cover Of Light
04 Total Cinema
05 Cataclysmic End
06 Superimposed
07 Perennials
08 Paincaving
09 My Love For You Is A Straight Line
10 The Great Resolution
11 The Master

KEN YATES ONLINE
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