GARRET T. WILLIE SHARES ANOTHER NEW TRACK FROM UPCOMING LP, “GOLDEN HIGHWAY”

Photo Credit : Sydney Woodward // DOWNLOAD HIGH-RES

Garret T. Willie’s upcoming second album, Bill’s Cafe, is more than a record — it’s a tribute, a turning point, and a reckoning. Named after his grandfather’s pool hall café in Alert Bay, British Columbia, the album carries the ghosts of home into the bright lights of Nashville. It was there, under the guidance of Grammy Award-winning producer Tom Hambridge (Buddy Guy, Kingfish, Susan Tedeschi), that Willie sharpened his blues-rock fire into something bigger, bolder, and truer.

Before his first writing session, Willie wandered through the Johnny Cash Museum. The visit hit hard. His grandfather bore an uncanny resemblance to Cash — same look, same Air Force service, same quiet gravity. That connection became a spark, tying Garret’s Indigenous roots and small-town upbringing to a lineage of timeless, outlaw storytelling.

“Growing up, I’ve always known a resemblance between my grandpa and ‘the man in black’,” says Willie. “There was a picture hanging on the wall in my grandpa’s home and I thought it was him until I was 10. I learned that it was actually a picture of Johnny Cash. He resembled him not just in how he looked, but in the way he carried himself. They both served in their respective nation's Air Force, both had that same quiet strength and presence that stayed with you long after they were gone.

“With ‘Golden Highway’ coming out just before Remembrance Day, this song also feels like a small way to honour him and everyone who came before us. The ones whose stories, service, and songs still guide the way."

LISTEN / SHARE “GOLDEN HIGHWAY” HERE
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MORE ABOUT BILL’S CAFE
Bill’s Cafe is a road map of grit, heart, and soul. Written and recorded between late nights, long drives, and Nashville sessions, the record captures the restless spirit of a young artist carrying old-soul blues and rock traditions into the future. Across the album, Willie threads tales of whiskey-fueled nights, missed chances, stubborn resilience, and the freedom that only comes with chasing music town to town.

With his guitar in hand and a voice that cuts like hi-beam headlights on a dark backroad, Willie delivers songs that feel lived-in and timeless. Bill’s Cafe is about the forces that hold us — love, loss, addiction, ambition, and the unshakable call of music as a means of survival. It’s a live wire of raw energy and soul — a reminder that sometimes the most dangerous thing is also the most irresistible.

LISTEN / SHARE “DEVIL DOLL” HERE
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That edge runs through the whole record. From roadhouse stompers to backseat ballads, Willie shines a light on hustlers, heartbreakers, and the broken pieces we all carry. He doesn’t just sing the blues — he spits them, shouts them, and bends them into something both timeless and dangerous. 

In Bill’s Cafe, Garret T. Willie doesn’t just honor his past — he builds a bridge between worlds: Alert Bay and Nashville, tradition and reinvention, the ghosts of family and the fire of the future.

On stage, Garret T. Willie is undeniable. At just 25 years old, his towering stature and deep, gravel-soaked voice channel the weight of an artist who has lived every shade of the blues. His performances are electric — no gimmicks, no fluff, just raw shredding, searing tone, and solos that rip straight through the room. He plays with the intensity of the greats, often bending the guitar behind his head mid-solo or leaping into the crowd to bring the fire even closer. Willie’s live show is more than a concert — it’s a shockwave of blues-rock energy that leaves audiences speechless and makes believers out of anyone.

LISTEN / SHARE “HYPNOTIST” HERE
BUY / STREAM “HYPNOTIST” HERE

Willie first made his mark with his debut album Same Pain, written with Parker Bossley at Afterlife Studios in Vancouver. The record lit a fire that spread far beyond Canada’s borders, earning praise from The Toronto Star, RANGE, Guitar World, Wonderland, Blues Matters, Blues in Britain and Classic Rock Magazine, while also landing airplay on BBC Radio 2’s The Blues Show with Cerys Matthews. Same Pain broke into the Top 20 on the UK Blues Albums chart and the US Roots Music Blues Rock chart in 2023, earned Willie two Western Canadian Music Award nominations for Blues and Indigenous Artist of the Year and a nomination for Best New Touring Artist at the Canadian Live Music Industry Awards. He carried those songs across Canada and in the US, opening for legends like Kenny Wayne Shepherd, John Fogerty, Kingfish, and recently performed on Joe Bonamassa’s Blues Cruise with Marcus King, Jimmy Vivino, Jeremie Albino, Ariel Posen, and more — proving that his firebrand blend of blues, rock, and raw honesty could hold its own on any stage.

GARRET T. WILLIE LIVE
December 19 - Vancouver, BC @ Biltmore Cabaret
December 20 - Victoria, BC @ Capital Ballroom

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BILL’S CAFE TRACKLIST
01 Hypnotist
02 Devil Doll
03 Going to Toronto
04 It Won’t Get Done
05 Small Town People
06 High Beam Blues
07 Young Country Boy
08 Golden Highway
09 I’m Late

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FLEUR ELECTRA UNVEILS ANOTHER NEW SINGLE / VIDEO, “STRIKE THE MATCH”

FLEUR ELECTRA’S NEW SINGLE, “STRIKE THE MATCH”, OUT TODAY VIA VICTORY POOL RECORDS

WATCH / SHARE “STRIKE THE MATCH” HERE
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Photo Credit : Kirk Lisaj  // DOWNLOAD HIGH-RES

Fleur Electra is the dream-pop project of Toronto-via-Saskatchewan aesthete Anna Klein. Starting her “colourful, girl-pop era in the depths of 2020 chaos,” Fleur Electra was born out of the early pandemic, defined by Klein’s sensual and sonically adventurous bedroom production. 

Today, she follows up recent single, “Could Be Better”, with another new track. “Strike The Match” holds “multiple meanings for me,” says Klein. “On the surface, it expresses my frustration with noncommittal relationships and deception. At its core, though, it’s an empowering ode to my past self and the intense hardships I’ve endured in recent years. After many destructive fires—both metaphorical and literal—I am reclaiming my power and reigniting the fire within me. I wanted this song to embody brutal honesty and emotional vulnerability: sharp around the edges, yet soft at heart. It stands as a true testament to where I once was and where I am now. 

WATCH / SHARE “STRIKE THE MATCH” HERE
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MORE ABOUT FLEUR ELECTRA
Since releasing her debut In Technicolor in 2022, Klein has been performing around Toronto and crafting captivating visuals, honing her artistic magic. She self-produced, wrote, recorded, and mixed her acclaimed 2024's In My Room—a small miracle of an album, considering a house fire destroyed the very bedroom in which these songs were written (while almost nothing was recovered from the fire, this album of songs were saved from a damaged hard drive). Klein went through profound growth from this experience, and though her artistic powers were continuing to develop, her belief in herself was waning. Klein's mental health was worsening, and trying times had her feeling like she was at a dead end—until the ideal producer came along.

Klein explains: “I got a random Instagram DM from Alex Black Bessen”—an LA producer whose credits include Alex G and BENEE—“and he said, ‘I’m going to be in Toronto, and I would love to meet with you if you’re down.’” As soon as Klein and Black Bessen met up, it was clear that they were meant to be collaborating: “It was one of those immediate connections—like, have we met before?” Klein couldn’t believe how easy the artistic collaboration felt: “he could hear my sound and my vision, and he knew how to take it to the next level.”

“Next thing I knew, I was in California in a cabin in the woods, having the most beautiful time,” Klein smiles. Klein and Black Bessen—along with producer-percussionist Tim Voet—poured over Klein’s hard drive of demos in their cozy studio, building these sketches into the delicious alt-pop vignettes. 

WATCH / SHARE “COULD BE BETTER” HERE
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Klein’s journey with Fleur Electra traces back to her prairie roots. Growing up in Saskatoon, then moving to isolated, small-town Saskatchewan at age 10, Klein leaned hard into imaginative creation: “it felt like I was entering a different world when I was making music.” The eighth of ten kids, Klein and her siblings would inspire one another with flashes of creativity: drawing portraits, singing made-up songs around the house, and acting in elaborate self-scripted videos. Precociously aesthetic, Klein couldn’t hear a song without mentally pairing it with a visual. As soon as she started producing her own music at 12 years old, her interests in sonics and visual art collided, reflected in the gorgeously crafted music videos and graphics of Fleur Electra.

Klein’s early recording sessions in Audacity also provided a counterweight to her religious upbringing. Heavily in worship music, Klein “grew up listening to a lot of Christian rock bands and singing in church.” Though her perspective on religion is nuanced and ever-evolving these days, Klein’s music as Fleur Electra seeks to strike at the same power of communally sung hymns in church, similarly crafting music that “cuts through the vulnerability, just gets there, straight to the point.” While Sunday morning services strive to bring you close to God, Fleur Electra’s music beckons you, with similar frankness and vulnerability, to reckon with your own internal turmoil, relationships, and percolating joys.

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ELLEN FROESE SHARES ANOTHER NEW SINGLE, “WINDY WAS THE WEATHER”

ELLEN FROESE SHARES NEW SINGLE “WINDY WAS THE WEATHER” ON THE HEELS OF RECENT SINGLES, “WONDERING WHEN?” AND “SOLITARY SONG”,
VIA VICTORY POOL RECORDS

LISTEN / SHARE “WINDY WAS THE WEATHER” HERE
BUY / STREAM “WINDY WAS THE WEATHER” HERE 

Photo Credit : Little Jack Films // DOWNLOAD HIGH-RES

Ellen Froese returns with another new single, “Windy Was The Weather”, which follows previous tracks, “Wondering When?” and “Solitary Song”. “

“Windy Was The Weather” finds Froese tossed and turned by the fickleness of connection. Over bittersweet strums, Froese recalls tryst with a “Siren of Beauty.” Exhibiting a wisdom far beyond her years, Froese laments the volatility of our bodies and minds, with the caveat that there is some pleasure in the uncertainty, of “a rose, both thorny and soft on my neck.” Whipping up a gust of strings and horns, this stirring waltz feels as timeless as autumn itself.

This track is a bit of an indulgent number written after fall spent touring around Europe,” says Froese. “I was riddled with the reckoning of 'big life stuff' upon my return home, and those practicalities weren't blending well with the bittersweet bidding adieu to a lovely season in time.”

LISTEN / SHARE “WINDY WAS THE WEATHER” HERE
BUY / STREAM “WINDY WAS THE WEATHER” HERE 

MORE ABOUT ELLEN FROESE
“It’s been a weird year - lots of life changes, maybe some ego-death,” Froese previously shared alongside "Solitary Song”. Between an ADHD diagnosis and cutting back on some vices, her perspective - as a musician, a lover, a human being, has changed. 

Froese had been clinging to the sense that she should be making art in a certain way, and she was never quite doing it right—gritting her teeth and writing daily morning pages, only to skip one day and think, “fuck, I guess I’m not creative.” But at this point in Froese’s career—4 full-length albums and many international tours deep—Froese is just trying to reclaim the free-flying feeling of writing “playful songs” as a 15-year-old on her family’s cattle farm.

LISTEN / SHARE “WONDERING WHEN?” HERE
BUY / STREAM “WONDERING WHEN?” HERE

Froese’s honeyed voice and wry, down-to-earth lyricism can be heard throughout her last album, For Each Flower Growing, produced with the Sheepdogs’ Sam Corbett. Commingling the sounds of past and present—say, Loretta Lynn meets Adrienne Lenker, with a dollop of good ol’ fashioned rock n’ roll—it feels like Froese is looking you in the eyes as she sings of trying to find “a resolution between my heart and all the others that I had to leave behind.” With all the changes in her life, Froese reckons with all the wonderful feelings—and people—of the past, and the bitter-sweet freedom of moving on.

WATCH / SHARE “SOLITARY SONG” HERE
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Though so much has changed in Froese’s life, one fundamental truth remains: she’s deftly penning head-turning songs that invite the listener to let go of the things that are getting them down. It’s flirting with self-acceptance while indulging in a hearty spoonful of self-deprecation; it’s trying to be “happy in the confidence of a solitary song”; it’s getting your friends on board for some cheeky country-folk tunes. And nobody does those quite like Ellen Froese.

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