RUBY SINGH & THE FUTURE ANCESTORS FEAT. ARTHUR FLOWERS NEW LP OUT THIS FRIDAY 

RUBY SINGH & THE FUTURE ANCESTORS TO RELEASE CELESTIAL LIBATIONS, A GRIOTIC ODYSSEY INTO DIVINITY, DIASPORA AND THE BLUES FEATURING ARTHUR FLOWERS - OUT NOVEMBER 21, 2025

RUBY SINGH’S BLADED EDGE BETWEEN, A COLLECTION OF POEMS AVAILABLE NOW

WATCH / SHARE “DOWN HOME” HERE
BUY / STREAM “DOWN HOME” HERE

 BUY / STREAM CELESTIAL LIBATIONS HERE

Ruby Singh + Arthur Flowers - Photo Credits : Dessmin Sidhu
(Ruby Singh) Caliegh Mayer (Arthur Flowers) // DOWNLOAD HIGH-RES

This Friday, multi-award-winning and JUNO Award-nominated ‘polymath’ Ruby Singh and the Future Ancestors will release their new, powerful offering: Celestial Libations, a genre-bending Blues / Gospel / Hip-Hop / Griotic album that summons myth, spirit and a future-facing reverence for the past. In this “ineffable” collaboration, Singh is joined by Arthur Flowers— 73 year old renowned Memphis-born griot, novelist, and Hoodoo practitioner.

Today they share the album track “Down Home”. With “Down Home,” Ruby Singh & The Future Ancestors bring the Celestial Libations journey full circle: from invocation to reckoning to radiant release. Featuring the thunderous storytelling of Arthur Flowers and the deep soulful harmonies of Khari Wendell McClelland and Holly Eccleston, the track rides a rhythm that shakes the dust off despair and reminds us that joy, too, is sacred work.

Rooted in the Blues, blooming through Hip Hop’s fire, “Down Home” is a celebration of resilience, a song that turns pain into motion and mourning into dance, taking us on a raucous stomp through the storm. ‘Folk think the blues’ about feeling bad—au contraire! The blues’ about gettin’ through the blues ’ about turning trial and tribulation into art’ states Flowers in the opening of the track. The Future Ancestors conjure a world where rhythm becomes prayer, laughter becomes resistance, and music becomes medicine.

“‘Down Home’ is a return to the source, to the deep well of music as a way of surviving and transforming the pain of being alive,” says Singh. “We wanted to make something that swings hard and still aims to heal, that reminds us to find joy even when the sky’s falling. The laughter that carried this song into being is the same laughter that keeps us going. It’s a hymn for hard times, and an invitation to dance our way free.” 

WATCH / SHARE “DOWN HOME” HERE
BUY / STREAM “DOWN HOME” HERE

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MORE ABOUT BLADED EDGE BETWEEN
Recently, Ruby Singh also released Bladed Edge Between, his new collection of poetry available via Next Page Press. Bladed Edge Between navigates intersections of memory, sound, and survival. This collection unfolds as a sonic archive of longing, belonging, and becoming. Anchored in the sacredness of place, diasporic grief, and mystical remembrance, the poems move through ecological resonance, spiritual inheritance, and intergenerational healing.

“Marked by a yearning for one’s ancestral roots in the Punjab, as well as a deep reverence for the foremothers whose protective prayers sing through time, these poems guide us, no matter what our respective origin story is, closer to the healing power of remembering, of music, of language,” writes Faisal Mohyuddin (author of Elsewhere: An Elegy and The Displaced Children of Displaced Children).

Governor General’s Literary Award for Poetry Cecily Nicholson adds that, “Ruby Singh’s poems navigate the loss and thrash of mortality, where winged forms lift, and the mother tongue finds a vessel. Attuned to cellular vibration, the rhythm of snowflakes, and the sonics of constellations, Bladed Edge Between is illuminated by lamplight and dances in the celestial glow. Beautiful.”

For more information about Bladed Edge Between visit Next Page Press

CELESTIAL LIBATIONS LAUNCH EVENT (VANCOUVER)
Nov 22 - LOBE Studio - TICKETS

PURCHASE BLADED EDGE BETWEEN HERE

MORE ABOUT CELESTIAL LIBATIONS 
Their creative kinship began in a moment of instant recognition of each other's work in the world: two artists from distant lineages, linked by a deep respect for ancestral craft, future seeding and storytelling as ritual. What followed was an unfolding of trust, laughter, improvisation and kinship with story, poetry, rhythm, and prayer woven into a living tapestry.

“I’d been wanting to work with Arthur for years, since we first met at the Indian Summer Festival in Vancouver and thankfully the stars aligned! I can’t believe this incredible man's work has never been recorded and released, so we wanted to make all the room on this album to celebrate this story slingin’ hoodoo man! His love and dedication to the craft in service to the greater world is deeply inspiring” says Singh. “Then I knew my brother, Khari Wendell McClelland, had to be a part of dreaming this album into existence; his voice, his spirit, his friendship and his songwriting have always enriched my life. The project had an undeniable pulse, we just kept following the signals, and through a lot of joy and kinship, this album was born.”

WATCH / SHARE “WHEN THE HAMMER FALLS” HERE
BUY / STREAM “WHEN THE HAMMER FALLS” HERE

Celestial Libations is a mythic journey, a sonic offering, and a conjuring of what feeds the spirit. An album made in reverence and resistance—born of collaboration, rooted in tradition, and reaching toward what’s possible. It doesn't look away from grief or injustice, but leans into them with rhythm, rhyme, and spirit. The album brings together the rawness of blues, the urgency of hip hop, the griotic traditions of myth and the uplift of gospel. Blending hip hop, blues, gospel, and griotic traditions, Ruby Singh & The Future Ancestors ft. Arthur Flowers pour songs and stories like libations—rituals to remember, rhythms for resistance, and spells to seed the world to come.

“I’ve been psychically wrestling with the state of the world, a live stream genocide, climate crisis, the purposeful destruction of human life and our future on this planet, all for profits of those that already have too much… really makes me question my faith in humanity and divinity. When we first started meeting, we were in deep conversation about the state of the world and the rising powers of oligarchs and facism. We knew we wanted the music to not just be responsive but generative toward the world we wanted to see. Arthur, in his wisdom, knew that we could probe these issues through one of the oldest ways humans always have: story. His griotic gifts act as a guide through the album and waters the seeds in the dry garden of the human heart” says Singh

Each track is a call across time and lineage: a prayer, a praise-song, a blues-spun incantation. With booming beats, illuminating rhymes, and soaring harmonies, the Future Ancestors summon liberation, longing, grief, divinity, and becoming.

WATCH / SHARE “GOOD GOD” HERE
BUY / STREAM “GOOD GOD” HERE

“When I first met Ruby Singh I detected his magical nature, but little did I know just how much of a dream weaver he is until he, Khari and Holly wove dreams I didn’t even know I had into realities, so fine they glow like stars in the firmament.” says Flowers 

Ruby Singh brings his composition and lyricism —drawing on ancestral memory and future vision. His voice moves from grounded spoken word to explosive rhyme, always with heart, always in service of something greater. The legendary Arthur Flowers, the blues doctor himself, brings his Hoodoo storytelling—tales of Br’er Rabbit, Sister Beetle, and the Monkey Doctor—braiding together trickster myth and wisdom with his conjuring ways. His presence is both invocation and blessing. Khari Wendell McClelland, of the Sojourners, lights the way with his gospel-infused melodies and songwriting brilliance, delivering lines that rise like fire towards the night sky. Together, this trio holds the core of a work rooted in reverence, kinship, and sonic healing. Joining this sacred constellation are Holly Eccleston (Vocals), Gordon Grdina (oud and guitar), Kenton Loewen (percussion), Paul Finlay (DJ), and Karlis Silins (upright and electric bass).

The album lives in relationship with Singh’s forthcoming poetry collection, Bladed Edge Between. A parallel offering, the book moves through themes of memory, sound, and survival—intergenerational grief and becoming as a spiritual act. Like the album, it is a cartography of diasporic longing, radical joy and mystic understanding that maps personal and ancestral memory across music, ritual, and migration. The book will be accompanied by a limited spoken word release. Both projects ask: What are the stories we carry? What will we leave behind? What might we become if we truly listen?

Celestial Libations draws a ceremonial circle with stardust, incanting the names of the many, for a mythic remembering. It’s blues as ceremony, hip hop as spellwork, gospel as uprising—a testament to the sacred work of becoming. 

The album will premier at LOBE Studios in Vancouver on November 21st and 22nd by way of a launch and listening party with a tour planned for the summer of 2026. 

 BUY / STREAM CELESTIAL LIBATIONS HERE

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CELESTIAL LIBATIONS TRACKLIST
01 In The Beginning
02 Good God
03 Down Home
04 The Monkey Doctor
05 When The Hammer Falls
06 Healing
07 Brer Rabbit and Sister Beetle
08 A New Millennium
09 Leaping At The Sun
10 Descendants
11 Blessings

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VIVEK SHRAYA SHARES NEW SINGLE FEATURING TANYA TAGAQ

LISTEN / SHARE “APATHY CRISIS” FT. TANYA TAGAQ
BUY / STREAM “APATHY CRISIS” FT. TANYA TAGAQ

NEW MODELS OUT NOW VIA TWIN FANG RECORDS

CANADIAN TOUR CONTINUES IN 2026 BEGINNING JANUARY 21 // TICKETS HERE

LISTEN TO NEW MODELS HERE

Photo Credit : Paul Mpagi Sepuya // DOWNLOAD HIGH-RES

Today, on the heels of her sold out Toronto album release performance and during Transgender Awareness Week, multi-hyphenate artist Vivek Shraya is sharing “Apathy Crisis” featuring Tanya Tagaq. Structurally, “Apathy Crisis” is “the most adventurous track on New Models (and perhaps in my entire discography), and I have been a longtime admirer of the way Tanya Tagaq challenges sonic boundaries, so it was thrilling to imagine how she might push this particular track even further,” says Shraya. “I’m so honoured that she said yes to this collaboration and am truly blown away by her energy on this track.” 

“Working with Vivek is easy because she’s so talented,” adds Tagaq. “I approached the vocals with openness to go wherever I wanted. I let Vivek guide me.”

LISTEN / SHARE “APATHY CRISIS” FT. TANYA TAGAQ
BUY / STREAM “APATHY CRISIS” FT. TANYA TAGAQ

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MORE ABOUT VIVEK SHRAYA AND NEW MODELS
‘When I’m overcome with feeling / I have to break free from words and just sing.’ An inveterate writer, Vivek Shraya knows that fewer words can carry more weight. These first lines of her new album, New Models, serve as both a thesis to the transcendent sonic experience to come, as well as an invitation to leave the burden of self-assuredness at the door. Don’t overthink—just listen. Just feel.

New Models is “me grappling with the state of the world over the past four years and eventually realizing that language, particularly English, had become so contorted and weaponized that the only way I could grieve, rage, and find comfort was to let go of it,” says Shraya. “How do you express the horror and helplessness of witnessing progress being rapidly undone—in words—when all you want to do is scream or cry?”

WATCH / SHARE “AM I DOING ENOUGH?” VIDEO

WATCH / SHARE “I DON’T KNOW WHERE I’M GOING” HERE

Shraya has dedicated much of her impressive artistic career to incisively articulating culturally loaded issues. Whether through her best-selling book I’m Afraid of Men (which Vanity Fair called “cultural rocket fuel”), her award-winning play-turned-CBC show, How To Fail As A Popstar, or her provocative visual art and installation work, Shraya has challenged the status quo by transcending her personal experiences into daring artworks. But it is music that first drew Shraya into the arts, and it’s on her 11th solo album, New Models, that Shraya redefines her musical trajectory with a bold display of boundary pushing done right.

This collection of hypnotically textured songs allows each listener to come to their own conclusions about the heavy subjects she conjures. Dread, disconnection, uncertainty—all are invoked through Shraya’s sparse, cutting lyrics, but it is her wordless vocal chanting that cuts the deepest. “How do you express—in words—the horror and helplessness of witnessing progress being rapidly undone,” Shraya explains, “when all you want to do is scream or cry?”

WATCH / SHARE “WHEN I’M OVERCOME” LYRIC VIDEO

For New Models, Shraya joined forces with long-time producer-engineer James Bunton (Donovan Woods, Celeigh Cardinal, Leanne Betasamosake Simpson). Shraya and Bunton connected a decade ago, when Shraya realized the notion of the self-producing “solo genius” was profoundly flawed, and her and Bunton have grown to share a deep bond and a common language, with Bunton producing most of Shraya’s recent music, from Part-Time Woman, her album with Queer Songbook Orchestra (2017) to her previous full-length album Baby, You’re Projecting (2023, Mint Records) and the subsequent duet versions of songs from that album with Jann Arden and Donovan Woods.

WATCH / SHARE “MORAL PANIC” (VISUALIZER) HERE

Vivek Shraya’s artistic practice has long been unrelentingly honest. She has never shied away from difficult feelings, whether harassment – her graphic novel with Ness Lee, Death Threat –  professional jealousy – as she explores on her podcast, I Won’t Envy –  or chronic pain – as in her new short film, Bodyrebuilding. What’s special about New Models is its insistence on moving through all the feelings possible. While no answers are uncovered, a deep desire for reconstruction and reconstitution glimmers. As Shraya intones, “everything works, until it doesn’t”—but just as crucially, “Everything hurts, until it doesn’t.” - Sam Boer

LISTEN NEW MODELS HERE

MORE ABOUT TANYA TAGAQ
From Nunavut, Tanya Tagaq is an improvisational singer, avant-garde composer and author. A member of the Order of Canada, Polaris Music Prize and JUNO Award winner and recipient of multiple honorary doctorates, Tagaq is an original disruptor, a world-changing figure at the forefront of seismic social, political and environmental change. Tagaq's bestselling, award winning debut novel “Split Tooth” has been translated into multiple languages and sold around the world. She released her first children’s book “It Bears Repeating” in 2024 and this title was recently included in Dolly Parton’s Imagination Library program. Her second children’s book “I’d Give You My Tail” came out in April 2025. A second novel, her fourth book, will come out in 2026. A full-length feature documentary on Tanya’s life, career and art called Ever Deadly debuted at TIFF in 2022. She has also acted in and composed for HBO’s True Detective: Night Country and Netflix series North of North, and her vocals are featured in Mission Impossible: The Final Reckoning. “Split Tooth” on stage, a collaboration with Kaneza Schaal and Christopher Myers, is scheduled for debut in 2026.

TOUR DATES // TICKETS HERE
2026
Jan 21 - Victoria, BC - Metro Studio Theatre
Jan 22 - Winnipeg, MB - Winterruption WPG - Public Domain
Jan 23 - Saskatoon, SK - Winterruption YXE - Art Bar
Jan 24 - Edmonton, AB - Winterruption YEG - CKUA
Jan 30 - Calgary, AB - Jack Singer Concert Hall with Calgary Philharmonic Orchestra

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POLARIS MUSIC PRIZE WINNER YVES JARVIS RELEASES ALL CYLINDERS DELUXE ALBUM, SHARES NEW VIDEO

YVES JARVIS RELEASES DELUXE VERSION OF 2025 POLARIS MUSIC PRIZE WINNING ALBUM TODAY VIA NEXT DOOR RECORDS

WATCH / SHARE “SILVER KG” HERE

BUY / STREAM ALL CYLINDERS (DELUXE) HERE

"...a strange, provocative, frequently beautiful new record. It's called All Cylinders. Its songs are creative, imaginative, moving through radically different phases from one moment to the next." — NPR Music

"All Cylinders is the sound of Yves Jarvis going for it: He’s letting his melodies breathe, he’s working with clearly delineated verses and choruses, and he’s no longer hiding behind the haze." — Pitchfork

“An exuberant, kaleidoscopic mishmash of funk, yacht rock and electrifying guitar theatrics.”
The Toronto Star

“[All Cylinders] is a multi-genre odyssey… Chasing the tail of Gainsbourg or Bacharach, Jarvis cannot avoid being a bit more erotic and ornate than them, with hints at the portable blues and post-D’Angelo R&B of L’Rain and Nick Hakim… now there is a conscious, sincere engagement with the classics Jarvis clearly adores—Paul McCartney, Love, Stevie Wonder, and Prince.” — Aquarium Drunkard

Photo Credit: Reggie Ray Pimentel // DOWNLOAD HIGH-RES

Today, Yves Jarvis—the moniker of 2025 Polaris Music Prize winner Jean-Sébastien Yves Audet—releases All Cylinders (Deluxe), via Next Door Records, and shares the video for “Silver KG”, one of five new tracks on the expanded edition. Jarvis, whose vast influences already provide listeners a sonic easter egg hunt, takes it an extra step further with breaking the fourth wall by having secretly included the five deluxe songs on the vinyl record of the album months ahead of the deluxe release.

Originally released in February 2025 to praise from a wide variety of outlets including NPR Music, Pitchfork, Esquire, The FADER, Guitar World, and Aquarium Drunkard, All Cylinders also won the Polaris Music Prize. It marks a major career milestone and is the perfect capstone to an incredible year that saw Jarvis tour with fellow artists Glass Animals, Olivia Dean, and Fabiana Palladino.

WATCH / SHARE “SILVER KG” HERE

On All Cylinders, ​​Yves Jarvis expresses a brazen songcraft and pure musicianship: 16 tracks he played himself, without a single additional contributor, transforming his vision into the stuff of verses and choruses, hooks and hits, which vibrates like a cosmic anthropology. At home, in the studio, at subletted apartments in Montreal and L.A.—he’d roll out of bed and get straight to work, plugging his gear into a half-broken laptop. Whereas once he had fetishized analog tape, now Jarvis appreciated the value of working without any such preciousness: much of All Cylinders was recorded on bare-bones Audacity, sans plugins, channeling the spirit of Paul McCartney’s II. 

WATCH / SHARE “GOLD FILIGREE” HERE
WATCH / SHARE “THE KNIFE IN ME”

LISTEN TO YVES JARVIS’ INTERVIEW ON CBC Q WITH TOM POWER HERE
READ YVES JARVIS’ INTERVIEW WITH RANGE MAGAZINE HERE

Jarvis is an omnivore, and All Cylinders smashes together a stunning array of influences: Serge Gainsbourg, Judee Sill, Sheryl Crow, Captain Beefheart, Jackson Browne, Throbbing Gristle, Ray Charles, Brian Eno, Fleetwood Mac, Panic at the Disco…  All this is distilled into tunes that feel like taking sips from a cup, or drags from a cigarette—vivid and self-contained tunes that are just two or three minutes long.  

WATCH “ONE GRIPE” PERFORMANCE FROM POLARIS PRIZE CEREMONY
WATCH / SHARE “ALL CYLINDERS” HERE

BUY / STREAM ALL CYLINDERS (DELUXE) HERE

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ALL CYLINDERS DELUXE TRACKLIST
(New Tracks In Bold)
1. With A Grain
2. Gold Filigree
3. One Gripe
4. Decision Tree
5. I’ve Been Mean
6. I’m Your Boy
7. Warp And Woof
8. All Cylinders
9. The Knife In Me
10. Patina
11. Lucks Last Luster
12. Silver KG
13. Off to Honeymoon
14. Man In His Pomp
15. Chalk It Up
16. Time To Behave

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