GARRET T. WILLIE ANNOUNCES TOUR DATES SUPPORTING NEW ALBUM ‘BILLS CAFE’

NORTH AMERICAN AND EUROPEAN TOUR DATES BEGIN THIS WEEK

GARRET T. WILLIE’S NEW LP, BILL’S CAFE, OUT FEBRUARY 27, 2026

WATCH / SHARE “I’M LATE” (MUSIC VIDEO) HERE
BUY / STREAM “I’M LATE” HERE

PRE-SAVE BILL’S CAFE HERE

“Named after his grandfather's pool hall and café in Alert Bay, Bill's Cafe superimposes those Pacific ghost towns atop the streets of Nashville, communing with them in honky-tonk bars with a signature gravelly, blues rock pluck.” Exclaim!, 2026 Most Anticipated Albums

“Willie blends hard-hitting AC/DC riffage with a baritone voice that sounds like he has been making music for decades. The truth is, this devilishly good guitar-slinger isn’t even 30 yet.”
The Vancouver Sun, Music Acts To Watch in 2026

Photo Credit : Sydney Woodward // DOWNLOAD HIGH-RES

Celebrated songwriter and guitarist Garret T. Willie is announcing upcoming tour dates supporting his new album, Bill’s Cafe, out late this month. The tour run takes Willie across Canada and Europe beginning this week. Full tour dates can be found below.

Bill’s Cafe, is more than a record — it’s a tribute, a turning point, and a reckoning. Named after his grandfather’s pool hall café in Alert Bay, British Columbia, the album carries the ghosts of home into the bright lights of Nashville. It was there, under the guidance of Grammy Award-winning producer Tom Hambridge (Buddy Guy, Kingfish, Susan Tedeschi), that Willie sharpened his blues-rock fire into something bigger, bolder, and truer.

The album is a road map of grit, heart, and soul. Written and recorded between late nights, long drives, and Nashville sessions, the record captures the restless spirit of a young artist carrying old-soul blues and rock traditions into the future. Across the album, Willie threads tales of whiskey-fueled nights, missed chances, stubborn resilience, and the freedom that only comes with chasing music town to town.

WATCH / SHARE “I’M LATE” (MUSIC VIDEO) HERE
BUY / STREAM “I’M LATE” HERE

With his guitar in hand and a voice that cuts like hi-beam headlights on a dark backroad, Willie delivers songs that feel lived-in and timeless. Bill’s Cafe is about the forces that hold us — love, loss, addiction, ambition, and the unshakable call of music as a means of survival. It’s a live wire of raw energy and soul — a reminder that sometimes the most dangerous thing is also the most irresistible.

That edge runs through the whole record. From roadhouse stompers to backseat ballads, Willie shines a light on hustlers, heartbreakers, and the broken pieces we all carry. He doesn’t just sing the blues — he spits them, shouts them, and bends them into something both timeless and dangerous. 

LISTEN / SHARE “DEVIL DOLL” HERE
BUY / STREAM “DEVIL DOLL” HERE

In Bill’s Cafe, Garret T. Willie doesn’t just honor his past — he builds a bridge between worlds: Alert Bay and Nashville, tradition and reinvention, the ghosts of family and the fire of the future.

On stage, Garret T. Willie is undeniable. At just 25 years old, his towering stature and deep, gravel-soaked voice channel the weight of an artist who has lived every shade of the blues. His performances are electric — no gimmicks, no fluff, just raw shredding, searing tone, and solos that rip straight through the room. He plays with the intensity of the greats, often bending the guitar behind his head mid-solo or leaping into the crowd to bring the fire even closer. Willie’s live show is more than a concert — it’s a shockwave of blues-rock energy that leaves audiences speechless and makes believers out of anyone.

LISTEN / SHARE “HYPNOTIST” HERE
BUY / STREAM “HYPNOTIST” HERE

Willie first made his mark with his debut album Same Pain, written with Parker Bossley at Afterlife Studios in Vancouver. The record lit a fire that spread far beyond Canada’s borders, earning praise from The Toronto Star, RANGE, Guitar World, Wonderland, Blues Matters, Blues in Britain and Classic Rock Magazine, while also landing airplay on BBC Radio 2’s The Blues Show with Cerys Matthews. Same Pain broke into the Top 20 on the UK Blues Albums chart and the US Roots Music Blues Rock chart in 2023, earned Willie two Western Canadian Music Award nominations for Blues and Indigenous Artist of the Year and a nomination for Best New Touring Artist at the Canadian Live Music Industry Awards. He carried those songs across Canada and in the US, opening for legends like Kenny Wayne Shepherd, John Fogerty, Kingfish, and recently performed on Joe Bonamassa’s Blues Cruise with Marcus King, Jimmy Vivino, Jeremie Albino, Ariel Posen, and more — proving that his firebrand blend of blues, rock, and raw honesty could hold its own on any stage.

LISTEN / SHARE “GOLDEN HIGHWAY” HERE
BUY / STREAM “GOLDEN HIGHWAY” HERE

GARRET T. WILLIE LIVE
02/07 Prince George, BC - Coldsnap Festival
02/14 Port Renfrew, BC - Song & Surf
03/20  Guelph, ON - Sonic Hall
03/21  Toronto, ON - The Baby G
03/22  Hamilton, ON - Mills Hardware
04/8 Rossland, BC - The Flying Steamshovel
04/09 Lethbridge, AB - Owl Acoustic Lounge
04/10 Edmonton, AB - Blues on Whyte 
04/11  Calgary, AB - Palomino 
04/14 Golden, BC - Rockwater Bar & Grill
04/15 Salmon Arm, BC - Canooligans
04/16  Kelowna, BC - Red Bird Brewing
04/17 Kamloops, BC - The Effie Arts Collective
04/18  Cobble Hill, BC - Cobblestone Pub
05/14 Cumberland, BC - The Waverley
05/16 Nanaimo, BC - The Queen's
07/11 Evansburg, AB - Pembina River Nights
07/17  Winthrop, WA - Winthrop Blues Festival
09/08 Newcastle, UK - Cluny 2*
09/09 York, UK - The Crescent*
09/10 London, UK - 100 Club*
09/11 Nottingham, UK - Rescue Rooms*
09/12 Norwich, UK - Adrian Flux Waterfront Studio*
09/13 Manchester, UK - The Deaf Institute*
09/15 Glasgow, UK - Stereo*
09/16 Bristol, UK - The Exchange*
09/17 Faversham, UK - The Old Brewery*
11/12-14 Sumperk, CZ - Blues Alive Festival

* Supporting Ally Venable 

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BILL’S CAFE TRACKLIST
01 Hypnotist
02 Devil Doll
03 Going to Toronto
04 It Won’t Get Done
05 Small Town People
06 High Beam Blues
07 Young Country Boy
08 Golden Highway
09 I’m Late

GARRET T. WILLIE ONLINE
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STATUS/NON-STATUS SHARE “GOOD ENOUGH” FT. JULIE DOIRON FROM UPCOMING LP

STATUS/NON-STATUS NEW ALBUM, BIG CHANGES, DUE OUT MARCH 6, 2026 VIA YOU’VE CHANGED RECORDS

BUY / STREAM “GOOD ENOUGH” FT. JULIE DOIRON HERE
LISTEN / SHARE “GOOD ENOUGH” FT. JULIE DOIRON HERE

PRE-SAVE BIG CHANGES HERE

LIVE PERFORMANCE DATES BEGIN MARCH 13

“In a moment defined by fragmentation, Status/Non-Status offers something sturdier: music as community, and community as survival.” RANGE Magazine, Frequency Forecast 2026

“Adam Sturgeon and co. are back with an album centred on family.  …a record that’s raw and urgent.” CBC Music, Albums We Can’t Wait To Hear in 2026

“We have the utmost faith in Anishihaabe songwriter Adam Sturgeon and co. to mine the trials and tribulations of navigating life's Big ChangesExclaim!, 2026 Anticipated Albums

Photo Credit:  Natasha Roberts // DOWNLOAD HIGH-RES

Last month, Status/Non-Status announced their new album, Big Changes, a record about survival, but also about making connections in order to endure. It is the big noise we make together when the world feels like it’s falling apart, and the harmony that comes when we keep time with one another. At its core, Big Changes is an act of community-building. Though its songs focus on reckoning, reflection, and resistance, the album derives its strength from the people who contributed to its creation.

Led by Anishinaabe musician and artist Adam Sturgeon, today the band is releasing the second single from the album, “Good Enough” featuring Julie Doiron. “Working with Julie is something I could only ever dream of as a teenager, while I lay with my old wire headphones attached to the boombox on the floor beside my bed - listening to Eric’s Trip,” says Sturgeon. “I don’t take living out my dreams for granted and am just so lucky Julie is such a giving and wonderful person. 

“‘Good Enough’ is about uplifting a friend out of the tyranny of doubt and fracture and pain. It could be any friend - your friend. Maybe it’s you. It’s sad, because maybe you know you can’t help them. But, the message is clear. This song is also meant to rebuild hope, even if it doesn’t feel quite right. The tidbit is that this feeling of hopelessness has perpetuated since this friend was a child… something learned, that wasn’t their fault. So, the need for a refraining reminder was ever present. I think repetition in song is nurturing. It soothes you, even in its bleakest moments. It holds you and meets you where you are at. Sometimes, when I write my best, I am in a state of fury, shock or sorrow and this process of creation is the natural remedy that guides me through. Perhaps it is not to look for answers but to ascertain that carrying on is the only answer.”

BUY / STREAM “GOOD ENOUGH” FT. JULIE DOIRON HERE
LISTEN / SHARE “GOOD ENOUGH” FT. JULIE DOIRON HERE

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MORE ABOUT BIG CHANGES (by Jim Di Gioia)
Over the years, Adam Sturgeon has undergone a metamorphosis, shedding old monikers and reclaiming heritage. In 2021, the collective formerly known as WHOOP-Szo became Status/Non-Status as part of Sturgeon’s ongoing exploration of the complex roots of his family history. Together with Zoon’s Daniel Monkman (who makes a guest appearance on Big Changes), Sturgeon introduced the world to OMBIIGIZI in 2022 via their Polaris Music Prize shortlisted record Sewn Back Together. Regardless of which project Sturgeon is working on, though, the one thing that doesn’t change is how he treats it: like family, protecting it at all costs. Every reinvention, every reckoning, every return leads back to the same role: provider, protector, father.

Alongside Sturgeon, there is a host of both long-time and new collaborators and friends—like Eric Lourenco, Jessica O’Neil, and Kirsten Kurvink Palm—as well as an extended circle of artists (including Steven Lourenco and Sunnsetter’s Andrew MacLeod) expanding Status/Non-Status into an every growing collective of artists that embodies the push and pull that animates the album itself: the tension between consistency and change and living in solitude and solidarity. 

Big Changes comes from living through what Sturgeon describes as “a war on people and their ways of being” while engaging in the everyday domesticity of dropping the kids off at daycare, heading into work, doing chores around the house, and figuring out how to survive “what is beginning to feel like a real apocalypse.” Inspired by his in-the-moment work with OMBIIGIZI, and with over 40 rough song ideas on hand, Sturgeon recruited Dean Nelson (Beck, Thurston Moore, Stephen Malkmus & the Jicks) and Matthew Wiewel (of Deadpan Studios and engineer of Status/Non-Status’ previous album, Surely Travel) to build a home studio in the old church he lives in with his family in London, Ontario. Everything on Big Changes “Is centralized around our Monday morning recording sessions,” he says, “and this routine of caring for my young family in a disintegrating and tough city.”

For Sturgeon, Big Changes also reflects his lifelong dialogue with duality, a dichotomy “...felt through the contrast of being a mixed person,” who sees “racism perpetuated against people more visible than myself, while also not feeling like I’m Indian enough.” The record tussles with that uneasy and impossible balance of simultaneously walking in two worlds with conflicting values. It’s less a statement of intent than a lived reflection, one that acknowledges tension without resolving it. “I don’t feel conflicted about where I stand, but I’m not sure I’m always seen,” Sturgeon says, adding that, “[on Sewn Back Together, OMBIIGIZI] found balance in the dichotomy of being damaged and using it as a tool to move forward. Big Changes, however, is foreboding and inquisitive about what is to come.”

WATCH / SHARE “AT ALL” HERE
BUY / STREAM “AT ALL” HERE

The song “Big Changes” brings these big ideas and concepts down to street level, reflecting the daily realities of life just outside Sturgeon’s own front door. “This song is about my hood, where I live and raise my family and what I see when I walk out the door,” he says, describing a neighbourhood “mired by gaps in the system” and burdened by housing crises, addiction, and lateral violence. Caught in the crossfire between bureaucratic inaction and a community’s will to survive, “Big Changes” expresses how people are forced into change simply to keep going, whether that change leads somewhere better or somewhere harder doesn’t really matter. What matters is endurance, adaptation, and the resilience to find ways to live with what’s left.

Despite its title, one thing that Big Changes doesn’t mess with is the music. Status/Non-Status hold fast to their intuitive and fluid style, their musicianship grounded in connection, familiarity, and an overarching trust in the power of their glorious noise. If anything, Status/Non-Status is more refined on Big Changes, summoning a sound that’s deliberate while retaining the untamed energy that first inspired them. Crunching guitars clock the daily grind of the nine-to-five on opening track “At All”, while bursts of ’90s indie-rock energy collide with sugar-coated power pop melodies on “Peace Bomb”. Ominous shades of gothic blues hang in the air on the title track, while the yin and yang of male and female harmonies (supplied by Broken Social Scene’s Kevin Drew and Rachel McLean) on “Blown Again” temper abrasion with warmth. On “Basket Weaving”, a collaboration with Odawa poet and artist Colleen “Coco” Collins, contemplative acoustics and ambient synth textures intertwine with anthemic rock flourishes in an exploration of “ancestral experience of reconnection.” The influence of Canadian noise-rock pioneers Eric’s Trip runs like an undercurrent through Big Changes, especially in its community-minded spirit. That lineage comes full circle on the delicate lullaby ballad “Good Enough”, featuring Eric’s Trip Julie Doiron. “Working with Julie Doiron, my teenage hero and favourite bass player,” says Sturgeon, “is something I could only ever dream of. I don’t take accomplishing my dreams for granted,” he adds. “I am just so lucky Julie is such a giving and wonderful community member.”

Read the full album bio by Jim Di Gioia at https://www.killbeatmusic.com/statusnonstatus

STATUS/NON-STATUS TOUR DATES
March 13 - Zbtfd live in-store - Brantford - w/Indian Giver
March 20 - St. Anne's - Tkaronto - Wavelength Music festival - w/ Ribbon Skirt
March 27 - Palasad - London - w/ Indian Giver 
March 28 - Corktown Pub - Hamilton - JUNOFest
May 13-16 - Great Escape - Brighton/UK

PRE-SAVE BIG CHANGES HERE

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BIG CHANGES TRACKLIST
01 At All|
02 Peace Bomb
03 Big Changes
04 Blown Again
05 Basket Weaving
06 Arnold
07 Good Enough Ft. Julie Doiron
08 Bones
09 Bitumen Eye’s
10 Bitumen Eye’s II
11 Tom Climate

STATUS / NON-STATUS ONLINE
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CHARLOTTE CORNFIELD RELEASES NEW SINGLE/VIDEO, “LIVING WITH IT,” FEATURING FEIST

CHARLOTTE CORNFIELD’S NEW LP, HURTS LIKE HELL, OUT MARCH 27, 2026 VIA NEXT DOOR RECORDS (CANADA) / MERGE RECORDS (WORLDWIDE)

WATCH / SHARE “LIVING WITH IT” FEAT. FEIST HERE
BUY / STREAM “LIVING WITH IT” FEAT. FEIST HERE

PRE-SAVE HURTS LIKE HELL HERE

NORTH AMERICAN TOUR DATES BEGIN MARCH 31, PERFORMING IN TORONTO ON APRIL 9 AT LULA LOUNGE

“Charlotte Cornfield is a songwriter who brings a sense of profundity to the simplest of phrases.” - The FADER

“[Charlotte Cornfield] is one of our best living songwriters.” - Paste

“Charlotte Cornfield among Canada’s great storytellers.” - Exclaim!

“Cornfield is a sharp-eyed songwriter, who is particularly adept at both reinforcing and undercutting the emotional core of her narratives with quotidian detail and slacker silliness. - Rolling Stone

“Her songs unfold like flower blossoms, as if you have already heard them dozens of times before.” - Steven Hyden

Cornfield has the gift of telling poetic stories while sonically expressing them, in true songwriter fashion. Every time listening to her songs uncovers a new layer.” RANGE Magazine

"Cornfield’s strength has always been writing profoundly emotional songs rooted in her own experiences and making them feel like your own." - SPIN

One of our generation's most moving bards.” Northern Transmissions

“Charlotte Cornfield basks in open spaces” - The Toronto Star

Photo Credit:  Colin Medley // DOWNLOAD HIGH-RES

Today, Charlotte Cornfield releases “Living With It”, the second single/video from her new album, Hurts Like Hell, out March 27, 2026 via Next Door Records (Canada) and Merge Records (World Wide). Much of Hurts Like Hell’s magic happens in the space Cornfield makes for harmony. Following the title track, on which Cornfield was accompanied by Buck Meek, on “Living With It", she's joined by the one and only Feist, who she connected with through a group chat for mothers who are touring musicians.

 “I had secretly dreamed of having her sing on the record and mentioned it to [producer] Phil Weinrobe, who she is also friends with,” Cornfield reflects. “When Phil reached out and she said yes, I sent her a couple of songs, hoping she would gravitate towards this one. She did, and she added her Feist magic to it, which is undeniable.” That magic meets Cornfield at her most vulnerable, just as she finds herself diving into the wreck of emotions beneath the surface of a painful memory, troubling its narrative and transfiguring the pain in Cornfield’s voice into something more complex and true, something that must have hurt like hell to have lived through, let alone to retell. Detailing the end of a relationship, Cornfield sings: ‘Maybe I’m just better at living with it than you are // But I’m the one crying in my car // Telling you to go when I want you to stay.’

The accompanying video was made by Ali Vanderkruyk and Sara Melvin, and stars Celia Green, Augusto Bitter, Feist and Cornfield. 

WATCH / SHARE “LIVING WITH IT” FEAT. FEIST HERE
BUY / STREAM “LIVING WITH IT” FEAT. FEIST HERE

MORE ABOUT HURTS LIKE HELL
Cornfield’s sixth album, Hurts Like Hell is the first she’s recorded since the birth of her daughter in 2023, an inflection point for her as a person and an artist. The album’s recurrent themes of personal growth and renewal, of love’s perseverance through difficulty and shame and awkwardness, are rooted there. 

Cornfield’s change in perspective is evident not only in her approach to the lyric—which now gives voice to characters and themes beyond her own headspace—but in how she approached recording. Hurts Like Hell is her most collaborative effort to date. Decamping to Philip Weinrobe’s (Adrianne Lenker, Lonnie Holley, Billie Marten) Sugar Mountain studio in January 2025, Cornfield was joined by a full backing band, including Palehound’s El Kempner (guitar/vocals), Lake Street Dive’s Bridget Kearney (bass/vocals), Adam Brisbin (guitar/pedal steel), and Sean Mullins (drums), with key contributions by Núria Graham (piano), and Daniel Pencer (saxophone). Cornfield and Weinrobe then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album. “Every musician involved was a dream collaborator,” Cornfield says. 

WATCH / SHARE “HURTS LIKE HELL”(MUSIC VIDEO) HERE
BUY / STREAM “HURTS LIKE HELL” HERE

Cornfield arrived at Hurts Like Hell bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected—a group chat, songwriters she was fans of but wasn’t acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every “yes,” every voice memo, every shared file, every open door leading to this moment in her career. Call that moment what you will—an expansion, a rebirth, a breakthrough—Hurts Like Hell is big enough to meet it.

CHARLOTTE CORNFIELD LIVE
Tue. March 31 - Brooklyn, NY @ Public Records
Thu. April 2 - Chicago, IL @ Schubas 
Sat. April 4 - Los Angeles, CA @ Scribble 
Thu. April 9 - Toronto, CA @ Lula Lounge

PRE-SAVE HURTS LIKE HELL HERE

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HURTS LIKE HELL TRACKLIST
1. Before
2. Hurts Like Hell|
3. Lost Leader
4. Lucky
5. Living With It
6. Number
7. Squiddd
8. Kitchen
9. Long Game
10. Bloody and Alive

CHARLOTTE CORNFIELD ONLINE
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