ELLEN FROESE ANNOUNCES NEW LP, SOLITARY SONGS, SHARES NEW SINGLE, “BELLFLOWER BLUE”

ELLEN FROESE’ NEW ALBUM, SOLITARY SONGS, OUT MAY 6, 2026 VIA VICTORY POOL RECORDS

WATCH / SHARE “BELLFLOWER BLUE” HERE
BUY / STREAM “BELLFLOWER BLUE” HERE

WESTERN CANADIAN TOUR DATES BEGIN JUNE 12

PRE-SAVE SOLITARY SONGS HERE

Photo Credit : Little Jack Films // DOWNLOAD HIGH-RES

Saskatoon songsmith Ellen Froese’s latest record, Solitary Songs, finds her meditating on a strange chapter of her life. “It’s been a weird year—lots of life changes, maybe some ego-death,” she says. Between an ADHD diagnosis and cutting back on some vices, her perspective—as a musician, a lover, a human being—has changed.

The follow up to 2022’s For Each Flower Growing (produced with the Sheepdogs’ Sam Corbett), Solitary Songs showcases Froese singing songs that sound like dusted-off country classics with wry, down-to-earth lyricism. One moment, Froese is confessing, ‘I’m scared of getting old / But more than that, I’m scared of living without your love’; the next, she’s reeling from a false-start fling, ‘stray cattin’ along’ with a freshly purchased ‘strawberry watermelon turbo-powered vape’. There are no sacred cows in Froese’s world, with blunt humour meeting heartache while the band plays on.

Today, she shares the new single, “Bellflower Blue”, a song that was “written with a nod to heartbreak songs in a specific vein of traditional folk ballads,” explains Froese. “Prolonged stormy weather can erode away parts of you, but the resulting fragility can be a beautiful thing, acting as a guide to new and gentler pastures. Bellflower is a beautiful but deceivingly invasive plant.”

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MORE ABOUT SOLITARY SONGS
“This record is the outcome of facing non-stop anxiety with songwriting,” Froese says. “I was oscillating back and forth between feeling stuck and feeling like, ‘fuck it, I need to zoom out and have some fun.’” This tension makes Solitary Songs captivating; Froese, chastises herself for overcomplicating things, even if it may be for self-preservation, singing ‘don’t look hard, Ellen’. But she does look hard, turning over the complications—the ex-lover, the rough weather, the lonely hotel bed—meditating on her deeper desires; as her honeyed voice sings, ‘what I seek now is a methodology for peacefulness between my heart and mind’.

Breaking down the role ADHD has played in her life, Froese’s fight against “the damn dopamine hunt” is tracked across Solitary Songs. “If something is intriguing to me, it becomes my entire reality for that time,” Froese explains. Froese excels at self-deprecatingly depicting her own fixations (she muses at one point, ‘I’m thinkin’ and I’m drinkin’ up ways to make you mine’).

LISTEN / SHARE “WINDY WAS THE WEATHER” HERE
BUY / STREAM “WINDY WAS THE WEATHER” HERE 

Album highlight “Windy Was The Weather” finds Froese tossed and turned by the fickleness of connection. Over bittersweet strums, Froese recalls a tryst with a ‘siren of beauty’. Exhibiting a wisdom far beyond her years, Froese laments the volatility of our bodies and minds, with the caveat that there is some pleasure in the uncertainty of ‘a rose, both thorny and soft on my neck’. Whipping up a gust of strings and horns, this stirring waltz feels as timeless as autumn itself.

Throughout Solitary Songs, Froese is slyly moving towards self-acceptance. On “Practicing My Wink”, Froese relays her tongue-in-cheek quest to perfect the flirtatious move (it’s ‘harder to do than you think’!). Disarming anxiety with goofiness, Froese playfully twisting her goal of being super cool and likeable into an ode to self-discovery through trust and friendship. Froese knows that, regardless of what the mirror dictates, ‘I got my pals and they know all the about / The way that I always have been’.

WATCH / SHARE “SOLITARY SONG” HERE
BUY / STREAM “SOLITARY SONG” HERE

Friendship is at the heart of Solitary Songs, which sounds like how it was made: a big hangout with friends, trying to make one another smile. Recorded at RecHall studios in Saskatoon, Solitary Songs was created through jubilant, off-the-cuff collaboration, with the band riffing arrangements while Froese penned new verses in the control room.

At this point in her career, with 4 full-length albums and many international tours under her belt, Solitary Songs showcases Froese digging for the feeling of “just making music for the joy of it, like when I was a kid.” And as far as quitting the dopamine rush and finding self-acceptance goes? “I guess the journey up to wellness has peaks and valleys, but it does start to level out,” Froese muses. Indeed, Solitary Songs sees Froese’ flirting with self-acceptance while figuring things out; trying to be “happy in the confidence of a solitary song,” and getting your friends on board for some cheeky country-folk tunes. And nobody does those quite like Ellen Froese.

LISTEN / SHARE “WONDERING WHEN?” HERE
BUY / STREAM “WONDERING WHEN?” HERE

PRE-SAVE SOLITARY SONGS HERE


TOUR DATES
Jun 12 - Regina, SK - The Artesian
Jun 13 - Lethbridge, AB - The Owl
Jun 14 - Penticton, BC - The Hub
Jun 18 - Vancouver, BC - The Heatley
Jun 25 - Edmonton, AB - The Aviary
Jun 27 - Saskatoon, SK - Amigos

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SOLITARY SONGS TRACKLIST
01 Solitary Song
02 Wondering When
03 Don’t Look Hard
04 Windy Was The Weather
05 Practicing My Wink
06 Tide Pool
07 Bellflower Blue
08 Closed Game
09 Living Without Your Love
10 Solitary Song (Slow Version)
11 Lucille Mulhall

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ABIGAIL LAPELL ANNOUNCES NEW LP, SHADOW CHILD, SHARES FIRST SINGLE

ABIGAIL LAPELL’S NEW ALBUM, SHADOW CHILD, ARRIVES MOTHER’S DAY WEEKEND, MAY 8, 2026 VIA OUTSIDE MUSIC 

WATCH / SHARE “HAZEL” FT. JILL BARBER HERE
BUY / STREAM “HAZEL” FT. JILL BARBER HERE

PRE-SAVE SHADOW CHILD HERE

NORTH AMERICAN TOUR DATES BEGIN FEBRUARY 26

TICKETS ON SALE HERE

Photo Credit : Jen Squires // DOWNLOAD HIGH-RES

Every mother has a unique story. One thing is true for every mother, though: there’s no deadline quite like a pregnancy. Award-winning Toronto singer-songwriter Abigail Lapell was pregnant with her first child when she booked studio time on Vancouver Island to make an album about motherhood. The nine songs on Shadow Child, one for each month of gestation, had to be ready before then, and her return flight was booked on the last day she could safely fly in her third trimester. 

Working with producer Colin Stewart (Dan Mangan, Black Mountain), Lapell finished her songs in the studio and on rural walks beside the Pacific Ocean. She enlisted some of her favourite singers, all British Columbians, all mothers: Frazey Ford, Jill Barber, Pharis Romero. “They’re all people with unique, distinctive voices,” she says, “which is what I’m drawn to.”  

Today, Lapell is sharing the first single from the album, “Hazel” featuring Jill Barber. Part lullaby and part elegy, “Hazel” is a gentle love letter to an unborn or future child, or one that may never be. The song’s soft plucked electric guitar floats beneath sweet childhood imagery; sandcastles, snow angels, sunshowers, and a name carried off on the ocean breeze.

The single arrives with a visualizer created by Lapell “using old super 8 footage I filmed as a teenager and recently rediscovered. Shot at a melancholy yet hopeful time in my life, the film features birds in flight and at rest, often shaky, scratchy or out of focus. I feel like this stuttering footage has its own fragile beauty that resonates with the song’s sweet message of a nascent love, half-formed but all-consuming.”

WATCH / SHARE “HAZEL” FT. JILL BARBER HERE
BUY / STREAM “HAZEL” FT. JILL BARBER HERE


MORE ABOUT SHADOW CHILD
For Shadow Child, musically, Lapell was looking for a stark, acoustic sound, as opposed to 2024’s JUNO Award-nominated Anniversary (recorded in Niagara with Great Lake Swimmers’ Tony Dekker) and 2022’s acclaimed Stolen Time (recorded in Montreal with Howard Bilerman, featuring E Street Band saxophonist Jake Clemons).

Lapell’s road to motherhood was fraught, involving years of IVF and a 2023 miscarriage — that she experienced on stage while on tour. (She finished her set.) Her son was born in November 2024. The song cycle of Shadow Child covers joy and loss, using metaphors from Maritime tragedy, “little cannibals,” reproductive health, acquiring language, and lives altered by the arrival of a newborn. The title track refers to ultrasound imaging of “a liminal person that doesn’t quite exist yet,” says Lapell. “Their status is ontologically blurry.”

ABIGAIL LAPELL ON TOUR
Feb 26 - Niagara, ON - Niagara Artists Centre
April 10 - Saint John, NB - Imperial Theatre
May 8 - Richards Landing, ON - Algoma Trad
May 14 - Saratoga Springs, NY - Caffe Lena
May 15 - Exeter, NH - Word Barn
May 16 - Cambridge, MA - Club Passim
May 17 - New York, NY - Cafe Wha?
May 22 - Toronto, ON - Hugh's Room
May 23 - Chelsea, ON - Motel Chelsea
May 24 - Ottawa, ON - Ottawa Tennis Club

More Dates To Be Announced Soon

PRE-SAVE SHADOW CHILD HERE

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SHADOW CHILD TRACKLIST
01 Whistle Song (One In A Million)
02 Hazel ft. Jill Barber
03 Shadow Child ft. Frazey Ford
04 Mocking Bird ft. Dana Sipos
05 Talking To Myself
06 Little Cannibal
07 So Long ft. Pharis Romero
08 Mother Tongue
09 Sing A Rainbow

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SUMMERSETS RETURN WITH “SOMEWHERE GONE”

Photo Credit : Cayllan Cassavia // DOWNLOAD HIGH-RES

Last year, summersets, the duo of Kalle Mattson and his childhood friend and long-time bandmate Andrew Sowka, shared two new singles, “Move Back Home” and “If You Were A Stranger”, the latter of which has been climbing the CBC Music Top 20 and is currently spinning on SiriusXM Canada’s North Americana channel.

Today, they’re sharing “Somewhere Gone”, a song that Mattson wanted “to feel like Sault Ste. Marie. So few songs are written about or reflect the part of the country where we’re both from, and with ‘Somewhere Gone’ I wanted to hopefully provide a snapshot of the place but also what it’s like to look back at your hometown after you have grown up and left, seeing it and yourself from a new point of view.” 

WATCH / SHARE “SOMEWHERE GONE” HERE
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Previous single “Move Back Home” is about “the housing crisis in Canada, and specifically how our generation (millennials) have had to settle for a life that looks markedly different from the ones our parents led,” says Mattson. “The characters in the song are a composite of so many of our friends in their early 30s who are moving back to our hometown (Sault Ste. Marie, ON), after living in larger cities, because “moving back home” is their only real option of ever owning a home or starting a family. I’ve made peace that I will probably never own a home, what was an option for previous generations is not one for me, but I wanted to put that reality into a song where the characters are ‘settling’ and ‘settling down’, both for each other and in the larger context of their lives.”

WATCH / SHARE “MOVE BACK HOME” HERE
BUY / STREAM “MOVE BACK HOME” HERE

“If You Were A Stranger” is “my attempt at writing a genuine love song for my partner (with a splash of humour),” explains Mattson. “Since 2021 I’ve taught songwriting in the music department at Carleton University. Teaching at any level was certainly not something I ever thought I would do, but in teaching songwriting, it’s opened up a lot more areas in my own writing (what’s the saying ‘the best way to learn is to teach’? I think they also say ‘those that can’t do, teach’ but whatever). Every songwriter I know admires John Prine, but only until you try and write like him do you realize how hard it is to be genuine and funny all at once. And I think it features some great understated playing from Jim Bryson, Christine Bougie, and Peter Von Althen, one of our favourites.”

WATCH / SHARE “IF YOU WERE A STRANGER” HERE
BUY / STREAM “IF YOU WERE A STRANGER” HERE

MORE ABOUT SUMMERSETS
summersets is the new duo from JUNO Award and Polaris Music Prize nominated singer-songwriter Kalle Mattson, and longtime collaborator Andrew Sowka. Influenced by the storytelling of John Prine and delivered with the delicacy of Simon & Garfunkel, their debut full-length, small town story, was produced by Jim Bryson (Kathleen Edwards, The Weakerthans) and nominated for both a 2024 Ontario Folk Music Award and a 2025 Canadian Folk Music Award. They are currently in the studio working on their followup LP once again with Jim Bryson, Peter Von Althen (Skydiggerrs) and Christine Bougie (Bahamas), due out this year.

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