JULIANNA RIOLINO’S DELUXE LP OUT FRIDAY, SHARES NEW SINGLE

BUY / STREAM “WOULD THAT IT WERE SO SIMPLE” HERE
LISTEN / SHARE “WOULD THAT IT WERE SO SIMPLE” HERE

DELUXE EDITION OF ECHO IN THE DUST OUT FEBRUARY 27, 2026 VIA MOONWHISTLE RECORDS

NORTH AMERICAN TOUR DATES CONTINUE THIS WEEK - FULL DATES BELOW

PRE-SAVE ECHO IN THE DUST DELUXE EDITION HERE

“We've seen Canadian rock 'n' roll's future, and its name is Julianna Riolino. ..thoughtfully written songs exploring interpersonal transitions, almost like they're scenes in a larger play that's a memorably compelling emotional roller coaster.” 
- Exclaim!, Best Albums of 2025

"twangy, deliriously catchy blast of power-pop"
- The New York Times



“The country-rock storyteller crafts her most self-possessed work yet with Echo in the Dust, a reflection on confidence, creation, and coming into her own.”
- RANGE

"Big, bolshy, boundary-breaking catharsis"- MOJO

“Over a boisterous mix of guitar, banjo, organ, tambourines and more, Julianna Riolino's voice soars like a sun rising on a hot summer day on this track celebrating growth.”
- CBC Music, Top Songs of 2025, "On A Bluebird's Wing”

"The kind of visceral rock that you don't sing along to but belt out" - Shindig!

"The atmosphere of Riolino’s carefully crafted cosmic country lingers in the mind."
– Pitchfork


"Channels Judee, Dolly and Emmylou on a lustrous, emotional country-rock set."  
– Uncut



Photo Credit : Brooke Tutty // DOWNLOAD HIGH-RES

Julianna Riolino today returns with a new single from the upcoming deluxe edition of her recent album, Echo in the Dust, set for release via Moonwhistle Records on February 27. The new expanded version of the record arrives with three extra tracks including the new single "Would That It Were So Simple” and previous single “Don’t Put Me In The Middle”

On “Would That It Were So Simple”, Riolino notes “the distant drum, the echoed hum, the sleeping beauty awakens to the world she has created. Surrounding her are past, present and future decisions. Floating through her circling thoughts, spinning her like a loom.. Wondering when the moment will be hers, or if it all is doomed.”
 

BUY / STREAM “WOULD THAT IT WERE SO SIMPLE” HERE
LISTEN / SHARE “WOULD THAT IT WERE SO SIMPLE” HERE

MORE ABOUT ECHO IN THE DUST
The songs on Echo In The Dust consider relationships of all sorts as the foundation for her awakening into a different creative self and person in this world; working through loss, grief, habits, and decisions she once made, seeking clarity in the past before leaving it to move forward. The adage “you don’t know where you’re going until you know where you’ve been” rings especially true on this album.



By Riolino’s own admission, the album is different from her debut, All Blue. She breathes new confidence into her work. The celebrated songwriter is soft as she is tough on these songs; seeing the benefit of laying down armour and splitting her heart open so that we may get a glimpse of our own. 



“What I'm talking about on Echo In The Dust are universally felt: you can have a romantic relationship, friendship, or professional relationship and start to identify as you grow and learn the toxic parts that can exist in all of those,” Riolino explains. “You think, ‘why do I feel bad? Why is this happening again?’ But I'm allowing this to happen because I haven't told myself I deserve better. This record helped me learn to accept and love myself. To put myself first and stand on my own two feet.” 


WATCH / SHARE “DON’T PUT ME IN THE MIDDLE” HERE
BUY / STREAM “DON’T PUT ME IN THE MIDDLE” HERE

After non-stop touring for other projects she has since left, and wrapping up live promotion for All Blue, Riolino began recording for this new album in 2024 at Gold Standard Recorders in Toronto. While she played guitar, she also tapped her regular collaborators, Matthew “Roddy” Kuester to play bass and guitar, Peter Landi on drums, Thomas Hammerton on piano and synth, and producer of the album Aaron Goldstein on pedal steel. On top of that, a whole host of other instrumentalists rounded out the sound of the album including Alex Edkins (Weird Nightmare, Metz) on guitar for “Full Moon”, “Like a Rembrandt”, and “The Less I Know”,  and Nashville’s Sean Thompson on guitar for “On A Bluebird’s Wing”. 



The songs on All Blue, Riolino says, had the privilege of being played and workshopped in front of a crowd but the songs that make up Echo In The Dust were written before, during, and after her debut in moments of confusion and clarity. These songs are like journal entries; attempts at deciphering what she wants out of her relationships and creative life in music. She transports us into big feelings layered with guitar twangs, vivid pedal steel and walloping horns, anchored by her tender vocals as though she embodies Dolly Parton and Linda Ronstadt in one person.



Echo In The Dust builds on the alt-country elements of All Blue. Yet, no algorithm can contain Riolino or what moved her this time around. She cites Roy Orbison, The Roches, Tom Petty and the Heartbreakers, John Lennon’s “Beautiful Boy (Darling Boy),” and doom metal bands like Omas influences on the album.
Riolino needed to unravel before she could clarify who she is now and who she’ll be next, and the result is Echo In the Dust, a beautiful sonic result of what it’s like to stay out of one’s own way.



PRE-SAVE ECHO IN THE DUST DELUXE EDITION HERE

JULIANNA RIOLINO TOUR DATES

Feb 25 - Kingston, ON - Broom Factory 

Feb 26 - St Catharines, ON - Warehouse 

May 14 - St Andrews, NB - Paddlefest
July 17 - Tromsø, Norway
 - Bukta Festival
July 18 - Kristiansand, Norway - Ravnedalen Live

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ECHO IN THE DUST DELUXE TRACKLIST
1. Like A Rembrandt
2. Smile
3. Full Moon
4. Seed
5. Be Good to Your Mother
6. It's A Shakedown
7. Running
8. Let Me Dream
9. On A Bluebird's Wing
10. I Wonder
11. The Less I Know
12. Don't Put Me in the Middle
13. Pain
14. Would That It Were So Simple

JULIANNA RIOLINO ONLINE
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ELLEN FROESE ANNOUNCES NEW LP, SOLITARY SONGS, SHARES NEW SINGLE, “BELLFLOWER BLUE”

ELLEN FROESE’ NEW ALBUM, SOLITARY SONGS, OUT MAY 6, 2026 VIA VICTORY POOL RECORDS

WATCH / SHARE “BELLFLOWER BLUE” HERE
BUY / STREAM “BELLFLOWER BLUE” HERE

WESTERN CANADIAN TOUR DATES BEGIN JUNE 12

PRE-SAVE SOLITARY SONGS HERE

Photo Credit : Little Jack Films // DOWNLOAD HIGH-RES

Saskatoon songsmith Ellen Froese’s latest record, Solitary Songs, finds her meditating on a strange chapter of her life. “It’s been a weird year—lots of life changes, maybe some ego-death,” she says. Between an ADHD diagnosis and cutting back on some vices, her perspective—as a musician, a lover, a human being—has changed.

The follow up to 2022’s For Each Flower Growing (produced with the Sheepdogs’ Sam Corbett), Solitary Songs showcases Froese singing songs that sound like dusted-off country classics with wry, down-to-earth lyricism. One moment, Froese is confessing, ‘I’m scared of getting old / But more than that, I’m scared of living without your love’; the next, she’s reeling from a false-start fling, ‘stray cattin’ along’ with a freshly purchased ‘strawberry watermelon turbo-powered vape’. There are no sacred cows in Froese’s world, with blunt humour meeting heartache while the band plays on.

Today, she shares the new single, “Bellflower Blue”, a song that was “written with a nod to heartbreak songs in a specific vein of traditional folk ballads,” explains Froese. “Prolonged stormy weather can erode away parts of you, but the resulting fragility can be a beautiful thing, acting as a guide to new and gentler pastures. Bellflower is a beautiful but deceivingly invasive plant.”

WATCH / SHARE “BELLFLOWER BLUE” HERE
BUY / STREAM “BELLFLOWER BLUE” HERE

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MORE ABOUT SOLITARY SONGS
“This record is the outcome of facing non-stop anxiety with songwriting,” Froese says. “I was oscillating back and forth between feeling stuck and feeling like, ‘fuck it, I need to zoom out and have some fun.’” This tension makes Solitary Songs captivating; Froese, chastises herself for overcomplicating things, even if it may be for self-preservation, singing ‘don’t look hard, Ellen’. But she does look hard, turning over the complications—the ex-lover, the rough weather, the lonely hotel bed—meditating on her deeper desires; as her honeyed voice sings, ‘what I seek now is a methodology for peacefulness between my heart and mind’.

Breaking down the role ADHD has played in her life, Froese’s fight against “the damn dopamine hunt” is tracked across Solitary Songs. “If something is intriguing to me, it becomes my entire reality for that time,” Froese explains. Froese excels at self-deprecatingly depicting her own fixations (she muses at one point, ‘I’m thinkin’ and I’m drinkin’ up ways to make you mine’).

LISTEN / SHARE “WINDY WAS THE WEATHER” HERE
BUY / STREAM “WINDY WAS THE WEATHER” HERE 

Album highlight “Windy Was The Weather” finds Froese tossed and turned by the fickleness of connection. Over bittersweet strums, Froese recalls a tryst with a ‘siren of beauty’. Exhibiting a wisdom far beyond her years, Froese laments the volatility of our bodies and minds, with the caveat that there is some pleasure in the uncertainty of ‘a rose, both thorny and soft on my neck’. Whipping up a gust of strings and horns, this stirring waltz feels as timeless as autumn itself.

Throughout Solitary Songs, Froese is slyly moving towards self-acceptance. On “Practicing My Wink”, Froese relays her tongue-in-cheek quest to perfect the flirtatious move (it’s ‘harder to do than you think’!). Disarming anxiety with goofiness, Froese playfully twisting her goal of being super cool and likeable into an ode to self-discovery through trust and friendship. Froese knows that, regardless of what the mirror dictates, ‘I got my pals and they know all the about / The way that I always have been’.

WATCH / SHARE “SOLITARY SONG” HERE
BUY / STREAM “SOLITARY SONG” HERE

Friendship is at the heart of Solitary Songs, which sounds like how it was made: a big hangout with friends, trying to make one another smile. Recorded at RecHall studios in Saskatoon, Solitary Songs was created through jubilant, off-the-cuff collaboration, with the band riffing arrangements while Froese penned new verses in the control room.

At this point in her career, with 4 full-length albums and many international tours under her belt, Solitary Songs showcases Froese digging for the feeling of “just making music for the joy of it, like when I was a kid.” And as far as quitting the dopamine rush and finding self-acceptance goes? “I guess the journey up to wellness has peaks and valleys, but it does start to level out,” Froese muses. Indeed, Solitary Songs sees Froese’ flirting with self-acceptance while figuring things out; trying to be “happy in the confidence of a solitary song,” and getting your friends on board for some cheeky country-folk tunes. And nobody does those quite like Ellen Froese.

LISTEN / SHARE “WONDERING WHEN?” HERE
BUY / STREAM “WONDERING WHEN?” HERE

PRE-SAVE SOLITARY SONGS HERE


TOUR DATES
Jun 12 - Regina, SK - The Artesian
Jun 13 - Lethbridge, AB - The Owl
Jun 14 - Penticton, BC - The Hub
Jun 18 - Vancouver, BC - The Heatley
Jun 25 - Edmonton, AB - The Aviary
Jun 27 - Saskatoon, SK - Amigos

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SOLITARY SONGS TRACKLIST
01 Solitary Song
02 Wondering When
03 Don’t Look Hard
04 Windy Was The Weather
05 Practicing My Wink
06 Tide Pool
07 Bellflower Blue
08 Closed Game
09 Living Without Your Love
10 Solitary Song (Slow Version)
11 Lucille Mulhall

ELLEN FROESE ONLINE
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ABIGAIL LAPELL ANNOUNCES NEW LP, SHADOW CHILD, SHARES FIRST SINGLE

ABIGAIL LAPELL’S NEW ALBUM, SHADOW CHILD, ARRIVES MOTHER’S DAY WEEKEND, MAY 8, 2026 VIA OUTSIDE MUSIC 

WATCH / SHARE “HAZEL” FT. JILL BARBER HERE
BUY / STREAM “HAZEL” FT. JILL BARBER HERE

PRE-SAVE SHADOW CHILD HERE

NORTH AMERICAN TOUR DATES BEGIN FEBRUARY 26

TICKETS ON SALE HERE

Photo Credit : Jen Squires // DOWNLOAD HIGH-RES

Every mother has a unique story. One thing is true for every mother, though: there’s no deadline quite like a pregnancy. Award-winning Toronto singer-songwriter Abigail Lapell was pregnant with her first child when she booked studio time on Vancouver Island to make an album about motherhood. The nine songs on Shadow Child, one for each month of gestation, had to be ready before then, and her return flight was booked on the last day she could safely fly in her third trimester. 

Working with producer Colin Stewart (Dan Mangan, Black Mountain), Lapell finished her songs in the studio and on rural walks beside the Pacific Ocean. She enlisted some of her favourite singers, all British Columbians, all mothers: Frazey Ford, Jill Barber, Pharis Romero. “They’re all people with unique, distinctive voices,” she says, “which is what I’m drawn to.”  

Today, Lapell is sharing the first single from the album, “Hazel” featuring Jill Barber. Part lullaby and part elegy, “Hazel” is a gentle love letter to an unborn or future child, or one that may never be. The song’s soft plucked electric guitar floats beneath sweet childhood imagery; sandcastles, snow angels, sunshowers, and a name carried off on the ocean breeze.

The single arrives with a visualizer created by Lapell “using old super 8 footage I filmed as a teenager and recently rediscovered. Shot at a melancholy yet hopeful time in my life, the film features birds in flight and at rest, often shaky, scratchy or out of focus. I feel like this stuttering footage has its own fragile beauty that resonates with the song’s sweet message of a nascent love, half-formed but all-consuming.”

WATCH / SHARE “HAZEL” FT. JILL BARBER HERE
BUY / STREAM “HAZEL” FT. JILL BARBER HERE


MORE ABOUT SHADOW CHILD
For Shadow Child, musically, Lapell was looking for a stark, acoustic sound, as opposed to 2024’s JUNO Award-nominated Anniversary (recorded in Niagara with Great Lake Swimmers’ Tony Dekker) and 2022’s acclaimed Stolen Time (recorded in Montreal with Howard Bilerman, featuring E Street Band saxophonist Jake Clemons).

Lapell’s road to motherhood was fraught, involving years of IVF and a 2023 miscarriage — that she experienced on stage while on tour. (She finished her set.) Her son was born in November 2024. The song cycle of Shadow Child covers joy and loss, using metaphors from Maritime tragedy, “little cannibals,” reproductive health, acquiring language, and lives altered by the arrival of a newborn. The title track refers to ultrasound imaging of “a liminal person that doesn’t quite exist yet,” says Lapell. “Their status is ontologically blurry.”

ABIGAIL LAPELL ON TOUR
Feb 26 - Niagara, ON - Niagara Artists Centre
April 10 - Saint John, NB - Imperial Theatre
May 8 - Richards Landing, ON - Algoma Trad
May 14 - Saratoga Springs, NY - Caffe Lena
May 15 - Exeter, NH - Word Barn
May 16 - Cambridge, MA - Club Passim
May 17 - New York, NY - Cafe Wha?
May 22 - Toronto, ON - Hugh's Room
May 23 - Chelsea, ON - Motel Chelsea
May 24 - Ottawa, ON - Ottawa Tennis Club

More Dates To Be Announced Soon

PRE-SAVE SHADOW CHILD HERE

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SHADOW CHILD TRACKLIST
01 Whistle Song (One In A Million)
02 Hazel ft. Jill Barber
03 Shadow Child ft. Frazey Ford
04 Mocking Bird ft. Dana Sipos
05 Talking To Myself
06 Little Cannibal
07 So Long ft. Pharis Romero
08 Mother Tongue
09 Sing A Rainbow

ABIGAIL LAPELL ONLINE
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