GARRET T. WILLIE’S NEW LP OUT TODAY, TOUR BEGINS MARCH 20

GARRET T. WILLIE’S NEW LP, BILL’S CAFE, OUT TODAY

LISTEN / SHARE “GOING TO TORONTO” HERE

BUY / STREAM BILL’S CAFE HERE

NORTH AMERICAN AND EUROPEAN TOUR DATES BEGIN MARCH 20

From a burned-down pool hall in Alert Bay to Nashville studios, the 25-year-old bluesman turns whiskey, small towns and hard truths into Bill’s Cafe.” RANGE Magazine

“Willie blends hard-hitting AC/DC riffage with a baritone voice that sounds like he has been making music for decades. The truth is, this devilishly good guitar-slinger isn’t even 30 yet.”
The Vancouver Sun
“Named after his grandfather's pool hall and café in Alert Bay, Bill's Cafe superimposes those Pacific ghost towns atop the streets of Nashville, communing with them in honky-tonk bars with a signature gravelly, blues rock pluck.” Exclaim!, 2026 Most Anticipated Albums

Photo Credit : Sydney Woodward // DOWNLOAD HIGH-RES

Today, celebrated songwriter and guitarist Garret T. Willie releases his new album. Bill’s Cafe is more than a record — it’s a tribute, a turning point, and a reckoning. Named after his grandfather’s pool hall café in Alert Bay, British Columbia, the album carries the ghosts of home into the bright lights of Nashville. It was there, under the guidance of Grammy Award-winning producer Tom Hambridge (Buddy Guy, Kingfish, Susan Tedeschi), that Willie sharpened his blues-rock fire into something bigger, bolder, and truer.

The album is a road map of grit, heart, and soul. Written and recorded between late nights, long drives, and Nashville sessions, the record captures the restless spirit of a young artist carrying old-soul blues and rock traditions into the future. Across the album, Willie threads tales of whiskey-fueled nights, missed chances, stubborn resilience, and the freedom that only comes with chasing music town to town.

This is the case with the album single, "Going to Toronto", which is “a song I wrote sitting in my living room, late one night with my Gibson SG unplugged,” says Willie. “It started more like a Rolling Stones / Faces riff. The song talks about going to Toronto - sort of like Wilbert Harrison’s ‘Kansas City’ song. The lyrics: ‘Kansas City, Kansas City here I come. They got some crazy little women and one day. I’m going to get me one. Well I might take a train. I might take a plane. Even if I have to walk. I’ll be getting there just the same.’ 

“Same for going to Toronto. My lyrics: ‘She’s a million miles away and I’m far behind… Single cab truck, Flying down the Kings Highway. Running in the red, Hauling in my Chevrolet.’ 

“In my case, I’m talking about driving from BC to Toronto. Anything just to see your baby, just like the inspiration from Kansas City I used to listen to a lot of Muddy Waters and those guys back in the day when I was a teenager and I guess it just sort of stuck. I finished writing the song with Tom Hambridge down in Nashville."

LISTEN / SHARE “GOING TO TORONTO” HERE

MORE ABOUT BILL’S CAFE
With his guitar in hand and a voice that cuts like hi-beam headlights on a dark backroad, Willie delivers songs that feel lived-in and timeless. Bill’s Cafe is about the forces that hold us — love, loss, addiction, ambition, and the unshakable call of music as a means of survival. It’s a live wire of raw energy and soul — a reminder that sometimes the most dangerous thing is also the most irresistible.

That edge runs through the whole record. From roadhouse stompers to backseat ballads, Willie shines a light on hustlers, heartbreakers, and the broken pieces we all carry. He doesn’t just sing the blues — he spits them, shouts them, and bends them into something both timeless and dangerous. 

LISTEN / SHARE “DEVIL DOLL” HERE
WATCH / SHARE “I’M LATE” (MUSIC VIDEO) HERE

In Bill’s Cafe, Garret T. Willie doesn’t just honor his past — he builds a bridge between worlds: Alert Bay and Nashville, tradition and reinvention, the ghosts of family and the fire of the future.

On stage, Garret T. Willie is undeniable. At just 25 years old, his towering stature and deep, gravel-soaked voice channel the weight of an artist who has lived every shade of the blues. His performances are electric — no gimmicks, no fluff, just raw shredding, searing tone, and solos that rip straight through the room. He plays with the intensity of the greats, often bending the guitar behind his head mid-solo or leaping into the crowd to bring the fire even closer. Willie’s live show is more than a concert — it’s a shockwave of blues-rock energy that leaves audiences speechless and makes believers out of anyone.

LISTEN / SHARE “HYPNOTIST” HERE
LISTEN / SHARE “GOLDEN HIGHWAY” HERE

Willie first made his mark with his debut album Same Pain, written with Parker Bossley at Afterlife Studios in Vancouver. The record lit a fire that spread far beyond Canada’s borders, earning praise from The Toronto Star, RANGE, Guitar World, Wonderland, Blues Matters, Blues in Britain and Classic Rock Magazine, while also landing airplay on BBC Radio 2’s The Blues Show with Cerys Matthews. Same Pain broke into the Top 20 on the UK Blues Albums chart and the US Roots Music Blues Rock chart in 2023, earned Willie two Western Canadian Music Award nominations for Blues and Indigenous Artist of the Year and a nomination for Best New Touring Artist at the Canadian Live Music Industry Awards. He carried those songs across Canada and in the US, opening for legends like Kenny Wayne Shepherd, John Fogerty, Kingfish, and recently performed on Joe Bonamassa’s Blues Cruise with Marcus King, Jimmy Vivino, Jeremie Albino, Ariel Posen, and more — proving that his firebrand blend of blues, rock, and raw honesty could hold its own on any stage.

BUY / STREAM BILL’S CAFE HERE

GARRET T. WILLIE LIVE
03/20 Guelph, ON - Sonic Hall
03/21 Toronto, ON - The Baby G
03/22 Hamilton, ON - Mills Hardware
04/08 Rossland, BC - The Flying Steamshovel
04/09 Lethbridge, AB - Owl Acoustic Lounge
04/10 Edmonton, AB - Blues on Whyte 
04/11 Calgary, AB - Palomino 
04/14 Golden, BC - Rockwater Bar & Grill
04/15 Salmon Arm, BC - Canooligans
04/16  Kelowna, BC - Red Bird Brewing
04/17 Kamloops, BC - The Effie Arts Collective
04/18  Cobble Hill, BC - Cobblestone Pub
05/14 Cumberland, BC - The Waverley
05/16 Nanaimo, BC - The Queen's
07/11 Evansburg, AB - Pembina River Nights
07/17 Winthrop, WA - Winthrop Blues Festival
09/08 Newcastle, UK - Cluny 2*
09/09 York, UK - The Crescent*
09/10 London, UK - 100 Club*
09/11 Nottingham, UK - Rescue Rooms*
09/12 Norwich, UK - Adrian Flux Waterfront Studio*
09/13 Manchester, UK - The Deaf Institute*
09/15 Glasgow, UK - Stereo*
09/16 Bristol, UK - The Exchange*
09/17 Faversham, UK - The Old Brewery*
11/12-14 Sumperk, CZ - Blues Alive Festival

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BILL’S CAFE TRACKLIST
01 Hypnotist
02 Devil Doll
03 Going to Toronto
04 It Won’t Get Done
05 Small Town People
06 High Beam Blues
07 Young Country Boy
08 Golden Highway
09 I’m Late

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FLEUR ELECTRA’S NEW EP OUT TODAY, SHARES NEW VIDEO

FLEUR ELECTRA’S NEW EP, STRIKE THE MATCH, OUT TODAY VIA VICTORY POOL RECORDS

WATCH / SHARE “GET IT RIGHT” HERE

BUY / STREAM STRIKE THE MATCH EP HERE

Photo Credit : Kirk Lisaj // DOWNLOAD HIGH-RES

Today, Fleur Electra is releasing her new EP, Strike The Match, via Victory Pool Records. Fleur Electra is the dream-pop project of Toronto-via-Saskatchewan aesthete Anna Klein. Starting her “colourful, girl-pop era in the depths of 2020 chaos,” Fleur Electra was born out of the early pandemic, defined by Klein’s sensual and sonically adventurous bedroom production

To help celebrate the release, Fleur Electra is sharing the new video for the EP single, “Get It Right”. The song is “a sweet nostalgic love song about leaning into possibility, even when you know better,” explains Klein. “I initially started writing it without a specific person in mind, however at the time, I was seeing someone. The relationship was going surprisingly well, but I was proceeding with caution. I allowed myself a moment to deeply romanticize the connection, knowing it would translate well given the song’s sonic sincerity. It feels like floating through a cloud of optimism, still with the underlying noise of reality. Musically, this track is inspired by electroclash, early 2000s synth pop, and my daydreams. He didn’t end up getting it right in the end, which I think was the icing on the cake for the overall tongue-in-cheek nature of the song.”

WATCH / SHARE “GET IT RIGHT” HERE

MORE ABOUT FLEUR ELECTRA 
Since releasing her debut In Technicolor in 2022, Klein has been performing around Toronto and crafting captivating visuals, honing her artistic magic. She self-produced, wrote, recorded, and mixed her acclaimed 2024's In My Room—a small miracle of an album, considering a house fire destroyed the very bedroom in which these songs were written (while almost nothing was recovered from the fire, this album of songs were saved from a damaged hard drive). Klein went through profound growth from this experience, and though her artistic powers were continuing to develop, her belief in herself was waning. Klein's mental health was worsening, and trying times had her feeling like she was at a dead end—until the ideal producer came along.

Klein explains: “I got a random Instagram DM from Alex Black Bessen”—an LA producer whose credits include Alex G and BENEE—“and he said, ‘I’m going to be in Toronto, and I would love to meet with you if you’re down.’” As soon as Klein and Black Bessen met up, it was clear that they were meant to be collaborating: “It was one of those immediate connections—like, have we met before?” Klein couldn’t believe how easy the artistic collaboration felt: “he could hear my sound and my vision, and he knew how to take it to the next level.”

WATCH / SHARE “COULD BE BETTER” HERE

“Next thing I knew, I was in California in a cabin in the woods, having the most beautiful time,” Klein smiles. Klein and Black Bessen—along with producer-percussionist Tim Voet—poured over Klein’s hard drive of demos in their cozy studio, building these sketches into the delicious alt-pop vignettes of her new album, Strike The Match. Expanding upon the intimate, laptop-in-bedroom production of Klein’s demos, percussion expert Voet added “these beats I never could have dreamed of,” Klein explains, as the trio shaped these songs. “They still felt so close to me, but living a whole new life.”

Many songs on Strike the Match consider relationships from Klein’s past. Whether it’s the pissed-off “Best of the Worst,” which details an addiction to being with someone who brings out the worst in you, or the sweet “Weather Girl,” an ode to a friend (“when she twirls, with the sun in her hands, she’ll shine again and again”), Klein’s songs distill years of reflection into dream-pop hymns. These songs shimmer with growth, as Klein flirts with deeper understandings of how she operates and what she needs. These interpersonal reflections interweave with reflections on Klein's relationship with herself, her journey with mental illness, and moments of burgeoning confidence. “The title track distills the album’s themes,” Klein reflects. “It is the breakthrough at the end of a time of endurance, hardship, and discovery." 

Klein’s journey with Fleur Electra traces back to her prairie roots. Growing up in Saskatoon, then moving to isolated, small-town Saskatchewan at age 10, Klein leaned hard into imaginative creation: “it felt like I was entering a different world when I was making music.” The eighth of ten kids, Klein and her siblings would inspire one another with flashes of creativity: drawing portraits, singing made-up songs around the house, and acting in elaborate self-scripted videos. Precociously aesthetic, Klein couldn’t hear a song without mentally pairing it with a visual. As soon as she started producing her own music at 12 years old, her interests in sonics and visual art collided, reflected in the gorgeously crafted music videos and graphics of Fleur Electra.

WATCH / SHARE “STRIKE THE MATCH” HERE
WATCH / SHARE “WEATHER GIRL” (MUSIC VIDEO) HERE

Klein’s early recording sessions in Audacity also provided a counterweight to her religious upbringing. Heavily in worship music, Klein “grew up listening to a lot of Christian rock bands and singing in church.” Though her perspective on religion is nuanced and ever-evolving these days (“I know that I don’t know, and that maybe we weren’t meant to know”), Klein’s music as Fleur Electra seeks to strike at the same power of communally sung hymns in church, similarly crafting music that “cuts through the vulnerability, just gets there, straight to the point.” While Sunday morning services strive to bring you close to God, Fleur Electra’s music beckons you, with similar frankness and vulnerability, to reckon with your own internal turmoil, relationships, and percolating joys.

Such is clear on Strike the Match, which is ultimately a testament to Klein “finally getting started on my life.” Not only is Klein reclaiming the fire that burned down the apartment where she recorded her previous record; you can hear her growing from emotional, spiritual, and psychological fires that made her who she is today.  Upbeat and playful, Strike the Match opens a door to peace, escape, and self-reckoning through dancing in your bedroom. It can make you feel something you didn’t know you needed to feel, as well as a reminder that, when all’s said and done, “life is hard, but it can be beautiful. We're all just trying to have a good time while we're here.”

BUY / STREAM STRIKE THE MATCH EP HERE

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STRIKE THE MATCH TRACKLIST
01 Best Of The Worst
02 Could Be Better
03 Cutting Corners
04 Get It Right
05 Weather Girl
06 She Comes Back
07 Strike The Match

LIVE PERFORMANCE DATES
Feb 28 - Toronto | Dina's Tavern 

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ROSE COUSINS SHARES HER VERSION OF ANNIE LENNOX’ “COLD”

ROSE COUSINS UNVEILS HER TAKE ON ANNIE LENNOX’ CLASSIC “COLD” 
OUT TODAY VIA OUTSIDE MUSIC

LISTEN / SHARE “COLD” HERE
BUY / STREAM “COLD” HERE

Photo Credit : Lindsay Duncan // DOWNLOAD HIGH-RES

Today, acclaimed multi-JUNO Award winning singer, songwriter, and multi-instrumentalist Rose Cousins returns with her take on Annie Lennox’ “Cold”. This has been a classic Canadian winter - unbelievably cold, with the beauty of freshly fallen snow and ice shimmering all around. For Rose Cousins, a classic winter at home in Halifax left her feeling nostalgic for the musical touchstones of her youth. Among the songs Rose felt drawn to was "Cold" by Annie Lennox, from her iconic 1992 album, Diva. "Cold" takes on a new tenderness and warmth with Rose, alone at her piano. 

"Annie Lennox is so brilliant and it's been a cold winter,” explains Cousins. “She's epic and so is this nostalgic song from 1992 (and my youth). Who doesn't love longing and winter combined? Undeniable."

LISTEN / SHARE “COLD” HERE
BUY / STREAM “COLD” HERE

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MORE ABOUT ROSE COUSINS
On her latest record, Conditions of Love - Volume 1, Rose Cousins held our hands as she guided us on a journey through the "conditions of love." Ever the emotional explorer, the acclaimed, Nova-Scotia-based folk artist sought truth, in all its imperfection, in the depths of our most complicated of emotions: love. 

Co-produced with trusted friend and longtime bandmate Joshua Van Tassel, Conditions of Love – Volume 1 saw Rose return to her first love, the piano. “Piano is where I feel the most connected. It’s the best partner in expressing the emotion I’m mining,” she shares. 

Conditions of Love – Volume 1 has been nominated for the JUNO Award for Adult Contemporary Album of the Year award at the 2026 JUNO Awards, taking place March 29, 2026, in Hamilton, ON.

BUY / STREAM CONDITIONS OF LOVE - VOL 1 HERE

 Rose’s earlier work has garnered her two JUNO Awards (2013’s We Have Made a Spark & 2021’s Bravado), two Canadian Folk Music Awards, eleven East Coast Music Awards and one Grammy Award nomination (2018’s Natural Conclusion), along with praise from the likes of the CBC, No Depression, LA Times, Billboard, Folk Alley, and NPR, who raved “Cousins’ disarmingly fluid vocal tone has the ability to convey the most internalized feelings without an ounce of fuss.” Over the years, she has shared stages with Patty Griffin, Mary Chapin Carpenter, Jann Arden, Bruce Cockburn, Josh Ritter, Kathleen Edwards, Joe Henry, Aoife O’Donovan and Anais Mitchell, and her music has fittingly underscored scenes from notable TV shows including Grey’s Anatomy, Fire Country, Station 19 and Batwoman along with several independent films. 

PRAISE FOR ROSE COUSINS

“On her new album, Conditions of Love - Vol. 1, Rose Cousins returns to her own first love — the piano — to craft 10 testaments to the human heart in all its glorious, inane complexity. The record delivers Cousins' trademark capacity for wry wit and emotional gravitas, but her archness never serves as a way to keep a distance between herself and her lyrics. Cousins knows how to find the light in the dark, she knows survival, and she's crafting whole worlds here."
CBC Music

“Rose Cousins is here to tell us about love. Vol. 1 of that treatise promises more of Cousins's deftly rendered, soul-inflected pop music. Light as air but deep as space, lead single "I Believe in Love (and it's very hard)" makes a simple declaration sound like the bravest thing you could ever admit.” Exclaim!

“Cousins’ triumph is finding a new way to express the feelings that go deeper than words, and making love come out the winner, even when it’s hard.” No Depression


ROSE COUSINS ON TOUR
March 13-20 - Cayamo 2026 - (Caribbean cruise w/ Jason Isbell + etc)
April 2-4 - Ottawa, ON @ Redbird
April 7 - London, ON @ Aeolian Hall
April 8 - Paris, ON @ Dominion Telegraph Event Centre
May 7 - Northampton, MA @ The Parlor Room
May 8 - Groton, MA @ Groton Hill Music Center
May 12 - Cambridge, MA @ Arrow Street Arts

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