BROKEN SOCIAL SCENE RELEASE NEW SINGLE, “HEY AMANDA”

BUY / STREAM “HEY AMANDA” HERE
LISTEN / SHARE “HEY AMANDA” HERE

NEW ALBUM, REMEMBER THE HUMANS, OUT MAY 8 VIA ARTS & CRAFTS

FEATURES CONTRIBUTIONS FROM FEIST, LISA LOBSINGER,
HANNAH GEORGAS & MORE

PRE-SAVE REMEMBER THE HUMANS HERE

BROKEN SOCIAL SCENE, METRIC & STARS “ALL THE FEELINGS” NORTH AMERICAN SUMMER TOUR BEGINS JUNE 8

Photo Credit: Broken Social Scene, Kevin Drew (Visual)
+ Jordan Allen (Layout) // DOWNLOAD HIGH-RES

On May 8, Broken Social Scene will release Remember The Humans via Arts & Crafts. The LP marks their first new studio album in nearly a decade reunites the Toronto collective with producer David Newfeld, who helmed their breakthrough You Forgot It in People (2002) and self-titled (2005) albums. Across the 12 tracks, the arrangements are dense and enveloping - a lattice of horns, guitars, voices, and electronics - yet melody always remains sovereign, refusing to be swallowed by the sheer sound. When the music drifts towards abstraction, a grounding bass line arrives to anchor the listener, reminding us always that there are human hands on the controls and that, however artful, this is still rock and roll.

Today, they tease the album with the infectious second single “Hey Amanda,” an anthemic expression of youthful rebellion through melodic refrains, memorable lyricism, and the brash, beautiful punctuation of the sprawling group's many voices. The track exemplifies the evolution of Broken Social Scene: a band deepening rather than reinventing, exploring the emotional implications of forms they have spent 25 years shaping. The band shared, “this is a song about being yourself, and how people will always question that.”

BUY / STREAM “HEY AMANDA” HERE
LISTEN / SHARE “HEY AMANDA” HERE

Broken Social Scene announced the album with lead-single “Not Around Anymore” and Rolling Stone said “if the first single is any indication, (the album is) going to deliver plenty of the woozy affirmation and shambolic joy that Broken Social Scene do better than anyone” with Consequence labeling the song a “groovy indie jam.”  

This summer, Broken Social Scene will embark on the All The Feelings North American Tour alongside Metric with support from Stars. The tour kicks off in Austin at the Moody Theatre on June 8 and ends with a glorious homecoming at RBC Amphitheatre in Toronto on August 7. Highlights include The Greek Theatre in Los Angeles on June 16, two nights at The Brooklyn Paramount in Brooklyn on July 30, 31 and The Ryman Auditorium in Nashville on August 4. All dates are listed below and tickets are available here

The band’s Kevin Drew recently launched Everything Is Broken, a new original series on SiriusXM’s The Verge. On the show, Drew welcomes artists, creatives, and cultural figures to reflect on the songs that have shaped their lives, soundtracked pivotal moments, and offered solace through hardship and triumph. The inaugural season launched with a conversation between Drew and Cillian Murphy, the two longtime friends discussing the role music has played throughout their careers and friendship. Everything Is Broken airs on channel 173 every Saturday at 7pm ET, with an encore airing Wednesdays at 7pm ET.

WATCH / SHARE “NOT AROUND ANYMORE” HERE
BUY / STREAM “NOT AROUND ANYMORE” HERE

Remember the Humans was shaped by reunion and loss in equal measure. When Drew and Newfeld reconnected after nearly 20 years apart, one hangout became what they call "a hurricane of fun." During the recording, both lost their mothers - a shared grief that drew them closer. As Newfeld recalls, "our moms would have wanted us to do this, and get it right after 20 years of not working together."

As ever, Broken Social Scene operates less as a band than as a community and songs evolve by ceding control to whoever can best carry them forward in the moment. Drew may be the designated driver, but collaborators on Remember the Humans, including Hannah Georgas, Lisa Lobsinger, and Feist, step into the foreground throughout the record, shaping songs with a sense of collective authorship that has always defined the group’s ethos.

The songs work because no one fully commands them. But this is where Newfeld matters most. As BSS’s Charles Spearin puts it, "his production suits the chaos of our songwriting so well...he's got a childlike energy that is really contagious, when you get a piece of music that he loves, Oh my God, he's bouncing like a little boy."

The same unruly energy that keeps a band young can also trap it in its own past. Yet on Remember the Humans, Broken Social Scene have evolved with a deep sense of intention. It is the sound of a band deepening rather than reinventing, exploring the emotional implications of forms they’ve spent twenty years shaping. "There's a different kind of honesty in this record," says Spearin, "we've had success, we've lost friends, we've lost parents, we're at this 'what happens next?' stage in life." Remember the Humans is adult music in the best sense: contradictory, wounded, expansive - hopeful in a way that feels earned rather than declared. And it is also, in its refusal of control and its embrace of the ungovernable, a testament to something increasingly rare: art that is not optimized, not streamlined, not strategic.

BSS’s own evolution mirrors something happening outside it. After years of oversaturation and noise, the culture itself seems to have looped back to a craving for the raw, the communal, and the unguarded. The conditions that made You Forgot It in People feel necessary in 2002 have, in altered form, returned in 2026. According to Drew, "in 2026, you're going to see a lot of resurgence of people going back to the roots of who they are, because things in their lifetime have gotten quite lost. I think we've let each other down, and I think it's art that always tries to prevail, and tries to get us back on track."

In a culture defined by abstraction and distance, Broken Social Scene have made a record that insists on the analog fact of human presence. It asks, gently, but insistently, that we remember each other, that we remember the human. 

PRE-SAVE REMEMBER THE HUMANS HERE

BROKEN SOCIAL SCENE TOUR DATES
6/8 – Moody Amphitheater – Austin, TX
6/9 – South Side Ballroom – Dallas, TX
6/11 – Fillmore Auditorium – Denver, CO
6/13 – Sandy Amphitheater – Sandy, UT
6/16 – The Greek Theatre – Los Angeles, CA
6/17 – Arizona Financial Theatre – Phoenix, AZ
6/19 – Cal Coast Credit Union Open Air Theatre – San Diego, CA
6/21 – The Masonic – San Francisco, CA
6/22 - The Masonic - San Francisco, CA
6/24 – Hayden Homes Amphitheater – Bend, OR
7/24 – Byline Bank Aragon Ballroom – Chicago, IL
7/25 – Fox Theatre – Detroit, MI
7/27 – MGM Music Hall at Fenway – Boston, MA
7/28 – The Met – Philadelphia, PA
7/30 – Brooklyn Paramount – Brooklyn, NY
7/31 - Brooklyn Paramount - Brooklyn, NY
8/1 – The Anthem – Washington, DC
8/3 – Tabernacle – Atlanta, GA
8/4 – Ryman Auditorium – Nashville, TN
8/7 – RBC Amphitheatre – Toronto, ON

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REMEMBER THE HUMANS TRACKLISTING
1. Not Around Anymore
2. Only The Good I Keep
3. Mission Accomplished (Kingfisher)
4. The Call
5. Relief
6. And I Think Of You
7. This Briefest Kiss
8. Life Within The Ground
9. Hey Amanda
10. Paying For Your Love
11. What Happens Now
12. Parking Lot Dreams

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RAE SPOON SHARES “COUNTRY MUSIC BREAKS MY HEART” FROM UPCOMING LP

NEW SINGLE, “COUNTRY MUSIC BREAKS MY HEART” ARRIVES WITH SHORT FILM DIRECTED BY FOREIGNERZ + RAE SPOON

CANADIAN TOUR DATES BEGIN APRIL 12, 2026 | TICKET AND INFORMATION HERE

RAE SPOON’S 13TH ALBUM, ASSIGNED COUNTRY SINGER AT BIRTH, DUE OUT APRIL 10, 2026 VIA COAX RECORDS

WATCH / SHARE “COUNTRY MUSIC BREAKS MY HEART” SHORT FILM BY FOREIGNERZ

BUY / STREAM “COUNTRY MUSIC BREAKS MY HEART” HERE

PRE-SAVE ASSIGNED COUNTRY SINGER AT BIRTH HERE

"Returning to country music for their 13th solo album, the pathfinding Calgary-born singer-songwriter and multi-instrumentalist eschews the songs about loving trucks and beer pervasive to the genre, reminding us that it's as expansive as the people who connect to it by tackling topics like trans rights, disability, religious trauma and colonialism." Exclaim!, Most Anticipated Albums of 2026

“Thankfully, Spoon is fully returning to their country roots with Assigned Country Singer at Birth ...a stretching of the country canon that we desperately need.”
CBC Music, Albums We Can't Wait To Hear in 2026

"A long-awaited return to country music for Rae Spoon is news enough to lead me to believe that 2026 will be alright. Assigned Country Singer At Birth feels like the album that could finally give them the mainstream attention they deserve. If you don’t know the name Rae Spoon already, that’s ok because luckily for you, we’re all about to be talking about them." Atwood Magazine, 2026 Artists To Watch

Photo Credit : Laurence Philomene // DOWNLOAD HIGH-RES

Recently, Rae Spoon announced their new album, Assigned Country Singer At Birth, an album that is equally subversive and relatable, a testament to the fact that country music is as expansive as the people who are connected to it. Songs about trans folks, harm reduction, disability, inclusion, religious trauma, solidarity and opposing colonial land occupation may seem antithetical to traditional country, but they are as much a part of Spoon’s experiences as love songs, trucks and beer.

Today, they share the first song they wrote for the album, “Country Music Breaks My Heart”. “I wanted to encapsulate the feeling of both belonging and not belonging that I felt when I decided to leave country music almost twenty-years ago,” explains Spoon. “I no longer wanted to perform in spaces where many of my friends may not feel safe and included.

“I have since met many people from lots of backgrounds who feel connected to country music. The song turned out to be an invitation for country music to be open to anyone who it resonates with. If you look at gender, race and sexualities of award nominees at the CCMA's or the Country Album Of the Year at the JUNO Awards, the country music establishment in Canada still has a long way to go as far as inclusion.”

The new single is also accompanied by a short film from FOREIGNERZ and Rae Spoon. “In the film, the mechanical bull is symbolic of the precarious dissonance I feel as a disabled, trans person from a working-class Alberta background (with respect for 2S trans and/or non-binary elders and consideration for the ongoing colonial legacy that I benefit from as a white settler),” explains Spoon. “Staying on the bull is representative of the enduring truth that gender diverse people have always and will always be present. I wanted to create something that folks younger than me could witness. I came out as trans twenty-five years ago when visible elders were not as common. The current provincial government and geo-political attacks on human rights for gender diverse people are not new. There is no possible way to stop gender diverse people from existing. We will fight to take care of each other as we always have.

“I've been a huge fan of FOREIGNERZ for years. It was important to me that it was made with other people from Treaty 7 territory who prioritize expressing the experiences of under-represented people on the prairies. Their community building approach made filming ‘Country Music Breaks My Heart’ feel wonderfully collaborative. Their world-class production team encapsulated what I was hoping to portray with astounding imagery."

WATCH / SHARE “COUNTRY MUSIC BREAKS MY HEART” SHORT FILM BY FOREIGNERZ

BUY / STREAM “COUNTRY MUSIC BREAKS MY HEART” HERE

 DOWNLOAD HIGH-RES

MORE ABOUT ASSIGNED COUNTRY SINGER AT BIRTH
Their thirteenth solo album, Assigned Country Singer At Birth, marks Spoon’s return to country music. It’s arguably not any safer than it was in the early 2000’s to be a transgender country singer, but there's no room for doubting their connection to it when you hear them sing.

WATCH / SHARE “CAN’T FAIL ME” FT. CASSIA HARDY HERE
BUY / STREAM “CAN’T FAIL ME” FT. CASSIA HARDY HERE

On Assigned Country Singer At Birth, Spoon’s musical influences from traditional country, to pop, gospel, bluegrass, electronic and experimental coalesce into unique combinations. Producer and drummer, Alaska B producer of Yamantaka Sonic Titan and Pantayo (both short-listed for the Polaris Prize twice). Collaborators are Robyn Grey, Evelyn Charlotte Joe, Laurie Torres, Thanya Iyer, Christine Bougie and Gambletron deliver nuanced performances that gel seamlessly with Rae's humour and heartbreak. Vocalists Lydia Persaud, Kimmortal, Cassia Hardy, Theodore Walker, Louie Sanchez, Rosina Kazi, Kue Varo, Lianne Hall and Stewart Legere form a chorus of vocal support that illustrate the visceral power of people coming together to sing for change.

PRE-SAVE ASSIGNED COUNTRY SINGER AT BIRTH HERE

TOUR DATES
Apr 12 - Toronto, ON - It’s Okay Studio w/ Lee Waylon and Louie Sanchez | Tickets HERE
Apr 25 - Thunder Bay, ON - The Foundry
Apr 29 - Winnipeg, MB - WECC w/ Tofu Smell and Keri Latimer
May 01 - Winnipeg, MB - AANM Gallery Show Opening
May 03 - Saskatoon, SK - Art Bar (Matinee) w/ Kue Varo and Pink Snail
May 07 - Regina, SK - The Cure 
May 08 - Lethbridge, AB - Theoretically Brewing
May 09 - Calgary, AB - Loophole w/ Pink Snail
May 10 - Edmonton, AB - The Aviary (Matinee) w/ Cassia Hardy and Pink Snail
May 15 - Vancouver, BC - Green Auto w/ Hyaenas and Pink Snail
May 17  - Victoria, BC - Coda w/ Pink Snail
May 23 - Galiano Island, BC - Oxeye
Jun 05 - Smithers, BC - Smithers Pride
Jun 06 - Smithers, BC - Smithers Pride
Jun 14 - Montreal, QC - Turbohaus (Matinee)

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ASSIGNED COUNTRY SINGER AT BIRTH
1 Country Music Breaks My Heart
2 Assigned Country Singer At Birth
3 Pray
4 Last Cigarette
5 Can't Stop Lightening (feat Kimmortal, Louis Sanchez)
6 All Drugs Safe Legal And Free
7 Ostomy Cowboy
8 Not Too Sick To Love
9 Can't Fail Me (feat Cassia Hardy)
10 Hyper Country (feat Theodore Walker Robinson)

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FLORE LAURENTIENNE SHARES “(À TRAVERS LES) CHABLIS” FROM NEW LP, MORE TOUR DATES ANNOUNCED

FLORE LAURENTIENNE’S VOLUME III AVAILABLE APRIL 10, 2026 VIA SECRET CITY RECORDS

WATCH / SHARE “(À TRAVERS LES) CHABLIS” HERE
BUY / STREAM “(À TRAVERS LES) CHABLIS” HERE

EUROPEAN TOUR BEGINS IN APRIL
CANADIAN DATES COMMENCE ON JUNE 26, INCLUDING MONTREAL JAZZ FESTIVAL AND OTTAWA JAZZ FESTIVAL
TICKETS ON SALE HERE

PERFORMING AT MASSEY/TD MUSIC HALL IN TORONTO ON MAY 16 IN PARTNERSHIP WITH CBC MUSIC

PRE-SAVE VOLUME III HERE

SONGS SYNCED IN THE CÉSAR-NOMINATED FILM NINO, AND IN A LOUIS VUITTON ADVERTISEMENT FT. JEREMY ALLEN WHITE

Photo Credit : Maude Limoges // DOWNLOAD HIGH-RES

“From chaos comes harmony,” says Mathieu David Gagnon, composer behind the Flore Laurentienne project, about “(À travers les) Chablis,” the new single released today via Secret City Records. The piece opens with a free jazz improvisation duet on drums, joined by two harps. From this tumult emerges light, embodied by a string melody, like a refusal to give in to disenchantment. The last piece on the album Volume III, “(À travers les) Chablis,” hints at what might be next for Flore Laurentienne.

Although this series is coming to an end, Flore Laurentienne's music continues to be relevant in culture and conversation. Three of his pieces feature in the film Nino, winner of the César Award for Best First Film, directed by Pauline Loquès and starring Théodore Pellerin, who won the César Award for Most Promising Actor for his role in the film. In addition, the track “Petit piano” from Volume I accompanies Louis Vuitton's Spring/Summer 2026 campaign featuring Jeremy Allen White. Gagnon also partnered with Moog Synthesizers to showcase his studio and musical process, a conversation you can watch HERE.

WATCH / SHARE “(À TRAVERS LES) CHABLIS” HERE
BUY / STREAM “(À TRAVERS LES) CHABLIS” HERE

MORE ABOUT VOLUME III
The message, the shareable essence, on this third album by Flore Laurentienne, is light; it is the seed in the ground that becomes a plant and then a flower, blooming at its peak and then inevitably wilting so that the cycle can begin again; it is the quest for beauty in chaos, from which harmony is born. On Volume III, Mathieu David Gagnon and his Flore Laurentienne return to celebrate the magnificence of the river and its floral and sylvan surroundings.   

This new milestone also marks the end of a trilogy that began in 2019 with Volume I – with the inherent and parallel aspiration of reaching a third volume in order to pay tribute to Volume 3, L'Infonie's (a Quebec cult collective that blended jazz, prog, art music, and poetry) first album. The latter did not influence Flore Laurentienne's music per se, but rather its conception of freedom in composition, combining classical and improvisation.

WATCH / SHARE “FLEUVE VII” HERE
BUY / STREAM “FLEUVE VII” HERE

On stage, Flore Laurentienne will be touring Europe this spring with six dates announced in London, Brussels, and Paris, before a highly anticipated concert at the Maison Symphonique, presented as part of the Montreal International Jazz Festival on June 26. Flore Laurentienne will be performing at Massey/TD Music Hall in Toronto on May 16, and the concert will be filmed for later broadcast on CBC Music. The project comes to life on stage thanks to an ensemble of seven musicians—a string quartet, two keyboardists, and a percussionist—led by Mathieu David Gagnon, who plays the Minimoog, an instrument emblematic of Flore Laurentienne's signature sound. Tickets are on sale now.

ABOUT FLORE LAURENTIENNE
Rooted in the Québec landscape and inspired by the vastness of the St. Lawrence River, Flore Laurentienne’s music— a harmonious blend of strings and analog synthesizers—takes us on a journey to the edge of the sublime, where we find ourselves both fragile and powerful, suspended between vulnerability and wonder. Flore Laurentienne draws inspiration from contrasting worlds: the melodic clarity and counterpoint of Johann Sebastian Bach; the narrative intensity and progressive audacity of King Crimson; and the electronic minimalism of Hans-Joachim Roedelius. 

WATCH / SHARE “RÉGATE” HERE
BUY / STREAM “RÉGATE” HERE

Since the group's debut album Volume I (2019), Flore Laurentienne has enjoyed undeniable success, establishing himself within the vast realm of instrumental music. His music has won over audiences and charmed critics, earning three Félix awards, two GAMIQ, a nomination for a JUNO Awards, and a spot on the Polaris Music Prize Long List. The piece “Fleuve no 1” was chosen to open the CHANEL runway show during Paris Fashion Week. Laurentienne has shared the stage with renowned artists such as William Basinski, Colin Stetson, Mabe Fratti, and Brìghde Chaimbeul, and has graced the stages of numerous festivals, including Le Guess Who?, Trans Musicales, the Big Ears Festival, and the Montréal International Jazz Festival. The project also stands out in the media sphere, having been invited twice for live sessions at KEXP and receiving support from BBC Radio 6 Music, Billboard, Stereogum, France Culture, Ouest France, Les Inrocks, La Presse, Le Devoir, Radio-Canada, among others.

SONGS SYNCED IN THE CÉSAR-NOMINATED FILM NINO, AND IN A LOUIS VUITTON ADVERTISEMENT FT. JEREMY ALLEN WHITE  

VIDEO COLLABORATION WITH ICONIC INSTRUMENT BRAND MOOG MUSIC

FLORE LAURENTIENNE TOUR DATES
Thursday, April 9 - Bratislava, SK - Nova Cvernovka
Friday, April 10 - Prague, CZ - Palac Akropolis - Spectaculare Festival
Saturday, April 11 - London, UK - Royal Albert Hall - Elgar Room
Tuesday, April 14 - Brussels, BE - Botanique - Rotonde
Wednesday, April 15 - Düdingen, CH - Bad Bonn
Thursday, April 16 - Enghien-les-Bains, FR - Centre des Arts
Saturday, May 16 - Toronto, ON - Massey Hall
Friday, June 26 - Montreal, QC - Maison Symphonique (Montreal International Jazz Festival)
Saturday, June 27 - Ottawa, ON - National Arts Center (Ottawa Jazz Festival)
Saturday, October 24 – Sherbrooke, QC - Granada Theatre

PRE-SAVE VOLUME III HERE

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VOLUME III TRACKLIST
01 Fleurs
02 Régate
03 Petit matin
04 Le temps
05 Fleuve VII
06 Fleuve VIII
07 Navigation VII
08 (À travers les) Chablis

FLORE LAURENTIENNE ONLINE:
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