GEORDIE GORDON’S NEW LP OUT TODAY, SHARES NEW VIDEO

GEORDIE GORDON’S NEW ALBUM, RIVER ROUND, OUT TODAY VIA VICTORY POOL RECORDS

WATCH / SHARE “RIVER HOUSE” HERE

BUY / STREAM RIVER ROUND HERE

BUY / STREAM RIVER ROUND VINYL HERE
PERFORMANCE DATES BEGIN MAY 22

Photo Credit : Colin Medley // DOWNLOAD HIGH-RES

Today, Geordie Gordon releases his third solo album River Round, a collection of love songs as intimate anthems of resilience. Friendship and romance stand off with life’s losses as Gordon weaves into his home-recorded folk music the irrepressible joys of pop—memorable verses and soulful, hard-hitting hooks—honed in his career as sideman and collaborator in acts including Islands, US Girls, Andy Shauf, and The Weather Station

Celebrating the album’s release, Gordon is sharing the new video for “River House”, “an ode to the house that I lived in for most of my 20’s and to all the roommates who came and went around me,” explains Gordon. “It was a two-story building built in the 1860’s on the banks of Guelph’s Speed River. Covered in peeling aquamarine paint, with slanting floors and thin hand-blown window panes, the house faced the river and was hidden from the street down a long driveway behind another home, a remnant of a time before the surrounding streets and houses were built. 

“Whenever I am in an old building, I try to picture all of the previous lives that have moved through its rooms before me. My second floor apartment had been passed down to me from a handyman who I worked with at the Family Thrift Store and I soon discovered that many people I knew around town had previously lived there. My Dad’s first band press photos had even been taken on its porch in the 70’s! 

“After I moved out, the place continued to be occupied by many of my friends and my old room was taken over by the amazing musical force Richard Laviolette just before his passing. When he died I started to reflect on how the space we hold is always temporary. 

“We make our apartments home just as we make this earth home for this brief blip in history, but we are just one part of a long line of other experiences stretching from the past and into the future. The river flows on; past the old stone foundations, past the ringing carillon bells in the church tower and under the Heffernan St foot bridge. As it rushes away into the confluence of the Eramosa, only our memories are left in its wake. The water washes our time clean as the next group of tenants move into the River House.”

WATCH / SHARE “RIVER HOUSE” HERE

MORE ABOUT GEORDIE GORDON + RIVER ROUND
On River Round Gordon plays a small orchestra of instruments, including acoustic and electric six-string and tenor guitars, bass, mandolin, electric mandola, octave mandolin, fiddle, organ, Wurlitzer, Moog, and glockenspiel.

The title River Round cites the “round” as a form of singing in unison, a blending of voices, hinting at how this solo project is in fact a revival, a revelry of coming together. Even in the apocalyptic “All the Fires,” a song that looks frankly at the world, Gordon’s lyrics insist there’s a way through, and that way is by coming together: “I just need to see you safe by morning. Because there’s no morning without you.”

WATCH / SHARE “ENDLESS LINE” HERE

On the album’s second track, “River House Gordon brings back to life the old, crumbling rooms of a home he moved into at 18, where so many musicians would be roommates and gather to imagine and build the artist’s hometown punk and folk scene in Guelph, Ontario. That community mourns through “Richard’s Song,” an ode to the late musician and indomitable “front man” Richard Laviolette (1982–2023), whose Sunday band practices Gordon recalls with radical tenderness. He sings to Richard, ‘We can’t rehearse for what life brings / You know you can tell me anything,’ and the lines resound as a call to nurture, through song, friendship and queer life at every beginning, end, and transition. This nurturing might be what Gordon calls “the good hurt in the music.” 

WATCH / SHARE “ALL THE FIRES” HERE

Geordie Gordon is a singer-songwriter and multi-instrumentalist based in Toronto and raised in Guelph, Ontario, where at the age of 13 he began playing in touring bands. For twenty years, he has toured with acts including Islands, US Girls, Andy Shauf, and The Weather Station. His solo project combines folk, soul, and pop in classic songs with lyrical verses and melodic, explosive hooks. His songs tell stories of coming of age, music community, and queer love. River Round is his third solo album on Victory Pool Records.

PERFORMANCE DATES
May 22nd - Guelph @ Silence w/ Bird City
May 27th - Toronto @ Burdock Music Hall w/ José Contreras

BUY / STREAM RIVER ROUND HERE
BUY / STREAM RIVER ROUND VINYL HERE

DOWNLOAD HIGH-RES

RIVER ROUND TRACKLIST
01 Held Me Up
02 River House
03 Richard’s Song
04 Endless Line
05 The Deal
06 On My Way
07 Ocean Of Time
08 All The Fires
09 Never Goes Away
10 Feel Our Way Through

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MOONRIIVR RETURNS WITH NEW SINGLE, “FORCE OF HABIT”

MOONRIIVR SHARES FIRST NEW MUSIC OF 2026
“FORCE OF HABIT” OUT TODAY VIA VICTORY POOL RECORDS

BUY / STREAM “FORCE OF HABIT” HERE
LISTEN / SHARE “FORCE OF HABIT” HERE

Photo Credit : David Leyes  // DOWNLOAD HIGH-RES

Toronto-based duo MOONRIIVR return with “Force of Habit”, an upbeat yet emotionally charged indie rock single that blends 60s-inspired kraut rock textures with surf and indie sensibilities. Following previous single, “You Get Me By”, the new track from Gavin Gardner and Champagne James Robertson is equal parts nostalgic and explosive, tracing a path from loss and desperation toward release, building into a cathartic, noise-driven finale that refuses to look back.

At its core, “Force of Habit” is “about letting go of the past and searching for a new way forward,” the band explains. That emotional arc drives the song’s momentum. What begins as reflective and restrained gradually unravels into beautiful, noisy chaos.

What sets the track apart is its tension between mood and movement. While the instrumentation leans bright and energetic, drawing from vintage rock and surf influences, the emotional undercurrent remains heavy. That push-and-pull gives the song its distinct character, capturing the feeling of being caught between holding on and letting go.

As “Force of Habit” progresses, that tension reaches a breaking point. Layers begin to collapse into a flurry of distortion and movement, mirroring the internal chaos that comes with change. The result feels both controlled and unpredictable, rooted in classic songwriting but unafraid to unravel.

BUY / STREAM “FORCE OF HABIT” HERE
LISTEN / SHARE “FORCE OF HABIT” HERE

Single Art // DOWNLOAD HIGH-RES

MORE ABOUT MOONRIIVR
Seated at one of five tables inside their beloved lunch spot in Toronto’s west end, Champagne James Robertson and Gavin Gardiner are beaming. Everyone here shares the look, it’s an “if you know you know” kind of spot, and everyone here knows. It’s this feeling, this culture, this heart-and-soul-of-our-city energy that MOONRIIVR has embraced since their formation in 2023. 

The universe did not have to reach far to pull together the orbits of Champagne James Robertson and Gavin Gardiner, the core of what would become MOONRIIVR. Each has played an integral and vibrant role in the Toronto music scene for the past two decades, and their range of styles, community and skills have come together in an easy and tape-echo filled fit.

Gardiner’s background in vintage and analogue recording paired with Robertson’s passion for instruments of the same era come together to define MOONRIIVR’s sound. Gavin Gardiner, of JUNO Award and Polaris Music Prize nominated indie-folk outfit The Wooden Sky and established audio engineer at All Day Coconut (Georgia Harmer, Fiver, Dan Mangan, Jason Collet), was a quick match for Robertson, whose musical collaborations with Dwayne Gretzky have redefined the sound of the Canadian music scene. 

BUY / STREAM “YOU GET ME BY” HERE
WATCH / SHARE “YOU GET ME BY” (LIVE PERFORMANCE VIDEO) HERE
LISTEN / SHARE “YOU GET ME BY” HERE

The 2023 release of their debut album, MOONRIIVR - Volume 1 quickly garnered critical acclaim and put the band on stages across Canada, the UK and Europe. Rolling Stone Magazine saying it’s “as if Buddy Holly and Chris Isaak made a record with Damien Jurado” 

Unable to contain the vision found in their collaboration, MOONRIIVR has expanded their work as a production duo. Digging in and exploring new sonic territory with artists like Peter Dreams (July Talk), Reuben Bullock (Rebun and the Dark), Brandon Wolfe Scott (Yukon Blonde) and Tom Wilson (Junkhouse, Blackie and the Rodeo Kings).

PERFORMANCE DATES
May 21 - Toronto ON - The Belle and Beacon
August 15th - Ear Falls ON - Trout Forest Festival 

MOONRIIVR ONLINE
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CJ WILEY RETURNS WITH NEW SINGLE, “FLUKE”

CJ WILEY RETURNS WITH “FLUKE”, THEIR FIRST SINGLE SINCE THE RELEASE OF DEBUT RECORD, SO BRAND NEW

WATCH / SHARE “FLUKE” HERE
BUY / STREAM “FLUKE” HERE

PRAISE FOR SO BRAND NEW

“CJ Wiley keeps things simple in order to get complex. Warm guitars, steady drums and lively bass — sometimes that's all you need to start a fire. Wiley's Boy Golden-produced debut lights all kinds of fires, an ever-shifting document of change and renewal” Exclaim!

“Songs about friendship are criminally underrated. “You still call me up when my heart is burning / To calm me down with a midnight sermon,” Toronto alt-country singer CJ Wiley sings on “Adelaide,” a remarkable song about chosen family, and “choosing to love and grow together instead of growing apart. Wiley’s debut album, “So Brand Now,” is filled with striking songs about love, identity and acceptance” The Toronto Star

Photo Credit: Stella Gigliotti // DOWNLOAD HIGH-RES

CJ Wiley’s distinct voice carries their project with the wit, candour, and excitement of an artist with a striking perspective and a heart that demands to be heard. They are aflame in a stirring spectrum of soulful twang and the electric grumblings of grungy guitars, sometimes in the space of a single song. Wiley has established a wide reaching sound of nighttime cruising melancholy, full-hearted campfire warmth, and anthemic rock just a few speakers shy of a stadium. 

Their new single “FLUKE”, co-written with Charlie Houston, is a deep dive into a modern romantic life that brings endless swiping, dead-end texts, and dates that fizzle before they even start. The loneliness of putting yourself out there over and over, wondering if it’s worth it. And then, out of nowhere, a total fluke: meeting someone on a whim and actually clicking. That rare moment that makes all the bullshit feel like it meant something.

WATCH / SHARE “FLUKE” HERE
BUY / STREAM “FLUKE” HERE

DOWNLOAD HIGH-RES

MORE ABOUT CJ WILEY
Already a mainstay in Canada’s music scene having opened for artists like Tokyo Police Club, Boy Golden, US Girls, Juliana Riolino and performed at festivals like Mariposa Folk Fest, Super Crawl Riverfest Elora and Tiny Lights.

They’ve also staked their claim as a leader in the queer community as the host of the Big Gay Night concert series as well as with their performances at Pride Toronto (2022, 2023 & 2025).

2025 marked the release of So Brand New, Wiley’s debut full length LP. The artist sojourned to Winnipeg to record with Boy Golden and that polished western resonance is obvious from the album’s first blasts. It’s a passionate, tongue-in-cheek statement of certainty in themselves, a down-and-dirty roots-rock revelation that burns in a firestorm of its own conviction. Wiley sings of starting fresh, loss, gender, and how expensive it is to be alive, carving out a decisive path for themselves on a highway into and over the horizon — and they’re bringing you with them.

In support of So Brand New, they not only played shows across Canada but also ventured to the UK for The Great Escape and FOCUS Wales as their first international run of shows. 

Tearing through Toronto on a groundswell of gripping indie pop and slacker rock, non-binary singer-songwriter CJ Wiley doesn’t waste any time. Twirling guitars, a steady drum beat, crunchy bass; ballads twanged slightly country, anthems skewed slightly grunge; a message of love and anger, healing and rancour, Wiley’s musical project is urgent and undeniable. 

CJ WILEY ONLINE
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