FATHER OF THE YEAR SHARES DEBUT SINGLE, “THE FIXER”

FATHER OF THE YEAR, AKA SINGER-SONGWRITER CAMERON REED,
SHARES DEBUT SINGLE VIA 444%

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Everyone knows they need to change. It takes loving someone to make that knowledge unbearable. "The Fixer", the first single from Canadian singer-songwriter Cameron Reed's debut album as Father Of The Year, is the opening salvo of a record about marriage, masculinity, and the limits of love. 

For themes this personal, Reed arrives with unlikely background credentials. Previously known as Babe Rainbow, a Warp Records-signed electronic instrumental project whose work Pitchfork described as "overcast, suffocating sonic landscapes," Reed pivots with Father Of The Year into altogether more intimate territory, kitchen sink storytelling in the tradition of John Prine, Loudon Wainwright III, and Bill Callahan. The tradition has always made room for men who fall short. It hasn't often had to accommodate a generation of men who have the language to understand themselves completely and nothing to show for it. 

“The Fixer” opens with just guitar and hushed vocals, a man alone in a room acknowledging his limitations before the band has even arrived. It's a quiet, disarming entrance for a character who is anything but. When producer and multi-instrumentalist Christopher Vincent's arrangement fills in, organ, brass and strings built around a loose blues-inflected riff and a cool mid-tempo groove, it carries the warmth of 70s soul, a tradition that has also known what to do with a man who loves someone and fails.

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The character is immediately recognizable. He arrives defensive before anyone has said a word ("Don't accuse me of nothing"), fluent in his own dysfunction and entirely unable to apply it ("All I've got are my tools / But I can't build a thing / I'm a half-ignorant man"), and absolutely certain of his own authority. The tension at the heart of the song, the desire to help someone you love, is real and tender, but so is the arrogance that makes you ignore what the moment actually requires.

The grandeur peaks mid-song with a kind of magnificent self-delusion: "You'll address me 'Your Highness' / I'm the smartest man in the room / When you hear what I have to say / Then you'll believe it too / I'm a cold-hearted fool / Traits befitting a king." He knows he's the punchline. He delivers it anyway. “That’s what makes me a man,” Between each chorus, a weary sigh, "I'm the fixer," followed by the offer he can't stop making: "I can give you a hand."

“The Fixer” introduces a man at his most fortified, a man who can't stop offering solutions to problems nobody asked him to solve, and who has not yet learned to simply listen.

Father Of The Year is an unabashedly middle aged millennial project, belonging to a generation that has lived long enough to know what time costs, but enough of it left to try to change. 

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GIZMO RELEASE NEW SINGLE, “CELESTIAL”, ANNOUNCE TOUR DATES

CHARLOTTETOWN ROCKERS GIZMO SHARE NEW SINGLE, “CELESTIAL”, VIA VICTORY POOL RECORDS

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TOUR DATES BEGIN JUNE 17

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Gizmo are Charlottetown rockers inspired by the guitar-damaged pop of 1990s American slacker bands and their contemporaries on Canada’s East Coast. A 120 Minutes band for the Gen Z set, they breathe new life into their vintage influences with a distinctive songwriting style and frenetic live show.

Today, they share the new single “Celestial”, out via Victory Pool Records, picking up right where 2023’s livewire debut EP Buddy System left off without skipping a beat. The new material finds the band mining similar sources but reaching new heights, imbuing their carefully considered, structurally ambitious power-pop songwriting with more unexpected twists and turns.

"I remember I was at the Charlottetown Farmers’ Market when Julien (Kitson) sent me a voice memo of the opening riff to what became ‘Celestial,’” explains bassist Spencer Swaine. “He wrote it on Halloween night and sent it to me, half-jokingly mumbling French because it sounded like Stereolab. This was in 2022. The final product ended up being a turning point for bringing new influences into the band and was the start of a new chapter for us.”

To record it, the band decamped to a converted community hall in Great Village, Nova Scotia with co-producers Alex Edkins (METZ, Weird Nightmare) and Loel Campbell (Wintersleep) in tow in Winter 2025. 

The group bonded over their overlapping tastes, able to share a common language when referencing sounds and direction. This helped flesh out the sound; while the music is informed by long-held aesthetic touchpoints like Guided By Voices and Pavement, keen listeners will hear the gothic jangle of R.E.M. and the jagged Americana of Silver Jews and Red House Painters peeking through in spots as well.

LISTEN / SHARE “CELESTIAL” HERE
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MORE ABOUT GIZMO
Formed in Charlottetown in 2021 by Julien Kitson, Daniel Hartinger, and Spencer Swaine, and joined by Patrick Stephen in 2021, their debut four-song EP Buddy System was released in August 2023. .Its guitar-driven melodies and catchy hooks quickly earned them a growing audience and won them Rock Recording of the Year at the PEI Music Awards. Following its release, the band signed a publishing deal with CYMBA Music Publishing and continued writing and refining new material in rehearsal spaces and on the road.

Early on, the band toured steadily, building a devoted fanbase through their live performances, sharing stages with acts like Wintersleep, Paper Lions, Cootie Catcher, and Two Hours Traffic, and playing festivals such as Sommo Festival, Project Nowhere, and Nowadays Fest.

In 2025, following a standout performance at Showcase PEI, the band signed to both Victory Pool Records and Noisemaker Management and quickly landed summer 2026 festival slots at Hillside and Paris Drinks Fest.

TOUR DATES
Jun 17 - Ottawa, ON - Club SAW
Jun 18 - Toronto, ON - The Baby G 
Jun 19 - Hamilton, ON - Mills Hardware
Jun 20 - Brantford, ON - Brandi’s 
Jun 22 - Kingston, ON - Broom Factory 
Jun 23 - Montreal, QC - L’Esco
Jul 17-19 - Hillside Festival
Aug 14-15 - Paris Drinks Fest

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PHARIS & JASON ROMERO SHARE “THESE ARE THE DAYS” FROM UPCOMING LP

PHARIS & JASON ROMERO TO RELEASE NEW LP, THESE ARE THE DAYS THAT TURN IN TO YEARS, OUT JUNE 12, 2026

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PRE-SAVE THESE ARE THE DAYS THAT TURN IN TO YEARS HERE

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Four-time JUNO Award-winning singers, songwriters, banjo builders, and folk icons, Pharis and Jason Romero are sharing the new single “These Are The Days” from their upcoming LP, These Are The Days That Turn Into Years. "These Are The Days” is a waltzing exhale of love and affirmation. Pharis turns inward as a songwriter, giving voice to a gentle loved one who treasures these moments, these days, these years. Ambient strings overlay the delightful piano work of Clinton Davis, while Pharis’s vocals and Jason’s wonderfully intuitive harmonies sit front and centre.

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MORE ABOUT PHARIS & JASON ROMERO
Their seventh studio record, These Are The Days That Turn In To Years is a songwriter’s deep exhale, replete with stories, love, and nostalgia. It’s four years after the duo’s banjo-heavy last release, and recorded in the same eclectically restored riverside barn in Horsefly, British Columbia. With Pharis’ love of storytelling as a base for the duo’s artistic connection, the songs are lush and saturated with their lives: incidental touring, raising two kids, making banjos, and playing this music because they love it. The songs are created as much from ideas - from being on the tops of mountains and phone calls with aging loved ones to insomnia, meditation and family feuds - as they are from the joy of playing and recording with a stellar band: fiddle, bass, piano, and percussion. Two people in the thick of their lives, reveling in the music, words, and community.

Pharis and Jason Romero have a classic story. When some scratchy old records and a custom banjo led to their meeting in 2007, they quickly knew they were in for the long haul. The depth of their musical and personal relationship has grown incrementally over the years as they’ve explored old-time stringband music, how to sing like one person, and the banjo as an artform. 

BUY / STREAM “LAST CALL” HERE
WATCH / SHARE “LAST CALL” (LIVE PERFORMANCE VIDEO) HERE
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On their newest record Pharis’ love for the compelling pulse of stories as songs is the base for the duo’s artistic connection. The songs are lush and saturated with their lives: phone calls with ageing loved ones, standing on top of mountains, meditation, family feuds, nostalgia for things that haven’t happened yet, sleepless nights. The lyrics capture tender, lovely and strange snapshots of life, often anchored by sing-along choruses.

These Are The Days That Turn In To Years was recorded in their eclectically restored riverside barn. John Raham (Frazey Ford, Dan Mangan, Tanya Tagaq, Ocie Elliott) engineered and mixed, marking “the fifth record that John has come to make with us in Horsefly,” says Pharis. “I can’t imagine making a record without him, Trent (Freeman) or Patrick (Metzger). The songs are created as much from ideas as they are from the joy of playing and recording with friends and stellar musicians.” 

LISTEN / SHARE “LOST LULA REDUX” HERE
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The group was also joined in the studio by Clinton Davis on piano and Pharis’ sister Marin Patenaude who makes a vocal appearance on the insomnia-inspired “Last Night”. The band’s joyful, slightly on-the-edge old-time approach often playfully stretches the melody into an energetic ride through the bouncier songs, while ambient strings and ragtime piano hold some of the more introspective pieces. The duo keeps to their roots with the spare banjo blues “Left My Home”.

Pharis and Jason tour incidentally while they’re raising two kids and making banjos in their home of Horsefly, BC. They play this music because they really, truly love it, and this record is a shining development of stories, love, and nostalgia from this unique duo.

PRE-SAVE THESE ARE THE DAYS THAT TURN IN TO YEARS HERE

UPCOMING PERFORMANCES
Jun 22 - Port Townsend, WA - Voice Works 2026
Jul 11 - Horsefly, BC - Arts On The Fly
Jul 16 - Williams Lake, BC - Performances In The Park
Aug 6 - Salt Spring Island, BC - Pitchfork Social

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THESE ARE THE DAYS THAT TURN IN TO YEARS TRACKLIST
01 Big Time World
02 Last Call
03 Hey Babe
04 Always Losing Track
05 Last Night
06 Left My Home
07 Cannonball
08 I Got Away From Myself
09 Everybody Wants
10 Georgie
11 These Are The Days

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