SPENCER BURTON UNVEILS ANOTHER NEW SINGLE, “TIME”

SPENCER BURTON SHARES HIS NEW SINGLE “TIME”, OUT TODAY VIA DINE ALONE RECORDS

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Photo Credit : Vanessa Heins // DOWNLOAD HIGH-RES

Home, as we so often hear, is where the heart is. It’s where you belong and where your story begins. There’s no place like it, but paradoxically, it’s not a place; it’s a feeling –simultaneously sweet, simple, the anchor of the soul.

Over the course of his last two lauded LPs – 2024’s North Wind and 2021’s CoyoteSpencer Burton deeply considered and contemplated the concept, even retreating to a secluded cabin in the sticks of Northern Ontario to record the former and find “home” for himself.

Ultimately he did, but that blissful discovery would soon be tempered by an unforeseen burden, and in his new music, Burton ruminates on how to return to it.

This rings especially true on the new single “Time”, of which Burton says: “Things can happen in life that leave one realizing how precious time is. Seconds turn into minutes, turn into hours, turn into months. It’s about healing, and caring. Beginning and end. Time.”

BUY / STREAM “TIME” HERE
WATCH “TIME” (ACOUSTIC PERFORMANCE) HERE
LISTEN / SHARE “TIME” HERE

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MORE ABOUT SPENCER BURTON
Spencer Burton’s songwriting is beautifully delicate and dulcet – the purest distillation of his prolific, decades-long pursuit in the arts, spanning his roots in Ontario’s seminal early-00s punk scene to his dark-tinged alt-country stylings as Grey Kingdom through to the candid, compelling country-folk catalogue of the last decade-plus, fittingly released under his given name.

His latest works have earned acclaim from esteemed outlets like Exclaim! and the CBC, a coveted Canadian Folk Music Awards nomination, major tours supporting the likes of Burton Cummings and City and Colour, and high-profile slots at revered festivals from Mariposa to Riverfest.

BUY / STREAM “PRAIRIE MOON” HERE
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For his 2024 album, North Wind, Spencer Burton retreated to a small off-grid cabin in Northern Ontario, reconnected with nature and found peace and comfort in isolation. Taking a step back from the realities of life let him step back into making music after some time away.

The majority of North Wind was written in the north woods, in solitude and reflection. And while the songs have a spiritual importance, they also speak to ordinary life away from it all–fishing, an encounter with a coyote, sitting with your own thoughts.

“It’s really interesting what pleases the ear, musically, when isolated for a few weeks at a time. The only inspiration being yourself and the beauty of true untampered nature. It’s a different atmosphere than what we’re accustomed to. It really helped bring these songs to life.”

“I’m not really trying to write music these days,” says Spencer. “I’m trying to write good feelings.”

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TRUE MOUNTAIN LAUREL SHARE NEW VIDEO FOR “ANGEL SO BAD”

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TRUE MOUNTAIN LAUREL, THE ‘SUPERGROUP’ OF HALEY BLAIS AND SAM LYNCH, ANNOUNCE THEIR DEBUT ALBUM, ANGEL SO BAD, OUT AUGUST 28, 2026 VIA BIRTHDAY CAKE RECORDS

PRE-SAVE ANGEL SO BAD HERE

“Both artists are adept at encompassing poetic contradictions and double meanings in their respective solo work, so it comes as no surprise that even the song's titular question…has multiple interpretations, each more rife with possibilities than the last and set free against the expansive open plain of their voices entwined atop dreamy acoustic guitar, featherlight piano and craning pedal steel.” - Exclaim!

“Both Vancouver musicians are experts in smart indie rock that sounds extremely sweet while the lyrics cut deep. That’s true in their partnership, True Mountain Laurel, as well.”
- The Georgia Straight

Photo Credit : Mikaela Kautzky // DOWNLOAD HIGH-RES

Born out of late-night harmonies, shared voice memos, and a long-standing friendship rooted in mutual admiration, Haley Blais and Sam Lynch have formed the supergroup True Mountain Laurel. Their debut collection of songs, Angel So Bad, is a tender, dust-swept exploration of all the feelings that fall through the cracks. Equal parts folk reverie and country yearning, the project pulls from their respective solo careers. Sam’s poetic introspection and Haley’s razor-sharp lyrical intimacy blend into something softer, stranger, and wholly their own.

Having already shared the album’s title track, “Angel So Bad”, today they’re sharing the new video for the single. “Everything with this project has been very kismet, so it only made sense that our first video would honour the magic of the universe, and the weird and unpredictable synchronicities that have lead us to create this album,” explains the duo.

“With that in mind, it felt very fitting to pay homage to a movie about magic and sisterhood. Put True Mountain Laurel on the soundtrack for Practical Magic 2, please and thank you.”

WATCH / SHARE “ANGEL SO BAD” HERE
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“Angel So Bad” is an ode to the moral trials associated with that oldest of human hobbies: gossiping. Often put down as at best idle talk and at worst a social danger, "Angel So Bad" asks us to consider its magical properties, its role in community building, its function as a catalyst for human connection.

“When we finished writing ‘Angel So Bad’, I could tell it was going to be the inspiration for the world of the project and the rest of the songwriting process,” says Blais. “It’s tongue in cheek but earnest; it crosses its fingers while it tells the truth.”

“Although it wasn’t the first song we wrote together, ‘Angel So Bad’ felt like the true starting point of whatever this project was meant to be,” explains Lynch. “The song started as a conversation about gossip, and slowly turned into a cheeky exploration about how exhausting it can feel to constantly try to be a perfectly good person all the time.”

MORE ABOUT TRUE MOUNTAIN LAUREL
What began as casual writing sessions in between Sam and Haley’s respective tour cycles has slowly transformed into a collaborative ritual: trading lines and melodies over coffee and recording scrappy voice note demos at the end of the day. The songs emerged not from pressure or plan but from a desire to make music the way they first fell in love with it — no clocks, no ego, just two voices in a room.

Influenced by artists like Gillian Welch, Lucinda Williams, and early 2000s Canadian singer-songwriters, the project is less about genre and more about feel. Acoustic guitars, brushed drums, pedal steel, and the occasional jangly piano support lyrics that feel diaristic without being confessional: capturing the ache of growing older, the strangeness of still wanting more, and the joy of finding home in another person’s voice.

There’s a looseness to these songs that feels intentional. Where Sam’s solo work leans cinematic and atmospheric, and Haley’s leans into the clever and orchestral, here they meet in the middle: warm, minimal, and a little bit rough around the edges. Live, the project takes on an even more intimate form without setlists or rigid arrangements. Just two friends singing the truth as they feel it that night.

PRE-SAVE ANGEL SO BAD HERE

PERFORMANCE DATES
Aug 2 - Comox, BC | Filberg Festival

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ANGEL SO BAD TRACKLIST
01 Angel So Bad
02 Holy Hell
03 Bird Of Prey
04 East Of Anything
05 Sunny
06 I Love You, Nicole
07 Angel Reprise
08 The Trial

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BODYWASH RETURNS WITH NEW SINGLE, “COME AND GO”

BODYWASH, THE MONTREAL DUO OF ROSIE LONG DECTER AND CHRIS STEWARD, SHARE “COME AND GO”, OUT NOW VIA LIGHT ORGAN RECORDS

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Photo Credit : Sasha Khalimonova // DOWNLOAD HIGH-RES

Bodywash is the Montreal duo of Rosie Long Decter and Chris Steward, a project they launched after first meeting in college, finding common ground between British dream pop, classic shoegaze, folk, and atmospheric pop. Their self-titled debut EP quickly earned attention in the local Montreal scene, and their 2019 full-length Comforter, sharpened their sound into a distinctive mix of airy vocals, intricate guitar work and pulsing synths. Bodywash returned in 2023 with I Held the Shape While I Could, a darker and more adventurous second album exploring themes of decay, instability, and the shifting meaning of home. 

The record drew renewed attention around singles including “Massif Central” and “No Repair”, and further established the band’s reputation for pairing lush, immersive sounds with lyrical songwriting. Now, Bodywash begin their next chapter with the upcoming single “Come and Go”, a first glimpse of where their sound is heading next. Direct and kinetic, "Come and Go" points forward without abandoning what has made the band stand out: a dynamic interplay between vocals and guitars; adeep feel for tension and release; and songs that balance melody and atmosphere with friction and dissonance

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“I wrote ‘Come and Go’ mostly in one go at home, improvising on vocal and bass, and then I brought it to Chris, playing it for him on guitar in the studio,” Rosie explains. “Normally I write on keys and make a demo, and he helps flesh it out, or vice versa. But after our last album we wanted to try writing more in the room together. As we played through the song together, and Chris wrote the riff, it came together really quickly in a shared burst of energy that’s only really possible in-person. The song itself is really influenced by the built environment of Montreal—the forty auto route, the new buildings popping up around the University de Montreal campus, this crazy animal-themed light show in Laval. It describes scenes I’ve shared with my girlfriend and my bandmates here, and the sort of temporary or transitory feeling that comes with living as an artist in Montreal, or anywhere really—the sense that there could always be an end date on the horizon.”

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