ANDY SHAUF ANNOUNCES THE PARTY (10TH ANNIVERSARY EDITION), SHARES UNRELEASED TRACKS

ANDY SHAUF ANNOUNCES THE PARTY (10th ANNIVERSARY EDITION)
+ the afterparty EP

OUT OCTOBER 16, 2026 VIA ARTS & CRAFTS 

LISTEN / SHARE “LOSING” HERE
BUY / STREAM “LOSING” HERE

PRE-ORDER THE PARTY (10TH ANNIVERSARY EDITION) HERE

Photo Credit: Colin Medley // DOWNLOAD HIGH-RES

Originally released in the spring of 2016, ten years have passed since the arrival of singer-songwriter Andy Shauf’s seminal album The Party. To commemorate a decade of these classic, lived-in songs, The Party (10th Anniversary Edition) will be released on October 16 on double vinyl with nine additional tracks accompanying the original studio version, including three never-before-released songs plus alternate cuts and demo recordings. The bonus material will be made available as a digital release titled the afterparty, also due October 16.

‘I know it's a fight / and I know that I’m losing’ Shauf sullenly ponders on “losing,” one of the three previously unreleased tracks. Coming home from the party, the song’s narrator has arrived at their partner’s place a little too drunk a few too many times. 

LISTEN / SHARE “LOSING” HERE
BUY / STREAM “LOSING” HERE

In a new essay reflecting on this period of his life, Shauf looks back with a clarity he didn’t have at the time:

“The Party was written when I was in my mid-twenties and was released a few days before I turned twenty-nine. This time feels like a lost period for me. I was on the road in North America and Europe consistently, ‘partying’ a lot, letting alcohol lead me to experiences I thought necessary for having something to write about. My dream of becoming a touring musician and recording artist was starting to play out, but I avoided acknowledging that reality out of fear that it would vanish. It’s clearer now that this avoidance more so gave me an inability to see myself as the destructive force at the center of the chaos beginning to surround me.

The Party didn’t happen because I knew what I was doing, it happened because I kept making mistakes. Four years of trying and trying again until eventually the happy accidents added up to something cohesive. It was a process of learning, like anything is. If I’d taken the same revisionist approach to my real life, maybe the lost period wouldn’t have stretched out for so long. Mistakes made in songs led to new arrangements and new approaches, mistakes in life led to more and more confusion and hurt. Thankfully life has allowed me the time to learn that I was simply lucky to have been given the chance to explore at all.” Read the essay in full at andyshauf.com

With The Party Shauf masterfully creates a cast of memorable and unique characters. They show up “Early to the Party,” reveal secrets (“To You”) or try to reveal nothing (“The Magician”). In ‘a city the size of a dinner plate,’ everyone knew the guy who keeled over after smoking what he promised would be his last pack of cigarettes (“Alexander All Alone”). There’s the girl dancing by herself in the middle of the room, with the “Eyes of Them All” upon her. One moment you’re dancing with someone who bears an uncanny resemblance to your ex (“Martha Sways”) and later slagging your best friend as a way of endearing yourself to his recently dumped ex (“Quite Like You”). All of this is set to ornate arrangements of fuzzed-out guitars, string sections, clarinets and dreamy synths; all draped over delicate piano, acoustic guitars and rainy-day drums.

PRAISE FOR THE PARTY
The Party is definitely worth celebrating.” - Uncut

“A folk record so lush it feels as though Shauf made a feature film, providing settings, characters and colour to fill out a full motion picture with just 10 songs. Dipping into '60s pop melodies, it’s easy to see yourself slow dancing to ‘The Party’ while closing out your own messy gathering.” - CBC Music

“The result recalls classic pop songwriters in the vein of Harry Nilsson or Randy Newman, coupled with the plainspoken timbre of a Paul Simon, albeit with a laconic Canadian drawl. Shauf also possesses a keen, emotive ear for complex arrangements and lavish orchestrations.” - NPR Music

“At times the budget grandeur posits Shauf as a sort of indie Burt Bacharach: don’t be fooled by the chintzy synths and general thrift-store appearance. One track, “Martha Sways”, injects notes of dissonance – off-kilter violins, random stabs of piano – that will be familiar to fans of Big Star’s Sister Lovers. Then again, a lot of these songs have the warm, easy-listening appeal of the hippest mainstream 70s songwriters, up to and including Nilsson, while reclaiming aspects of the cheesiest.” - The Guardian

PRE-ORDER THE PARTY (10TH ANNIVERSARY EDITION) HERE

‘the afterparty’ cover image // DOWNLOAD HIGH-RES

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THE PARTY (10TH ANNIVERSARY EDITION)
1. The Magician
2. Early to the Party
3. Twist Your Ankle
4. Quite Like You
5. Begin Again
6. The Worst in You
7. To You
8. Eyes of Them All
9. Alexander All Alone
10. Martha Sways

1. the magician (demo)
2. angela the traveller
3. begin again (v2)
4. eyes of them all (demo)
5. the interrupter
6. losing
7. twist your ankle (demo)
8. my brother jeremy (demo)
9. martha sways (v2)

ANDY SHAUF ONLINE
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LARKK SHARES NEW SINGLE FROM UPCOMING INSTRUMENTAL ALBUM 

DANIELLE MCTAGGART (DEAR ROUGE) WILL RELEASE INSTRUMENTAL VERSION OF DEBUT LP, CINDERS, AS LARKK

CINDERS (INSTRUMENTAL) OUT SEPTEMBER 18, 2026
“FIRST KISS (INSTRUMENTAL)” OUT TODAY

BUY / STREAM “FIRST KISS (INSTRUMENTAL) HERE
LISTEN / SHARE “FIRST KISS (INSTRUMENTAL)” HERE

PRE-ORDER CINDERS (INSTRUMENTAL) HERE

PRAISE FOR CINDERS

Opener “Cinders” and it showcases exactly what makes the record effective, as it starts as a slow ballad accompanied by atmospheric sounds and a steady piano. It builds until it quite literally soars. “Devastation’s Bliss” is a powerful rumination on a past not lived, while cinematic “Cuckoo” builds out a world all its own. There are comparisons to be drawn to artists like Regina Spektor and Feist, sure, but Larkk sees McTaggart forging her own distinct path, one in which each song twists and turns.” The Georgia Straight

“With 10 atmospheric and poetic tunes, Larkk‘s music could be described as both meditative and curative.” The Vancouver Sun

Cinders is an intensely personal, piano-driven exercise in vulnerability. The instrument and the artist's voice are the foundational bedrock, as McTaggart casts aside the electrifying fringe- and sparkle-laden trappings of rock 'n' roll to transform before our very eyes and reintroduce herself without artifice.” Exclaim!, 2026 Most Anticipated Albums

BUY / STREAM CINDERS HERE

Photo Credit : Rachel Pick // DOWNLOAD HIGH-RES

Larkk is Danielle McTaggart (Dear Rouge) in a new form, born from her desire for deeper artistic exploration. Recently, she announced the instrumental version of her debut album, Cinders (Instrumental), set for release on September 18, 2026. "Larkk began as a collaboration between myself and the piano, composing instrumental pieces that eventually grew to include my voice,” says McTaggart. “I am thrilled to share these songs in their original, instrumental form—returning them to exactly where they started.”

Of the second advance single “First Kiss (Instrumental)”, McTaggart shares that it “is about the moments that take your breath away—the beautiful ones and the heartbreaking ones. It’s strange how joy and sorrow can exist in the same place, how our deepest longings can carry beauty, grief, or both at once.The instrumental version of this song opens another world hidden within its sound. Its cinematic textures and subtle nuances invite the listener to remember their firsts and their lasts—the romances that shaped them, the moments they still carry. These memories stay with us. Sometimes we treasure them, and sometimes we wish we could forget them. Yet somehow, they become part of who we are.”

BUY / STREAM “FIRST KISS (INSTRUMENTAL) HERE
LISTEN / SHARE “FIRST KISS (INSTRUMENTAL)” HERE

MORE ABOUT LARKK
Danielle McTaggart is an artist in transformation. Best known as the powerhouse voice behind the JUNO Award-winning duo Dear Rouge, she has spent years captivating audiences with electrifying performances and chart-topping hits. Now, Danielle McTaggart has stepped forward as Larkk — a transformation that embraces intimacy and introspection, trading the high-energy pulse of indie rock for raw, poetic vulnerability.

After years of touring with acclaimed acts like Metric, Phantogram, and The Beaches, she felt a pull to connect on a more personal level — with herself and with listeners. 

BUY / STREAM “THE MOON THE BED (INSTRUMENTAL) HERE
LISTEN / SHARE “THE MOON THE BED” (INSTRUMENTAL) HERE

WATCH / SHARE “CAVERNS” LIVE PERFORMANCE VIDEO HERE

For Larkk, this music exists in the space between the past and the future - an evolution of both sound and spirit. It’s more than a new chapter; it’s the creation of an entirely new language of storytelling. Larkk weaves together music, movement, painting, poetry, and expansive artistic expression — each element intertwining to capture the beauty and ache of being human. It’s a deeply immersive world where emotion drives form, and vulnerability becomes a powerful source of connection.

WATCH / SHARE “FIRST KISS” LIVE PERFORMANCE VIDEO HERE

WATCH / SHARE “CINDERS” LIVE PERFORMANCE HERE

BUY / STREAM CINDERS HERE

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CINDERS INSTRUMENTAL TRACKLIST
01 Cinders (Instrumental)
02 First Kiss (Instrumental)
03 Share Of Dreams (Instrumental)
04 Cuckoo (Instrumental)
05 Caverns (Instrumental)
06 Interlude (Instrumental)
07 Devastation’s Bliss (Instrumental)
08 The Moon The Bed (Instrumental)
09 Oceans (reprise) (Instrumental)
10 Stars Ain’t Colliding (Instrumental)

LARKK ONLINE
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CJ WILEY SHARES “PET” FROM UPCOMING EP

CJ WILEY RETURNS WITH THE NEW EP, JUST CAN’T QUIT, OUT SEPTEMBER 9, 2026

LISTEN / SHARE “pet” HERE
BUY / STREAM “pet” HERE

PRE-SAVE JUST CAN’T QUIT HERE

PRE-ORDER JUST CAN’T QUIT EP VIA BANDCAMP HERE

“backporch” is a snapshot of what it feels like to fall in love with a brand new to you person. Sonically, the song feels like it belongs under twinkling lights at twilight in an era overrun with Delia’s catalogues and Bonne Bell Dr. Pepper Lipsmackers. The chorus swells and breaks like the tide on the beach with its sharp infusion of ’90s alt rock and pop. CJ Wiley’s “backporch” is gooey and bright in all of the ways you want a love song like this to be, and, honestly, may make you put butterfly clips in your hair. SOCAN Magazine, ‘Song of the Week, “backporch”

Photo Credit: Stella Gigliotti // DOWNLOAD HIGH-RES

Today, CJ Wiley is sharing another track from their upcoming EP, Just Can’t Quit. “Pet” is about “the vulnerabilities of fully committing to another person and still craving affection despite both your flaws,” explains Wiley. “There comes a point in a relationship where you've seen every side of each other, the good, the bad, and everything in between, but you still need reassurance to know you're accepted and loved anyway.”

LISTEN / SHARE “pet” HERE
BUY / STREAM “pet” HERE

MORE ABOUT JUST CAN’T QUIT
Just Can’t Quit “reflects the lifecycle of a relationship and the idea that no matter how many times love kicks our ass, we always go back for more,” says Wiley. “Like some beautiful masochistic ritual we can't get enough of. Every love is different. Hits different, hurts different. I'm a very romantic writer and honestly useless without a muse. I wanted to capture what that feels like.”

Previous single “backporch” is about the honeymoon period and trying to slow it down to just share a moment of bliss, while “fluke” which is a song for the initial crush. The last song “wasp” talks about how breakups lead to estrangement, and when there’s no contact, things feel like it’s all rupture and no repair. 

LISTEN / SHARE “backporch” HERE
BUY / STREAM “backporch” HERE

MORE ABOUT CJ WILEY
Already a mainstay in Canada’s music scene having opened for artists like Tokyo Police Club, Boy Golden, US Girls, Juliana Riolino and performed at festivals like Mariposa Folk Fest, Super Crawl Riverfest Elora and Tiny Lights.

They’ve also staked their claim as a leader in the queer community as the host of the Big Gay Night concert series as well as with their performances at Pride Toronto (2022, 2023 & 2025).

2025 marked the release of So Brand New, Wiley’s debut full length LP. The artist sojourned to Winnipeg to record with Boy Golden and that polished western resonance is obvious from the album’s first blasts. It’s a passionate, tongue-in-cheek statement of certainty in themselves, a down-and-dirty roots-rock revelation that burns in a firestorm of its own conviction. Wiley sings of starting fresh, loss, gender, and how expensive it is to be alive, carving out a decisive path for themselves on a highway into and over the horizon — and they’re bringing you with them.

WATCH / SHARE “FLUKE” HERE
BUY / STREAM “FLUKE” HERE

In support of So Brand New, they not only played shows across Canada but also ventured to the UK for The Great Escape and FOCUS Wales as their first international run of shows. 

Tearing through Toronto on a groundswell of gripping indie pop and slacker rock, non-binary singer-songwriter CJ Wiley doesn’t waste any time. Twirling guitars, a steady drum beat, crunchy bass; ballads twanged slightly country, anthems skewed slightly grunge; a message of love and anger, healing and rancour, Wiley’s musical project is urgent and undeniable.

PRAISE FOR CJ WILEY

“CJ Wiley keeps things simple in order to get complex. Warm guitars, steady drums and lively bass — sometimes that's all you need to start a fire. Wiley's Boy Golden-produced debut lights all kinds of fires, an ever-shifting document of change and renewal” Exclaim!

“Songs about friendship are criminally underrated. “You still call me up when my heart is burning / To calm me down with a midnight sermon,” Toronto alt-country singer CJ Wiley sings on “Adelaide,” a remarkable song about chosen family, and “choosing to love and grow together instead of growing apart. Wiley’s debut album, “So Brand Now,” is filled with striking songs about love, identity and acceptance” The Toronto Star

CJ WILEY LIVE
August 16 - Toronto, ON | Wavelength Summer Thing

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JUST CAN’T QUIT TRACKLIST
01 fluke
02 backporch
03 pet
04 wasp

CJ WILEY ONLINE
WEBSITE
INSTAGRAM