Mind Bath announces Aqueous, a conceptual literary-musical work comprising a full-length album and companion debut novel, both arriving September 4, 2026.

The album features a collaboration with fellow Canadian Beverly Glenn-Copeland on one of its tracks, while Mind Bath shares the new single “Seasons Change and So Do I Bitch” today.

Raised in a small town in the B.C. Rockies, Mind Bath developed a creative voice shaped by solitude, attuned to nature’s divinity and the inner worlds it unlocks. Across lush queer poetry, left-field production, and intimate vocals, his work has cultivated a devoted underground following rooted as much in spiritual devotion as sonic exploration. Expanding his vision into a multidimensional universe, Aqueous invites audiences not only to read and listen, but to experiment, reflect, and evolve.

Mind Bath’s most ambitious and fully realised work to date, Aqueous was completed during a two-year residency at Camp Flirty, a secluded gay cabin in the woods. But too cute and full of promise to remain hidden away, he has returned to Montreal, where the story began, to release the album via Lighter Than Air and publish the novel with Metatron Press.

Aqueous is a psychedelic odyssey through the land of queer fantasy and mysticism. Part auto-fiction, part perverse hero’s journey, where an effervescent stardust boy cuts a hole in the sky and wakes up in a utopic new land, far removed from the oppressive, dusty dominions of the violent world on Earth, in search of healing and liberation.

From radical queer joyous faerie woo to an underground darling’s music career, the abuse of power to vignettes of a sex angel rent boy, Aqueous is healing text. Enriched by a cast of rebellious artists and sublime outsiders in collective search of liberating the core wound in every gay inner child, Aqueous is an evocative and profound meditation on the fragments of a world of trauma and the resilience, humour, and self-interrogation required to see beyond it, right through to the heart.

With Aqueous, Mind Bath deepens his role not just as a musician, but as a world-builder, a world where fantasy is a tool for healing, art is a form of resistance, and imagination opens portals to new ways of being.