TOUCHING RETURNS TO THE RING IN NEW VIDEO FOR “CAUGHT IN THE MIDDLE”

TOUCHING’S (AKA, MICHAEL FALK (EX-LES JUPES)) UPCOMING ALBUM, littleworlds, OUT OCTOBER 29 VIA HEAD IN THE SAND

WATCH AND SHARE “CAUGHT IN THE MIDDLE” HERE

BUY / STREAM “CAUGHT IN THE MIDDLE” (AVAILABLE EVERYWHERE TOMORROW)

Photo Credit : Samanta Katz // DOWNLOAD HIGH-RES

Today, Touching, the artistic alias of songwriter and producer Michael Falk (formerly of Les Jupes), is sharing the second single and video from his upcoming LP, littleworlds. Following the first single “Tony Called The Muscle”, album track “Caught In The Middle” swoons with slow-paced reverence, exploring the complex feelings that emerge with the coming of a first child.

Directed by Falk, the video for “Caught In The Middle” is the “second in our little trilogy set around a boxing ring,” says Falk. “While the song was written before becoming a father, this video was made after having a few years of papa-hood under my belt. I wanted to tell a story about the ‘rupture and repair’ that enables trust and relationships, like muscles, to grow. Kids push their parents away, and pull them close. Emotions can run hot, and children are the ultimate truth-tellers. It’s humbling and beautiful. Sometimes parents have to grin and take it - the shot of Christa gritting her teeth while Sophie punches her stomach feels like a pretty universal lived experience and gets me every time.

 Early in the video there’s a shot of actors, Christa and Sophie Rust, slowly raising their head. It's subtle, but it’s a direct reference to AG Rojas’ video for Florence + The Machine’s “Hunger”. A little nod to the inspiration for our aesthetic on these videos.”

WATCH AND SHARE “CAUGHT IN THE MIDDLE” HERE

BUY / STREAM “CAUGHT IN THE MIDDLE” (AVAILABLE EVERYWHERE TOMORROW)

MORE ABOUT littleworlds
In late Spring of 2020, Touching began sharing 10 songs over 10 weeks, a project that was unveiled serially with a one-shot video for each track filmed and released every seven days, eventually released as the project’s debut album, Isolation Blues. With its relatable lyrical themes of loneliness, depression, and disconnection, Exclaim! described the collection as “a greatest hits of pandemic moods.”

Hot on its heels now comes littleworlds, a new album aiming to disinfect the darkness with sunlight. The sophomore release from Touching is built on feelings of hope, simple joys found amidst conflict, and the anticipation and fear of becoming a parent. Its 12 songs were written during the same period as Isolation Blues as Falk stepped away from touring and various other collaborative projects. Using this opportunity to build a studio in his basement, he centered his efforts on writing and recording.

“I bottomed out last year and had a desire to reconnect with my own path of self-fulfilment,” Falk explains. “The only way to become a role model for my son was to show him that I know how to walk the walk by living the life that I want to live. You can tell kids whatever you want, but in the end they’ll look up to what you actually do.”

WATCH AND SHARE “TONY CALLED THE MUSCLE” HERE
BUY / STREAM “TONY CALLED THE MUSCLE” (OUT EVERYWHERE TOMORROW) HERE

At the heart of littleworlds is Falk’s rich baritone. His striking voice soars with the passion of Frightened Rabbit’s Scott Hutchison, coasts with the coolness of Marker Starling’s Chris A. Cummings, and plumbs the emotional depths of Richard Dawson. Musically, the album injects the downtempo electronic ambience of Massive Attack (“I’m inspired by their late career stuff that no one thinks about,” laughs Falk) into the high drama indie-rock of Editors, Manchester Orchestra, or We Were Promised Jetpacks.  

Driven by thunderous drums, squelching synths, and massive choruses, first single “Tony Called The Muscle” digs into the turmoil of separating from a former creative collaborator. “All I Need”, set on the last day of work at a manufacturing plant, questions the worth of a life spent working on things that people don’t seem to value, while trying to connect to what really matters. The cycling synth arpeggios of “Spark” create a feeling of propulsion as Falk meditates on the intentions to become his best self. Taken as a whole, these songs point to a lighter, warmer, more connected future than Isolation Blues’ view from the muck.

“I had to turn inwards to refocus on my songwriting, becoming a dad, and getting my mental health back in relative order,” says Falk. “I wanted my relationship with my kid in the first few years to be really grounded. I want him to grow up seeing his dad doing what he loves meaningfully and successfully. If you really value something, I want to show him that you can figure out the path to make it work.”

From his home in Winnipeg, the multi-hyphenate musician has organized festivals, run a studio, and operated a record label, juggling countless roles within the local scene. As a performer, he has toured with acclaimed acts including Les Jupes, The Liptonians, and rapper/CBC host Ismaila Alfa. Yet since becoming a father, Falk has consolidated his lifelong pursuit into a renewed, singular focus: Get back to making music. And lots of it.

DOWNLOAD HIGH-RES

littleworlds TRACKLIST
01 Still Slow
02 Tony Called The Muscle
03 The Same Way
04 Nothing Can Change Your Mind
05 All I Need
06 Spark
07 Diamond In The Light
08 Two Solitudes
09 Caught In The Middle
10 Unbelievable

TOUCHING ONLINE
WEBSITE
TWITTER
FACEBOOK
INSTAGRAM