THE DEEP DARK WOODS ANNOUNCE NEW LP, THE CIRCLE REMAINS, SHARES NEW SINGLE

THE DEEP DARK WOODS TO RELEASE NEW LP, THE CIRCLE REMAINS, OCTOBER 3, 2025 VIA VICTORY POOL RECORDS

WATCH / SHARE “TRADED IN YOUR NAME” HERE
BUY / STREAM “TRADED IN YOUR NAME” HERE

PRE-SAVE THE CIRCLE REMAINS HERE

CANADIAN TOUR DATES BEGIN THIS OCTOBER

Photo Credit : Heather Saitz // DOWNLOAD HIGH-RES

The Deep Dark Woods' new album is an exercise in understatement, showcasing a band who clearly knows what they're doing, and simply keeps getting better at doing it, paradoxically making it seem more and more effortless with each release. These nine gorgeous, mesmerizing tracks combine sturdy, heartfelt songwriting with sparkles of tiny, luminescent detail tucked into every corner of this album's sonic landscape. Shadowy and inviting, The Circle Remains sounds like the band playing in a darkened, fireplace-lit wood cabin in the middle of the night, and you're right there with them in a well-worn armchair. 

Today, The Deep Dark Woods are sharing the new single “Traded In Your Name”, a song that was “originally written during the Changing Faces sessions, but it never quite came together the way I wanted,” says frontman Ryan Boldt. “I remembered it during a day of recording for the new album—we ran through it once or twice, and that was it. Evan Cheadle added a beautiful harmony on the chorus—probably my favourite harmony ever recorded on one of my songs.”

WATCH / SHARE “TRADED IN YOUR NAME” HERE
BUY / STREAM “TRADED IN YOUR NAME” HERE

MORE ABOUT THE CIRCLE REMAINS
As always, The Deep Dark Woods' music exists in a proud continuum of songwriting, but this is a band whose influences can be felt more than heard. The spirit of the '60s and '70s hovers around the perimeter at all times, but truly only in spirit: there is no aping here, just an enviable ability to conjure that same world-weary-but-hopeful sound that, for instance, Levon and company patented across The Band's early '70s masterpieces. And that era leans heavily on the sonic palette of The Circle Remains as well; in a welcome detour from the trends of so much contemporary music, there is nothing about the album that screams “2025”. This “out of time” aspect can be attributed to their influences of course, but also to the analog tape-heavy recording process the band and producer David Parry (Alice Phoebe Lou, Loving) favoured for this album. And it makes perfect sense, adding a burnished quality to the album's sound and placing a premium on the considerable abilities of these musicians.

A passing listen to the voice of The Deep Dark Woods' Boldt may find one drawing comparisons to some of the other titans of this strain of intimate, personalized songwriting that emerged in the during the '90s “indie folk” scenes, but the more one listens, it becomes apparent that Boldt has carved out his own niche in this rarefied realm. His singing (which is often coated with the gentle spectre of good old-fashioned analog tape delay) is lilting and mellifluous, imbuing a floating, mercurial element to the performances, but it's also playful, each line gently teasing out the edges of his melodies. 

WATCH / SHARE “RUBY” HERE
BUY / STREAM “RUBY” HERE

While the general tone and timbre of the album is one of a well lived-in piece of clothing, there are a few songs on The Circle Remains that provide a few perhaps unexpected ear-catching moments.“Can't Keep From Singing” opens with a washy delay trail that would not sound out of place on a classic psych-folk album, then slides into one of those wily chord progressions that gently bends the mind a bit when first heard, but after repeat listens becomes absolutely crucial to the vibe of the song. “Golden Petal” revels in its three-quarter-time lope, glimpsing moments of pure, unadorned groove and a few swooping slide guitar smears from Evan Cheadle. 

“Circle Remains Unbroken” sidles out of the gates with a deliciously restrained palette of tasty, deep-pocket drumming courtesy of Mike Silverman, (Kacy & Clayton), a perfectly locked-in bass line, and one of the most gossamer-like vocal performances Boldt committed to tape for this album. As the song progresses, a variety of keyboards enter surreptitiously, filling up towards the final moments of the song, before it fades away as elegantly as it began. 

While The Circle Remains can be easily lauded for its effortlessly cohesive sound and focused temperament, the album's wildcard, without a doubt, is the magisterial keyboard playing of longtime member Geoff Hillhorst, whose deft touch moves between wonky, Garth Hudson-style organ moves (on “Sweet Grows The Fruit”, for instance) and lush, understated piano work throughout the album. On “Traded In Your Name”, Hillhorst alternates between sounding like he's learning the song on the fly, filling in holes with a jazz improviser's elegance and grace, and a moment later like he's lived in it for years, judiciously highlighting and supporting Boldt's delicate vocal melodies. 

For both neophytes and the converted alike, The Circle Remains will be an easy point of entry for the uninitiated, and it will certainly provide another proof-positive for the longtime fan. 

PRE-SAVE THE CIRCLE REMAINS HERE

TOUR DATES
Oct 14 - Regina - The Exchange
Oct 15 - Saskatoon - Capitol Music Club
Oct 16 - Sherwood Park - Festival Place
Oct 17 - Calgary - Festival Hall
Oct 18 - Lethbridge - Geomatic Attic
Oct 22 - Nelson - Spirit Bar
Oct 23 - Penticton - Dream Cafe
Oct 24 - Vancouver - Fox Cabaret
Oct 25 - Victoria - Capitol Ballroom

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THE CIRCLE REMAINS TRACKLIST
1.Ruby
2.Traded In Your Name 
3.The Circle Remains Unbroken 
4.Golden Petals 
5.Ye Banks and Braes 
6.If I Was A Bird 
7.Keep Your Hands Upon The Throttle 
8.Can't Keep From Singing 
9.All Through The Seasons 
10.Many Days Of Leisure 
11.Sweet Grows The Fruit 

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THE DEEP DARK WOODS SHARE SHADOWY NEW SINGLE / VIDEO, “RUBY”, ANNOUNCE CANADIAN TOUR DATES

WATCH / SHARE “RUBY” HERE
BUY / STREAM “RUBY” HERE

CANADIAN & U.K. SPRING TOUR DATES COMMENCE APRIL 23, CANADIAN FALL TOUR DATES NOW ANNOUNCED | TICKETS HERE

Photo Credit : Heather Saitz // DOWNLOAD HIGH-RES

The Deep Dark Woods return with their first new music since Broadside Ballads Vol. III and their first original song since 2021's “Changing Faces”. Shadowy and inviting, “Ruby”, the first track off an upcoming yet-to-be-announced late 2025 record, sounds like the band playing in a darkened, fireplace-lit wood cabin in the middle of the night, and you're right in there with them in a well-worn armchair. The voice of founding member Ryan Boldt sits at the forefront of the band, and it doesn’t take long to reveal that he is a master of subtlety and shading. 

“I wrote it during a strange and difficult time, after the sudden loss of my dear friend and tour manager, Kiko, and just before my daughter was born,” says Boldt. “It was a mix of heartbreak and anticipation that I will never forget.”

WATCH / SHARE “RUBY” HERE
BUY / STREAM “RUBY” HERE

Single Art // DOWNLOAD HIGH-RES

MORE ABOUT THE DEEP DARK WOODS
One might be tempted to think of the Deep Dark Woods as a band steeped in capital-T tradition, and that may be true, but now nearly two decades into their life as one of Canada’s finest folk-roots ensembles, that tradition is one of their own invention. The voice of founding member Ryan Boldt sits at the forefront of the band, and it doesn’t take long to reveal that he is a master of subtlety and shading.

Boldt, a relentless lifelong listener of music, says “It’s all I do. When I’m not playing music, I’m listening to it, trying to find songs that make me feel an aching pain in my chest.” Accordingly, his singing is full of highly emotive nuance and an elegant, relaxed precision that makes it seem downright effortless, a perfect vehicle for the band’s particular brand of updated folk music. Fellow travelers like keyboard whiz Geoff Hilhorst, veteran drummer Mike Silverman, and Evan Cheadle round out the Deep Dark Woods unit, and they are often assisted by like-minded collaborators such as singer-songwriter Ellen Froese, Erik Nielsen, Leon Power, and the acclaimed duo Kacy & Clayton. This crew creates a powerful combination and has amassed a pile of celebrated albums, EPs, and a host of nominations from music awards outfits from across the country. 

Originally from Saskatchewan and now based in Southern Ontario, The Deep Dark Woods take up a deep tradition of forlorn storytelling, drawing lines from Celtic folksongs to country blues. Lush and devastating, Boldt’s gothic surrealism is stark in detail and full of emotion, a murder balladeer for our time.

THE DEEP DARK WOODS TOUR DATES
April 23 - The 27 Club - Ottawa
April 24 - Neat Cafe - Burnstown
April 25 - Collective Arts - Hamilton 
April 26 - Longboat Hall - Toronto 
May 06 - Filey, UK - Filey Folk Festival
May 07 - Sheffield, UK - Greystones
May 08 - Wrexham, UK - Focus Wales
May 09 - Bristol, UK - Hen & Chicken
May 11 - Coventry, UK - The Tin Music & Arts
May 12 - Brighton, UK - The Folklore Rooms
May 13 - London, UK - The Social
May 14 - Guildford, UK - The Star Inn
May 15 - Isle of Wight, UK - Strings Bar & Venue
May 16 - Cheltenham, UK - Wood Festival
May 17 - Halifax, UK - The Grayston Unity
May 18 - Winchester, UK - Railway Inn
Oct 14 - Regina - The Exchange
Oct 15 - Saskatoon - Capitol Music Club
Oct 16 - Sherwood Park - Festival Place
Oct 17 - Calgary - Festival Hall
Oct 18 - Lethbridge - Geomatic Attic
Oct 22 - Nelson - Spirit Bar
Oct 23 - Penticton - Red Bird
Oct 24 - Vancouver - Fox Cabaret
Oct 25 - Victoria - Capitol Ballroom

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THE DEEP DARK WOODS SHARE VIDEO FOR NEW SINGLE TODAY, BROADSIDE BALLADS VOL. III, OUT TOMORROW

THE DEEP DARK WOODS ARE SET TO RELEASE A COLLECTION OF REIMAGINED FOLK STANDARDS, BROADSIDE BALLADS VOL. III, VIA VICTORY POOL RECORDS TOMORROW, MAY 1

BUY / STREAM BROADSIDE BALLADS VOL. III HERE

WATCH / SHARE “BRIDGET O’MALLEY” HERE

Photo Credit : Rima Sater // DOWNLOAD HIGH-RES

Tomorrow, the long celebrated, and JUNO Award nominated group, The Deep Dark Woods,  release their new LP, Broadside Ballads Vol. III, an 8-song record lends a familiar melancholic warmth to a collection of traditional folk songs spanning centuries and continents.

Today they are sharing the new video for the album track “Bridget O’Malley”. Of the track, songwriter Ryan Boldt says, "Bridget O'Malley is another Irish tune that I first heard from the Scottish Group Silly Wizard off of their record So Many Partings produced by the great Scottish traditional singer and songwriter Archie Fisher. The song was collected by the fiddle player and song collector Peter Kennedy in 1953 from the Irish singer Hudai ó Duibheanaigh. I believe the song was translated from Irish to English by Phil and John Cunningham of Silly Wizard. But it’s hard to find out who actually translated it. The Irish name is ‘Brid Óg Ni Mhaille’. I heard a beautiful version done by the English singer June Tabor with two fiddle players, playing almost a Renaissance or baroque-type version, I wanted to do that, so I got my string arranger Marie Grigoryeva to come up with a wonderful arrangement for the violin, viola and cello." 

WATCH / SHARE “BRIDGET O’MALLEY” HERE

BUY / STREAM BROADSIDE BALLADS VOL. III HERE

MORE ABOUT THE DEEP DARK WOODS
Intertwined amongst their albums of original material, Deep Dark Woods has been steadily building up a series of releases called Broadside Ballads, focusing on traditional Irish, English, and Scottish folk songs. It's a fitting tribute to the music that influenced Ryan Boldt’s writing and singing since first forming the band, and like their forebears, Deep Dark Woods aims to take their own experiences of traditional music and create something new and vital. The songs in this collection mine some of the more brutal depths of human experience, touching on broken hearts, love, murder, and the act of leaving. Boldt notes that “there are not too many jolly songs in there”, but the album is not a dour affair, instead benefiting from tasteful, unstated arrangements and an organic, no-frills recording sound. The songs on Vol. III generously display Deep Dark Woods' deep-seated links to the past while still sounding just like themselves.

One might be tempted to think of the Deep Dark Woods as a band steeped in ‘capital-T’ tradition, and that may be true, but now nearly two decades into their life as one of Canada's finest folk-roots ensembles, that tradition is one of their own invention. The voice of founding member Ryan Boldt sits at the forefront of the band, and it doesn't take long to reveal that he is a master of subtlety and shading, working in the lineage of iconic singers like Bob Dylan, Bert Jansch, Rick Danko, and Jason Molina. Boldt, a relentless lifelong listener of music, says “It's all I do. When I'm not playing music, I'm listening to it, trying to find songs that make me feel an aching pain in my chest.” Accordingly, his singing is full of highly emotive nuance and an elegant, relaxed precision that makes it seem downright effortless, a perfect vehicle for the band's particular brand of updated folk music. 

WATCH / SHARE “SPANISH IS THE LOVING TONGUE” HERE

WATCH / SHARE “THE BANKS OF THE LOUGH ERNE FEAT. ERIN RAE” HERE

Fellow travellers like keyboard whiz Geoff Hilhorst, veteran drummer Mike Silverman, and Evan Cheadle round out the Deep Dark Woods unit, and they are often assisted by like-minded collaborators such as singer-songwriter Ellen Froese, Erik Nielsen, Leon Power, and the acclaimed duo Kacy & Clayton. This crew creates a powerful combination, and has amassed a pile of celebrated albums, EPs, and host of nominations from music awards outfits from across the country. Together they recall classic units like The Band, mid-period Wilco, and American Beauty-era Grateful Dead, but also legendary late '60s UK groups like Fairport Convention, Pentangle, and Steeleye Span. 

BUY / STREAM BROADSIDE BALLADS VOL. III HERE

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BROADSIDE BALLADS VOL III
1 The Banks of the Lough Erne (feat. Erin Rae) 
2 Brigg Fair 
3 My Lagan Love 
4 Spanish is The Loving Tongue 
5 The Cocky at Bungaree 
6 The Boatman 
7 Peggy Gordon 
8 Bridget O'Malley 

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