VIVEK SHRAYA RELEASES DELUXE VERSION OF NEW MODELS, SHARES “MORAL PANIC” FT. JEREMY DUTCHER

VIVEK SHRAYA CELEBRATES TRANSGENDER DAY OF VISIBILITY WITH THE DELUXE VERSION OF HER NEW RECORD, NEW MODELS

LISTEN / SHARE “MORAL PANIC” FT. JEREMY DUTCHER

BUY / STREAM NEW MODELS DELUXE VERSION HERE

Photo Credit : Paul Mpagi Sepuya // DOWNLOAD HIGH-RES

Today, multi-hyphenate artist Vivek Shraya is celebrating Transgender Day of Visibility by releasing the deluxe version of her latest album, New Models. The deluxe version includes reimaginings of two album tracks which feature Jeremy Dutcher (On “Moral Panic”), and Tanya Tagaq (on “Apathy Crisis”). 

“New Models was written in the past four years, during a time when trans rights around the world have been slowly and systematically chipped away,” explains Shraya. “I wanted to make something that pushed back against the hateful political rhetoric (“Groomer”) but also could be cathartic to queer and trans listeners (“When I’m Overcome”). I wanted to make something that could rally allies (“Apathy Crisis”) but I also wanted listeners to discover new perspectives and motivations on their own (“Moral Panic”). Often, I wasn’t even sure what I was making (“I Don’t Know Where I’m Going”) or if any of it mattered (“Am I Doing Enough?”).

“My relationship to International Transgender Day Of Visibility is similarly ambivalent. What I personally want for my communities is not necessarily visibility but safety and dignity. I also know that it’s seeing trans people that empowers me to keep existing and, crucially, to keep challenging my own assumptions about gender. 

“I offer this deluxe version of New Models, recharged by two artists I admire very much, Tanya Tagaq and Jeremy Dutcher, on this day, with the hopes that it acts as a reminder of the importance of collaboration and community during this time. I don’t believe visibility is the end goal, but I do think many of us are searching for the light and clarity right now and this can only come from working together, across our differences.

On the collaboration with Shraya on “Moral Panic”, Jeremy Dutcher says, “I’ve loved Vivek for a LONG time. Since first hearing her collaboration with the queer songbook orchestra in 2017, I’ve been eager for an opportunity to work together. In 2023, she joined me on stage in Calgary during the motewolonuwok tour and we dueted a song called ‘take my hand’. From then, I knew our voices would dance together in-step.  So when she asked me to be part of this upcoming project, it was an instant yes.

“The message in these lyrics are, for me, speaking of the hope and resilience of all the rainbow children in this world. It is an anthem to our strength; In the face of fear & hatred, our joy, love and kinship networks persist. This message is both timely and timeless when considering queer, embodied experiences.

“My approach to this song was to create an army of voices (a chorus) to be a bed on which Vivek can lay and share her truth.”

LISTEN / SHARE “MORAL PANIC” FT. JEREMY DUTCHER

MORE ABOUT VIVEK SHRAYA AND NEW MODELS
‘When I’m overcome with feeling / I have to break free from words and just sing.’ An inveterate writer, Vivek Shraya knows that fewer words can carry more weight. These first lines of her album, New Models, serve as both a thesis to the transcendent sonic experience to come, as well as an invitation to leave the burden of self-assuredness at the door. Don’t overthink—just listen. Just feel.

New Models is “me grappling with the state of the world over the past four years and eventually realizing that language, particularly English, had become so contorted and weaponized that the only way I could grieve, rage, and find comfort was to let go of it,” says Shraya. “How do you express the horror and helplessness of witnessing progress being rapidly undone—in words—when all you want to do is scream or cry?”

WATCH / SHARE “AM I DOING ENOUGH?” VIDEO

WATCH / SHARE “I DON’T KNOW WHERE I’M GOING” HERE

Shraya has dedicated much of her impressive artistic career to incisively articulating culturally loaded issues. Whether through her best-selling book I’m Afraid of Men (which Vanity Fair called “cultural rocket fuel”), her award-winning play-turned-CBC show, How To Fail As A Popstar, or her provocative visual art and installation work, Shraya has challenged the status quo by transcending her personal experiences into daring artworks. But it is music that first drew Shraya into the arts, and it’s on her 11th solo album, New Models, that Shraya redefines her musical trajectory with a bold display of boundary pushing done right.

This collection of hypnotically textured songs allows each listener to come to their own conclusions about the heavy subjects she conjures. Dread, disconnection, uncertainty—all are invoked through Shraya’s sparse, cutting lyrics, but it is her wordless vocal chanting that cuts the deepest. “How do you express—in words—the horror and helplessness of witnessing progress being rapidly undone,” Shraya explains, “when all you want to do is scream or cry?”

WATCH / SHARE “WHEN I’M OVERCOME” LYRIC VIDEO

For New Models, Shraya joined forces with long-time producer-engineer James Bunton (Donovan Woods, Celeigh Cardinal, Leanne Betasamosake Simpson). Shraya and Bunton connected a decade ago, when Shraya realized the notion of the self-producing “solo genius” was profoundly flawed, and her and Bunton have grown to share a deep bond and a common language, with Bunton producing most of Shraya’s recent music, from Part-Time Woman, her album with Queer Songbook Orchestra (2017) to her previous full-length album Baby, You’re Projecting (2023, Mint Records) and the subsequent duet versions of songs from that album with Jann Arden and Donovan Woods.

WATCH / SHARE “MORAL PANIC” (VISUALIZER) HERE

Vivek Shraya’s artistic practice has long been unrelentingly honest. She has never shied away from difficult feelings, whether harassment – her graphic novel with Ness Lee, Death Threat –  professional jealousy – as she explores on her podcast, I Won’t Envy –  or chronic pain – as in her new short film, Bodyrebuilding. What’s special about New Models is its insistence on moving through all the feelings possible. While no answers are uncovered, a deep desire for reconstruction and reconstitution glimmers. As Shraya intones, “everything works, until it doesn’t”—but just as crucially, “Everything hurts, until it doesn’t.” - Sam Boer

MORE ABOUT JEREMY DUTCHER
Jeremy Dutcher is a classically trained tenor, Two-Spirit song carrier, polymuse, activist, ethnomusicologist, and member of Neqotkuk (Tobique First Nation) in Eastern Canada. Dedicated to language revitalization, Jeremy’s debut album Wolastoqiyik Lintuwakonawa unearthed century-old archival recordings of his ancestors, turning them into collaborative compositions on the grand piano. Sung entirely in Wolastoqey, his endangered mother tongue, it would go on to win the 2018 Polaris Music Prize and lead to collaborations with such iconic artists as Yo-Yo Ma and Leslie Feist. His sophomore album Motewolonuwok ᒣᑌᐧᐁᓓᓄᐧᐁᒃ was awarded the 2024 Polaris Music Prize, making Jeremy the first ever two-time winner. Jeremy’s music transcends boundaries: unapologetically playful in its incorporation of classical and jazz influences, full of reverence for the traditional songs of his home, and teeming with the urgency of modern-day resistance. He is regularly sought out for his perspectives on queerness, Indigeneity, language revitalization, and fashion.

BUY / STREAM NEW MODELS DELUXE VERSION HERE

NEW MODELS DELUXE TRACKLIST
01 When I’m Overcome
02 Apathy Crisis
03 We’re In Pain
04 Groomer
05 Breaking Our Pattern
06 Moral Panic
07 Am I Doing Enough?
08 I Don’t Know Where I’m Going
09 Apathy Crisis ft. Tanya Tagaq
10 Moral Panic ft. Jeremy Dutcher

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Photo credit : Kirk Lisaj // DOWNLOAD HIGH-RES

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JEREMY DUTCHER SHARES NEW VIDEO, MOTEWOLONUWOK LP SHORT LISTED FOR THE 2024 POLARIS MUSIC PRIZE

WATCH A POWERFUL NEW BEHIND THE SCENES VIDEO WITH WICIW CHOIR

WATCH / SHARE WICIW CHOIR VIDEO HERE

MOTEWOLONUWOK AVAILABLE NOW VIA SECRET CITY RECORDS

BUY / STREAM MOTEWOLONUWOK HERE

(Still Image From WICIW Choir Video)

Jeremy Dutcher’s sophomore LP, Motewolonuwok – his defiant, healing and queer exploration of modern indigeneity – has been shortlisted for the prestigious Polaris Music Prize 2024, alongside Elisapie, Charlotte Cardin, Allison Russell and more. The winner will be announced during the gala in Toronto on September 17. 

As a previous winner of the Polaris Music Prize (2018), today, Jeremy is thrilled to share a moving new video to celebrate his nomination and unveil some of the processes behind the astonishing Motewolonuwok.

“There are lessons you’re taught and ones you come to know experientially — some are both.  The lesson is that ‘there is no better medicine than singing together’. Something I was told from a young age but didn’t truly internalize until the process of creating this last album, Motewolonuwok,” explains Dutcher.

“Bringing this album to fruition and insisting on its vision was one of the hardest things I’ve ever done — and it was only through the collective support of this amazing group of singers that it came to pass. The WICIW Choir was built from every corner of my life, bringing together the voices I admire most, and is made most beautiful by its inclusivity, truly an ensemble for every voice type. Getting to share some wolastoqey latuwewakon with these dear collaborators was a transformative experience for me; we can learn so much from teaching. From my depth, I give gratitude to each of these singers who gave this record it’s truly voice: the spirit of collectivity,” he concludes.

The WICIW Choir is : James Baley, Meghan Jamieson, Teiya Kasahara, Keith Lam, Jonathan MacArthur, Marion Newman, Lydia Persaud, Alex Samaras, Karen Weigold, Alanna Stuart, Katrina Westin.

 WATCH / SHARE WICIW CHOIR VIDEO HERE

Currently on tour, Dutcher recently performed at the International Montreal Jazz Festival, the Riddu Riđđu Indigenous Festival in Olmmáivággi, Norway, and the Vancouver Folk Festival.

He headlined Servant Jazz Quarters in London, England and played the Cambridge Folk Festival last week. Jeremy will be back on the road in Canada in August and September and will be performing with the NAC Orchestra in Ottawa on September 13, as well as opening for Feist at the FirstOntario Performing Arts Centre in St-Catharines on September 18. Tickets are on sale here.

MORE ABOUT JEREMY DUTCHER
With his most recent release – Motewolonuwok – Jeremy Dutcher was crowned in the UK as the MOJO Rising Artist for its September issue, with the record receiving ★★★★ from the magazine, stating, “there is real weight behind these songs, and Motewolonuwok carries it with sombre grace.” Rolling Stone France also shares the ★★★★ status calling the album “a total and captivating success,” while Télérama adds, “richly orchestrated, his intimate ballads unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience.”

BUY / STREAM MOTEWOLONUWOK HERE

Dutcher originally vaulted himself into the upper echelons of Canadian performance with his 2018 debut, Wolastoqiyik Lintuwakonawa. Since winning the Polaris Music Prize and JUNO Award, performing for NPR Tiny Desk, and collaborating with Yo-Yo Ma and Beverly Glenn-Copeland, in 2023 Dutcher returned with Motewolonuwok, a moving and radiant exploration of contemporary Indigeneity and his place within it, presenting his most expansive work yet. The new album also marked Dutcher’s first time writing and singing in English. A powerful invitation for collective healing and understanding, “Shared tongue is a beautiful gift, with a complicated reason,” Dutcher explains. “These new English songs are also a way of singing directly to the newcomer, or settler, in their own language — a direct line of communication that seeks to platform his community’s stories of healing, resilience, and emergence to all that may hear.”

Motewolonuwok heaves with dynamic orchestration and the inherent drama of grand piano, recalling a long line of artists who have turned the classical establishment on its head to deliver compositions that are doubly ecstatic and modern — luminaries such as Julius Eastman, Perfume Genius, Arthur Russell, Beverly Glenn-Copeland, and Merce Cunningham. More intimate and expansive than anything Dutcher has created before, Motewolonuwok hedges the line between storytelling and composition as both a transcendental protest record and an exploration of self. This is experimental pop as corrective medicine: a defiant, healing, and queer experience that fills any listener with power and wisdom.

PRAISE FOR MOTEWOLONUWOK

“Motewolonuwok” pulls from the sounds of renowned song carrier Maggie Paul, the flamboyant musicality of Jeff Buckley and the political sensibility of Nina Simone. Across 11 songs, Dutcher stares down the horrors of violence against Indigenous women and the suicide crisis, while drawing strength from the writings and music of his ancestors and peers." The Toronto Star, Best Music of 2023

Jeremy Dutcher's follow up to his Polaris Music Prize-winning debut is a work equally stunning in its beauty and raw emotional power. The arrangements complement a vital storytelling voice that's impossible to absorb without being brought to tears." - Exclaim!, Best of 2023 

★★★★ – Rolling Stone France

“There is revolution in this album… Motewolonuwok is about people rising up in the streets, about unity and community, about identity. Dutcher, who is a member of Neqotkuk (Tobique First Nation), shares an operatic timbre with Anohni, his songs transmitting a similar sense of spiritual commitment. There is real weight behind these songs, and Motewolonuwok carries it with sombre grace.” ★★★★ – MOJO

"While Motewolonuwok doesn't shy away from the painful experiences of Indigenous peoples Dutcher's gentle approach — to "rise in beauty" and forge a path forward with grace — is a powerful beacon of hope during these dark, divisive times" - CBC Music, Best Albums of 2023

“A captivating set, with Dutcher’s extraordinary and expressive vocals underpinned by orchestral arrangements... Mesmerising, magical and often deeply moving.” ★★★★ - The Morning Star

“Dutcher yearns earnestly in a powerful voice that lands somewhere between Anohni and Curtis Stigers, doling out lush soul ballads, which deal with land sovereignty and queerness” – Uncut

"After expanding the boundaries of sampling with the award-winning debut Wolastoqiyik Lintuwakonawa the classically trained tenor’s own range expands on Motewolonuwok. With flickers of jazz and pop and the occasional full orchestra, the composer sings in both Wolastoqey and English, inviting listeners to “take my hand / walk with me.” - The Globe and Mail, Best Albums of 2023

“As powerful as his lyrics, though, is Dutcher’s performance style.” – Vogue

“[Jeremy Dutcher] Brings forward the spirit of his people on this beautiful record.” — NPR Music

"Motewolonuwok is a landscape of rolling hills, gullies, open horizons and bright stars. It’s a defiant, gorgeous, collective taking-up of sonic space.” - RANGE Magazine, Best of 2023

“Richly orchestrated, his intimate walks unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience”. - Télérama

“The song [Skicinuwihkuk] is tender and lyrical, but also takes flight on a wave of orchestral sound that amplifies the song’s emotional content” – WNYC “New Sounds” 

Digital album artwork for Motewolonuwok // DOWNLOAD HIGH-RES

JEREMY DUTCHER TOUR DATES // TICKETS HERE
Aug 2-4 – Canmore, CA @ Canmore Folk Festival
Aug 8-9 – Lunenburg, CA @ Lunenburg Folk Harbour Festival
Aug 20-21 – Bonne Bay, CA @ Writers at Woody Point
Sep 13 – Ottawa, CA @ NAC *performing with the NAC orchestra
Sep 18 – Ste-Catharines, CA @ FirstOntario Performing Arts Centre
Sep 20 – Kingston, CA @ Isabel Bader Centre for the Performing Arts
Oct 25-26 – Halifax, CA @ Rebecca Cohn Auditorium


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JEREMY DUTCHER TO PERFORM LIVE AT THE 2024 JUNO AWARDS BROADCAST

TUNE IN MARCH 24 ON CBC TO WATCH JEREMY DUTCHER PERFORM LIVE AT THE 2024 JUNO AWARDS

CBC LIVE AT MASSEY HALL CONCERT - NOW AVAILABLE ON CBC GEM

IN CONCERT FOR LA NUIT BLANCHE DE MONTRÉAL, MARCH 2 AT ICI MUSIQUE

PERFORMING AT THE JUNO SONGWRITERS’ CIRCLE ON MARCH 22

BUY / STREAM MOTEWOLONUWOK HERE

Photo credit: Kirk Lisaj // DOWNLOAD HIGH-RES

Jeremy Dutcher is thrilled to announce he will be performing at the JUNO Awards this year alongside Elisapie, on top of being a nominee in the Adult Contemporary Album of the Year category for his album Motewolonuwok. The TV broadcast will be live on Sunday, March 24 on CBC. Dutcher will also be participating in the JUNO Songwriters’ Circle on Friday March 22, a discussion amongst this year’s nominees to talk about the essence of music in its purest form: the song itself.

The classically trained Two-Spirit song carrier, composer, activist, and member of Neqotkuk (Tobique First Nation) in Eastern Canada is also sharing his CBC Live at Massey Hall concert today on CBC Gem. Filmed during his last performance in the sold-out venue last Fall in Toronto, the concert is now available. This series features artists such as The Beaches, Charlotte Cardin, Charlotte Day Wilson, July Talk, and more.

CBC LIVE AT MASSEY HALL CONCERT - NOW AVAILABLE ON CBC GEM

Before heading to the United States, Jeremy Dutcher will take part in Nuit blanche in Montreal on March 2 to give a unique concert part of the ICI Musique series Sur mesure démesuré,  with special guest Safia Nolin. Join us in the Radio-Canada Hall at 11pm. 

BUY / STREAM MOTEWOLONUWOK HERE

Dutcher originally vaulted himself into the upper echelons of Canadian performance with his 2018 debut, Wolastoqiyik Lintuwakonawa. Since winning the Polaris Music Prize, JUNO Award, performing for NPR Tiny Desk, and collaborating with Yo-Yo Ma and Beverly Glenn Copeland, in 2023 Dutcher returned with Motewolonuwok, a moving and radiant exploration of contemporary Indigeneity and his place within it, presenting his most expansive work yet. The new album also marked Dutcher’s first time writing and singing in English. A powerful invitation for collective healing and understanding, “Shared tongue is a beautiful gift, with a complicated reason,” Dutcher explains. These new English songs are also a way of singing directly to the newcomer, or settler, in their own language — a direct line of communication that seeks to platform his community’s stories of healing, resilience, and emergence to all that may hear.

Motewolonuwok heaves with dynamic orchestration and the inherent drama of grand piano, recalling a long line of artists who have turned the classical establishment on its head to deliver compositions that are doubly ecstatic and modern — luminaries such as Julius Eastman, Perfume Genius, Arthur Russell, Beverly Glenn-Copeland, and Merce Cunningham. More intimate and expansive than anything Dutcher has created before, Motewolonuwok hedges the line between storytelling and composition as both a transcendental protest record and an exploration of self. This is experimental pop as corrective medicine: a defiant, healing, and queer experience that fills any listener with power and wisdom.

PRAISE FOR MOTEWOLONUWOK
"After expanding the boundaries of sampling with the award-winning debut Wolastoqiyik Lintuwakonawa – which built postclassical arrangements around archival wax-cylinder recordings of Dutcher’s ancestral music from the Wolastoqey Nation – the classically trained tenor’s own range expands on Motewolonuwok. With flickers of jazz and pop and the occasional full orchestra, the composer sings in both Wolastoqey and English, inviting listeners to “take my hand / walk with me.” The Globe and Mail, Best Albums of 2023

“There is revolution in this album… Motewolonuwok is about people rising up in the streets, about unity and community, about identity. Dutcher, who is a member of Neqotkuk (Tobique First Nation), shares an operatic timbre with Anohni, his songs transmitting a similar sense of spiritual commitment. There is real weight behind these songs, and Motewolonuwok carries it with sombre grace.” ★★★★ – MOJO
“Motewolonuwok” pulls from the sounds of renowned song carrier Maggie Paul, the flamboyant musicality of Jeff Buckley and the political sensibility of Nina Simone. Across 11 songs, Dutcher stares down the horrors of violence against Indigenous women and the suicide crisis, while drawing strength from the writings and music of his ancestors and peers."
The Toronto Star, Best Music of 2023

“A captivating set, with Dutcher’s extraordinary and expressive vocals underpinned by orchestral arrangements... Mesmerising, magical and often deeply moving.” ★★★★
- The Morning Star
Jeremy Dutcher's follow up to his Polaris Music Prize-winning debut is a work equally stunning in its beauty and raw emotional power. Musically, Dutcher is a talent on the level of Sufjan Stevens, with operatic vocals comparable to the arresting, passionate artistry of ANOHNI. Motewolonuwok is a more expansive album than its landmark predecessor, with the Tobique First Nations composer choosing to express songs in both Maliseet-Passamaquoddy and English while also blending cultures with jazzier full-band arrangements. These arrangements complement a vital storytelling voice that's impossible to absorb without being brought to tears." Exclaim!, Best of 2023  

“Dutcher yearns earnestly in a powerful voice that lands somewhere between Anohni and Curtis Stigers, doling out lush soul ballads, which deal with land sovereignty and queerness” - Uncut

"Motewolonuwok invites us into a larger, expanded world. Language revitalization is still at the core of Dutcher's work, continuing the goals of his Polaris Music Prize-winning debut, Wolastoqiyik Lintuwakonawa, but Wolastoqey now shares space with English-language songs meant to speak more directly to non-Indigenous listeners. While Motewolonuwok doesn't shy away from the painful experiences of Indigenous peoples Dutcher's gentle approach — to "rise in beauty" and forge a path forward with grace — is a powerful beacon of hope during these dark, divisive times" CBC Music, Best Albums of 2023

“As powerful as his lyrics, though, is Dutcher’s performance style.” – Vogue

“[Jeremy Dutcher] Brings forward the spirit of his people on this beautiful record.” — NPR Music

"Motewolonuwok is a landscape of rolling hills, gullies, open horizons and bright stars. The Two-Spirit 2018 Polaris Music Prize winner composes this scene with an earthbound orchestra and populates it with 12-person choirs made up of his close friends. It’s a defiant, gorgeous, collective taking-up of sonic space, brought to an emotional fulcrum on “The Land That Holds Them.” RANGE Magazine, Best of 2023

“Richly orchestrated, his intimate walks unfold an intense dramaturgy to transcend the pain of oppression and express the soothing beauty of resilience”. - Télérama

JEREMY DUTCHER TOUR DATES:
March 16 2024 – Princeton, NJ – McCarter Theatre Center
March 19 2024 – Philadelphia, PA – World Cafe Live
Match 20 2024 – New York City, NY – Lincoln Center

JEREMY DUTCHER ONLINE 
WEBSITE
FACEBOOK
INSTAGRAM
TIKTOK  

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FACEBOOK
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