WINTERSLEEP ANNOUNCES 2026 TOUR DATES, NEW ALBUM OUT MARCH 27

2026 U.K. & EUROPEAN TOUR DATES COMMENCE APRIL 10, CANADIAN TOUR DATES BEGIN ON MAY 9, TICKETS ON SALE ON NOVEMBER 14 HERE, FULL DATES BELOW

WINTERSLEEP RETURNS WITH NEW ALBUM, WISHING MOON, OUT MARCH 27, 2026 VIA DINE ALONE RECORDS

BUY / STREAM “I GOT A FEELING” HERE

WATCH / SHARE “I GOT A FEELING”(LIVE PERFORMANCE VIDEO) HERE

WISHING MOON VINYL PRE-ORDERS HERE

PRE-SAVE WISHING MOON HERE

Photo Credit : Justin Rix // DOWNLOAD HIGH-RES

On November 7, Wintersleep announced the March 27 release of Wishing Moon, their eighth studio album and first record in six years. Today the Canadian indie-rock veterans are revealing an extensive tour across the U.K, Europe and Canada beginning April 10. Tickets go on sale on November 14 HERE and all dates are listed below. 

It’s no easy thing to sustain a band for more than 20 years. To come together and nurture an artistic project across two decades is a statement of belief: in oneself, in one’s bandmates, in the profound connections produced by the creative process, and in the richness of the world around us—since all art is a result of having noticed what it feels like to live here, and the drive to make sense of that feeling. 

Wintersleep belong to this group of artists. At this stage in their career, the celebrated band’s five members—principal vocalist and guitarist Paul Murphy, guitarist Tim D’Eon, keyboardist Jon Samuel, bassist Chris Bell, and drummer Loel Campbell—are possessed of a deep gratitude and humility that accompany any creatives who get to make a life-long go of making art with the people they love. But there are still wonderful mysteries and shadowy corners of experience that they have yet to uncover.

Recorded at producer Nicolas Vernhes’ (The War on Drugs, Spoon) studio in the Mojave Desert near Pioneertown, the collection of Wishing Moon’s 12 songs evidences a renewed vitality and energy: The band’s branches of prog-, indie-, folk-, and alternative-rock are in full bloom, stretching skyward with grateful, open, curious hearts. 

Also on November 7, the band shared the lead single “I Got A Feeling”, a shot across the bow announcing this new era. Palm-muted guitar, humming bass, and motorik drums drive out of the gate. By the time vocalist Paul Murphy’s familiar tenor cuts in, the band is tensing toward full gear. The leash comes off as the chorus rips across the sky with uncommon guitar grit and presence—immediate evidence of the band’s up-close, off-the-floor recording process. It’s a glorious garage-rock romp, a perfect alchemy of the jubilation and grandeur that mark Wintersleep’s work. 

“This was a special song that came to us late in the pre-production phase of the recording,” the band says. “It might have been the last song we demoed for the record. We were packing up at our rehearsal space in Great Village Nova Scotia and we by some miracle had time to fit in one more. It immediately came together. This song started to morph into something more in Pioneertown. Our collaborator, Nicolas Vernhes, had the idea to hold off on the main riff until the second verse, which gives it this really suspenseful feeling building on this one note until the chorus. That feeling it created got us shaking up the chords in the chorus which really highlighted and pushed the tension and energy up another level. Lyrically it centres around that kind of excited anticipation. That moment when you know that someone special you care about, cares about you too.”

BUY / STREAM “I GOT A FEELING” HERE

WATCH / SHARE “I GOT A FEELING” (LIVE PERFORMANCE VIDEO) HERE

Single Cover // DOWNLOAD HIGH-RES

MORE ABOUT WISHING MOON
Wishing Moon crackles with the energy of that sort of reinvigoration. The opening title track throbs with a Wurlitzer electric piano before bass and drums set off at a steady clip, setting a dreamy kraut-rock scene that builds, slowly, to a crescendo of hammered keys and soaring guitars while Murphy cries on the chorus: ‘Temperamental, I’m alive, I’m alone/Transcendental, I’m alive, I’m alone’. “Stranger Now” follows, with heavy desert-rock chording and sand-smoothed fuzz leads. (D’Eon attributes the record’s atmosphere and macabre grooves to the Mojave, famously channeled in the ominous, titanic riffing of bands like Kyuss and Queens of the Stone Age.) “The band’s always at its strongest when there’s a fundamental groove that’s rolling along,” remarks Campbell. “I just felt a natural gravitation when we got into the room, like this propulsion and relentlessness. There’s a certain meditation within the grooves.”

“Wait for the Tide” recalls pre-Wintersleep days, even, when Murphy and D’Eon created post-hardcore and prog-rock chaos in their high school band Kary. “My Mind Always” centers on a hypnotic, off-kilter acoustic riff, an unsettling, stoned sway of a love song. “Abyss” is an alt-rock endtimes anthem, feeling like it’s ready to pull apart at the seams at any moment despite its major-key gallop: ‘We’re living in the abyss now/In the life affirming bliss!’ Murphy sings. 

For Murphy, the record demonstrates a band that still takes chances. “We wanted to shake it up and do something more challenging,” he explains. That desire is partly why they chose to work with Vernhes, a producer they’d never created with. “We needed that energy of not knowing,” he continues. “I remember thinking that it should be uncomfortable, because it’s like getting in touch with who you are again, individually and as a group. Songs are really intimate things, and getting a song right on a record is a really intimate process. I think of collaboration with producers as a mirror, and felt especially in this case, it revealed a lot. Most importantly, I think Wishing Moon just has this living, breathing quality.”

PRE-SAVE WISHING MOON HERE

WINTERSLEEP ON TOUR
Friday, April 10, 26 Newcastle, UK - Little Buidings
Saturday, April 11, 26 Glasgow, UK - King Tuts
Sunday, April 12, 26 Manchester, UK - Deaf Institute
Monday, April 13, 26 Birmingham, UK - Hare & Hounds
Tuesday, April 14, 26 London, UK - The Lower Third
Thursday, April 16, 26 Paris, FR - Supersonic
Saturday, April 18, 26 Amsterdam, NL - Upstairs @ Paradiso
Sunday, April 19, 26 Cologne, DE - Garagen
Tuesday, April 21, 26 Hamburg, DE - Molotow
Thursday, April 23, 26 Berlin, DE - Mikropol
Saturday, April 25, 26 Zurich, CH - Bogen F
Saturday, May 9, 26 Saint John, NB Imperial Theatre
Sunday, May 10, 26 Moncton, NB Capitol Theatre
Monday, May 11, 26 Fredericton, NB The Playhouse
Thursday, May 14, 26 Windsor, NS Mermaid Theatre of Nova Scotia
Saturday, May 16, 26 Halifax, NS Marquee Ballroom
Thursday, June 4, 26 Victoria, BC Capitol Ballroom
Saturday, June 6, 26 Vancouver, BC Hollywood Theatre
Sunday, June 7, 26 Kelowna, BC Revelry Food + Music Hub
Wednesday, June 10, 26 Edmonton, AB The Starlite Room
Thursday, June 11, 26 Calgary, AB The Palace Theatre
Friday, June 12, 26 Saskatoon, SK The Capitol Music Club
Saturday, June 13, 26 Winnipeg, MB Park Theatre
Wednesday, June 17, 26 London, ON London Music Hall
Thursday, June 18, 26 Hamilton, ON Bridgeworks
Friday, June 19, 26 Toronto, ON Masonic Temple - The Concert Hall
Saturday, June 20, 26 Ottawa, ON The Bronson

DOWNLOAD HIGH-RES

WISHING MOON TRACKLIST
01 Wishing Moon
02 Stranger Now
03 I Got A Feeling
04 Wait For The Tide
05 My Mind Always
06 Gale
07 After You
08 Abyss
09 Redrawn
10 You & I
11 All Eyes
12 Like A God

WINTERSLEEP ONLINE
WEBSITE
INSTAGRAM
FACEBOOK
YOUTUBE
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WINTERSLEEP RETURNS WITH FIRST NEW PROJECT IN SIX YEARS, ANNOUNCES UPCOMING ALBUM

WINTERSLEEP RETURNS WITH NEW ALBUM, WISHING MOON, OUT MARCH 27, 2026 VIA DINE ALONE RECORDS

BUY / STREAM “I GOT A FEELING” HERE
WATCH / SHARE “I GOT A FEELING”(LIVE PERFORMANCE VIDEO) HERE

WISHING MOON VINYL PRE-ORDERS HERE

TOUR DATES TO BE ANNOUNCED ON NOVEMBER 10

PRE-SAVE WISHING MOON HERE

Photo Credit : Justin Rix // DOWNLOAD HIGH-RES

It’s no easy thing to sustain a band for more than 20 years. To come together and nurture an artistic project across two decades is a statement of belief: in oneself, in one’s bandmates, in the profound connections produced by the creative process, and in the richness of the world around us—since all art is a result of having noticed what it feels like to live here, and the drive to make sense of that feeling. 

Canadian indie-rock veterans Wintersleep belong to this group of artists. At this stage in their career, the celebrated band’s five members—principal vocalist and guitarist Paul Murphy, guitarist Tim D’Eon, keyboardist Jon Samuel, bassist Chris Bell, and drummer Loel Campbell—are possessed of a deep gratitude and humility that accompany any creatives who get to make a life-long go of making art with the people they love. But there are still wonderful mysteries and shadowy corners of experience that they have yet to uncover.

With seven critically acclaimed full-length records behind them, and six years passed since their 2019 LP In The Land Of, Wintersleep are stirring again. Wishing Moon, the band’s eighth album, will arrive on March 27th, 2026 via Dine Alone Records. Recorded at producer Nicolas Vernhes’ (The War on Drugs, Spoon) studio in the Mojave Desert near Pioneertown, the collection of 12 songs evidences a renewed vitality and energy: The band’s branches of prog-, indie-, folk-, and alternative-rock are in full bloom, stretching skyward with grateful, open, curious hearts. 

Today, they share the lead single “I Got A Feeling”, a shot across the bow announcing this new era. Palm-muted guitar, humming bass, and motorik drums drive out of the gate. By the time vocalist Paul Murphy’s familiar tenor cuts in, the band is tensing toward full gear. The leash comes off as the chorus rips across the sky with uncommon guitar grit and presence—immediate evidence of the band’s up-close, off-the-floor recording process. It’s a glorious garage-rock romp, a perfect alchemy of the jubilation and grandeur that mark Wintersleep’s work. 

“This was a special song that came to us late in the pre-production phase of the recording,” the band says. “It might have been the last song we demoed for the record. We were packing up at our rehearsal space in Great Village Nova Scotia and we by some miracle had time to fit in one more. It immediately came together. This song started to morph into something more in Pioneertown. Our collaborator, Nicolas Vernhes, had the idea to hold off on the main riff until the second verse, which gives it this really suspenseful feeling building on this one note until the chorus. That feeling it created got us shaking up the chords in the chorus which really highlighted and pushed the tension and energy up another level. Lyrically it centres around that kind of excited anticipation. That moment when you know that someone special you care about, cares about you too.”

BUY / STREAM “I GOT A FEELING” HERE
WATCH / SHARE “I GOT A FEELING” (LIVE PERFORMANCE VIDEO) HERE

Single Cover // DOWNLOAD HIGH-RES

MORE ABOUT WISHING MOON
Wishing Moon crackles with the energy of that sort of reinvigoration. The opening title track throbs with a Wurlitzer electric piano before bass and drums set off at a steady clip, setting a dreamy kraut-rock scene that builds, slowly, to a crescendo of hammered keys and soaring guitars while Murphy cries on the chorus: ‘Temperamental, I’m alive, I’m alone/Transcendental, I’m alive, I’m alone’. “Stranger Now” follows, with heavy desert-rock chording and sand-smoothed fuzz leads. (D’Eon attributes the record’s atmosphere and macabre grooves to the Mojave, famously channeled in the ominous, titanic riffing of bands like Kyuss and Queens of the Stone Age.) “The band’s always at its strongest when there’s a fundamental groove that’s rolling along,” remarks Campbell. “I just felt a natural gravitation when we got into the room, like this propulsion and relentlessness. There’s a certain meditation within the grooves.”

“Wait for the Tide” recalls pre-Wintersleep days, even, when Murphy and D’Eon created post-hardcore and prog-rock chaos in their high school band Kary. “My Mind Always” centers on a hypnotic, off-kilter acoustic riff, an unsettling, stoned sway of a love song. “Abyss” is an alt-rock endtimes anthem, feeling like it’s ready to pull apart at the seams at any moment despite its major-key gallop: ‘We’re living in the abyss now/In the life affirming bliss!’ Murphy sings. 

For Murphy, the record demonstrates a band that still takes chances. “We wanted to shake it up and do something more challenging,” he explains. That desire is partly why they chose to work with Vernhes, a producer they’d never created with. “We needed that energy of not knowing,” he continues. “I remember thinking that it should be uncomfortable, because it’s like getting in touch with who you are again, individually and as a group. Songs are really intimate things, and getting a song right on a record is a really intimate process. I think of collaboration with producers as a mirror, and felt especially in this case, it revealed a lot. Most importantly, I think Wishing Moon just has this living, breathing quality.”

PRE-SAVE WISHING MOON HERE

DOWNLOAD HIGH-RES

WISHING MOON TRACKLIST
01 Wishing Moon
02 Stranger Now
03 I Got A Feeling
04 Wait For The Tide
05 My Mind Always
06 Gale
07 After You
08 Abyss
09 Redrawn
10 You & I
11 All Eyes
12 Like A God

WINTERSLEEP ONLINE
WEBSITE
INSTAGRAM
FACEBOOK
YOUTUBE
TIKTOK

WINTERSLEEP SHARE NEW VIDEO FOR “FREE FALL”

WATCH AND SHARE “FREE FALL” HERE

“FREE FALL” / “FADING OUT” OUT NOW VIA DINE ALONE

LISTEN AND SHARE “FREE FALL” / “FADING OUT” HERE

CANADIAN TOUR DATES CONTINUE OCTOBER 3

WS_web4_ScottMunn.jpg

Photo Credit: Scott Munn // DOWNLOAD HIGH-RES


Today, Wintersleep are sharing the video for their new track “Free Fall”. Released digitally alongside “Fading Out” earlier this month - the songs having originally been an exclusive 7" for Record Store Day - the “Free Fall” video lands just as the band get their EU / UK tour underway. “Free Fall” again sees the band link up with award-winning film-maker Christopher Mills - creator of their astonishing animated video for “Forest Fire” - who offered the following thoughts on project:

"For me, this song is the sound of the wind if you're in a forever fall through a bright and colourful sky. If you were falling into infinity, it seems likely that, at some point, the world around you would become abstract, and you might imagine people falling around you, or the shapes of their bodies absorbed into clouds that would then shift and evaporate into even more abstract shapes.

The urgency of this music, romantically embracing what could be our last epic journey of a plastic-congested spin around the earth was something I wanted to turn into a bright and flashing dance video you could put up on your video projector with your friends. The construction of this idea and world is a bit like taking an old spinning rolodex, and adding layers upon layers of clouds, atmosphere, and people. Free Fall wanted to feel like a sort of cuckoo clock like installation that could sit on your desktop, for you to get lost in. Static paintings find their movement through spinning layers, and data-moshing. The video ends with a sombre reflection of the last fall from grace into a plastic polluted, dystopian sea, no less beautiful because of its floating forms, and endless blue colours." 

WATCH AND SHARE “FREE FALL” HERE

“Free Fall” and “Fading Out” mark the latest in a particularly fruitful release period for the band, having earlier this year put out their seventh full-length album In The Land Of – a long-listed album for the Polaris Music Prize. Last week, the band received a further three Music Nova Scotia nominations, for Alternative Recording, Group Recording and Best Video for “Forest Fire”. They also contributed a track, “The Twist”, to the recent Tiny Changes - A Celebration of The Midnight Organ Fight (Atlantic Records) release, a tribute to the late Frightened Rabbit singer Scott Hutchison, to whom the band had become close co-conspirators.

Like all Wintersleep records, In the Land Of encourages thought and introspection. The new record’s title is an incomplete thought, a blank that is filled in across the record with different places, words, and sounds. “Free Fall” and “Fading Out” mark themselves out as outstanding additions to the band’s canon – proud extensions to the album - all thoughtful anthemia and rousing, sky-high melodies.

The band says of them, "These are both songs we’re incredibly proud of recording and sharing with you. ‘Free Fall’ is a really exciting song for us. It taps into our love of progressive rock songwriting. We kept it off In the Land Of because it has such a strong identity on its own. ‘Fading Out’ is a sort of bridge from Great Detachment to In the Land Of era of songs, completed a bit too late to be included with Great Detachment but one of the first tracks we worked on when we started getting ready for In the Land Of. It’s interesting as it sort of gave In the Land Of a direction but ended up being a bit of an outlier. It has this neat guitar line that somehow ties in sonically with ‘Free Fall’ and feels like a really good accompanying track. Both songs centre around the idea of dissolution. ‘Fading Out’ starts as a sort of conversation about a dissolving relationship. ‘Free Fall’ around the idea of coming to terms with the death of a loved one, how to continue living with someone after they have passed, taking the relationship forward into the future."

LISTEN AND SHARE “FREE FALL” / “FADING OUT” HERE

This month, Wintersleep are on the road with tour dates throughout Europe and the UK, before heading home to play a number of dates in North America. Full tour dates can be found below. The JUNO Award winners have previously toured several continents and shared stages with Pearl Jam, Editors, The Maccabees, Frightened Rabbit, Broken Social Scene and The Hold Steady, a performance on Late Night with David Letterman and even an opening slot for Sir Paul McCartney.

TOUR DATES
18th Sept // Germany, Wiesbaden // Schlachthof **
19th Sept // Belgium, Antwerp // Trix Bar **
20th Sept // Netherlands, Amsterdam // Cinetol **
21st Sept // France, Paris //  Secret Show
23rd Sept // UK, Manchester // The Castle Hotel ^
24th Sept // UK, Glasgow // Venue TBA ^
25th Sept // Ireland, Dublin // Grand Social ^
27th Sept // UK, London // Omeara ^
3rd Oct // Oshawa, ON // Music Hall Concert Theatre 
4th Oct // Midland, ON // Midland Cultural Centre
5th Oct // St. Catharines, ON // Cicada Music & Arts Festival 
1st Nov // Toronto, ON // The Great Hall
2nd Nov + 3rd Nov // Burnstown, ON // Neat Café 
9th Nov // Underwater Sunshine Festival // NY, NY

** = Support from Cascade Lakes
^ = Support from FISKUR

Buy tickets here

WS_S_cover_FF.jpg

“Free Fall” / “Fading Out” artwork by Hayden Menzies
 //  DOWNLOAD HIGH-RES


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