BADBADNOTGOOD SHARES "LAVENDER" FEATURING KAYTRANADA

LISTEN TO “LAVENDER” FT. KAYTRANADA VIA THE FADER 

IV OUT JULY 8 VIA ARTS & CRAFTS

"kicking the jazz world's ass back into relevancy." - VICE

"a brash attitude and youthful energy winning out over technique." - NPR

"...even given the fairly proud lineage of wild musical juxtaposition, these kids are making waves." - The Guardian

PHOTO CREDIT : CONNOR OLTHUIS

After recently announcing their forthcoming album IV and sharing its lead single, featuring Samuel T. Herring,BADBADNOTGOOD are back to share a new Kaytranada-assisted album cut. "Lavender" picks up where BADBADNOTGOOD and Kaytranada left off with "Weight Off", the BADBADNOTGOOD-featuring song from 99.9% and explores even more alien-sounding sonic terrain.

Speaking about the collaboration, BADBADNOTGOOD said, "We made Lavender amongst many other songs and samples with Kaytranada in our home studio 'Studio 69'. Kay started the idea as a beat with our drum breaks and some synth melodies. Then we recut the drums and synth to formulate a song with more sections. Kay came back to Toronto and gave us that hot lead melody as well as percussion and we all finalized the arrangement. It's an incredible honor to call Kay a close friend of ours; he is a talent like no other."

LISTEN TO “LAVENDER” FT. KAYTRANADA VIA THE FADER

Its release comes on the heels of BADBADNOTGOOD wrapping a run of North American tour dates, which was capped off by a performance at House of Vans in Brooklyn with DIIV and Sunflower Bean last week. Full tour dates can be found below.

Like musical theatre and scripted television, jazz and hip-hop are uniquely, undeniably North American art forms. Though the latter genre was born out of funk and disco in the late 1970s, many of its landmark artists embody the ethos of jazz: loose, visceral, instinctive. Some hip-hop acts, A Tribe Called Quest, or more recently Kendrick Lamar have successfully repurposed jazz, but the older genre has seldom made successful inroads into new generations of rap fans. And that's what makes BADBADNOTGOOD, the four-piece, Toronto-bred jazz outfit that has melded jazz and instrumental hip-hop into something elusive, something altogether their own, so unique.

On their latest full-length effort, IV, BBNG decide to expand their universe, which was already one of the most compelling, labyrinthine worlds in pop music today. Saxophonist Leland Whitty, a long-time collaborator, joins Chester Hansen, Matthew Tavares, and Alexander Sowinski on a full-time basis; for the first time, guest vocalists are welcomed into the fold. Some artists find collaboration stressful and cluttering, but BBNG simply seems freer to chase down creative rabbit holes than ever before.

The effect is apparent immediately. See "Lavender," a collaboration with the Montreal-based producer Kaytranada, which pairs delicate, skittering production with a punishing low end. Or take the virtuosic closer, which underscores superb performances by Whitty and Tavares with a grande swell of strings. On "Hyssop of Love", upstart Chicago rapper Mick Jenkins moves languidly, stretching out taunts ("I heard your plug was drrrrry") before he snaps upright ("Never needed no dollars to prove worth"). The result is not just BBNG's most expansive, most dynamic effort to date, but their best. Lest anyone think the group is only concerned with blurring genre lines, the title track alone is enough to ensure the most discerning jazz purists will have to respect BBNG's technical chops.

IV is a master class in mood. The opening three-song suite, "And That, Too.", "Speaking Gently", and the Samuel T. Herring-assisted "Time Moves Slow", is a slow, slinking creep, like moving uneasily through an abandoned house. And while BBNG explores different tones on subsequent tracks, that feeling--the search, the push for the unknown--is the prevailing theme. "Chompy's Paradise" is peaceful and serene, but ends on an uncertain note, unresolved. Like most great artists before them, the quartet understands that it's more important to raise questions than to answer them.

LISTEN TO “TIME MOVES SLOW” FT. SAMUEL T. HERRING HERE

BADBADNOTGOOD ON TOUR

6/17 - Ballinough Castle, IRE @ Body & Soul
6/18 - Barcelona, SP @ Sonar Festival
6/19 - Hilvarenbeek, NL @ Best Kept Secret Festival
6/21 - Luxemburg, LX @ Rotondes
6/23 - Tel Aviv, ISR @ Barby
6/24 - Luzern, CH @ Sudpol
6/27 - London, UK @ Village Underground
6/28 - Paris, FR @ Trabendo
7/1 - Roskilde, DK @ Roskilde Festival
7/2 - Werchter, BE @ Rock Werchter
7/3 - Timisoara, RO @ JazzTM
7/23 - Oro-Medonte, ON @ WayHome Festival
8/5 - Buena Vista, CO @ Vertex Festival
8/6 - Happy Valley, OR @ Pickathon


BADBADNOTGOOD IV TRACKLIST

1. And That, Too
2. Speaking Gently
3. Time Moves Slow (Feat. Samuel T. Herring)
4. Confessions Pt. II (Feat. Colin Stetson)
5. Lavender (Feat. Kaytranada)
6. Chompy's Paradise
7. IV
8. Hyssop of Love (Feat. Mick Jenkins)
9. Stucture No. 3
10. In Your Eyes (Feat. Charlotte Day Wilson)
11. Cashmere

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SAM CASH & THE ROMANTIC DOGS REVEAL NEW VIDEO FOR “THAT WAS THE SUMMER”

SUMMER TOUR DATES WITH ZEUS, SAM ROBERTS, AND ARKELLS BEGIN THIS WEEK

TONGUE-IN-CHEEK VOWS OUT NOW VIA CAMERON HOUSE RECORDS

“an album for long summer drives down wide open highways, with the windows cranked all the way down” - Exclaim!

“El Camino guitar crunch … a killer shot of last-call Americana” - The Georgia Straight

“catchy hooks and clever lyrics” - VUE Weekly

“a set of crisp, smartly crafted power-pop flecked with Costello-style new wave” Sun Media

“World class” - Beatroute

WATCH AND SHARE “THAT WAS THE SUMMER” HERE

As Sam Cash & The Romantic Dogs get ready to spend some time on the road this summer, making stops with Zeus, Sam Roberts, and The Arkells, it’s only fitting that the Toronto songwriter reveal the new video for “That Was The Summer”. A track reminiscent of simpler times the video revisits Cash’s own upbringing with footage of himself as child in recording studios and playing bars well before he was legally supposed to. The video takes a look back at a time before “you start to lose focus on what it is you’re trying to do in the world,” says Cash. “I have wanted to be a working songwriter and musician since as early as I can remember, but, like any other prospective career, there have been road blocks that have caused me to question my talent and the reason for my goals. During one of these ‘existential slumps’ I uncovered some home video footage of me at various stages of musical aspiration, and in a funny way these clips reminded me that I have always been chasing this dream, and that I will continue to chase it for as long as I’m able. This is a reaffirmation to myself and to anyone else having doubts about their place in the world.”

Even though “That Was The Summer” is a nostalgic jam, Cash says that “in a way, I’m still trying to get back to the ideals, and fashion choices, of my 14 year old self. At the very least, this will by my mother’s most favorite music video of all time.”

WATCH AND SHARE “THAT WAS THE SUMMER” HERE

Out now on Cameron House Records, Cash’s latest record Tongue-In-Cheek Vows perfectly captures that moment when a young artist and his cohorts find their collective voice and suddenly realize that there are no limits to what they can accomplish together. The album is Cash’ third album and the second with the Romantic Dogs. It follows the group’s acclaimed 2013 debut,Stand Together, Fall Together, an album that earned more attention than even Cash was hoping for, given how spontaneously it was made. While the rambunctiousness that drew fans and critics to that album is on full display, Cash chose to take more time to develop Tongue-In-Cheek Vows. Working in tandem with producer and bona fide Canadian alt-rock legend Ian Blurton(Change Of Heart, C’Mon, Public Animal), Cash and the Dogs have served up 11 tracks brimming with lyrics as razor-sharp as the performances driving them. Those who have followed Cash’s development to this point are sure to be stunned by the self-awareness and insight into the human condition embedded in songs like the album’s first focus track “Tossing & Turning” as well as “That Was The Summer” and “Carmen,” from which the album’s title was drawn.

Those who have been around long enough will undoubtedly hear echoes of Cash’s father Andrew Cash, part of Toronto’s original punk rock community and later one of Canada’s most respected singer-songwriters. Yet, from the time Sam launched his own music career in his late teens, he’s forged his own uncompromising path toward establishing a name within the Toronto underground rock scene.

WATCH THE LIVE VIDEO FOR “TOSSING & TURNING” HERE

 

SAM CASH & THE ROMANTIC DOGS TOUR DATES

June 17 - Burlington, ON - Sound of Music Fest
June 18 - Toronto, ON - Great Heart Fest - Trinity Bellwoods Park (NXNE)
June 18 - Toronto, ON - Yonge & Dundas Square (NXNE) w/ Zeus
June 24 - Sarnia, ON - The Station Music Hall w/ Sam Roberts
July 15 - Toronto, ON - Horseshoe Tavern w/ Modern Space + Ferraro
July 21 - Belleville, ON - Empire Square w/ Sam Roberts & Glorious Sons
July 26 - Charlottetown PEI - Baba's
July 28 - Sydney , NS - The Governor’s Pub
July 29 - Halifax, NS- The Carelton
July 30 - Glasgow, NS - Riverfront Jubilee Fest w/ Arkells
July 31 - Moncton NB - Plan B

SAM CASH & THE ROMANTIC DOGS ONLINE

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THE PACK A.D. REVEALS NEW TRACK “FAIR ENOUGH”

VANCOUVER DUO’S UPCOMING ALBUM, POSITIVE THINKING, OUTAUGUST 12 VIA CADENCE MUSIC

 NORTH AMERICAN TOUR DATES CONTINUE THIS WEEK

LISTEN TO AND SHARE “FAIR ENOUGH” HERE

PRE-ORDER POSITIVE THINKING HERE

 

PHOTO: REBECCA BLISSETT

The Pack A.D.’s Becky Black and Maya Miller are two musicians who sound like five and know that that kind of shit takes work. They don’t have the time or patience to fuck around, which is why they’re out the door and on tour with a ferocious start to support their upcoming album, Positive Thinking and the first single “So What”. The first few weeks have been a smash, starting at home in Vancouver and tearing up rooms across Canada and now into the U.S.

The Georgia Straight says “So What” is “the sinfully sweet spot between shimmering ’90s shoegaze and hyperlush pop” while Exclaim! notes the song’s “series of in-the-red riffs” and The Vancouver Sun simply calls it “rollicking.” In the meantime “So What” has hit #43 on the National Commercial Alternative Rock Radio Chart after peaking at #1 on CBC Radio 3.

Now the drum pounding, gutted guitar duo from East Vancouver is ready to reveal another track from their upcoming LP.“Fair Enough” is about “the bubbles of illusion we inevitably draw around ourselves as a barrier against reality,” says Black. “The comforts of escapism.”

LISTEN AND SHARE “FAIR ENOUGH” HERE

Set for release on August 12 via Cadence Music, Positive Thinking is all carefully constructed chaos, crushing vulnerability, and massive swagger. Underneath the sprawl of its sonic infrastructure, singer/guitarist Black and drummer Miller — self described lifelong high school outcasts — traverse the hidden tunnels that connect all us damaged people together: anger, alienation, humour, sarcasm, sincerity, loneliness, grief.

“Positive Thinking explores the numbing day-to-day routine of depression and the fantastical ways that we look to mask it from ourselves and others,” Miller says. “The lyrics on this album are probably more personal to us than on any other record we've done.”

PRE-ORDER POSITIVE THINKING HERE

Engineered by Jesse Gander (White Lung, Bison, Japandroids) and mastered by Heba Kadry in Brooklyn’s Timeless Mastering, Positive Thinking isn’t a total overhaul of the Pack A.D. everybody knows and loves. But making this album—it was a reinvention, an old-school reckoning, and they’re better for it. We’re all better for it. “We’ve gone back and found the place where we started from,” Miller says. “This may have been one of the most difficult albums for us personally to work on but because of that, it's also been the most comfortable. There isn't a single moment where I feel like we've done any of it for anyone but ourselves.”

Fans can watch the sci fi inspired alien abduction video for “So What” now, which Noisey says is “as polished as it is grimy” and what CBC Music calls “visually stunning” and “a must-see.”

WATCH THE VIDEO FOR “SO WHAT” HERE

THE PACK A.D. ON TOUR
Jun 13 - Chicago, IL - Empty Bottle
Jun 14 - St. Paul, MN - Turf Club
Jun 16 - Saskatoon, SK - Bud’s On Broadway
Jun 17 - Red Deer, AB - Bo’s Bar
Jun 18 - Edmonton, AB - Brixx
Jun 21 - Spokane, WA - The Bartlett
Jun 22 - Portland, OR - Doug Fir Lounge
Jun 23 - Seattle, WA - Tractor Tavern

POSITIVE THINKING TRACKLIST
01 So What
02 Yes, I Know
03 Teenage Crime
04 Anyway
05 Medium
06 Los Angeles
07 Sorrow
08 Error
09 Gold Eyes
10 Is It So
11 Skin Me
12 Fair Enough


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